Musical Legacies of State Socialism Revisiting Narratives About Post-World War II Europe International Conference
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History and Development of the Communication Regulatory
HISTORY AND DEVELOPMENT OF THE COMMUNICATION REGULATORY AGENCY IN BOSNIA AND HERZEGOVINA 1998 – 2005 A thesis presented to the faculty of the College of Communication of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Adin Sadic March 2006 2 This thesis entitled HISTORY AND DEVELOPMENT OF THE COMMUNICATION REGULATORY AGENCY IN BOSNIA AND HERZEGOVINA 1998 – 2005 by ADIN SADIC has been approved for the School of Telecommunications and the College of Communication by __________________________________________ Gregory Newton Associate Professor of Telecommunications __________________________________________ Gregory Shepherd Interim Dean, College of Communication 3 SADIC, ADIN. M.A. March 2006. Communication Studies History and Development of the Communication Regulatory Agency in Bosnia and Herzegovina 1998 – 2005 (247 pp.) Director of Thesis: Gregory Newton During the war against Bosnia and Herzegovina (B&H) over 250,000 people were killed, and countless others were injured and lost loved ones. Almost half of the B&H population was forced from their homes. The ethnic map of the country was changed drastically and overall damage was estimated at US $100 billion. Experts agree that misuse of the media was largely responsible for the events that triggered the war and kept it going despite all attempts at peace. This study examines and follows the efforts of the international community to regulate the broadcast media environment in postwar B&H. One of the greatest challenges for the international community in B&H was the elimination of hate language in the media. There was constant resistance from the local ethnocentric political parties in the establishment of the independent media regulatory body and implementation of new standards. -
Low Blows: Martin Krpan, Top Lista Nadrealista, and Equalizing Satire
This text is due to be published in Crack Up, Crack Down, a book edited by the Slavs and Tatars collective for the Ljubljana Biennial of Graphic Art, 2019. This is the penultimate draft; please only cite the published version. Author contact: [email protected] (29 October 2019) Low Blows: Martin Krpan, Top Lista Nadrealista, and Equalizing Satire Vid Simoniti “I meant to take my leave without a word. But since you have delayed my departure yourself, do not now be upset that I’ve told you a few harsh ones. You surely know what the late Jerry from the village of Golo used to say: ‘Should I feed sweetmeats to the man I’m quarrelling with? Whichever spice stings him most, that’s what I serve him!’ And now good-bye, and stay in good health!” – Martin Krpan to the Emperor, in Frank Levstik’s Martin Krpan1 I used to have a Swedish dentist. Like all dentists, he relished the pleasure peculiar to their profession—to converse with a person whom they have just rendered incapable of answering back. While thus engaged, this dentist also enjoyed the odd dig at my expense. He once told me of a journey through Yugoslavia, which he took as a younger man. He did not spare me sarcastic comments on the broken- down socialist trains, corrupt policemen, beautiful women keen to marry a Westerner, etc. Of course I had to repay him somehow. So after I was finally allowed to spit out that abominable mixture of mouthwash and blood, I told him the following anecdote: !1 “You describe my people rather well,” I said, “but, of course, we ex-Yugoslavs have also travelled to Sweden, mostly as immigrants, rather than as tourists. -
Inheriting the Yugoslav Century: Art, History, and Generation
Inheriting the Yugoslav Century: Art, History, and Generation by Ivana Bago Department of Art, Art History and Visual Studies Duke University Date:_______________________ Approved: ___________________________ Kristine Stiles, Supervisor ___________________________ Mark Hansen ___________________________ Fredric Jameson ___________________________ Branislav Jakovljević ___________________________ Neil McWilliam Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History and Visual Studies in the Graduate School of Duke University 2018 ABSTRACT Inheriting the Yugoslav Century: Art, History, and Generation by Ivana Bago Department of Art, Art History and Visual Studies Duke University ___________________________ Kristine Stiles, Supervisor ___________________________ Mark Hansen ___________________________ Fredric Jameson ___________________________ Branislav Jakovljević ___________________________ Neil McWilliam An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History and Visual Studies in the Graduate School of Duke University 2018 Copyright by Ivana Bago 2018 Abstract The dissertation examines the work contemporary artists, curators, and scholars who have, in the last two decades, addressed urgent political and economic questions by revisiting the legacies of the Yugoslav twentieth century: multinationalism, socialist self-management, non- alignment, and -
Emir Kusturica and the No Smoking Orchestra
07-14 Kusturica:Gp 3.qxt 6/30/10 10:50 AM Page 1 Sponsor Welcome to Lincoln Center Festival 2010. We have searched the world to bring you some of the best the performing arts have to offer. Over the 18 days of this month’s Festival, we present 45 performances by artists and ensembles from 12 countries, and expand our venues to include a new site on Governors Island. The Lincoln Center Festival opened with the wel come back the Bill T. Jones/Arnie Zane North American premiere of Musashi , a lavish Dance Company. Bill has never been one to shy Noh-inspired drama. Yukio Ninagawa directed away from difficult subjects, and his Fondly Do the late Hisashi Inoue’s reworking and revital - We Hope… Fervently Do We Pray is an inspiring ization of a traditional Japanese tale based on and emotionally wrenching work. Dancer and the life of a real samurai warrior. choreographer Saburo Teshigawara, who made his Lincoln Center Festival debut in 2006, brings If we had a musical survivors series, it would back his laser-like focus for the compelling one- undoubtedly include three groups making man tour-de-force Miroku , and Pichet Klunchun Festival debuts this month: The Blind Boys of brings his brilliant company from Bangkok for Alabama, Orchestre Poly-Rythmo de Cotonou, Chui Chai . The title, meaning “transformation,” and Emir Kusturica and The No Smoking is as much a metaphor for Pichet’s own mod - Orchestra. The Blind Boys have inspired musi - ernization of Thai classical dance as it is a cians and music lovers of all tastes for decades, description of the Ramayana, an Indian epic on and over three nights we’ll celebrate their con - which it is based. -
The Dissolution of States and Membership in the United Nations Michael P
Cornell International Law Journal Volume 28 Article 2 Issue 1 Winter 1995 Musical Chairs: The Dissolution of States and Membership in the United Nations Michael P. Scharf Follow this and additional works at: http://scholarship.law.cornell.edu/cilj Part of the Law Commons Recommended Citation Scharf, Michael P. (1995) "Musical Chairs: The Dissolution of States and Membership in the United Nations," Cornell International Law Journal: Vol. 28: Iss. 1, Article 2. Available at: http://scholarship.law.cornell.edu/cilj/vol28/iss1/2 This Article is brought to you for free and open access by Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in Cornell International Law Journal by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. Michael P. Scharf * Musical Chairs: The Dissolution of States and Membership in the United Nations Introduction .................................................... 30 1. Background .............................................. 31 A. The U.N. Charter .................................... 31 B. Historical Precedent .................................. 33 C. Legal Doctrine ....................................... 41 I. When Russia Came Knocking- Succession to the Soviet Seat ..................................................... 43 A. History: The Empire Crumbles ....................... 43 B. Russia Assumes the Soviet Seat ........................ 46 C. Political Backdrop .................................... 47 D. -
The Group of Twenty: a History
THE GROUP OF TWENTY : A H ISTORY The study of the G-20’s History is revealing. A new institution established less than 10 years ago has emerged as a central player in the global financial architecture and an effective contributor to global economic and financial stability. While some operational challenges persist, as is typical of any new institution, the lessons from the study of the contribution of the G-20 to global economic and financial stability are important. Because of the work of the G-20 we are already witnessing evidence of the benefits of shifting to a new model of multilateral engagement. Excerpt from the closing address of President Mbeki of South Africa to G-20 Finance Ministers and Central Bank Governors, 18 November 2007, Kleinmond, Western Cape. 2 Table of Contents Excerpt from a Speech by President Mbeki....................................................................2 Executive Summary...........................................................................................................5 The Group of Twenty: a History ......................................................................................7 Preface............................................................................................................................7 Background....................................................................................................................8 The G-22 .............................................................................................................12 The G-33 .............................................................................................................15 -
Realpolitik: a History Pdf, Epub, Ebook
REALPOLITIK: A HISTORY PDF, EPUB, EBOOK John Bew | 408 pages | 21 Jan 2016 | Oxford University Press | 9780199331932 | English | Oxford, United Kingdom Realpolitik: A History PDF Book Read an excerpt of this book! Retrieved 13 August Williams September Community Reviews. Remove the threat, punish the enemy militarily and economically, but do not leave a vacuum of power. According to Kenneth Paul Tan of the Lee Kuan Yew School of Public Policy, "Chua Beng Huat [27] argued that the rhetoric of pragmatism in Singapore is ideological and hegemonic in nature, adopted and disseminated in the public sphere by the People's Action Party PAP government and institutionalized throughout the state in all its administrative, planning and policy-making functions. Realpolitik is a word that most of us have at least heard of, but did not really understand what it is, muchless what it isn't. London: Yale University Press. Foundations of Realpolitik emphasizes the importance of ideas and idealism as forces of change and transformation 5. However, it should not do so in a way that destabilized those authoritarian regimes that were friendly to the United States, particularly if this meant that they fell into the hands of communists. Jul 05, Michael Marstellar rated it it was amazing. Kissinger said many times he was not Realpolitik, but as a realist with a German accent how could he be anything else. Whereas Realpolitik refers to political practice, the concept of political realism in international relations refers to a theoretical framework aimed at offering explanations for events in the international relations domain. Rose Deller March 16th, Associated with great thinkers from Machiavelli to Kissinger, it is deeply rooted in the history of diplomacy yet also remains strikingly relevant to debates on contemporary foreign policy in the Obama administration today. -
Top Lista Nadrealista / Topliste Des Surrealismus
25. internationales forum 6a des jungen films berlin 1995 «ÄS TOP LISTA NADREALISTA nen eine Platte auf ('Dok cekas sabah sa sejtanom', 1985). Er war mit Bildern, Skulpturen und Designarbeiten auf den Topliste des Surrealismus/Monty Python in Sarajevo Ausstellungen cedus (1987), Jugoslovenska dokumenta (1989) und Novi primitivizam (1990) teil. Seit 1984 arbei• Land Bosnien-Herzegowina 1993/94 tet er an Fernsehserien mit. Bis jetzt wirkte er bei allen vier Produktion Radio-Televizija Bosne i Zyklen der Serien als Schauspieler, Autor und Produzent und Hercegovine, Top Lista Nadrealista zuweilen auch als Schauspielerin mit. Dem Horoskop nach: Moslem. Sein Lieblingssatz: Lange Haare, kurzer Verstand. Regie Vojslav Malasevic, Sasa Petrovic Davor Sucic - Sula (geboren am 7.1.1961 in Sarajevo): Schon Buch Nadreal ista seit jungen Jahren gehört er zu den führenden Mitgliedern der 'Primitivisten'. 1981 gründete er mit Elvis seine erste Kamera Dzevad Colakovic Gruppe, 'Meteor', 1982 machte er unter dem Pseudonym Ton Mirsad Tukic Sejo Sexon mit Nele Karajlc das erste Album von 'Zabranjeno Licht Rade Tarbica pusenje', 'Das ist Walter'. Von 1982 bis 1990 war er Mit• Ausstattung Osman Arslanagic glied von 'Zabranjeno pusenje', wo er als Komponist, Text• Requisite Slobodan Pantic autor und Gitarrist arbeitete. (Die drei Alben sind 'Dok cekas Songschreiber Elvis J. Kurtovic, Sejo Sekson sabah asa sejtanom', 1985; 'Pozdrav iz zemlje safarai', 1987; Musiker Sejo Kovo, Dusan Vranjic, Dani 'Male price o velikoj ljubavi', 1989.) Seit 1982 wirkt er bei Pervan, IgorCamo und Nadrealisti den 'Surrealisten' in Radiohörspielen und Konzerten mit. Schnitt Bojan Mulic Seit 1992 ist er ständiges Mitglied. In der letzten Serie wirk• Produzenten Mufid Memlija, Zenit Dozic te er als Autor, Liedermacher, Schauspieler und Musik• Redakteur Boro Kontic produzent mit. -
The Political in Bosnia and Herzegovina
Hunger & Fury: The Political in Bosnia and Herzegovina Jasmin Mujanović A Dissertation Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Re- quirements for the Degree of Doctor of Philosophy Graduate Program in Political Science York University Toronto, ON May 2016 © Jasmin Mujanović, 2016 Abstract This text is an attempt to (re)approach the process of political and social transfor- mation in Bosnia-Herzegovina (BiH) over the past century and a half through the prism of popular agency. The primary research question of this dissertation asks why given nearly uni- formly catastrophic social indicators across virtually all socio-economic categories there are so few instances of overt popular dissatisfaction (e.g. protests and/or energetic voter turnout) with the prevailing political order in BiH? In addressing this question through an analysis that straddles political theory, international relations, and political economy literatures I focus on the role played by the specific local variant(s) of the nation-state form in essentially depoliti- cizing the majority of the population in this polity. My central argument is that rather than creating the conditions for rational-legal public administration and multi-party competition, the state in BiH has historically served to deny political agency to would-be citizens. The state in BiH has actively sought to eliminate civil society, in other words, and that therefore the de- fining political and social crises in contemporary BiH must be understood in the context of nearly two centuries of this particular and peculiar state (and nation) formation process. I ar- gue that the historic evolution of the BiH polity has been characterized by a form of elastic authoritarianism; the process of seemingly persistent ideological mutation contrasted by static political and economic patterns. -
Slav S223 Introduction to Balkan and South Slavic Cultures
Introduction to Balkan and South Slavic Cultures Instructor: Marina Antić Office hours: MW 10:30 - 11:30, GISB 4042 Contact: [email protected] This course is an interdisciplinary introduction to Balkan and South Slavic cultures, primarily those of former Yugoslavia (Bosnia and Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, Serbia, and Slovenia). When most people think of this region today, images of the most recent wars, devastation, and chaos of postcommunist times come to mind. However, hidden behind these images is a region rich in history and culture: Viennese cafe culture meets the best of Southern Europe; Adriatic beaches rival those of Southern France; Western, Byzantine, and Islamic influences come together; while contemporary art, architecture, literature, film, and music are some of the best the world has to offer. We will explore the turbulent history of this region, the cross-cultural interactions, common traditions and tropes in literature, film, art, and music, as well as the shared cultural customs of everyday life. Assignments will include films, literature, animation, popular culture, music, culinary traditions, and much more. The course will conclude with a South Slavic festival - a celebration of all that we've learned and come to appreciate about this fascinating corner of the world. Learning objectives: At the end of this course, students will be able to: - recognize and evaluate major trends in Balkan and South Slavic cultures in the modern period - identify and discuss the historical and social context for a range -
CRACK DOWN Crack up – Crack Down 7Exhibition Guide U– Jazdowski We Live in Sour Times
U– jazdowski CRACK UP CRACK DOWN Crack Up – Crack Down 7Exhibition guide We live in sour times. But sour times require sweet-and-sour U– jazdowski 19/06 — 11/10/2020 methods. With the rise of populism around the globe (not exhibition to mention reductive and revanchist forms of identity poli- tics), there has been vigorous debate over who constitutes 2Crack Up – Crack Down ‘the people.’ For more than a millennium, satire has been Curators a particularly contested genre through which to explore such 1Slavs and Tatars questions, via varying degrees of serious invective or jocular Curatorial collaboration teasing. Is each joke, as George Orwell maintained, a tiny rev- 1Michał Grzegorzek olution? Or does laughter and satire deflate the pressures and Artists tension that could otherwise lead to political upheaval? 1Lawrence Abu Hamdan , Hamja Ahsan, Pablo Bronstein, Cevdet Erek, Arthur Fournier 4A many -headed creature, satire has been considered by and Raphael Koenig, Martine Gutierrez, Flaka Haliti, turns a form of popular philosophy, biting critique, and Stane Jagodič, Zhanna Kadyrova, Sachiko Kazama, a conservative genre given its moralising inclinations. It Dozie Kanu, KRIWET, Ella Kruglyanskaya, Tala Madani, Marlie Mul, Woody De Othello, Alenka Pirman thrives in periods of authoritarian rule: from the rich tradi- and KULA, Amanda Ross-Ho, Lin May Saeed, tion of Communist humour in Central and Eastern Europe, Top lista nadrealista Endre Tot Anna Uddenberg , , , to the many examples from the Middle East. Today, Martina Vacheva, Nicole Wermers, Giorgi Xaniashvili, XIYADIE, Honza Zamojski the return of strong-man rule in the West has witnessed a boom in comedy and satire. -
From Reform to Reduction: Reports on the Management of Navy and Department of Defense Laboratories in the Post-Cold War Era
From Reform to Reduction: Reports on the Management of Navy and Department of Defense Laboratories in the Post-Cold War Era J. Eric Hazell A joint publication of the National Defense University and the Naval Historical Center Washington, DC 2008 C ONTENTS The Author .....................................................................................................v Acknowledgments .........................................................................................v Foreword .....................................................................................................vii Preface .........................................................................................................ix List of Reports ..............................................................................................xi List of Tables .............................................................................................xvii Introduction ..................................................................................................1 Purpose and Scope ........................................................................................1 Using this Book .............................................................................................3 Overview of the Navy Laboratory System ........................................................3 Themes and Conclusions................................................................................6 Chapter One — Navy Laboratories at the End of the Cold War ...................11 Starting Points