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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
LEGISLATIVE RESOLUTION Paying Tribute to the Life and Many Accomplish- Ments of Ellie Greenwich, One of the Greatest Songwriters of All Time
LEGISLATIVE RESOLUTION paying tribute to the life and many accomplish- ments of Ellie Greenwich, one of the greatest songwriters of all time WHEREAS, It is the custom of this Legislative Body to honor and pay tribute to the memory of those individuals whose creative talents contributed to the entertainment and cultural enrichment of the citizens of the State of New York; and WHEREAS, Attendant to such concern, and in full accord with its long- standing traditions, it is the sense of this Legislative Body, repres- enting the people of the State of New York, to pay tribute to the life and many accomplishments of Ellie Greenwich, one of the greatest song- writers of all time, who died on Wednesday, August 26, 2009, at the age of 68; and WHEREAS, Born on October 23, 1940, in Brooklyn, New York, Ellie Green- wich was instrumental in shaping and popularizing the "girl group" sound of the early 1960s that included such acts as the Ronettes, the Shan- gri-Las and the Crystals, becoming, in the process, one of the most respected pop songwriters of the era; and WHEREAS, She met budding songwriter Jeff Barry and, following a release as Ellie Gee And The Jets, the couple formed the Raindrops in 1963; the group enjoyed a US Top 20 hit with "The Kind Of Boy You Can't Forget"; and WHEREAS, Ellie Greenwich and Jeff Barry enjoyed a sustained period of success with a series of notable compositions, including "Do Wah Diddy Diddy" (the Exciters/Manfred Mann), "I Wanna Love Him So Bad" (the Jelly Beans) and "Hanky Panky" (Tommy James And The Shondells); and -
Elite Music Productions This Music Guide Represents the Most Requested Songs at Weddings and Parties
Elite Music Productions This Music Guide represents the most requested songs at Weddings and Parties. Please circle songs you like and cross out the ones you don’t. You can also write-in additional requests on the back page! WEDDING SONGS ALL TIME PARTY FAVORITES CEREMONY MUSIC CELEBRATION THE TWIST HERE COMES THE BRIDE WE’RE HAVIN’ A PARTY SHOUT GOOD FEELIN’ HOLIDAY THE WEDDING MARCH IN THE MOOD YMCA FATHER OF THE BRIDE OLD TIME ROCK N ROLL BACK IN TIME INTRODUCTION MUSIC IT TAKES TWO STAYIN ALIVE ST. ELMOS FIRE, A NIGHT TO REMEMBER, RUNAROUND SUE MEN IN BLACK WHAT I LIKE ABOUT YOU RAPPERS DELIGHT GET READY FOR THIS, HERE COMES THE BRIDE BROWN EYED GIRL MAMBO #5 (DISCO VERSION), ROCKY THEME, LOVE & GETTIN’ JIGGY WITH IT LIVIN, LA VIDA LOCA MARRIAGE, JEFFERSONS THEME, BANG BANG EVERYBODY DANCE NOW WE LIKE TO PARTY OH WHAT A NIGHT HOT IN HERE BRIDE WITH FATHER DADDY’S LITTLE GIRL, I LOVED HER FIRST, DADDY’S HANDS, FATHER’S EYES, BUTTERFLY GROUP DANCES KISSES, HAVE I TOLD YOU LATELY, HERO, I’LL ALWAYS LOVE YOU, IF I COULD WRITE A SONG, CHICKEN DANCE ALLEY CAT CONGA LINE ELECTRIC SLIDE MORE, ONE IN A MILLION, THROUGH THE HANDS UP HOKEY POKEY YEARS, TIME IN A BOTTLE, UNFORGETTABLE, NEW YORK NEW YORK WALTZ WIND BENEATH MY WINGS, YOU LIGHT UP MY TANGO YMCA LIFE, YOU’RE THE INSPIRATION LINDY MAMBO #5BAD GROOM WITH MOTHER CUPID SHUFFLE STROLL YOU RAISE ME UP, TIMES OF MY LIFE, SPECIAL DOLLAR WINE DANCE MACERENA ANGEL, HOLDING BACK THE YEARS, YOU AND CHA CHA SLIDE COTTON EYED JOE ME AGAINST THE WORLD, CLOSE TO YOU, MR. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Human Journey
u n i v e r s i t y fallS 2007 :: ina this issuecred :: 02 from the heart 26 the new coreHeart curriculum 35 commencement 46 alumni news The Human Journey Rooted in the Catholic intellectual tradition, SHU’s new Core Curriculum engages students and faculty in the journey of a lifetime as they work to fashion lives of meaning and purpose. :: from the president in his words :: Dear Friends, to make the most of their human journeys, As our knowledge grows exponentially, both collectively and individually. Our faculty, one of the greatest challenges facing us in students and staff are raising the academic higher education is how to help our students profile of the University all over the world, as integrate what they learn across different evidenced by the top rankings we continue to disciplines. This is especially true when we earn in national publications like U.S. News consider how quickly our access to knowledge & World Report and The Princeton Review; new is multiplying. In these pages, we highlight cooperative agreements with other institutions Sacred Heart University’s exciting new under- of higher learning; faculty and student awards; graduate core curriculum, The Human Journey, and the steady growth in our academic, ath- which was designed by our faculty and imple- letic and residential life programs. mented this fall to do just that. Of course, the human journey is some- It will bridge the disciplines in humanities times tragic, too. We discovered that this year, and the sciences as we engage our students in as we grieved with our colleagues at Virginia making fundamental inquiries into all aspects of Tech and prayed for them at a time of unimagi- what it means to be human. -
OGA/ELI Annual Report 17/18 US
ANNUAL REPORT 2017/2018 OFFICE OF GLOBAL AFFAIRS JULY 201 8 A W O R D - global engagement of students (p. 7) and community (p. 8) that includes but is not limited to compiling SHU's global relations inventory (pp. 9-10); F R O M - study abroad programming (pp. 11-14) including that of SHU's campuses in Ireland and Luxembourg (pp. T H E T E A M 15-17) and study abroad outreach (p. 19); - we manage the global ambassadors program (p. 20); as well as The Office of Global Affairs (OGA) is the home of - the English Language Institute that provides internationalization at Sacred Heart University. excellent instruction in English as a Second Language There are six areas of service under the office, and orientation in US culture to all students who are including collaboration with colleges and non-native speakers of English (pp. 21-24). departments to promote and highlight all international efforts and initiatives across campus. Our purpose is to initiate, facilitate, and foster the process of internationalization at SHU. Aside from building and maintaining internal and external partnerships, developing fiscally sound global projects and programs, as well as providing regulation and risk management of global university activities, the areas of service directly under the office include: - comprehensive, university-wide internationalization (pp. 4-6); source: www.printawallpaper.com 2 JULY 201 8 H I G H L I G H T S 3 JULY 201 8 COMPREHENSIVE INTERNATIONALIZATION Council for Internationalization In January 2018, the Provost reconstituted the Council for Internationalization and listed the following as immediate goals and responsibilities for the Council: - Prioritize objectives and strategies for each goal of the strategic plan for internationalization; - Recommend a four-year implementation timeline and identify resources needed; - Advocate and champion implementation of identified strategies in respective colleges/divisions; as well as - Support the Office of Global Affairs in its efforts to achieve comprehensive internationalization. -
BANG! the BERT BERNS STORY Narrated by Stevie Van Zandt PRESS NOTES
Presents BANG! THE BERT BERNS STORY Narrated by Stevie Van Zandt PRESS NOTES A film by Brett Berns 2016 / USA / Color / Documentary / 95 minutes / English www.BANGTheBertBernsStory.com Copyright © 2016 [HCTN, LLC] All Rights Reserved SHORT SYNOPSIS Music meets the Mob in this biographical documentary, narrated by Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His hits include Twist and Shout, Hang On Sloopy, Brown Eyed Girl, Here Comes The Night and Piece Of My Heart. He helped launch the careers of Van Morrison and Neil Diamond and produced some of the greatest soul music ever made. Filmmaker Brett Berns brings his late father's story to the screen through interviews with those who knew him best and rare performance footage. Included in the film are interviews with Ronald Isley, Ben E. King, Solomon Burke, Van Morrison, Keith Richards and Paul McCartney. LONG SYNOPSIS Music meets the Mob in this biographical documentary, narrated by Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His hits include Twist and Shout, Hang On Sloopy, Brown Eyed Girl, Under The Boardwalk, Everybody Needs Somebody To Love, Cry Baby, Tell Him, Cry To Me, Here Comes The Night and Piece of My Heart. He launched the careers of Van Morrison and Neil Diamond, and was the only record man of his time to achieve the trifecta of songwriter, producer and label chief. -
Shu Reported First in State with Bicentennial Celebration Meskill, Bishop Curtis Serve As Co-Charimen for Initial Event
Published Periodically by the Office of Public Information /Sacred Heart I niversity\ liridfieport. Connecticut Vol. 7 No. 3 June, 1974 SHU REPORTED FIRST IN STATE WITH BICENTENNIAL CELEBRATION MESKILL, BISHOP CURTIS SERVE AS CO-CHARIMEN FOR INITIAL EVENT UCONN PRESIDENT, OTHERS HONORED AT COMMENCEMENT Dr. Glenn Ferguson, president of the University of Connecticut, was guest speaker and one of three honorary doctoral degree recipients at the University’s Eighth Com mencement on May 25 with 403 students receiving degrees. Other awards were given to Mother M. Bernadette, 0. Carm., director planning and development at St. oseph’s Manor, Trumbull, and John Sullivan, Fairfield first select man, who has served as president of the Connecticut Conference of May ors. Dr. William H. Conley, founding SHU president and chancellor who will retire July 1 to become chan cellor emeritus, read the citations. President Kidera conferred the hon orary degrees. Dr. Charles E. Ford, Governor Thomas J. Meskill, honorary co-chairman of the May 11 SHU musical Benefit academic vice president and dean, performance of “1776”, signs a proclamation designating that date as the opening one presented the undergraduates for for the state’s celebration of the National Bicentennial anniversary of the signing of the degrees, and the Most Rev. Walter Declaration of Independence. Also participating are the Rev. William J. Fletcher, new SHU director of cultural affairs and Whitney L. Brooks, chairman of the American W. Curtis, chairman of the Univer Revolutionary Bicentennial Commission of Connecticut. The May 11 Benefit sity board of trustees, delivered the performance thus became an initial event to commemorate Connecticut’s Bicentennial benediction. -
Key Sunday-Continued Monday Monday-Continued Tuesday Tuesday-Continued Wednesday Wednesday-Continued Wednesday-Continued Thursday-Continued Thursday-Continued
Key Sunday-continued Monday Monday-continued Tuesday Tuesday-continued Wednesday Wednesday-continued Wednesday-continued Thursday-continued Thursday-continued O – (Open) All are welcome. New London 6:00 PM (1 hour) Danielson 10:00 AM (1 hour) Waterbury 7:00 PM Meriden 8:30 AM (1 hour 15 min) Waterbury 7:00 PM Westbrook 9:30 AM (1 hour 15 min) Plainville 7:00 PM Norwalk 7:30 PM (1 hour) Meriden 7:00 PM (1 hour) Westport 7:30 PM Living Clean (O,LC) Morning Serenity (O,LC) Unity Group (To,S) AM NA (O,JFT,WC) Breaking the Chains (C,To,K,HIV) Three Steps Forward (O,BST) Brothers in Recovery (O,M,S) Road to Recovery (C,JFT) Thursday Night Recovery (O,To,K) Survivors (O,To) ST – (Step) Twelve Steps of NA. Lawrence and Memorial Hospital, 365 Montauk Ave. Westfield Congregational Church, 210 Main St. North End Recreational Center, 268 North Main St. First Congregational Church, 62 Colony St. North End Recreational Center, 268 North Main St. Westbrook Congregational Church, 1166 Boston Post Rd. Our Lady of Mercy Parish Center, 19 South Canal Street First Congregational Church, 3 Lewis St. St. Rose Community Center, 34 Center Street Saugatuck Congregational Church, 245 Post Road East T – (Tradition) Twelve Traditions of NA. Second Floor Conference Room #2 New London 10:00 AM (1 hour) Willimantic 7:00 PM New London 10:00 AM (1 hour) Wethersfield 7:00 PM Parlor Room 107 (around back) Corner of Park St. New Britain 7:00 PM (1 hour 15 min) Rear Enterance, 2nd Floor, Room 206 SWG – (Step Working Guide) Discussion of the Step Working Guide text. -
Be My Baby”—The Ronettes (1963) Added to the National Registry: 2006 Essay by Cary O’Dell
“Be My Baby”—The Ronettes (1963) Added to the National Registry: 2006 Essay by Cary O’Dell The Ronettes Original label Phil Spector Instantly infectious and memorable, “Be My Baby” has been described as the “Record of the Century” and the “greatest pop record ever made.” It was recorded by the Ronettes in 1963. It was written by Phil Spector, Jeff Barry and Ellie Greenwich and was produced by Phil Spector. It was named to the National Recording Registry in 2006. The Ronettes were a group of girls from Spanish Harlem, sisters Veronica (“Ronnie”) and Estelle Bennett and their cousin Nedra Talley. Before becoming a trio, the young women were a group of five joined by two other cousins, Elaine and Diane. (Sometimes they were also joined by their male cousin, Ira.) They sang together and perfected their harmonies at their grandmother’s house before branching out to play local dances and talent contests. Along with refining their line-up and sound, the girls also defined their look. In his biography of Phil Spector, author Mick Brown says of the group: The standard demeanor of girl groups of the day was one of demure innocence…But the Ronettes looked as if it was a Saturday night and they were cruising for trouble—figure- hugging dresses, hair piled into improbable beehives and lashings of mascara, which transformed the youthful high school girls into vamps. Today, the Ronettes are nearly as remembered for their look (which would later be largely carbon-copied by Amy Winehouse) as for their sound. After first being signed by and recording for the Colpix label (under the name Ronnie and the Relatives), the Ronettes came to the attention of Phil Spector who immediately took a liking to the group and especially to its de facto leader Ronnie. -
Contents • Abbreviations • International Education Codes • Us Education Codes • Canadian Education Codes July 1, 2021
CONTENTS • ABBREVIATIONS • INTERNATIONAL EDUCATION CODES • US EDUCATION CODES • CANADIAN EDUCATION CODES JULY 1, 2021 ABBREVIATIONS FOR ABBREVIATIONS FOR ABBREVIATIONS FOR STATES, TERRITORIES STATES, TERRITORIES STATES, TERRITORIES AND CANADIAN AND CANADIAN AND CANADIAN PROVINCES PROVINCES PROVINCES AL ALABAMA OH OHIO AK ALASKA OK OKLAHOMA CANADA AS AMERICAN SAMOA OR OREGON AB ALBERTA AZ ARIZONA PA PENNSYLVANIA BC BRITISH COLUMBIA AR ARKANSAS PR PUERTO RICO MB MANITOBA CA CALIFORNIA RI RHODE ISLAND NB NEW BRUNSWICK CO COLORADO SC SOUTH CAROLINA NF NEWFOUNDLAND CT CONNECTICUT SD SOUTH DAKOTA NT NORTHWEST TERRITORIES DE DELAWARE TN TENNESSEE NS NOVA SCOTIA DC DISTRICT OF COLUMBIA TX TEXAS NU NUNAVUT FL FLORIDA UT UTAH ON ONTARIO GA GEORGIA VT VERMONT PE PRINCE EDWARD ISLAND GU GUAM VI US Virgin Islands QC QUEBEC HI HAWAII VA VIRGINIA SK SASKATCHEWAN ID IDAHO WA WASHINGTON YT YUKON TERRITORY IL ILLINOIS WV WEST VIRGINIA IN INDIANA WI WISCONSIN IA IOWA WY WYOMING KS KANSAS KY KENTUCKY LA LOUISIANA ME MAINE MD MARYLAND MA MASSACHUSETTS MI MICHIGAN MN MINNESOTA MS MISSISSIPPI MO MISSOURI MT MONTANA NE NEBRASKA NV NEVADA NH NEW HAMPSHIRE NJ NEW JERSEY NM NEW MEXICO NY NEW YORK NC NORTH CAROLINA ND NORTH DAKOTA MP NORTHERN MARIANA ISLANDS JULY 1, 2021 INTERNATIONAL EDUCATION CODES International Education RN/PN International Education RN/PN AFGHANISTAN AF99F00000 CHILE CL99F00000 ALAND ISLANDS AX99F00000 CHINA CN99F00000 ALBANIA AL99F00000 CHRISTMAS ISLAND CX99F00000 ALGERIA DZ99F00000 COCOS (KEELING) ISLANDS CC99F00000 ANDORRA AD99F00000 COLOMBIA -
Conventions of Pop Revision Guide
GCSE MUSIC – CONVENTIONS OF POP REVISION GUIDE CONVENTIONS OF POP REVISION GUIDE Page 1 of 35 © WWW.MUSICALCONTEXTS.CO.UK GCSE MUSIC – CONVENTIONS OF POP REVISION GUIDE Rock ‘n’ Roll of the 1950’s and 1960’s Rock and roll was formed from a mixture of COUNTRY AND WESTERN and RHYTHM AND BLUES. One of the first rock and roll singers to take America by storm was Elvis Presley who released the hit single ‘That’s Alright Mamma’ in 1954. This was followed by a string of hits and by 1956 he had sold more than 20 million records. Presley’s spectacular stage performance with his arrogant sneer and thrusting hips created a sensation. In 1955, Little Richard exploded onto the music scene with ‘Tutti Fruitti’. He screamed the words, pounded the piano and shook his hair. A series of other singers followed including Chuck Berry, Jerry Lee Lewis, Carl Perkins and Buddy Holly. It was Buddy Holly who took the development of Rock ‘n’ Roll further than anyone else by using multi-tracking recording techniques to produce complex studio arrangements. The late 1950’s and 1960’s brought success to a number of Rock ‘n’ Roll groups. These were male vocal groups such as The Drifters who released ‘Under the Boardwalk’ in 1964 and female vocal groups such as The Shangri Las who released ‘Leader of the Pack’ in 1964. The Beach Boys combined with the harmonies of Afro- American vocal groups to produce their own distinctive sound in numbers such as ‘Surfin’ USA’. British teenagers took little part in the Rock ‘n’ Roll craze until the American group Bill Haley and the Comets, created a sensation with the release of the film ‘Rock around the Clock’ in 1955.