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Rich's Notes: 1 Chapter 1 the Ten Doctors: a Graphic Novel by Rich
The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 1 Rich's Notes: The 10th (and current) Doctor goes to The Eye of Orion (the Five Doctors) to reflect after the events of The Runaway Bride. He meets up with his previous incarnation, the 9th Doctor and Rose, here exploring the Eye of Orion sometime between the events of Father’s Day and The Empty Child. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 2 Rich's Notes: The 9th and 10th Doctors and Rose stumble upon the 7th Doctor and Ace, who we join at some point between Dimensions in Time and The Enemy Within(aka. The Fox Movie) You’ll notice the style of the drawings changing a bit from page to page as I struggle to settle on a realism vs. cartoony feel for this comic. Hopefully it’ll settle soon. And hopefully none of you will give a rat’s bottom. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 3 Rich's Notes: The 10th Doctor, in order to keep the peace, attempts to explain the situation to Ace and Rose. Ace, however, has an advantage. She's seen some of the Doctor's previous incarnations in a strange time trap set up by the Rani (The 30th Anniversary special: Dimensions in Time, which blew chunks). The 2nd Doctor arrives, seemingly already understanding the situation, accompanied by Jamie and Zoe. (The 2nd Doctor arrives from some curious timeline not fully explained by the TV series. Presumably his onscreen regeneration was a farce and he was employed by the Time Lords for a time to run missions for them before they finally changed him into the 3rd Doctor. -
Equity Magazine Spring 2016
SPRING 2016 www.equity.org.uk New agreements in film and theatre Improved deal on audition expenses #BackTheBBC campaign news THE RISE OF UK FILM RIZ AHMED TALKS INDIE HITS AND UPCOMING BLOCKBUSTERS First Act Insurance presents... Key features include • • Competitive online quote and buy cover provided by HISCOX. • Annual or short period cover available. showtimeinsurance.co.uk Tel 020 8686 5050 Scan this QR code with your smartphone or tablet device to be taken directly there Where and when you need it! First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 Contents News 18> 04 New agreements launched 06 ENO must be saved Success stories 10 Audition expenses 12 BBC Three pay Cover story 08 Riz Ahmed on film Features 14 UK Film Agreement 18 Access to work 20 Commercial theatre 06> Campaigns 24 #BackTheBBC 26 Fighting the TU Bill Plus > 14 22 Member offers 30 Letters 08 32 Branch update 32 Star Wars: The Force FRONT OF HOUSE Awakens and Spectre, below, were made on Equity agreements PAY RISES IN NEW AGREEMENTS FOR FILM AND THEATRE SUCCESSFUL NEW DEALS DELIVER FEE RISES AND BETTER WORKING CONDITIONS. FILM AGREEMENT UNDERPINS UK MOVIE INDUSTRY AND COMMERCIAL THEATRE CONTRACT PROTECTS STAGE MANAGERS AND PERFORMERS EQUITY HAS RECENTLY concluded two successful agreements in the areas of cinema films and commercial theatre. Union questions Arts The new cinemas films agreement will see fees rise 12% by 2018 and, for the first time, the deal has provisions for performance capture Council funding decision work. -
Staging Shakespeare
Flávia Rodrigues Monteiro Staging Shakespeare: (Dis)solutions in Intermedial Processes Belo Horizonte Faculdade de Letras Universidade Federal de Minas Gerais 2019 Staging Shakespeare: (Dis)solutions in Intermedial Processes By Flávia Rodrigues Monteiro Submitted to the Programa de Pós-graduação em Letras: Estudos Literários in partial fulfillment of the requirements for the Degree of Doctor in Literatures in English. Dissertation Advisor: Prof. Thaïs Flores Nogueira Diniz, PhD. Belo Horizonte Faculdade de Letras Universidade Federal de Minas Gerais 2019 Ficha catalográfica elaborada pelos Bibliotecários da Biblioteca FALE/UFMG Monteiro, Flávia Rodrigues. S527.Ym-s Staging Shakespeare [manuscrito] : (Dis)solutions in intermedial processes / Flávia Rodrigues Monteiro. – 2019. 293 f., enc. Orientadora: Thaïs Flores Nogueira Diniz. Área de concentração: Literaturas de Língua Inglesa. Linha de pesquisa: Literatura, Outras Artes e Mídias. Tese (doutorado) – Universidade Federal de Minas Gerais, Faculdade de Letras. Bibliografia: f. 266-281. 1. Shakespeare, William, 1564-1616. – Muito barulho por nada – Crítica e interpretação – Teses. 2. Shakespeare, William, 1564- 1616. – Coriolano – Crítica e interpretação – Teses. 3. Shakespeare, William, 1564-1616 – Adaptações para o cinema – Teses. 4. Literatura inglesa – Adaptações para o cinema – Teses. 5. Intermidialidade – Teses. 6. Arte e literatura – Teses. 7. Entropia – Teses. I. Diniz, Thaïs Flores Nogueira. II. Universidade Federal de Minas Gerais. Faculdade de Letras. III. Título. CDD: 822.33 -
In the Night Garden
Highlights | February 2012 For further information and images, please contact: UK: Nick Myles Editorial Coordinator BBC Worldwide Channels E-mail: [email protected] Tel.: +44 20 8433 2000 Produced by EBS New Media www.ebs.tv + 44 1462 895 999 Editorial Manager: Paul Talbot [email protected] February 2012 Highlights Future Earth Monday 13 February at 20:00 Future Earth is a striking and authoritative insight into what global warming really means for the future of the world, and the pioneering developments which might well alter its course. This refreshingly honest, optimistic and powerful film explores the vision of our planet’s future as global temperatures © BBC continue to rise – at their current rate increasing by one and two degrees over the next 40 years and three degrees before the end of the century. Based on the work of leading scientists who predict that the impact of a three degree rise in temperature on our planet will be catastrophic. Across the planet life as we know it could be lost forever as climate change accelerates out of our control. But this doesn’t need to be the case, we can take control, and climate change is not yet irreversible. However, if we are to prevent even more widespread damage to ecosystems and human societies, the global temperature rise must be stabilised, and eventually reversed. Future Earth presents ingenious technology and science that is currently being advanced, devised and tested around the world. Science can offer us solutions to a sustainable future – the big question is can we embrace and implement them on a large enough scale? The time to act is now. -
''Doctor Who'' - the First Doctor Episode Guide Contents
''Doctor Who'' - The First Doctor Episode Guide Contents 1 Season 1 1 1.1 An Unearthly Child .......................................... 1 1.1.1 Plot .............................................. 1 1.1.2 Production .......................................... 2 1.1.3 Themes and analyses ..................................... 4 1.1.4 Broadcast and reception .................................... 4 1.1.5 Commercial releases ..................................... 4 1.1.6 References and notes ..................................... 5 1.1.7 Bibliography ......................................... 6 1.1.8 External links ......................................... 6 1.2 The Daleks .............................................. 7 1.2.1 Plot .............................................. 7 1.2.2 Production .......................................... 8 1.2.3 Themes and analysis ..................................... 8 1.2.4 Broadcast and reception .................................... 8 1.2.5 Commercial releases ..................................... 9 1.2.6 Film version .......................................... 10 1.2.7 References .......................................... 10 1.2.8 Bibliography ......................................... 10 1.2.9 External links ......................................... 11 1.3 The Edge of Destruction ....................................... 11 1.3.1 Plot .............................................. 11 1.3.2 Production .......................................... 11 1.3.3 Broadcast and reception ................................... -
Table of Contents
TABLE OF CONTENTS Acknowledgments ...........................................................................................................................5 Table of Contents ..............................................................................................................................7 Foreword by Gary Russell ............................................................................................................9 Preface ..................................................................................................................................................11 Introduction .......................................................................................................................................13 Chapter 1 The New World ............................................................................................................16 Chapter 2 Daleks Are (Almost) Everywhere ........................................................................25 Chapter 3 The Television Landscape is Changing ..............................................................38 Chapter 4 The Doctor Abroad .....................................................................................................45 Sidebar: The Importance of Earnest Videotape Trading .......................................49 Chapter 5 Nothing But Star Wars ..............................................................................................53 Chapter 6 King of the Airwaves .................................................................................................62 -
Law, the Digital and Time: the Legal Emblems of Doctor Who
Law, the Digital and Time: The Legal Emblems of Doctor Who Author Tranter, Kieran Published 2017 Journal Title International Journal for the Semiotics of Law Version Accepted Manuscript (AM) DOI https://doi.org/10.1007/s11196-017-9522-0 Copyright Statement © 2017 Springer Netherlands. This is an electronic version of an article published in International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique, 30(3), 515-532, 2017. International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique is available online at: http://link.springer.com// with the open URL of your article. Downloaded from http://hdl.handle.net/10072/352711 Griffith Research Online https://research-repository.griffith.edu.au This is a preprint version of this manuscript. The final manuscript is: Kieran Tranter ‘Law, the Digital and Time: The Legal Emblems of Doctor Who’ (2017) 30(3) International Journal for the Semiotics of Law 515-532 DOI: 10.1007/s11196-017-9522-0 Law, the Digital and Time: The Legal Emblems of Doctor Who Dr Kieran Tranter Associate Professor Griffith Law School/Law Futures Centre Griffith University, Gold Coast Australia Address for Correspondence [email protected] Abstract This article is about time. It is about time, or more precisely, about the absence of time in law’s digital future. It is also about time-travelling and the seemingly ever-popular BBC science fiction television series Doctor Who. Further, it is about law’s timefullness; about law’s pictorial past and the ‘visual baroque’ of its chronological fused future. Ultimately, it is about a time paradox of seeing time run to a time when time runs ‘No More!’ This ‘timey-wimey’ article is in three parts. -
10 Objects of Dr
The right of Philip Bates to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. An unofficial Doctor Who Publication Doctor Who is © British Broadcasting Corporation, 1963, 2021 Editor: Shaun Russell Editorial: Will Rees Cover and illustrations by Martin Baines Published by Candy Jar Books Mackintosh House 136 Newport Road, Cardiff, CF24 1DJ www.candyjarbooks.co.uk All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. Come one, come all, to the Museum of ! Located on the SS. Shawcraft and touring the Seven Systems, right now! Are you a fully-grown human adult? I would like to speak to someone in charge, so please direct me to any children in the vicinity. No, no, that's not fair – I was programmed not to judge, for I am a simple advertisement bot, bringing you the best in junk mail. Are you always that short? No, don’t look at me like that: my creators were from Ravan-Skala, where the people are six hundred ft tall; you have to talk to them in hot air balloons, and the tourist information centre is made of one of their hats. -
Released with Audio Only Anim
Updated – 7/26/15 Released Lost – Won’t be released unless found Unreleased A – Released with Audio only Anim – Released with Lost video replaced by Animation CD – Audio only released on CD (Doctor Who: The Lost TV Episodes: Collections) Release Scheduled The First Doctor – William Hartnell Season 1 001 – An Unearthly Child (1–4) 002 – The Daleks (1–7) 003 – The Edge of Destruction (1–2) 004 – Marco Polo (1–7) CD 005 – The Keys of Marinus (1–6) 006 – The Aztecs (1–4) 007 – The Sensorites (1–6) 008 – The Reign of Terror (1–3,4–5Anim,6) CD Season 2 009 – Planet of Giants (1–3) 010 – The Dalek Invasion of Earth (1–6) 011 – The Rescue (1–2) 012 – The Romans (1–4) 013 – The Web Planet (1–6) 014 – The Crusade (1,2A,3,4A) CD 015 – The Space Museum (1–4) 016 – The Chase (1–6) 017 – The Time Meddler (1–4) Season 3 018 – Galaxy 4 (1–2,3,4) CD 019 – Mission to the Unknown (1) 020 – The Myth Makers (1–4) CD 021 – The Daleks' Master Plan (1,2,3–4,5,6–9,10,11–12) CD 022 – The Massacre of St. Bartholomew's Eve (1–4) CD 023 – The Ark (1–4) 024 – The Celestial Toymaker (1–3,4) CD 025 – The Gunfighters (1–4) 026 – The Savages (1–4) CD 027 – The War Machines (1–4) Season 4 028 – The Smugglers (1–4) CD 029 – The Tenth Planet (1–3,4) CD The Second Doctor – Patrick Troughton 030 – The Power of the Daleks (1–6) CD 031 – The Highlanders (1–4) CD 032 – The Underwater Menace (1,2,3,4) CD 033 – The Moonbase (1A,2,3A,4) CD 034 – The Macra Terror (1–4) CD 035 – The Faceless Ones (1,2,3,4–6) CD 036 – The Evil of the Daleks (1,2,3–7) CD Season 5 037 – The Tomb of the -
F:\Files from the Old Computer\252SYL08.Wpd
English 252: Theatre in England 2008-2009 * [Optional events — seen by some] Saturday December 27 *2:00 p.m. Cinderella (2008). Dir. Melly Still. Based on Brothers Grimm Aschenputtel. Written by Ben Power and Melly Still. Design by Sophia Clist. Composer and music by Terje Isungset. Lighting by Natasha Chivers. Sound by Nick Manning. Assistant Director Elgiva Field. Produced by Kate McGrath. Cast: Elizabeth Chan (Cinderella), Daniel Weyman (Prince), Tim McMullan (Father), Grainne Byrne (Stepmother), Katherine Manners (Dorothy), Kelly Williams (Candide). [Based on the Grimm Brothers’ Aschenputtel.] Lyric Hammersmith Theatre *8:00 p.m. M. R. James, Two Ghost Stories: “Oh, Whistle and I’ll Come to You, My Lad” and “The Ash Tree.” Performed by R. M. Lloyd Parry. A Nunkie Theatre Company Production. Barons Court Theatre Sunday December 28 *3:30 p.m. Glenn Chandler. Boys of the Empire (2008). Dir. Patrick Wilde. Costume Design by Glenn Chandler. Graphic Design by Pet Shaw. Music by Louis Hartshorn. Brian Hook (Associate Producer and Co-Stage Manager, with Louis Hartshorn). Lighting by Greg Harriet. Fight Choreographer Oliver Jack. Cast:Tim Barton (The Editor/Lord Bamberry /Poacher/Overday Senior). Christopher Birks (Pyke). Mark Farrelly (Mr. Pratt/ Croxley/ The Gamekeeper), Oliver Jack (Ascher), Alastair Mavor (Overday), Matthew Runham (Kamal), James Whittle (Morley/Mathers). King’s Head Theatre Monday December 29 [First official day of play-going] 2:00 p.m. Cinderella (2008). Dir. Peter Denyer. Written by Susie McKenna. Choreography by Gerry Zuccarello. Lighting Design by Tim Sascall. Sound Designer Chris Mace. Musical Director Warren Wills. Music Arranger and Orchestrator Chris Hart. -
Doctor Who Programme Guide 1963-1999: Seasons 1-26 & Movies
Doctor Who Programme Guide 1963-1999: Seasons 1-26 & Movies EPISODES 0 THROUGH 29, 1963-1966 55. Terror of the Autons (4) EPISODES 116 THROUGH 135, 1981-1984 Featuring William Hartnell as the Doctor 56. The Mind of Evil (6)(6) Featuring Peter Davidson as the Doctor 57. The Claws of Axos (4) 0. 0. An Unearthly Child - Pilot (1)(1) 58. Colony in Space (6)(6) 116. Castrovalva (4) 1. 1. An Unearthly Child (4)(4) 59. The Daemons (5) 117. Four to Doomsday (4) 2. 2. The Daleks (7)(7) 60. The Day of the Daleks (4) 118. Kinda (4) 3. 3. The Edge of Destruction (2) 61. The Curse of Peladon 119. The Visitation (4) 4.4. Marco Polo (7) (7) 62. The Sea Devils (6)(6) 120. Black Orchid (2) 5. 5. The Keys of Marinus (6)(6) 63. The Mutants (6) 121. Earthshock (4) 6. 6. The Aztecs (4)(4) 64. The Time Monster (6) 122. Time-flight (4) 7. 7. The Sensorites (6)(6) 65. The Three Doctors (4) 123. Arc of Infinity (4) 8.8. Reign of Terror (6) (6) 66. Carnival of Monsters (4)(4) 124. Snakedance (4) 9 . 9. Planet of Giants (3)(3) 125. Mawdryn Undead (4) 67. Frontier in Space (6)(6) 126. Terminus (4) 10. Dalek Invasion of Earth (6) 68. Planet of the Daleks (6) 11. The Rescue (2) 127. Enlightenment (4) 69. The Green Death (6) 128. The King’s Demon (2) 12. The Romans (4) 70. The Time Warrior (4) 13. The Web Planet (6) 129. -
Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date.