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Radio Television Hong Kong Performance Pledge 2015-16
RADIO TELEVISION HONG KONG PERFORMANCE PLEDGE 2015-16 This performance pledge summarizes the services provided by Radio Television Hong Kong (RTHK) and the standards you can expect. It also explains the steps you can take if you have a comment or a complaint. 1. Hong Kong's Public Service Broadcaster RTHK is the sole public service broadcaster in the Hong Kong Special Administrative Region (HKSAR). Its primary obligation is to serve all audiences - including special interest groups - by providing diversified radio, television and internet services that are distinctive and of high quality, in news and current affairs, arts, culture and education. RTHK is editorially independent and its productions are guided by professional standards set out in the RTHK Producers’ Guidelines. Our Vision To be a leading public service broadcaster in the new media environment Our Mission To inform, educate and entertain our audiences through multi-media programming To provide timely, impartial coverage of local and global events and issues To deliver programming which contributes to the openness and cultural diversity of Hong Kong To provide a platform for free and unfettered expression of views To serve a broad spectrum of audiences and cater to the needs of minority interest groups 2. Corporate Initiatives In 2015-16, RTHK will continue to enhance participation by stakeholders and the general public with a view to strengthening transparency and accountability; and will receive advice from the Board of Advisors on issues pertaining to its terms of -
Complaints Dealt with by the Communications Authority (“CA”) (Released on 7 June 2021)
Complaints dealt with by the Communications Authority (“CA”) (released on 7 June 2021) The CA considered the following case which had been deliberated by the Broadcast Complaints Committee (“BCC”) – Complaint Case Television Programme “The Pulse” (脈搏) broadcast by Radio Television Hong Kong (“RTHK”) The CA also considered one case of dissatisfaction with the decision of the Director- General of Communications (“DG Com”) on a complaint case. Having considered the recommendations of the BCC, the CA decided– 1. that the complaints against the television programme “The Pulse” (脈搏) were unsubstantiated and no further action should be taken against RTHK; and 2. to uphold the decision of the DG Com on a case of dissatisfaction with the decision of the DG Com. Details of the case are available in the Appendix. 7 June 2021 Case – Television Programme “The Pulse” (脈搏) broadcast from 6:00pm to 6:30pm on 28 March 2020 on RTHK TV 31 Channel of Radio Television Hong Kong (RTHK) 210 complaints were received about the captioned television programme. The main allegations were – (a) the presentation of the report on the views of Dr Tedros Adhanom Ghebreyesus (“Dr Tedros”), Director-General of the World Health Organization (“WHO”), on China’s contribution in fighting the pandemic was biased; (b) the voice-over’s remark about Taiwan being shut out by China and the WHO was not based on facts, biased and had the effect of instigating viewers’ antipathy towards the nation and the WHO; (c) the interview with Dr Bruce Aylward (“Dr Aylward”), Assistant Director- General of the WHO, distorted his speech and was unfair to him and had damaged his reputation. -
ATV, the Death of Television?
Beat: News ATV, The Death of Television? Oldest Hong Kong TV channel closes! Hong Kong, 07.04.2016, 04:04 Time USPA NEWS - The recently “˜deceased´ Asia Television Limited (ATV) in Hong Kong was the first television studio in the city. Being able to witness the death of a television channel may be an once-in-a-lifetime event, but this brings up the interesting discussion of the role of television in the modern world. The recently “˜deceased´ Asia Television Limited (ATV) in Hong Kong was the first television studio in the city. Known as Rediffusion when it was formed just after the war, it initially only provided a radio service for four hours a day. In 1957, it became the world´s first Chinese television channel and the first indigenous television channel in the entire British Empire. A decade after its first broadcast, it was renamed ATV and formed a duopoly with TVB (Television Broadcasts Limited), the city´s other free-to-air channel. It is unmistakable that ATV has a résumé that´s hard to match, but what caused it fail after all these years? Over the many decades of its operations, ATV has changed hands several times, each time into a more pro-Beijing business. Many analysts on newspapers and other television studios alike have agreed that gross mismanagement was to blame; this included anything from introducing incompatible management techniques to airing some of the most unpopular shows in the history of the company. Some programs ATV offered we so unpopular that polls showed they only had a 1% viewership rate. -
Overseas Regulatory Announcement
(Incorporated in Hong Kong with limited liability under the Companies Ordinance) (Stock Code: 1137) OVERSEAS REGULATORY ANNOUNCEMENT Please refer to the attached Form 20-F for the fiscal year ended 31 August 2008 which has been filed with the U.S. Securities and Exchange Commission on 16 January 2009 by the Company. By Order of the Board City Telecom (H.K.) Limited Lai Ni Quiaque Executive Director, Chief Financial Officer and Company Secretary Hong Kong, 19 January 2009 As at the date of this announcement, the executive directors of the Company are Mr. Wong Wai Kay, Ricky (Chairman), Mr. Cheung Chi Kin, Paul (Vice Chairman), Mr. Yeung Chu Kwong, William (Chief Executive Officer), Mr. Lai Ni Quiaque (Chief Financial Officer); the non-executive director is Mr. Cheng Mo Chi, Moses; and the independent non-executive directors are Mr. Lee Hon Ying, John, Dr. Chan Kin Man and Mr. Peh Jefferson Tun Lu. Table of Contents As filed with the Securities and Exchange Commission on January 16, 2009. UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, DC 20549 FORM 20-F REGISTRATION STATEMENT PURSUANT TO SECTION 12(B) OR 12(G) OF THE SECURITIES EXCHANGE ACT OF 1934 or ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(D) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended August 31, 2008 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(D) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from or or SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(D) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of event requiring this shell company report Commission file number: 333-11012 City Telecom (H.K.) Limited (Exact name of registrant as Specified in its Charter) Hong Kong Special Administrative Region, The People’s Republic of China (Jurisdiction of Incorporation or Organization) Level 39, Tower 1, Metroplaza No. -
The DNA of Hong Kong — the Bases 21
1 Table of Contents Executive Summary 3 Introduction and Background 6 Discovering the DNA of a City 12 The DNA of Hong Kong — The Bases 21 The DNA of Hong Kong — The Manifestations 33 – Connectivity 34 – Law and Justice 38 – Business Environment 43 – Culture 47 – Human Welfare 51 The DNA of Hong Kong 60 Illustrative Examples 65 The Future of Hong Kong’s DNA 86 2 Executive Summary (1/3) Discovering the DNA of a City All major cities, including Hong Kong, have a certain attitude and mindset that defines the people that live there. This is what differentiates a city from its peers. We could understand this as the “DNA” of a city: the values and behaviours that lead people to create the organisations, businesses and communities that make a city what it is. Challenged by both internal and external changes, Hong Kong is currently trying to determine what its future role in China, Asia and the world will be. But overcoming uncertainty about the future will need certainty about who we are and where we are now. By understanding the “DNA” of Hong Kong, we can build a framework to analyse what makes the city unique. The DNA framework proposed herein has four stages: the bases, macro-level structural factors that do not change in the long-term, help to shape the elements of Hong Kong’s DNA, which are the unique attitudes and mindsets held by Hong Kong’s residents. These elements are expressed by Hong Kong people as both positive and negative behaviours, and are manifested as the visible things we see in the city. -
Hong Kong Studies in the Age of China
Hong Kong Studies Vol. 3, No. 1 (Summer 2021) 27 transformation of objects in Cubism, Dada and Surrealism as well as Kafkaesque metamorphosis, rather than Lewis Carroll’s Alice’s Adventures in Wonderland which Au parallels in Chapter 3. Identifying more diverse modernist referents can potentially open up comparisons with more modernisms, which in turn help define Hong Kong modernism. ls Overall, this book is a commendable contribution to the a ri study of Leung’s works and Hong Kong modernism at te large not only to Sinologists and Chinese literature a M scholars, but also to a much wider audience in thed Anglophone world by connecting Leung’s workst eto modernisms, allowing valuable access to his large oeuvre,h ig mostly yet to be translated. It is a laudable ventureyr and is of immense value to scholars and readers ofo Hongp Kong literature near and far, who are encouraged Cto consult Au’s contributions and to further validate her findings: with the ss writings by other Hong Kong (modernist)re authors. P g Found in Transition: Hongn Kong Studies in the Age of China. By Chu Yiu-wai.o Albany, State University K of New York Press, 2018.g 296 pp. Hardcover. ISBN: 9781438471693. on H Reviewed by Pinkyo Luif Chung-man y Moved by the torrentsit of the Umbrella Movement in 2014 rs and the everve -shifting momentum of Hong Kong politics, Chu Yiun-iwai’s book, Found in Transition: Hong Kong Studies U in the Age of China (2018), presents a continuous effortse in dissecting Hong Kong as a place of memory and culture.ne It is a timely update on Chu’s previous book, Lost hiin Transition: Hong Kong Culture in the Age of China C (2013). -
ASIA TELEVISION HOLDINGS LIMITED 亞洲電視控股有限公司 (Incorporated in the Cayman Islands with Limited Liability) (Stock Code: 707)
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. ASIA TELEVISION HOLDINGS LIMITED 亞洲電視控股有限公司 (incorporated in the Cayman Islands with limited liability) (Stock Code: 707) FURTHER ANNOUNCEMENT OF AUDITED ANNUAL RESULTS FOR THE YEAR ENDED 31 DECEMBER 2019 Reference is made to the announcement of Asia Television Holdings Limited (the “Company” and together with its subsidiaries, the “Group”) dated 31 March 2020 in connection with the unaudited annual results for the year ended 31 December 2019 (the “Unaudited Annual Results Announcement”). Capitalised terms used herein, unless otherwise defined, shall have the same meanings as those defined in the Unaudited Annual Results Announcement. AUDITOR’S AGREEMENT ON THE ANNUAL RESULTS FOR THE YEAR ENDED 31 DECEMBER 2019 The Board of the Company is pleased to announce that the Group’s auditor, Moore Stephens CPA Limited, has completed its audit of the annual results of the Group for the year ended 31 December 2019 in accordance with Hong Kong Standards on Auditing issued by the Hong Kong Institute of Certified Public Accountants, including the financial figures in respect of the Group’s consolidated statement of financial position as at 31 December 2019, consolidated statement of profit or loss and other comprehensive income and consolidated cash flows statement for the year then ended, and the related notes thereto as set out thereto. -
Administration's Paper on Television Broadcast Frequency Channel Migration Arrangements
LC Paper No. CB(1)551/20-21(05) For discussion on 8 February 2021 Legislative Council Panel on Information Technology and Broadcasting Television Broadcast Frequency Channel Migration Arrangements Purpose This paper briefs Members on the progress of the switching off of analogue television (TV) services (or ASO in short) and the work plan of the Communications Authority (CA) on migrating the existing digital terrestrial TV (DTT) frequency channels operating in the 614-806 MHz band (600/700 MHz bands) after the implementation of full digital TV broadcast (Channel Migration). The Channel Migration aims at vacating relevant radio spectrum for high value-added mobile telecommunications services, including 5G. ASO 2. The implementation of full digital TV broadcast is a worldwide trend. In addition to providing better audio and picture quality, it also allows valuable spectrum resources to be utilised more efficiently. In February 2019, the Government announced that Hong Kong would switch off analogue TV services on 30 November 2020 (at 11:59 pm) and implement full digital TV broadcast on 1 December 2020 (at 00:00). 3. After the announcement, the Government commenced a series of preparatory work right away, including carrying out extensive promotion and publicity to remind analogue TV households to make timely preparations, launching the Community Care Fund Digital TV Assistance Programme to help analogue TV households in need to acquire digital TV equipment, as well as closely cooperating with free TV broadcasters to iron out the details of technical preparatory works. As Hong Kong formally entered the era of full digital TV broadcast on 1 December 2020, the relevant tasks on ASO had successfully been completed. -
Summary of Complaints Dealt with by the Broadcasting Authority (2000 - 2002)
CB(1)2197/02-03(01) Summary of Complaints Dealt With by the Broadcasting Authority (2000 - 2002) 1. Advice 1.1 Complaint Cases Related to Programmes Broadcast Programme Title Channel Contravention Date 29.11.1999 The Simpsons ATV World The crude language used in the programme was generally unacceptable for broadcast in the family viewing hours. 29.8.2001 Enlightenment Of Who ATV Home The programme provided an incorrect answer Wants To Be A to a question on the meaning of the three- Millionaire asterisks on the Hong Kong Identity Card of an adult. 8-10.10.2001 Broadcast of Teloped ATV Home The repeated and continuous rolling of teloped Message messages not related to the programmes in which they were screened would disrupt viewing pleasure. 6.8.2002 Meteor Garden ATV Home The end credits of the programme contained a sponsor's name which was a foul expression unacceptable for broadcast. 3.11.2002 Cultural Roots Of ATV Home The footage which described in detail the Hong Kong methods of raising a ghost child was unnerving to children and was not suitable for broadcast during the family viewing hours. 8.5.2000 J.S.G. Song Video TVB Jade The music video portrayed a dangerous act Corner which might invite imitation by children, and should not be broadcast within the family viewing hours. 9.6.2000 My Father My Hero TVB Pearl Cantonese instead of English, which was the designated language of TVB Pearl, was transmitted on the conventional sound channel for about four minutes. 14.6.2000 Mojacko TVB Jade The animation was a children’s programme which failed to convey a clear message to children viewers that gambling was undesirable. -
Estructura Mediática En China, Rusia E India Media Structures in China
Revista TELOS (Cuadernos de Comunicación e Innovación) - www.telos.es Autores invitados Autor/es: Ramón Reig y Antonio Javier Martín Ávila La comunicación en los países emergentes Estructura mediática en China, Rusia e India Communications in Emerging Nations Media Structures in China, Rusia and India RESUMEN: El propósito de este trabajo es establecer un mapa estructural de la situación comunicativa en China, Rusia e India, tres grandes potencias que de forma progresiva se han ido posicionando en el mercado mediático global. Palabras clave: Medios de comunicación, China, Rusia, India, Mercado ABSTRACT: The intention of this work is to establish a structural map of the communicative situation in China, Rusia and India, three big powers that progressive form haver been taking positioning in the media global market. Keywords: Mass media, China, Rusia, India, Market China Hasta el año 2004, las actividades de producción y gestión de radio y televisión, así como la producción cinematográfica de compañías de capital extranjero pertenecían a la categoría de ‘restringidas' y podía haber participación externa sin necesidad de un socio chino que tuviera un porcentaje accionarial mayoritario. A partir de 2007, en cambio, estas actividades han pasado a estar prohibidas. Con esta medida se limita el número de compañías extranjeras que pueden intervenir en el mercado chino y se preserva un margen de control para el gobierno. China Radio, Film and Television Group (CRFTG) El conglomerado mediático estatal China Radio, Film and Television Group (CRFTG) nació en el año 2001 con la intención de aglutinar todas las estaciones de difusión, compañías e instituciones que controla el State Administration of Radio, Film and Television (SARFT), es decir, el organismo chino encargado de que el sistema informativo del país funcione bajo los intereses del gobierno. -
How the Lion Rock Was Tempered: Early RTHK Dramas, Social Bonding, and Post-1967-Crisis Governance
Fall Symposium on Digital Scholarship 2020 @HKBU October 20, 2020 via Zoom How the Lion Rock Was Tempered: Early RTHK Dramas, Social Bonding, and Post-1967-Crisis Governance Dr. Kwok Kwan Kenny NG Associate Professor, Academy of Film, Hong Kong Baptist University Joy Kam Research Assistant Digital Database: TV Week magazine and movie scripts (1967-1997) Television Viewing Habit, Experience, and Community • Viewing time and viewing ritual • Household and publicness • Moral and social values (‘soft propaganda’) • Hong Kong’s economic takeoff in the 1970s and early 1980s “The shared experience amongst virtually the entire population enjoying the same television programs every day contributed a great deal to the creation of a unified cultural identity for the populace” (Kai-cheung Chan and Po-king Choi) Television in Hong Kong (Karin Gwinn Wilkins) • Commercial factors more than the political, social, or cultural • Laissez-faire; favor private enterprises and free trade • Apolitical and market-driven • Perpetuating a sense of local Hong Kong identity (at times with a larger Chinese community) Commercial Market vs. Public Service (Mark Hampton) • Government unconcerned with television’s cultural potential • Uninterested to promote British values • Not adopting a public service approach • Yet, after the 1967 riots, “the Government took a stronger hand in television, both for directly propagandistic purposes and to regulate it in response to public demands" in order to bridge “the communication ‘gap’ that had apparently developed between the government and people” How could public TV programs promote communication and legitimacy of governance? Lion Rock in the 1970s. Photo credit: Housing Authority Lion Rock in the 2010s. -
Hong Kong * Freedomhouse.Org
https://freedomhouse.org/report/freedom-press/2014/hong-kong#.VUk1eRqhizo.cleanprint Hong Kong * freedomhouse.org Freedom of expression is protected by law, and Hong Kong media remained lively in their criticism of the territory’s government and to a lesser extent the Chinese central government in 2013. However, press freedom was threatened by mainland China’s growing economic power, which has allowed it to exert greater influence over the media in Hong Kong. Over the course of the year, government restrictions on access to information persisted, and violent attacks against journalists and media executives increased significantly, with many cases remaining unsolved. Under Article 27 of the Basic Law, Hong Kong residents enjoy freedoms of speech, press, and publication, and these rights are generally upheld by the territory’s independent courts. However, they risk being undermined by the power of the National People’s Congress (NPC), China’s rubber-stamp parliament, to make final interpretations of the Basic Law, as well as by Chinese surveillance in the territory and the mainland economic interests of local media owners. Hong Kong’s Defamation Ordinance outlines defamation as a civil offense punishable by a fine. Although the ordinance includes a definition of criminal libel, that clause has rarely been used in court. In February 2013, the territory’s top leader, Chief Executive Leung Chun-ying, demanded the retraction of a news article that he considered “defamatory.” Hong Kong has no freedom of information (FOI) law. An administrative code is intended to ensure open access to government information, but official adherence is inconsistent, prompting local journalists and watchdog groups to urge the government to give freedom of information requirements the force of law.