New Order Lead Singer
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In the High Court of Justice Claim No Hc13 Fo4688 Chancery Division Intellectual Property Between
IN THE HIGH COURT OF JUSTICE CLAIM NO HC13 FO4688 CHANCERY DIVISION INTELLECTUAL PROPERTY BETWEEN; WARNER RECORDS 90 LIMITED STEPHEN MORRIS GILLIAN GILBERT BERNARD SUMNER DEBORAH WOODRUFF PETER HOOK - and - JULIA ADAMSON D E F E N C E OF JULIA ADAMSON DEFENDANT Clauses 9 (a) and (b), 21, 22, 23, 24 I was an employee at Strawberry Studios from 1984 to 1989. When Strawberry Studios closed down the staff were busy clearing out the building. There were at least 20,000 copy masters from various bands and the artistes or their agents. They were contacted as to whether they wished to buy the tapes from the Strawberry library because they were clearing out. Mostly the artistes already had their own copies and said Strawberry should dispose of them. Some asked for the copy masters and these were handed over. The remaining copy masters were consigned to the skips. A colleague David Drennan was assigned the task of contacting as many of the clients as possible about their tapes. In the case of Factory Records, David Drennan remembers that they only asked for The Happy Mondays tapes and did not want any others. (see copy email ‘Dave Drennan’) Later I discovered that Factory Records had parted company with Joy Division/New Order. I felt that the tapes of Martin Hannett's work i.e. the ones he produced should not be destroyed. That is why I removed them from the skip and rescued them from landfill. When Warners were threatening court action I contacted Nick Turnbull (see copy email ‘Nick Turnbull’) who had been the owner of Strawberry Studios and who closed it down. -
Joy Division and Cultural Collaborators in Popular Music Briana E
Western University Scholarship@Western Electronic Thesis and Dissertation Repository August 2016 Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music Briana E. Morley The University of Western Ontario Supervisor Dr. Keir Keightley The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the requirements for the degree in Master of Arts © Briana E. Morley 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Music Commons Recommended Citation Morley, Briana E., "Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music" (2016). Electronic Thesis and Dissertation Repository. 3991. https://ir.lib.uwo.ca/etd/3991 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. Abstract There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the personal history of lead singer Ian Curtis. However, when evaluating the construction of Joy Division’s public image, the contributions of several other important figures must be addressed. This thesis shifts focus onto the peripheral figures who played key roles in the construction and perpetuation of Joy Division’s image. The roles of graphic designer Peter Saville, of television presenter and Factory Records founder Tony Wilson, and of photographers Kevin Cummins and Anton Corbijn will stand as examples in this discussion of cultural intermediaries and collaborators in popular music. -
Glastonburyminiguide.Pdf
GLASTONBURY 2003 MAP Produced by Guardian Development Cover illustrations: John & Wendy Map data: Simmons Aerofilms MAP MARKET AREA INTRODUCTION GETA LOAD OF THIS... Welcome to Glastonbury 2003 and to the official Glastonbury Festival Mini-Guide. This special edition of the Guardian’s weekly TV and entertainments listings magazine contains all the information you need for a successful and stress-free festival. The Mini-Guide contains comprehensive listings for all the main stages, plus the pick of the acts at Green Fields, Lost and Cabaret Stages, and advice on where to find the best of the weird and wonderful happenings throughout the festival. There are also tips on the bands you shouldn’t miss, a rundown of the many bars dotted around the site, fold-out maps to help you get to grips with the 600 acres of space, and practical advice on everything from lost property to keeping healthy. Additional free copies of this Mini-Guide can be picked up from the Guardian newsstand in the market, the festival information points or the Workers Beer Co bars. To help you keep in touch with all the news from Glastonbury and beyond, the Guardian and Observer are being sold by vendors and from the newsstands at a specially discounted price during the festival . Whatever you want from Glastonbury, we hope this Mini-Guide will help you make the most of it. Have a great festival. Watt Andy Illustration: ESSENTIAL INFORMATION INFORMATION POINTS hygiene. Make sure you wash MONEY give a description. If you lose There are five information your hands after going to the loo The NatWest bank is near the your children, ask for advice points where you can get local, and before eating. -
Strumenti Per La Didattica E La Ricerca
strumenti per la didattica e la ricerca – 94 – Brand-building: the creative city a critical look at current concepts and practices edited by serena Vicari Haddock Firenze university press 2010 Brand-building : the creative city : a critical look at current concepts and practices / a cura di serena Vicari Haddock. – Firenze : Firenze university press, 2010. (strumenti per la didattica e la ricerca ; 94) http://digital.casalini.it/9788884535405 isBn 978-88-8453-524-5 (print) isBn 978-88-8453-540-5 (online) cover illustration @ phil Haddock, city of Words, detail. the publication of this book was made possible by a financial contribution coming from the eu research training network: Urban Europe between Identity and Change (UrbEurope); contract nr: HPRN-CT-2002-00227 (01-09-2002 - 31-08-06), and from the EU coordina- tion action: Growing Inequality and Social Innovation: Alternative Knowledge and Practice in Overcoming Social Exclusion in Europe (Katarsis); contract nr: cit5-ct-2006-029044 (05-01- 2006 – 30-11-2009). progetto grafico di alberto pizarro Fernández © 2010 Firenze university press università degli studi di Firenze Firenze university press Borgo albizi, 28, 50122 Firenze, italy http://www.fupress.com/ Printed in Italy ContentsCapitolo Foreword 7 introduction 13 M. d’Ovidio, S. Vicari Haddock chapter 1 Branding the creative city 17 S. Vicari Haddock chapter 2 the creative city imaginary 39 A. Vanolo chapter 3 site-specificity and urban icons in the light of the creative city marketing 61 B. Springer chapter 4 creating a creative city: discussing the discourse that is transforming the city 83 J. Kulonpalo chapter 5 the city that Was creative and did not Know: manchester and popular music 1976-1997 95 G. -
Peter Hook L’Haçienda La Meilleure Façon De Couler Un Club
PETER HOOK L’HAÇIENDA LA MEILLEURE FAÇON DE COULER UN CLUB LE MOT ET LE RESTE PETER HOOK L’HAÇIENDA la meilleure façon de couler un club traduction de jean-françois caro le mot et le reste 2020 Ce livre est dédié à ma mère, Irene Hook, avec tout mon amour Reposez en paix : Ian Curtis, Martin Hannett, Rob Gretton, Tony Wilson et Ruth Polsky, sans qui l’Haçienda n’aurait jamais été construite LES COUPABLES Bien sûr que ça me poserait problème. Lorsque Claude Flowers m’a suggéré en 2003 d’écrire mes mémoires sur l’Haçienda, la première chose qui me vint à l’esprit est cette célèbre citation au sujet des années soixante : si vous vous en souvenez, c’est que vous n’y étiez pas. Tel était mon sentiment au sujet de l’Haç. J’allais donc avoir besoin d’un peu d’aide, et ce livre est le fruit d’un effort collectif. Claude a lancé les hostilités et m’a invité à me replonger dans de très nombreux souvenirs que je pensais avoir oubliés, tandis qu’Andrew Holmes m’a fourni ces « interludes » essentielles tout en se chargeant des démarches administratives. Je m’attribue le mérite de tout ce qui vous plaira dans ce livre. Si des passages vous déplaisent, c’est à eux qu’il faudra en vouloir. Avant-propos Nous avons vraiment fait n’importe quoi. Vraiment ? À y repenser aujourd’hui, je me le demande. Nous sommes en 2009 et l’Haçienda n’a jamais été aussi célèbre. En revanche, elle ne rapporte toujours pas d’argent ; rien n’a changé de ce côté-là. -
Hudobný Dokument B-Movie Predstaví V Cykle Music & Film V Kine Lumière Divokú Dekádu 80
TLAČOVÁ SPRÁVA 11. apríl 2019 Hudobný dokument B-Movie predstaví v cykle Music & Film v Kine Lumière divokú dekádu 80. rokov v Berlíne V utorok 16. apríla 2019 ožije bratislavské Kino Lumière atmosférou západného Berlína poslednej dekády pred pádom Berlínskeho múru. Hudobný dokument pod názvom B-Movie: zvuk a rozkoše západného Berlína 1979 – 1989 zachytáva na doteraz nezverejnených záberoch živelné obdobie v meste, ktoré sa stalo centrom avantgardného umenia a subkultúr. Diváci v Kine Lumière túto dobu môžu zažiť na projekcii o 20.30 hod. B-Movie je koláž doteraz nevidených amatérskych i televíznych záberov divokej, ale kreatívnej dekády, ktorá sa začala punkom a skončila festivalom Love Parade. Sprostredkúva „mesto, hudbu, kluby, kam chodil David Bowie, Blixu Bargelda za barovým pultom aj Nicka Cavea a jeho zbierku ´nemeckej gotiky´ v jeho berlínskom byte,“ hovorí Miro UIman, zostavovateľ cyklu Music & Film. Dokumentom sprevádza divákov hudobník a manažér Mark Reeder, ktorý sa koncom 70. rokov presťahoval z Manchestru do západného Berlína. „Meno Marka Reedera slovenským divákom asi veľa nepovie,“ približuje ústrednú postavu dokumentu Ulman. „Vyrastal v Manchestri, poznal sa s hudobníkmi miestnej scény, vrátane Iana Curtisa z Joy Division a Tonyho Wilsona, neskoršieho šéfa Factory Records. Hral aj v punkovej kapele The Frantic Elevators, ktorej spevák Mick Hucknall mal neskôr úspech so Simply Red. Vďaka práci v obchode s platňami Virgin Records mal prístup k všetkým novinkám, postupne ho však čoraz viac začala zaujímať hudba prichádzajúca z Nemecka ako Cosmic Jokers, Neu!, Kraftwerk či berlínski Tangerine Dream.“ Reeder sa do západného Berlína presťahoval v roku 1979 a počas nasledujúcich rokov tam pôsobil ako hudobník, manažér aj nosič reproduktorov. -
Fall 2013 Cover Without Flap.Indd
THE MAGAZINE OF RHODES COLLEGE FALL 2013 A Galaxy Renovated science facilities of Potential promise to attract the best and brightest. THE FUTURE UNFOLDS Plans for the renovation of Rhodes Tower include new labs, classrooms, offi ces, and physical plant improvements. An architect’s cutaway illustrates the range of potential uses for the six-story, 21,660-foot space. FALL 2013 VOLUME 20 • NUMBER 3 is published three times a year by Rhodes College 2000 N. Parkway Memphis, TN 38112 as a service to all alumni, students, parents, faculty, staff, and friends of the college. Fall 2013— Volume 20, Number 3 EDITOR Lynn Conlee GRAPHIC DESIGNERS Larry Ahokas Robert Shatzer PRODUCTION EDITORS Jana Files ’78 Carson Irwin ’08 Charlie Kenny Ken Woodmansee CONTRIBUTORS Lauren Albright ’16 Richard J. Alley Justin Fox Burks Julia Fawal ’15 8 Jim Kiihnl Michelle Parks A Message from the President Jill Johnson Piper ’80 P’17 4 Elisha Vego EDITOR EMERITUS 6 Campus News Martha Shepard ’66 Briefs on campus happenings INFORMATION 901-843-3000 30 Student Spotlight ALUMNI OFFICE 1 (800) 264-LYNX Faculty Focus ADMISSION OFFICE 34 1 (800) 844-LYNX Rhodes Tower Alumni News Photo illustration by Larry Ahokas 36 Photo by Jim Kiihnl Class Notes, In Memoriam The 2012-2013 Honor Roll of Donors 2 FALL 2013 • RHODES rhodes.edu 75 16 8 Situating Beloved Texts : 16 By Design: A Trip to Berlin Impacts Search Faculty Full Renovation to Enhancing the liberal arts experience—this time for Transform Rhodes Tower professors! With its quirky architectural history and planned renovation, 75 Rhodes and Beyond Rhodes Tower tells the tale Tucked between Alumni News and the Honor Roll lies of two centuries in science a special story about a growing college treasure. -
Iceland Airwaves: the Final Countdown B14 #1 and at All Major Tourist Attractions and Tourist Information Centres
Airwaves Special Mínus + Mr. Silla & Mongoose + Bloodgroup + Ben Frost + Þórir The Lonesome Traveller is Out and About • Going Vegan in Svið-land • Ragnar Kjartansson Finds God Awakening the Couch Potatoes • Icelanders and their Elves • Sequences Art Festival + info. A Complete City Guide and Listings: Map, Dining, Music, Arts and Events Issue 16 // Oct 5 - Nov 1 2007 2557 CIN Grapevine jona 330 MBL.ai 10/3/07 12:07:01 PM 02 | Reykjavík Grapevine | Issue 16 2007 | Year 5 | October 05 – November 01 The Reykjavík Grapevine Articles Vesturgata 5, 101 Reykjavík www.grapevine.is Elves in Cultural Vocabulary 06 [email protected] Interview with professor Terry Gunnel www.myspace.com/reykjavikgrapevine Published by Fröken ehf. I am Going For a Cup of Coffee 08 Opinion by Viktor Banke Editorial: +354 540 3600 / [email protected] The Grapevine Guide to the Airwaves Personalities 08 Advertising: Opinion by Sveinn Birkir Björnsson +354 540 3605 / [email protected] Publisher: Vegan Iceland? 10 +354 540 3601 / [email protected] The Difficulties of Being a Vegan in Iceland The Reykjavík Grapevine Staff Can We Do This Indefinately? 12 Publisher: Interview with designer Olof Kolte Hilmar Steinn Grétarsson [email protected] Airwaves Special 14 Editor: Interviews with Ben Frost, Bloodgroup, Þórir and Mr. Silla & Mongoose Sveinn Birkir Björnsson / [email protected] Assistant Editor: Singing Painting at Nylo 20 Steinunn Jakobsdóttir / [email protected] Interview with artist Ragnar Kjartansson Editorial Intern: Valgerður Þóroddsdóttir -
Popular Music in Germany the History of Electronic Music in Germany
Course Title Popular Music in Germany The History of Electronic Music in Germany Course Number REMU-UT.9811001 SAMPLE SYLLABUS Instructors’ Contact Information Heiko Hoffmann [email protected] Course Details Wednesdays, 6:15pm to 7:30pm Location of class: NYU Berlin Academic Center, Room “Prenzlauer Berg” (tbc) Prerequisites No pre-requisites Units earned 2 credits Course Description From Karlheinz Stockhausen and Kraftwerk to Giorgio Moroder, D.A.F. and the Euro Dance of Snap!, the first nine weeks of class consider the history of German electronic music prior to the Fall of the Wall in 1989. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s. One focus will be on regional scenes, such as the Düsseldorf school of electronic music in the 1970s with music groups such as Cluster, Neu! and Can, the Berlin school of synthesizer pioneers like Tangerine Dream, Klaus Schulze and Manuel Göttsching, or Giorgio Moroder's Sound of Munich. Students will be expected to competently identify key musicians and recordings of this creative period. The second half of the course looks more specifically at the arrival of techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall, up to the present. Indeed, Post-Wall East Berlin, full of abandoned spaces and buildings and deserted office blocks, was the perfect breeding ground for the youth culture that would dominate the 1990s and led techno pioneers and artists from the East and the West to take over and set up shop. -
SCHALLMAUER UND PROJEKTIONSFLÄCHE – Musikvideos Von Beiden Seiten Der Mauer
SCHALLMAUER UND PROJEKTIONSFLÄCHE – Musikvideos von beiden Seiten der Mauer Quartett im Bett (Ausschnitt) BRD 1968 Regie: Ulrich Schamoni Interpret: Insterburg & Co. Song: Der müde Cowboy (Django) von Peter Ehlebracht s/w Länge (Ausschnitt) 3 min Ursprungsmaterial: 35mm Film Grenzgebiet-Drehorte: Waldemarstraße/Luckauer Straße, Leuschnerdamm (alle Kreuzberg) An einem Abschnitt der dritten Mauergeneration (gebaut ab der zweiten Hälfte der 1960er Jahre in Plattenbauweise) in Kreuzberg singt die West Berliner Gruppe Insterburg & Co., die Popsongs mit Comedy verbanden und zu deren Mitglieder auch der später als TV-Star bekannte Karl Dall zählte, den Song“ Der müde Cowboy“, zu Pferd und Esel entlang der Mauer reitend. Die Sequenz ist eine von mehreren in sich abgeschlossenen Musiknummern im abendfüllenden Spielfilm Quartett im Bett von Ulrich Schamoni. Der Film ist eine Abfolge von weitestgehend improvisierten Sketchen und Songs mit Insterburg & Co. und der weiblichen Gesangsformation Jacob Sisters, die ursprünglich aus Sachsen stammten, dann 1958 in die BRD übergesiedelt sind. Der an weiteren West Berliner Wahrzeichen wie Rathaus Schöneberg (damals Sitz der West Berliner Landesregierung), Kurfürstendamm, Flughafen Tegel sowie im “alternativen” Kreuzberg, in dem die Hauptfiguren leben, gedrehte Film wurde weitestgehend improvisiert. Das war möglich, weil damals Drehgenehmigungen schnell erteilt wurden. In West Berlin war es kein Problem, an der Mauer zu drehen – in Ost Berlin dagegen wäre das nicht möglich © 2020 filmokratie SCHALLMAUER UND PROJEKTIONSFLÄCHE – Musikvideos von beiden Seiten der Mauer Quartett im Bett (Ausschnitt) gewesen. Die Szene an der Grenze wurde, obwohl der Mauerbau erst sieben Jahre zurücklag und noch für die West Berliner Bevölkerung ein Trauma darstellte, nicht weiter in der zeitgenössischen Berichterstattung über den Film kommentiert. -
Musical Eutopias: a Positive Critique of Popular Musics & Mediated Listening, with Particular Reference to the BBC & Public Service Radio
Musical eutopias: A positive critique of popular musics & mediated listening, with particular reference to the BBC & public service radio Kevin Edge Thesis submitted in partial fulfillment of the requirements for The Degree of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University M ay 2009 UMI Number: U585207 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U585207 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Sum m ary Musical eutopias offers positive critiques of the socio-cultural aspects of popular musics, the medium of radio in general, and the British Broadcasting Corporation in particular. Marxian critiques of what ‘is’, together with normative, socialist visions of what ‘ought’ to be, are reviewed with reference to radio’s listening subjects and broadcasting ideals. Arguably, popular musics embraced by radio only offer a dystopian standardisation for a mass audience. However, it is mooted here that socio cultural knowledges mediated by a public service broadcaster can contribute p o sitiv ely to a subject’s negotiation of modernity and the objective world. -
{DOWNLOAD} the Hacienda: How Not to Run a Club
THE HACIENDA: HOW NOT TO RUN A CLUB PDF, EPUB, EBOOK Peter Hook | 368 pages | 01 Oct 2010 | Simon & Schuster Ltd | 9781847391773 | English | London, United Kingdom The Hacienda: How Not to Run a Club PDF Book Book availability? He loves a quick quip, a tangent or two. Don't think much of Hooky - or his writing. A huge percentage of the book is quotes from other writers. Apr 11, Katey Lovell rated it liked it. Feb 16, Wayne rated it really liked it. More filters. Especially the part about Ibiza. But I suppose Hacienda fulfilled its purpose. Community Reviews. At first I thought 'How not to run a club' is just a fancy sub-title, but as it turns out it is actually hard to believe that these events actually happened for real. Related Articles. No real colour, or detail or emotion apart form flippancy. He had the money even if his manager was only paying him per week and the time to spend the Acid House years off his trolley enjoying the vibe. There are no discussion topics on this book yet. Well I say his story. Everyone's account of those days differ wildly. Most popular. Well, actually, that's exactly what we did. Extremely readable and a great account of the role the Hacienda played in the Manchester music scene for the 15 years it was open from - The Hacienda: How Not to Run a Club Writer Yes, that's the New Order tale, but the two things — band and nightclub —are eternally twined and you can't tell one story without the other.