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I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent. -
A Sociological Analysis of Christian Contemporary Music and Aural Piety
“FAITH COMES BY HEARING”: A SOCIOLOGICAL ANALYSIS OF CHRISTIAN CONTEMPORARY MUSIC AND AURAL PIETY __________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board __________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Courtney Sorrell Tepera August 2017 Examining Committee Members: Lucy Bregman, Advisory Chair, TU Department of Religion Terry Rey, TU Department of Religion David Harrington Watt, TU Department of History Dustin Kidd, External Member, TU Department of Sociology © Copyright 2017 by Courtney Suzanne Sorrell Tepera ____________________________ All rights reserved iii ABSTRACT Over the past fifty years, Christian contemporary music has joined hymnody and psalmody as a major form of evangelical liturgical and devotional song. While the production and content of this genre have been explored by scholars, few studies have attended to the devotional use of the genre and its role in shaping the religious lives of American evangelicals. This project draws from several sets of data to address this matter: analysis of church-created worship music albums, listener testimonials on Christian radio websites, and focus group interviews of laity and clergy at four South Carolina churches. The data revealed that music is significant to their religious lives outside of church as a means of encountering God, managing emotions, and displaying spiritual capital. Inside churches, the music is used to create a sense of corporate identity that reinforces social bonds within the community and attracts newcomers. Drawing on the methodological framework of Pierre Bourdieu’s theory of practice and his work on social distinction, I argue that American evangelicals who listen to Christian contemporary music are engaged in aural piety, a set of practices, attitudes, and ideas invested in music that structure and evoke the experience of the sacred. -
The Mississippi Mass Choir
R & B BARGAIN CORNER Bobby “Blue” Bland “Blues You Can Use” CD MCD7444 Get Your Money Where You Spend Your Time/Spending My Life With You/Our First Feelin's/ 24 Hours A Day/I've Got A Problem/Let's Part As Friends/For The Last Time/There's No Easy Way To Say Goodbye James Brown "Golden Hits" CD M6104 Hot Pants/I Got the Feelin'/It's a Man's Man's Man's World/Cold Sweat/I Can't Stand It/Papa's Got A Brand New Bag/Feel Good/Get on the Good Foot/Get Up Offa That Thing/Give It Up or Turn it a Loose Willie Clayton “Gifted” CD MCD7529 Beautiful/Boom,Boom, Boom/Can I Change My Mind/When I Think About Cheating/A LittleBit More/My Lover My Friend/Running Out of Lies/She’s Holding Back/Missing You/Sweet Lady/ Dreams/My Miss America/Trust (featuring Shirley Brown) Dramatics "If You come Back To Me" CD VL3414 Maddy/If You Come Back To Me/Seduction/Scarborough Faire/Lady In Red/For Reality's Sake/Hello Love/ We Haven't Got There Yet/Maddy(revisited) Eddie Floyd "Eddie Loves You So" CD STAX3079 'Til My Back Ain't Got No Bone/Since You Been Gone/Close To You/I Don't Want To Be With Nobody But You/You Don't Know What You Mean To Me/I Will Always Have Faith In You/Head To Toe/Never Get Enough of Your Love/You're So Fine/Consider Me Z. Z. -
LADY TRAMAINE HAWKINS Inducted in to the Gospel Music Hall of Fame in 1999, Tramaine Hawkins, a Gift and Voice We Came to Know and Love in the Late ‘60S
TramaineLADY TRAMAINE HAWKINS Inducted in to the Gospel Music Hall of Fame in 1999, Tramaine Hawkins, a gift and voice we came to know and love in the late ‘60s. Literally born in church in the San Francisco Bay Area as her mother, the late Lois Davis, a gospel singer in her own right left a church concert to give birth to Tramaine. At the ripe age of four Tramaine began singing at the Ephesians Church Of God In Christ in Berkley, CA where her grandfather, the late Bishop E. E. Cleveland was pastor. She has been singing ever since. At ten years of age she recorded her first single, “He’s All Right!” as part of a Gospel group known as the Heavenly Tones. Two years later the group was produced by Gospel legend, the Rev. James Cleveland. At fifteen, the Heavenly Tones accepted an offer to travel with Sly & The Family Stone - all except Tramaine. She chose to continue her education and remain in Gospel, and later to join Andre Crouch and the Disciples! In 1969 upon graduating from Berkeley High School, Tramaine joined the Edwin Hawkins Singers and was a part of the Gospel Music Revolution via the recording of “Oh Happy Day.” This recording was the first million-selling Gospel single to top the pop charts as well. Additionally, the first “cross over hit” in all cross-sections of the world proving that Gospel has had no boundaries. This also led to Tramaine being able to sing throughout the world with the Hawkins Family. Tramaine’s lead vocals on such classics as “Changed,” “Going Up Yonder,” “Holy One,” “The Potter’s House” (the list goes on and on) are absolutely incomparable. -
Andraé Edward Crouch's Musical and Theological Pursuits: an Analysis of Three Pieces from the Just Andraé Album Stephen Michael Newby Seattle Pacific Nu Iversity
Seattle aP cific nivU ersity Digital Commons @ SPU Seattle aP cific eS minary Theses Seattle aP cific eS minary, 2009 - January 1st, 2019 Andraé Edward Crouch's Musical and Theological Pursuits: An Analysis of Three Pieces from the Just Andraé Album Stephen Michael Newby Seattle Pacific nU iversity Follow this and additional works at: https://digitalcommons.spu.edu/spseminary_etd Part of the Liturgy and Worship Commons, Musicology Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Newby, Stephen Michael, "Andraé Edward Crouch's Musical and Theological Pursuits: An Analysis of Three Pieces from the Just Andraé Album" (2019). Seattle Pacific Seminary Theses. 15. https://digitalcommons.spu.edu/spseminary_etd/15 This Thesis is brought to you for free and open access by the Seattle aP cific eS minary, 2009 - at Digital Commons @ SPU. It has been accepted for inclusion in Seattle aP cific eS minary Theses by an authorized administrator of Digital Commons @ SPU. ANDRAÉ EDWARD CROUCH’S MUSICAL AND THEOLOGICAL PURSUITS: AN ANALYSIS OF THREE PIECES FROM THE JUST ANDRAÉ ALBUM by Stephen Michael Newby A thesis submitted in partial fulfillment of the degree requirements for the Master of Arts (Christian Studies) at Seattle Pacific Seminary 2019 Table of Contents Introduction ......................................................................................................................... 1 Brief Andraé Edward Crouch Biography .......................................................................... -
People's World Photograph Collection
http://oac.cdlib.org/findaid/ark:/13030/c8pz5fz6 No online items Finding Aid to the People's World Photograph Collection Finding aid prepared by Labor Archives staff. Labor Archives and Research Center 2012, Revised 2017 San Francisco State University 1630 Holloway Ave San Francisco 94132-1722 [email protected] URL: http://www.library.sfsu.edu/larc Finding Aid to the People's World larc.pho.00091986/073, 1990/013, 1992/003, 1992/049, 1 Photograph Collection 1994/037, 2011/015 Title: People's World Photograph Collection Date (inclusive): 1856-1992 Date (bulk): 1930-1990 Creator: People's World. (San Francisco, Calif.). Extent: 22 cubic ft. (45 boxes) Call number: larc.pho.0009 Accession numbers: 1986/073, 1990/013, 1992/003, 1992/049, 1994/037, 2011/015 Contributing Institution: Labor Archives and Research Center J. Paul Leonard Library, Room 460 San Francisco State University 1630 Holloway Ave San Francisco, CA 94132-1722 (415) 405-5571 [email protected] Abstract: The People's World Photograph Collection consists of approximately 6,000 photographs used in People's World, a grassroots publication affiliated with the Communist Party of the United States of America (CPUSA). The photographs, along with a small selection of cartoons and artwork, highlight social and political issues and events of the 20th century, with the views of the newspaper aligning with the CPUSA's policies on topics such as civil rights, labor, immigration, the peace movement, poverty, and unemployment. The photographs, the bulk of which span the years 1930 to 1990, comprise predominantly black and white prints gathered from a variety of sources including government agencies, photographic studios, individual photographers, stock image companies, and news agencies, while many of the cartoons and artwork were created by People's World editor and artist Pele deLappe. -
U.S. Chains Raising
BBC 49GREENLYMONTOO MONTY GREENLY 3740 ELM LONG BEACH CA 90807 r A Billboard PublicationBill The Radio Programming, Music /Record International Newsweekly Aug. 16 1980 $3.00 (U.S.) Stores Defy Tape Ban SINGLES AFFECTED TOO By ROMAN KOZAK U.S. Chains Raising NEW YORK -Some of this city's biggest re- promising 25% off on all WEA product, and tailers appear to be challenging the record individual discounts on CBS' Billy Joel and manufacturers' campaign against blank tape Paul McCartney LPs and RSO's "Empire Disk & Tape Prices ads running together with recorded product Strikes Back" and "Grease" soundtracks. Be- ads. low these ads Goody promises 30% off on By JOHN SIPPEL Korvettes, Sang Goody and Alexander's. the Maxell cassettes, cartridges and open reels. LOS ANGELES -J.S. record /tape /acces- three most aggressive newspaper advertisers in The half-page Korvettes ad offers a sale on U.K. Row Developing sories retail chains ar_ roosting album prices this market all ran ads in Thursday's (7) New new releases from Arista, A &M, Motown, to an average $5.69 for specials and $7.07 for York Daily News that fly in the face of recent Tamla, Gordy, Salsoul, 20th Century -Fox, So- shelf price titles on ST.98 list albums. efforts by CBS, PolyGram. Chrysalis and lar and Grunt. and a $3.69 offering on select Over List Price Exit In the $8.98 list caieEory the hike averages Arista to cut down on blank tape ads by with- $5.98 WEA and CBS catalog product. By PETER JONES out to $6.30 on speaa s and $7.67 on shelf holding co -op monies for any ads that include The ad also offers 25% off on accessories in- LONDON -A major industry row is break- priced titles. -
African American Museum & Library at Oakland Vertical File Collection
http://oac.cdlib.org/findaid/ark:/13030/c8xg9wkh No online items Guide to the African American Museum & Library at Oakland Vertical File Collection Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the African American MS 179 1 Museum & Library at Oakland Vertical File Collection Guide to the African American Museum & Library at Oakland Vertical File Collection Collection number: MS 179 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 2015-08-21 Encoded by: Sean Heyliger © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: African American Museum & Library at Oakland Vertical File Collection Dates: 1828-2017 Collection number: MS 179 Collector: African American Museum & Library at Oakland (Oakland, Calif.) Collection Size: 61.5 linear feet(82 boxes + 13 oversized boxes) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The African American Museum & Library at Oakland Vertical File Collection consists of programs, flyers, correspondence, posters, pamphlets, and ephemera collected by the African American Museum & Library at Oakland. The East Bay Negro Historical Society began vertical files in the late 1960s, collecting ephemera and newspaper clippings about African American history and culture. The vertical files are arranged alphabetically by subject, organization, or last name, and include correspondence, programs, flyers, and pamphlets mostly about African American organizations and cultural institutions in the Oakland and the East Bay during the mid-20th century (1940s-1970s). -
166544401.Pdf
TABLE OF CONTENTS ACADEMIC CALENDAR � � � � � � � � � � � � � � � � � � � � � � � � � � � � 2 CERTIFICATE IN PERFORMANCE Bass � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �84 MISSION STATEMENT � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 4 Drums � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �85 ADMISSIONS Guitar � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �85 Bachelor of Music � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 5 Keyboard Technology � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �86 Associate of Arts in Performance � � � � � � � � � � � � � � � � � � 7 Vocals � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �86 Certificate in Performance � � � � � � � � � � � � � � � � � � � � � � � 8 MUSIC INDUSTRY PROGRAMS Non-Certificate Programs � � � � � � � � � � � � � � � � � � � � � � � 8 Audio Engineering � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �87 Music Industry Certificate Programs � � � � � � � � � � � � � � � � 9 Post-Production Audio � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �90 International Student Information � � � � � � � � � � � � � � � � � 10 Live Sound Production � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �92 Additional Information � � � � � � � � � � � � � � � � � � � � � � � � � 10 Independent Artist Development � � � � � � � � � � � � � � � � � � � � � � � -
I Am Healed Donald Lawrence Mp4 Download I Am Healed Donald Lawrence Mp4 Download
i am healed donald lawrence mp4 download I am healed donald lawrence mp4 download. Classic Soul Radio 100 Must Have Gospel Recordings. 100 Gospel Recordings You Should Have In Your Gospel Collection. A Change Is Gonna Come - Aaron Neville A Message For The Saints - Donald Lawrence and the Tri-City Singers A Song For Mama - Boyz II Men Addictive Love - BeBe and CeCe Winans Alabaster Box - CeCe Winans As Long As I Got King Jesus - Vickie Winans Balm in Gilead - Karen Clark-Sheard Blessed and Highly Favored - The Clark Sisters Cooling Water - Williams Brothers Coronation - Richard Smallwood with Vision Devotion - Earth, Wind and Fire Everyday - Darwin Hobbs Everything's Gonna Be Alright - Al Green For My Good - LaShun Pace God Favored Me - Hezekiah Walker Goin' Up Yonder - W. Hawkins and the Love Choir He saw the best in me - Marvin Sapp Healed - Donald Lawrence Heaven - Mary Mary He's Able - Kirk Franklin He's An On-Time God - Dottie Peoples He's Right On Time (Live) - Daryl Coley Hold My Mule - Shirley Caesar Hold On (Change is Coming) - Sounds of Blackness Holy Is The Lamb - Oleta Adams I Am Redeemed - Rev. Jessy Dixon and the Chicago Community Choir I Give You Praise - The Richard Smallwood Singers I Love The Lord - Whitney Houston I Need You - Kirk Franklin I Need You Now - Smokie Norful I Surrender All - CeCe Winans I Thank You - Chicago Mass Choir If God is Dead - The Mighty Clouds of Joy If Trouble Don’t Come Today - Inez Andrews I'll Be Good - Gospel Gangstaz I'll Take You There - Staple Singers I'm Available to You - Rev. -
Light & Lexicon Lift Their Lamp to the People
Light & Lexicon Lift their Lamp to the People Light Records and Lexicon Mu- tional. There is a strong contem- 170,000 expected to sell in 1979. sic of Woodland Hills, California, porary market which is just de- And, Lexicon is the first gospel have just completed their most veloping, just as there is a solid music publisher making a major successful year and early 'indica- soul -inspirational market. move into the Spanish market. tions for 1979 show a major leap "If you are willing to go to the The first two projects will 'be a forward. people and use the media, gospel Spanish version of "The New With nine winners in the Rec- music can change the world. For Church Hymnal" entitled "Una ord World Gospel Awards, Light a long time the industry didn't Nueva Alabanza" with 56 hymns, Records scored more winners than go where the masses were. If you including traditional hymns and any other gospel label. Walter go there and turn loose, it will music from Ralph Carmichael, Hawkins was named "Top Male produce results." Bill Gaither, Jimmy Owens, An- Soul Artist" and scored first place Upcoming albums for 1979 in drae Crouch and others. A new for the second consecutive year addition to Tramaine Hawkins song book, "Lo Mejor Di An- in "Top 25 Albums-Soul Spirit- and the Sweet Comfort and in- drae" (The Best Of Andrae") will ual" with his "Love Alive" album. clude The Archers, Jessy Dixon, be produced in Spanish. Others making strong showings Andrae Crouch Children of the Day, Dan Bur- New musicals will include in the awards were Andrae Light Records' goal for 1979, gess, Tami Chere, John Fischer, "Celebrate His Love," by Dan Crouch, Jamie Owens -Collins according to Cole, is to add to Jim Gilbert, Jeremiah People and Burgess, and Clark Gassman's and the Archers. -
Vita Raymond Wise
Vita Raymond Wise Business Address Raise Productions Center For The Gospel Arts 197 Monarch Dr. Pataskala, Ohio 43062 (Area Code 614) 268-5056 Educational Background The Ohio State University, Columbus, Ohio, 1997 - 2002. Ph.D. in Music Education. The Ohio State University, Columbus, Ohio, 1995 - 1996. M. A. in Music Education & Ohio Teacher's Certification. Denison University, Granville, Ohio, 1979 -1983. B. F. A. in Music, Piano and Voice Major including course work in Theater, Dance, and Art. Institute for European Studies, Vienna, Austria, 1982. Course work in Opera, Art, and German. San Francisco State University, San Francisco, California, 1983. Course work in African- American History, Music, and Dance. Paul Laurence Dunbar Community High School, Baltimore, Maryland, 1976 - 1979. Diploma. Performing Arts Major: Music (choral directing, piano, voice, theory), Theatre, and Dance. Other Training The Wise School of Ministry, 2007. Ministerial Training and Ordination preparation under the tutelage of the Rev. Dr. C Dexter Wise, III, Faith Ministries, Columbus, Ohio. The Walter Hawkins Corporation, Oakland California, 1983. Apprenticeship with the Management Corporation and the Love Center Choir. Class or private instruction in the following areas of study: Voice, Piano, (Classical, Jazz), Music Composition, Theory, Orchestration, Conducting, Recording Engineering, Vocal Pedagogy, Middle and High School Choral Methods, General Music Methods, and Acting. Also studied dance (Ballet, Tap, Jazz, Modern, African, Ethnic, Social, & Experimental) with the following professional dance companies. EMBAJE Dance Co., San Francisco, Ca., 1983 and Baltimore Dance Theatre Co., Baltimore, Md. 1979-1982. Youth Incentive For Excellence Program, Baltimore, Md. 1976-79. Special after school program for gifted and talented youth to receive training and performance experience in the performing arts (voice, piano, choral music, musical theatre, tap dance, ballet, jazz dance, and drama).