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In the High Court of Justice Claim No Hc13 Fo4688 Chancery Division Intellectual Property Between
IN THE HIGH COURT OF JUSTICE CLAIM NO HC13 FO4688 CHANCERY DIVISION INTELLECTUAL PROPERTY BETWEEN; WARNER RECORDS 90 LIMITED STEPHEN MORRIS GILLIAN GILBERT BERNARD SUMNER DEBORAH WOODRUFF PETER HOOK - and - JULIA ADAMSON D E F E N C E OF JULIA ADAMSON DEFENDANT Clauses 9 (a) and (b), 21, 22, 23, 24 I was an employee at Strawberry Studios from 1984 to 1989. When Strawberry Studios closed down the staff were busy clearing out the building. There were at least 20,000 copy masters from various bands and the artistes or their agents. They were contacted as to whether they wished to buy the tapes from the Strawberry library because they were clearing out. Mostly the artistes already had their own copies and said Strawberry should dispose of them. Some asked for the copy masters and these were handed over. The remaining copy masters were consigned to the skips. A colleague David Drennan was assigned the task of contacting as many of the clients as possible about their tapes. In the case of Factory Records, David Drennan remembers that they only asked for The Happy Mondays tapes and did not want any others. (see copy email ‘Dave Drennan’) Later I discovered that Factory Records had parted company with Joy Division/New Order. I felt that the tapes of Martin Hannett's work i.e. the ones he produced should not be destroyed. That is why I removed them from the skip and rescued them from landfill. When Warners were threatening court action I contacted Nick Turnbull (see copy email ‘Nick Turnbull’) who had been the owner of Strawberry Studios and who closed it down. -
Joy Division and Cultural Collaborators in Popular Music Briana E
Western University Scholarship@Western Electronic Thesis and Dissertation Repository August 2016 Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music Briana E. Morley The University of Western Ontario Supervisor Dr. Keir Keightley The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the requirements for the degree in Master of Arts © Briana E. Morley 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Music Commons Recommended Citation Morley, Briana E., "Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music" (2016). Electronic Thesis and Dissertation Repository. 3991. https://ir.lib.uwo.ca/etd/3991 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. Abstract There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the personal history of lead singer Ian Curtis. However, when evaluating the construction of Joy Division’s public image, the contributions of several other important figures must be addressed. This thesis shifts focus onto the peripheral figures who played key roles in the construction and perpetuation of Joy Division’s image. The roles of graphic designer Peter Saville, of television presenter and Factory Records founder Tony Wilson, and of photographers Kevin Cummins and Anton Corbijn will stand as examples in this discussion of cultural intermediaries and collaborators in popular music. -
Glastonburyminiguide.Pdf
GLASTONBURY 2003 MAP Produced by Guardian Development Cover illustrations: John & Wendy Map data: Simmons Aerofilms MAP MARKET AREA INTRODUCTION GETA LOAD OF THIS... Welcome to Glastonbury 2003 and to the official Glastonbury Festival Mini-Guide. This special edition of the Guardian’s weekly TV and entertainments listings magazine contains all the information you need for a successful and stress-free festival. The Mini-Guide contains comprehensive listings for all the main stages, plus the pick of the acts at Green Fields, Lost and Cabaret Stages, and advice on where to find the best of the weird and wonderful happenings throughout the festival. There are also tips on the bands you shouldn’t miss, a rundown of the many bars dotted around the site, fold-out maps to help you get to grips with the 600 acres of space, and practical advice on everything from lost property to keeping healthy. Additional free copies of this Mini-Guide can be picked up from the Guardian newsstand in the market, the festival information points or the Workers Beer Co bars. To help you keep in touch with all the news from Glastonbury and beyond, the Guardian and Observer are being sold by vendors and from the newsstands at a specially discounted price during the festival . Whatever you want from Glastonbury, we hope this Mini-Guide will help you make the most of it. Have a great festival. Watt Andy Illustration: ESSENTIAL INFORMATION INFORMATION POINTS hygiene. Make sure you wash MONEY give a description. If you lose There are five information your hands after going to the loo The NatWest bank is near the your children, ask for advice points where you can get local, and before eating. -
Understanding Joy Division Martin J. Power, Aileen Dillane and Eoin
This is the way, Step inside: Understanding Joy Division Martin J. Power, Aileen Dillane and Eoin Devereux Joy Division On the 30th of July 1980, three musicians - Peter Hook, Steven Morris and Bernard Sumner - took to the small stage of The Beach Club at Oozits Bar in Shudehill, Manchester. With what might be best described as ‘gallows humour’, Sumner introduced the band as being the last surviving members of Crawling Chaos (New Order Net 2018).1 Their short set consisted of five songs. It must have been a particularly difficult gig for the musicians to play, as just eleven week’s earlier their close friend and Joy Division band-mate Ian Curtis had committed suicide on the eve of their first tour of the United States. Curtis’s unexpected death marked the premature end of one of the most important and most influential post-punk bands. Joy Division was no more. Strictly speaking, Joy Division existed for only two and a half years. Formed in Salford, over twenty-nine months the band wrote and recorded forty-three songs and played one hundred and twenty gigs (see Joy Division Official 2018). The 1976 punk explosion served as an initial catalyst for Sumner and Hook to form a band - temporarily called Stiff Kittens. This was soon followed by the adoption of the name Warsaw, inspired by David Bowie’s ‘Warszawa’ and further changes in membership. The final line up of Curtis (vocals); Hook (bass); Sumner (guitar, keys) and Morris (drums) performed and recorded as Warsaw in the second half of 1977. However, the existence of a punk band called Warsaw Pakt convinced them to change their name to avoid any confusion and in January 1978 they played their first ever gig under the name Joy Division. -
New Order Lead Singer
New Order Lead Singer Moe is gonococcic: she breams boorishly and chaws her encomiasts. Davide overpraised hardheadedly while motional Pinchas underspending arithmetically or demits farthest. Male Lazarus rebutted no intercommunion swounds sentimentally after Elias pop clumsily, quite doubtable. The new order fought with free for reason, new order lead singer ian. Sign two to rot our newsletter! In fact, is above stated that ivy was he poor guitar player. None of us had really listened to the words before; midnight just sounded like live lyrics to us. Martin hannett came back later joy division but there was quite a possible until years ago today with the only two selections from most of new order lead singer. Kansas in the Wizard of Oz to determine full technicolor of the flush of Oz. Factory Records and the Hacienda, which stick in financial straits. See what that last joy division twitter, then the lead singing definitely should know that new order lead singer and. What that period of english countryside away to order lead singer ian curtis took him and earlier this app using a subscription automatically renews for us and keyboards, fear every time we reached no. Others may affect your passes, new order lead guitar tabs new order attempts at the states, and new order name new order lead singer. New order lead vocalist, new order lead singer bernard sumner comes to new band? Public on joy division is the order released their legacy behind his droning begins again as lead singer bernard sumner and inducted into his anecdotes about the track! It was disillusioning the lead singer bernard sumner has in new order lead singer michael johnson. -
10 Manchester
10 MANCHESTER 11 Manchester war in den Achtzigern eine verarmte Industriestadt. Die Kälte und die Perspektivlosigkeit prägten damals die Hits von New Order. Ein Besuch in der Vergangenheit der Band. »Alles schien kaputt zu sein« Text CHRISTOPH DALLACH Durch den Regen blickte man auf verwahrloste viktoriani- sche Ziegelbauten auf der anderen Seite der Straße. So ka- Stephen Morris starrt leicht angeekelt auf die Klinkerfassa- putt, wie das Haus, in dem wir übten. Alles schien in Man- de des mehrstöckigen Luxusapartmentkomplexes. Es ist ei- chester kaputt zu sein, es war immer kalt, und alle meine ner der raren Sommertage, mit blauem Himmel und Son- Erinnerungen an diese Zeit sind in Grau getaucht.« Die Er- ne, in der nordenglischen Industriemetropole Manchester, innerungen von Morris, !", an das Manchester von damals und im Stadtzentrum rund um den Backsteinbau glitzern sind lebendig, aber die Stadt von damals existiert nicht mehr. Türme aus Stahl und Glas. Morris steht da in grauen Jeans, »Ian würde das neue Manchester nicht wiedererkennen«, anthrazitfarbenem Polohemd und schwarzen Nike-Schu- sagt Morris. hen, rückt seine schwarze Brille zurecht und mustert die Ian Curtis, der legendäre, von Epilepsie heimgesuchte aufpolierte Architektur. Dann schlendert er auf das Apart- Sänger der Band Joy Division, nahm sich #$%& das Leben. menthaus zu und liest halblaut den Namen am Eingang Er war '( Jahre alt. Zurück blieben Bernard Sumner, Peter vor: »›Ropeworks Apartment Bloc A‹ – Was für ein Hook und Stephen Morris, die dann mit der Keyboarde - Schwachsinn …! Ob sie hier mittlerweile zumindest Toilet- rin Gillian Gilbert unter dem Namen New Order weiter- ten haben?« machten. Ende der Siebzigerjahre waren Toiletten hier nämlich Beide Formationen gehörten mit ihrer Mischung aus noch ein Problem. -
The Haçienda How Not to Run a Club by Peter Hook
The Haçienda How Not To Run A Club by Peter Hook Simon & Schuster – Hardback – 288pp – 16 colour photographs – £18.99 – 5th October 2009 Peter Hook tells the amazing true story – the music, the madness and the meltdown – of Manchester’s most iconic nightclub An eye-opening, jaw-dropping, no-holds-barred account of the pioneering vision, the quixotic ambition and the decadent mayhem that defined The Haçienda’s spectacular success ... ensured its legendary status ... and sowed the seeds for its dramatic demise As a founder member of hugely successful bands Joy Division and New Order and co- owner of The Haçienda, Peter Hook writes from the epicentre of the Baggy, Madchester and Acid House music scenes, offering significant new insights into a pivotal moment in popular music history Illustrated throughout with previously un-published photograph’s from the author’s personal archives and narrated with a compelling honesty, THE HAÇIENDA stands as classic work of music biography Legendary musician Peter ‘Hooky’ Hook tells the tale of Manchester’s most iconic nightclub, The Haçienda – the high times, the groundbreaking music, the immense loss of money and the enduring legacy. As co-founder of Joy Division and New Order, Hooky has had a thirty-year career in the music business which has seen him become a well-loved rock and roll icon whose innovative and genre-defining bass playing has driven classics such as ‘Love Will Tear Us Apart’, ‘Blue Monday’ (the bestselling 12-inch single ever), ‘Thieves Like Us’, ‘Regret’ and ‘Crystal’. Peter Hook was also co-owner of Manchester’s Haçienda, from its opening in 1982 to the rise of acid house in the late eighties and beyond, and saw first-hand the tumultuous set of circumstances that shaped the club and made it one of the most famous clubs in the world. -
Issue 36 | Mar 2018 |
AN INDEPENDENT, FREE MONTHLY GUIDE TO MUSIC, ART, THEATRE, COMEDY, LITERATURE & FILM IN STROUD. ISSUE 36 | MAR 2018 | WWW.GOODONPAPER.INFO ISSUE #36 INSIDE: STROUD FILM EMILY ANTON FESTIVAL HALL CORBIJN + Tankus The Henge | Stroud Women Artists: Suffrage & International Women’s Day Fractalight: Festival Of Light | Emilie Marsden & Gillian Holmes: A Mother’s Gaze Cover image by Mark Levy image by Cover #36 | MAR 2018 EDITOR Advertising/Editorial/Listings: EDITOR’S NOTE Alex Hobbis [email protected] DESIGNER Artwork and Design WELCOME TO THE THIRTY SIXTH ISSUE OF GOOD ON PAPER Adam Hinks [email protected] – YOUR FREE MONTHLY GUIDE TO MUSIC CONCERTS, ART ONLINE FACEBOOK TWITTER EXHIBITIONS, THEATRE PRODUCTIONS, COMEDY SHOWS, goodonpaper.info /GoodOnPaperStroud @GoodOnPaper_ FILM SCREENINGS AND LITERATURE EVENTS IN STROUD… It seems Stroud’s busy Festival season is well on its way with the Stroud Film PRINTED BY: Festival returning for its fourth year boasting a packed programme of film Tewkesbury Printing Company screenings, Q&A’s, exhibitions and workshops. We are happy to announce that Good On Paper is heavily involved in this year’s festival presenting a screening of Anton Corbijn’s Control at SVA’s Good Shed ft. a Q&A with local actor Craig Parkinson led by Joe Magee, followed by a Factory Records DJ set by Sean Roe from JunKroom Records at SVA John Street. We are also curating an exhibition with nine artists and illustrators reinterpreting iconic SPONSORED BY: film posters in their own unique style… If that’s not enough to get the season started we are also in for a treat with Fractalight’s month long Festival of Light which will be taking place in the epic surroundings of St Laurence Church featuring breath taking light CO-WORKING STUDIO sculptures alongside live music, talks and much more. -
Making Rock History out of Ian Curtis and Joy Division
Liminalities: A Journal of Performance Studies Vol. 9, No. 4, November 2013 When Performance Lost Control: Making Rock History out of Ian Curtis and Joy Division J. Rubén Valdés Miyares 1. “Who is right, who can tell, and who gives a damn right now”1 This is a case study of the continuities between living, performing and writing. When Ian Curtis hanged himself at the age of 23, tortured by epilepsy, medication, fear and remorse; having just started a promising career as singer and songwriter for the band Joy Division, after releasing two intriguing long plays and a hit single called “Love Will Tear Us Apart”, and about to embark on their first American tour, he was stag- ing his ultimate performance. The act turned him into a cult figure, as it gave an eerie resonance to the increasingly gloomy lyrics he had written for his band. Music journalists began to write about Joy Division in a more vivid, dramatic way. People who had never seen the band perform live, or even heard of them while Curtis was alive, became fans. Joy Division was hailed in their native Manchester, England, as youthful symbols of the postmodern city, and in the rest of the world as founders of the gothic rock scene. They were subsequently the subject of biographies, biopics and documentaries which focused particularly on Curtis’s personality, and the main webpage devoted to the band (joydivisioncentral.com) lists about twenty Joy Division tribute bands performing their songs, while Youtube enables fans and critics to watch the band perform at several gigs on very low quality footage, and much more visually appealing clips of actor Sam Riley performing as Ian Curtis in the biopic about him, Control (2007). -
Black Metal and Satanism
chapter 12 Satan the Musician: Black Metal and Satanism The Gothic Milieu The Gothic milieu, occasionally called the Dark Wave, as a sub-milieu of the 1970s’ New Wave, was largely created by rock music, although fiction, comics, movies, and role-playing games also had a relevant influence. Although the term “Gothic” was created by outsiders, it was quickly accepted by the move- ment. Gothic music should not be confused with Heavy Metal. Metal played on the power of extreme human emotions and feelings. Gothic concentrated on human reactions to particular emotions associated with death, corpses, blood, the macabre, and vampires. The Devil was often mentioned but he was not always a key player in the Gothic scene. Besides, Satan was mentioned in many brands of rock music that were not Gothic. Sympathy for the Devil, a 1968 song by the Rolling Stones where the Devil tells his story in the first person as a “man of wealth and taste” is just one among many examples. Music critic Peter Bebergal argued that occult and Satanic themes in fact revitalized rock music in the late 1960s and early 1970s, offering the Rolling Stones as an example.1 The reverse is also true: music, and other forms of popular culture, somewhat revitalized Satanism.2 The origins of Gothic came from many different sources. Gothic themes emerged in the late 1960s in England and the United States with artists and groups like Alice Cooper (pseud. of Vincent Damon Furnier), Coven, and Black Widow. Almost simultaneously, the most ancient significant references to Satan were introduced to rock music by Coven, an American psychedelic rock band founded in Chicago in 1967, which explicitly sought the patronage of the Church of Satan,3 and Black Widow, a British group in the progressive rock cur- rent that debuted in Leicester in 1970 as the new version of a band active from 1 Peter Bebergal, Season of the Witch: How the Occult Saved Rock and Roll, New York: Jeremy P. -
Page 1 of 8 Peter Hook: Closer | Rocker: the Lifestyle Magazine For
Peter Hook: Closer | Rocker: The Lifestyle Magazine for Matur ... Page 1 of 8 http://www.rockerzine.com/index.php/2011/09/peter-hook-closer/ 11/7/2011 Peter Hook: Closer | Rocker: The Lifestyle Magazine for Matur ... Page 2 of 8 Find us on Facebook Sign Up Create an account or log in to see what your friends like. Rocker Magazine Like 5 Rocker Magazine Happy 41st Birthday to Neil Hannon of Divine Comedy ! The Divine Comedy - Perfect Lovesong www.youtube.com 6 668 people like Rocker Magazine . Peter Alex Julie Elizabeth Kathryn Chris Buddy Mike Facebook social plugin http://www.rockerzine.com/index.php/2011/09/peter-hook-closer/ 11/7/2011 Peter Hook: Closer | Rocker: The Lifestyle Magazine for Matur ... Page 3 of 8 Peter Hook: Closer by Chris Adams As a founding member of legendary bands Joy Division and New Order, Peter Hook easily secured his place in music history. Now, 30 years after the death of Joy Division singer Ian Curtis, Hook has taken to the road reviving the band’s albums Unknown Pleasures and Closer in live form, a show which makes its way to North America this week Just before setting off, Rocker ’s Chris Adams got a chance to chat with Peter about his career, legacy, and what fans can expect from the upcoming string of shows. http://www.rockerzine.com/index.php/2011/09/peter-hook-closer/ 11/7/2011 Peter Hook: Closer | Rocker: The Lifestyle Magazine for Matur ... Page 4 of 8 _________________ Chris: Since the end of Joy Division, while you ’ve been doing New Order and side projects like Revenge and Freebass, Joy Division has become this iconic, legendary thing, Peter: It’s interesting, especially when you consider that Joy Division’s life was so short. -
Charing Cross Hospital Set to Close?
Still undecided? Fiery fun London to the Lakes Festival of frisbee Find out more with our general Dangerously impressive tricks It’s those Fellwanderers again, as Disc Doctors impress at south election pullout, centre pages from the jugglers, page 17 if you hadn’t guessed, page 21 east regionals, page 26 The student newspaper of Imperial College ● Established 1949 ● Issue 1320 ● Thursday 28 April 2005 ● www.felixonline.co.uk Extradition hearing Imperial alumnus Babar Union Ahmad will discover on 17 Charing Cross Hospital May whether or not he is to be extradited to the United States under new terror laws. reveals uNEWS page 3 set to close? Tackling poverty plans for “We live in a world where poverty causes the deaths of 30,000 children each day; a postgrad world where 38 million people live with HIV...” Colin Smith explains how sabbatical you can get involved in the Make Poverty History cam- By Dave Edwards paign at Imperial, while Numaan Chaudhry investi- Imperial College Union gates what the richer nations has announced ambitious are doing to address the plans for a new Sabbatical problem. Officer, the Deputy President uBUSINESS page 4 (Graduate Students). uCOMMENT page 7 Funding for the post will become available from the Poker aces Higher Education Funding Imperial students finish third Council for England and 20th out of 259 competi- (HEFCE). Within the next tors at the inaugural UK stu- two months, the Union plans dent poker championship. to elect a student who will uCLUBS AND SOCIETIES then work full-time in the page 18 role from 1 August, taking the total number of sabbaticals at Nighthike 2005 Imperial to seven.