Rules Companion Dungeons and Doggies Co Creator and Lead Designer: Russ Charles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
LEGISLATIVE RESOLUTION Paying Tribute to the Life and Many Accomplish- Ments of Ellie Greenwich, One of the Greatest Songwriters of All Time
LEGISLATIVE RESOLUTION paying tribute to the life and many accomplish- ments of Ellie Greenwich, one of the greatest songwriters of all time WHEREAS, It is the custom of this Legislative Body to honor and pay tribute to the memory of those individuals whose creative talents contributed to the entertainment and cultural enrichment of the citizens of the State of New York; and WHEREAS, Attendant to such concern, and in full accord with its long- standing traditions, it is the sense of this Legislative Body, repres- enting the people of the State of New York, to pay tribute to the life and many accomplishments of Ellie Greenwich, one of the greatest song- writers of all time, who died on Wednesday, August 26, 2009, at the age of 68; and WHEREAS, Born on October 23, 1940, in Brooklyn, New York, Ellie Green- wich was instrumental in shaping and popularizing the "girl group" sound of the early 1960s that included such acts as the Ronettes, the Shan- gri-Las and the Crystals, becoming, in the process, one of the most respected pop songwriters of the era; and WHEREAS, She met budding songwriter Jeff Barry and, following a release as Ellie Gee And The Jets, the couple formed the Raindrops in 1963; the group enjoyed a US Top 20 hit with "The Kind Of Boy You Can't Forget"; and WHEREAS, Ellie Greenwich and Jeff Barry enjoyed a sustained period of success with a series of notable compositions, including "Do Wah Diddy Diddy" (the Exciters/Manfred Mann), "I Wanna Love Him So Bad" (the Jelly Beans) and "Hanky Panky" (Tommy James And The Shondells); and -
Elite Music Productions This Music Guide Represents the Most Requested Songs at Weddings and Parties
Elite Music Productions This Music Guide represents the most requested songs at Weddings and Parties. Please circle songs you like and cross out the ones you don’t. You can also write-in additional requests on the back page! WEDDING SONGS ALL TIME PARTY FAVORITES CEREMONY MUSIC CELEBRATION THE TWIST HERE COMES THE BRIDE WE’RE HAVIN’ A PARTY SHOUT GOOD FEELIN’ HOLIDAY THE WEDDING MARCH IN THE MOOD YMCA FATHER OF THE BRIDE OLD TIME ROCK N ROLL BACK IN TIME INTRODUCTION MUSIC IT TAKES TWO STAYIN ALIVE ST. ELMOS FIRE, A NIGHT TO REMEMBER, RUNAROUND SUE MEN IN BLACK WHAT I LIKE ABOUT YOU RAPPERS DELIGHT GET READY FOR THIS, HERE COMES THE BRIDE BROWN EYED GIRL MAMBO #5 (DISCO VERSION), ROCKY THEME, LOVE & GETTIN’ JIGGY WITH IT LIVIN, LA VIDA LOCA MARRIAGE, JEFFERSONS THEME, BANG BANG EVERYBODY DANCE NOW WE LIKE TO PARTY OH WHAT A NIGHT HOT IN HERE BRIDE WITH FATHER DADDY’S LITTLE GIRL, I LOVED HER FIRST, DADDY’S HANDS, FATHER’S EYES, BUTTERFLY GROUP DANCES KISSES, HAVE I TOLD YOU LATELY, HERO, I’LL ALWAYS LOVE YOU, IF I COULD WRITE A SONG, CHICKEN DANCE ALLEY CAT CONGA LINE ELECTRIC SLIDE MORE, ONE IN A MILLION, THROUGH THE HANDS UP HOKEY POKEY YEARS, TIME IN A BOTTLE, UNFORGETTABLE, NEW YORK NEW YORK WALTZ WIND BENEATH MY WINGS, YOU LIGHT UP MY TANGO YMCA LIFE, YOU’RE THE INSPIRATION LINDY MAMBO #5BAD GROOM WITH MOTHER CUPID SHUFFLE STROLL YOU RAISE ME UP, TIMES OF MY LIFE, SPECIAL DOLLAR WINE DANCE MACERENA ANGEL, HOLDING BACK THE YEARS, YOU AND CHA CHA SLIDE COTTON EYED JOE ME AGAINST THE WORLD, CLOSE TO YOU, MR. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
BANG! the BERT BERNS STORY Narrated by Stevie Van Zandt PRESS NOTES
Presents BANG! THE BERT BERNS STORY Narrated by Stevie Van Zandt PRESS NOTES A film by Brett Berns 2016 / USA / Color / Documentary / 95 minutes / English www.BANGTheBertBernsStory.com Copyright © 2016 [HCTN, LLC] All Rights Reserved SHORT SYNOPSIS Music meets the Mob in this biographical documentary, narrated by Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His hits include Twist and Shout, Hang On Sloopy, Brown Eyed Girl, Here Comes The Night and Piece Of My Heart. He helped launch the careers of Van Morrison and Neil Diamond and produced some of the greatest soul music ever made. Filmmaker Brett Berns brings his late father's story to the screen through interviews with those who knew him best and rare performance footage. Included in the film are interviews with Ronald Isley, Ben E. King, Solomon Burke, Van Morrison, Keith Richards and Paul McCartney. LONG SYNOPSIS Music meets the Mob in this biographical documentary, narrated by Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His hits include Twist and Shout, Hang On Sloopy, Brown Eyed Girl, Under The Boardwalk, Everybody Needs Somebody To Love, Cry Baby, Tell Him, Cry To Me, Here Comes The Night and Piece of My Heart. He launched the careers of Van Morrison and Neil Diamond, and was the only record man of his time to achieve the trifecta of songwriter, producer and label chief. -
Behavior Tips: Choosing the Right Dog for the Right Family Provided By
Behavior Tips: Choosing the right dog for the right family Provided by: There are many factors to consider when choosing the right dog for your behaviorally. This is when housemates may start fighting with each family: your expectations for the dog, possible effects on your lifestyle, other over toys, attention…anything. Interestingly, research shows that and the time the dog will require. Breed, sex, and individual or familial two female dogs are most likely to fight, and a male and female pair is characteristics also require thought. Breeds were developed for jobs, least likely to do so1. and that job – herding, carting , or being a lap dog - affects how dogs The special case of adult dogs - Nothing in life is guaranteed, but adult behave. Dogs from working dog lines are behaviorally different than dogs can be known entities, compared to puppies. If that dog has lived dogs from pet lines. You need to know whether these concerns apply to with someone for at least 1 month that person may be able to tell you your dog. about the individual dog’s personality, likes, dislikes, et cetera. Dogs from breed rescues are generally assessed to see which home style is Exercise requirements: Do you want a running partner? If so a young, best for them. More shelters are trying to do these types of evaluations. healthy, large breed dog such as a Labrador or golden retriever may be a Dogs may still behave differently in a new home and everyone should good match. If a couch potato is more your speed consider a small or toy know about the “honeymoon period”. -
Be My Baby”—The Ronettes (1963) Added to the National Registry: 2006 Essay by Cary O’Dell
“Be My Baby”—The Ronettes (1963) Added to the National Registry: 2006 Essay by Cary O’Dell The Ronettes Original label Phil Spector Instantly infectious and memorable, “Be My Baby” has been described as the “Record of the Century” and the “greatest pop record ever made.” It was recorded by the Ronettes in 1963. It was written by Phil Spector, Jeff Barry and Ellie Greenwich and was produced by Phil Spector. It was named to the National Recording Registry in 2006. The Ronettes were a group of girls from Spanish Harlem, sisters Veronica (“Ronnie”) and Estelle Bennett and their cousin Nedra Talley. Before becoming a trio, the young women were a group of five joined by two other cousins, Elaine and Diane. (Sometimes they were also joined by their male cousin, Ira.) They sang together and perfected their harmonies at their grandmother’s house before branching out to play local dances and talent contests. Along with refining their line-up and sound, the girls also defined their look. In his biography of Phil Spector, author Mick Brown says of the group: The standard demeanor of girl groups of the day was one of demure innocence…But the Ronettes looked as if it was a Saturday night and they were cruising for trouble—figure- hugging dresses, hair piled into improbable beehives and lashings of mascara, which transformed the youthful high school girls into vamps. Today, the Ronettes are nearly as remembered for their look (which would later be largely carbon-copied by Amy Winehouse) as for their sound. After first being signed by and recording for the Colpix label (under the name Ronnie and the Relatives), the Ronettes came to the attention of Phil Spector who immediately took a liking to the group and especially to its de facto leader Ronnie. -
Conventions of Pop Revision Guide
GCSE MUSIC – CONVENTIONS OF POP REVISION GUIDE CONVENTIONS OF POP REVISION GUIDE Page 1 of 35 © WWW.MUSICALCONTEXTS.CO.UK GCSE MUSIC – CONVENTIONS OF POP REVISION GUIDE Rock ‘n’ Roll of the 1950’s and 1960’s Rock and roll was formed from a mixture of COUNTRY AND WESTERN and RHYTHM AND BLUES. One of the first rock and roll singers to take America by storm was Elvis Presley who released the hit single ‘That’s Alright Mamma’ in 1954. This was followed by a string of hits and by 1956 he had sold more than 20 million records. Presley’s spectacular stage performance with his arrogant sneer and thrusting hips created a sensation. In 1955, Little Richard exploded onto the music scene with ‘Tutti Fruitti’. He screamed the words, pounded the piano and shook his hair. A series of other singers followed including Chuck Berry, Jerry Lee Lewis, Carl Perkins and Buddy Holly. It was Buddy Holly who took the development of Rock ‘n’ Roll further than anyone else by using multi-tracking recording techniques to produce complex studio arrangements. The late 1950’s and 1960’s brought success to a number of Rock ‘n’ Roll groups. These were male vocal groups such as The Drifters who released ‘Under the Boardwalk’ in 1964 and female vocal groups such as The Shangri Las who released ‘Leader of the Pack’ in 1964. The Beach Boys combined with the harmonies of Afro- American vocal groups to produce their own distinctive sound in numbers such as ‘Surfin’ USA’. British teenagers took little part in the Rock ‘n’ Roll craze until the American group Bill Haley and the Comets, created a sensation with the release of the film ‘Rock around the Clock’ in 1955. -
A History of the Binomial Classification of the Polynesian Native Dog
A History of the Binomial Classification of the Polynesian Native Dog KATHARINE LUOMALA 1 THIS IS A SURVEY of attempts from the last explorers and which may actually have been quarter of the eighteenth century to the present descendants of dogs introduced into the eastern to give a binomial classification to the Poly Pacific by the Pacific islanders themselves. No nesian native dog. Taxonomic interest has been dependableevidence has been found of the dog's expressed mainly by German and British natural presence in western Polynesia at the time of first scientists. Most of them, having neither seen a European contact. Indicative of the intricacies of living Polynesian dog of unquestioned native the question of the pre-European distribution of breed nor studied skeletal material from a dog the dog is the fact that the first European ref presumed to be of native breed, have had to de erence to seeing a dog in Polynesia was in 1606 pend on a few generalized descriptions by ex at a Tuamotuan atoll, perhaps Anaa, where the plorers and settlers. Presented here are the Quiros expedition met an old lady carrying a taxonomists' classifications and theories, the de little white or speckled dog and wearing a gold scriptions that they have cited, and the probable and emerald ring! Also in certain other islands sources and dependability of any of their un like Tonga, for example, no dogs existed but the acknowledged information about the appearance natives recognized and called by the name of of the Polynesian native dog. kuri, the most common Polynesian word for This paper results from my interest, mostly dog, the dogs on board Captain James Cook's anthropological and mythological, in the Poly ships (Luomala, 1%0). -
The Havanese
The Breed of the Month is… The Havanese Description If never primped, clipped or altered in any way, the Havanese gives a rugged impression in a little dog. The legs are strong and allow for free and easy movement. The dark eyes and long tail are covered with long, silky hair. The profuse coat varies from wavy to curly to corded. The corded coat is recognized by both the AKC (American Kennel Club) and the CKC (Canadian Kennel Club). The Havanese is a double-coated breed with soft hair, both on the outer coat and undercoat. The adult coat reaches 6 to 8 inches, and has a pearly sheen. Some Havanese carry a shorthaired recessive gene. If two adults with this recessive gene have a litter of puppies, it is possible that some of the puppies will be born with smooth coats. A Havanese with a short coat cannot be shown, as it is a serious fault in the show arena. Some have nicknamed the Havanese born with short coats Shavanese. Eye rims, nose and lips are solid black on all colors except the true chocolate dog. The Havanese comes in any color, including cream, gold, white, silver, blue and black. Also parti and tricolor. In North America, all colors are recognized; no preference is given to one color over another. Black and chocolate are preferred colors with many North American breeders. A chocolate Havanese must retain at least a 1 inch (2.6 cm) patch of chocolate hair. Chocolates also have green or amber eyes. In some European countries the black and chocolate dogs were not always recognized, but the black dogs have been recognized for several years, and the chocolate dogs are now recently recognized. -
Sweet Adelines International Arranged Music List
Sweet Adelines International Arranged Music List ID# Song Title Arranger I03803 'TIL I HEAR YOU SING (From LOVE NEVER DIES) June Berg I04656 (YOUR LOVE HAS LIFTED ME) HIGHER AND HIGHER Becky Wilkins and Suzanne Wittebort I00008 004 MEDLEY - HOW COULD YOU BELIEVE ME Sylvia Alsbury I00011 005 MEDLEY - LOOK FOR THE SILVER LINING Mary Ann Wydra I00020 011 MEDLEY - SISTERS Dede Nibler I00024 013 MEDLEY - BABY WON'T YOU PLEASE COME HOME* Charlotte Pernert I00027 014 MEDLEY - CANADIAN MEDLEY/CANADA, MY HOME* Joey Minshall I00038 017 MEDLEY - BABY FACE Barbara Bianchi I00045 019 MEDLEY - DIAMONDS - CONTEST VERSION Carolyn Schmidt I00046 019 MEDLEY - DIAMONDS - SHOW VERSION Carolyn Schmidt I02517 028 MEDLEY - I WANT A GIRL Barbara Bianchi I02521 031 MEDLEY - LOW DOWN RYTHYM Barbara NcNeill I00079 037 MEDLEY - PIGALLE Carolyn Schmidt I00083 038 MEDLEY - GOD BLESS THE U.S.A. Mary K. Coffman I00139 064 CHANGES MEDLEY - AFTER YOU'VE GONE* Bev Sellers I00149 068 BABY MEDLEY - BYE BYE BABY Carolyn Schmidt I00151 070 DR. JAZZ/JAZZ HOLIDAY MEDLEY - JAZZ HOLIDAY, Bev Sellers I00156 072 GOODBYE MEDLEY - LIES Jean Shook I00161 074 MEDLEY - MY BOYFRIEND'S BACK/MY GUY Becky Wilkins I00198 086 MEDLEY - BABY LOVE David Wright I00205 089 MEDLEY - LET YOURSELF GO David Briner I00213 098 MEDLEY - YES SIR, THAT'S MY BABY Bev Sellers I00219 101 MEDLEY - SOMEBODY ELSE IS TAKING MY PLACE Dave Briner I00220 102 MEDLEY - TAKE ANOTHER GUESS David Briner I02526 107 MEDLEY - I LOVE A PIANO* Marge Bailey I00228 108 MEDLEY - ANGRY Marge Bailey I00244 112 MEDLEY - IT MIGHT -
Raoul Hernandez
Raoul Hernandez PROFESSIONAL GOAL Clinical professorship at the university level. EDUCATION Stanford University, Stanford, Calif., M.A., Communication, 1992 Pomona College, Claremont, Calif., B.A., English 1987 EXPERTISE / PROPOSED CLASSES Editing Music Journalism Reporting Art of the Review Music Interview Technique Film Editing in Real Time Public Speaking Jazz History LANGUAGES Spanish (bilingual) PROFESSIONAL EXPERIENCE Music Editor/Senior Editor The Austin Chronicle, 1994-present Assistant Music Editor The Austin Chronicle, 1993-1994 2603 Roxmoor Dr. Editorial Assistant Austin, Texas, 78723 The San Francisco Examiner, 1991-1992 News Assistant (512) 914-4441 National Broadcasting Company: KNBR-68, San Francisco, 1987-1988 [email protected] Delivery Adolescent @ChroniclyRaoul The Contra Costa Times, Walnut Creek, Calif., 1975-1980 BOOKS EDITOR Bentley, Bill, Smithsonian Rock & Roll: Live & Unseen, Washington, D.C.: Smithsonian Books, 2017 CONTRIBUTOR The Jesus Lizard & David Yow, The Jesus Lizard Book, New York: Akashic Books, 2014 Powell, Austin & Doug Freeman, The Austin Chronicle Music Anthology, Austin: The University of Texas Press, 2011 Peveto, Geoff & Paula Scher, Rock Paper Show: Flatstock Volume One, New York: Soundscreen Design, 2011 PERIODICALS (select) PUBLICATIONS “The Austin Music Awards’ Ecstatic “John Carpenter, Rock Star,” Experience, The Austin Chronicle, The Austin Chronicle, 15 June 2016 1 March 2018 “Charles Attal Discusses C3/Live Nation “Where Does Margo Price Get Off?” Deal,” The Austin Chronicle, 26