Chinese Calligraphy Sijin Chen and Hongfei Finley Zhang CHINA Calligraphy Is the Quintessence of Chinese Culture

Total Page:16

File Type:pdf, Size:1020Kb

Chinese Calligraphy Sijin Chen and Hongfei Finley Zhang CHINA Calligraphy Is the Quintessence of Chinese Culture Chinese Calligraphy Sijin Chen and Hongfei Finley Zhang CHINA Calligraphy is the quintessence of Chinese culture. It was first used to record events and what people wanted to say. In writing, people strive to make the scripts look beautiful and elegant. To meet special needs, they are written in artistic styles. The writing of Chinese characters has been developed into a special high-level art. Chinese calligraphy has flourished for several thousand years. Like painting, sculpture, poetry, music, dance, and opera, it is a full member of the family of the arts. Oracle Script Bronze Script Large Seal Small Seal Clerical Script Cursive Script Brush The brush is the traditional writing implement in Chinese calligraphy. The body of the brush can be made from bamboo, or rarer materials such as red sandalwood, glass, ivory, silver or gold. Calligraphy brushes are considered as an extension of the calligrapher’s arm. Today, a pen may be used. Ink and Inkstick The ink is made from lampblack (soot) and binders, and comes in inksticks which must be rubbed with water on an ink stone until the right consistency is achieved. Cheaper, pre-mixed bottled inks are now available, but these are used primarily for practice as stick inks are considered higher quality and chemical inks are more prone to bleeding over time, making them less suitable for use in hanging scrolls. Learning to rub the ink is an essential part of calligraphy study. Traditionally, Chinese calligraphy is written only in black ink, but modern calligraphers sometimes use other colours. Calligraphy teachers use a bright orange or red ink with which they write practice characters for students to trace, or to correct students’ work. Made from stone, ceramic, or clay from the banks of the Yellow River, inkstone is used to grind the solid inkstick into liquid ink and to contain the ink once it is liquid. Chinese inkstones are highly prized as art objects and an extensive bibliography is dedicated to their history and appreciation, especially in China. Shuka Ya Kufuma (Bedsheet) Victoria Mugisha and Divine Ngunyanya CONGO Instructions Step 1: Take a plain fabric of the size you want to make as a bedsheet (or cushion). Step 2: Draw the kind of art you want on it. Step 3: Choose the colour of wool cotton you want to use on it. Step 4: Insert the cotton into a needle then you start sewing, following the pattern of art you have designed on the bedsheet. Dances in Ethiopia Israel Mohammed and Anan Adam ETHIOPIA Ethiopia has one of the oldest and best preserved cultural dances in the world. There are well over 80 ethnic groups each with its own languages and dances. Today, I will share some of the major cultural dances that include the Guraghe, Amhara, Somali, and Tegre ethnic groups. Eskista: This is a traditional Ethiopian dance performed by both men and women. The dance is known for its unique emphasis on intense shoulder movements. It is characterized by rolling the shoulder blades, bouncing the shoulders, and jilting the chest. Wolaita: People living in Southern Ethiopia dance with distinctive waist movements. Compared to Northern Ethiopian dances like Amhara, which mainly require moving upper body (e.g. neck, shoulder, and chest), the further people go to Southern Ethiopia, the more movement of lower body their dances require. Guragigna: The Gurage people are famous for their hard work, and their dancing portrays an image of hard working people. Different from other dances, women dance with long pants and cover their hair with a scarf for this fast tempo dance. With upbeat music, dancers keep steps without rest like a marathon runner. Oromia: Oromia dance styles differ from place to place. Some of its famous dances are “Shoa Oromo” and “Halar Oromo.” Shoa Oromo has unique clothing as well as dance steps. Women wear two-piece leather decorated with shells. Men wear animal fur like lion’s mane on their heads and use sticks for dancing. Most surprising about this dance is the women’s very fast and sharp neck motion. You will never forget it once you watch it! Hong Kong Comics Brian Hui, Samuel Mok, and Jacqueline Wong HONG KONG, CHINA We chose four characters of the comics because all the authors who created these comics were from Hong Kong. They all use Hong Kong as the background for their stories. As Hongkongers, we feel a sense of belonging to the comics because we lived in the same place as the authors. Therefore, we chose these four comics to represent Hong Kong and we would like to share them with people around the world. McMug is a set of comics about Hong Kong. It was written by Brain Tse and drawn by Alice Mak. The story surrounds a cartoon pig called McMug, and was published in 1988 in Hong Kong. The set of McMug comics uses a simple way to present the local characteristics of Hong Kong. In addition, most of the conversation in this comic is written in Cantonese. The theme of this comic is the current trends (the ills of the day) of Hong Kong. Therefore, this set of comics is popular among the people who grew up in Hong Kong. In other words, it means that it is not easy for non- Cantonese speakers to understand the content since it has a lot of Cantonese idioms. Ms. Alice Mak Ka-pik is the author of McMug. Mr. Brian Tse Lap-man (her husband and business partner), is a long time children’s literature writer. She did not receive any formal training, except watching her older brother take drawing lessons. She considers herself an illustrator because she draws only the pictures, but does not write the stories. Panda-A-Panda, a character in the comics, is a panda with an adorable outlook. It does not have any hearing impairment, but sometimes it pretends to be deaf. It loves to use a humorous way to present the irony of the ills of Hong Kong. Jiang Zaixuan (Siu Hak), the painter of Panda-A-Panda, was born in Hong Kong. He graduated from the Hong Kong Polytechnic University, one of the world’s 25 best design schools, with a Bachelor in Graphic Design in 1996. He works as a local illustrator, comic writer, animator, and screenwriter. Manday Cat describes the daily life of youth and the amazing fun she experiences when she gets into society. Manday Cat (also called Mandy) is a famous local Illustrator. She graduated from Hong Kong Baptist University program in Journalism and worked as a reporter and editor. She drew comics for magazines and newspapers. Her books describe the funny things that happen in the life of boys, girls, and cats. Lobintan (Street Vendor) comics are about the lifestyle of Lobintan, which is always related to her family and friends. For example, last year, Lobintan had her own child, and her whole book of comics was all about how she and her husband take care of their baby. Lobintan called herself Lobintan because she loves to shop in the store beside the street. Since she has had her blog, her goal is that when people look it up and they love it, they can stay and read or just go to the street vendors. Bollywood Joan Cherian and Noor Chhatwal INDIA Bollywood is the name given to the Mumbai-based Hindi-language film industry in India. It is considered to be the largest in the world in number of films produced, and maybe also the number of tickets sold. Bollywood films are usually musicals. Indian audiences expect a melodramatic movie that includes songs, dances, love interest, comedy, and dare-devil thrills, all mixed up in a three-hour long extravaganza with intermission. Such movies are called masala movies. 1900-1920: Silent Beginning As the 20th century rolled in, Bollywood began creating motion pictures. The films began, as most did, completely silent. The first official movie and featured film was Raja Harishchandra created in 1913 by Dadasaheb Phalke. Dadasaheb continued to create movies and is well-known for helping pave the path to movie success. 1930s: Movies are Heard More than 200 movies a year were being produced by the 1930s. In 1931, Alam Ara was directed by Ardeshir Irani. This film became the first Indian film to have sound. The film was a great success and the demand for musicals and talkies began to grow. This era was filled with sound; most films were musicals with dozens of songs, sometimes up to 40 songs in one movie. 1930-1940: The Depression Musicals and romantic themes became popular, but a new theme emerged that aimed at societal issues and the fight for India’s independence. Opinions, beliefs, and stories about life were expressed in hopes of bringing about change. A popular and heart-breaking film was Devdas produced by Pramathesh Barua and released in 1935. Movies continued to improve in quality and in 1937 Kisan Kanya was created as the first coloured film. 1940-1960: Golden Age Surprisingly, black and white was still common and colour didn't gain popularity until the 1950s. India gained independence on January 26, 1950 and this freedom played a major role in Bollywood movie themes. Referred to as the "Golden Age" people now felt free to express their opinions and attack societal issues. As the 50s progressed, people produced films aimed at the largest group of people: the working class. During this time, some of the most famous and inspiring movies were produced, such as Pyaasa (1957), Kaagaz Ke Phool (1959), and Awaara (1951).
Recommended publications
  • 7015 B Program P.Indd
    From the Queen to the Chief Executive: May 4–6 Hong Kong Films 2007 10 Years After the Handover 香港電影縱橫﹕ 展與談 1 I am absolutely thrilled to welcome you to our fi rst Hong Kong fi lm Schedule at a glance festival, From the Queen to the Chief Executive: Hong Kong Films Ten Years After the Handover. This important event fi rst and foremost celebrates the friday, may 4 2:30 pm–4:15 pm achievements of Hong Kong fi lm and its impact on a new and ever- Banana Bruises; Royal Ontario Museum changing global culture. From the Queen to the Chief Executive also provides Dumplings Theatre, 100 Queen’s Park a forum to contemplate developments on Hong Kong since its historic 4:15 pm–5:15 pm 6:15 pm–7:15 pm return to China in 1997. Film is a lens through which to understand the Horror Panel VIP Reception dynamics of a changing society and the world around it. Film provides 5:15 pm–6:30 pm Royal Ontario Museum – an important platform, a medium, for telling peoples’ stories. In this Dinner Break Glass Room on the respect, fi lm is both critical and celebratory, it challenges and re- 4th Floor 6:30 pm–8:35 pm affi rms. Its impact is political, social, economic, cultural and often Venues 7:00 pm Eastbound; Welcome leaves legacies of historical import. Doors Open Lost in Time to the First 7:30 pm–7:40 pm 8:35 pm–9:00 pm The Asian Institute is an inter-disciplinary home to scholars working iiX iiX iiX iiX Break Waddg Waddg Welcoming Remarks University on Asia, comprising leading scholars in the humanities and social VkZcjZgY YZdch]^gZea 7:40 pm–9:30 pm 9:00 pm–11:00 pm sciences.
    [Show full text]
  • … … Mushi Production
    1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod.
    [Show full text]
  • OFFICIAL RECORD of PROCEEDINGS Wednesday, 16
    LEGISLATIVE COUNCIL ─ 16 October 2013 483 OFFICIAL RECORD OF PROCEEDINGS Wednesday, 16 October 2013 The Council met at Eleven o'clock MEMBERS PRESENT: THE PRESIDENT THE HONOURABLE JASPER TSANG YOK-SING, G.B.S., J.P. THE HONOURABLE ALBERT HO CHUN-YAN THE HONOURABLE LEE CHEUK-YAN THE HONOURABLE JAMES TO KUN-SUN THE HONOURABLE CHAN KAM-LAM, S.B.S., J.P. THE HONOURABLE LEUNG YIU-CHUNG THE HONOURABLE EMILY LAU WAI-HING, J.P. THE HONOURABLE TAM YIU-CHUNG, G.B.S., J.P. THE HONOURABLE ABRAHAM SHEK LAI-HIM, G.B.S., J.P. THE HONOURABLE TOMMY CHEUNG YU-YAN, S.B.S., J.P. THE HONOURABLE FREDERICK FUNG KIN-KEE, S.B.S., J.P. THE HONOURABLE VINCENT FANG KANG, S.B.S., J.P. THE HONOURABLE WONG KWOK-HING, B.B.S., M.H. 484 LEGISLATIVE COUNCIL ─ 16 October 2013 PROF THE HONOURABLE JOSEPH LEE KOK-LONG, S.B.S., J.P., Ph.D., R.N. THE HONOURABLE JEFFREY LAM KIN-FUNG, G.B.S., J.P. THE HONOURABLE ANDREW LEUNG KWAN-YUEN, G.B.S., J.P. THE HONOURABLE WONG TING-KWONG, S.B.S., J.P. THE HONOURABLE RONNY TONG KA-WAH, S.C. THE HONOURABLE CYD HO SAU-LAN THE HONOURABLE STARRY LEE WAI-KING, J.P. DR THE HONOURABLE LAM TAI-FAI, S.B.S., J.P. THE HONOURABLE CHAN HAK-KAN, J.P. THE HONOURABLE CHAN KIN-POR, B.B.S., J.P. DR THE HONOURABLE PRISCILLA LEUNG MEI-FUN, S.B.S., J.P. DR THE HONOURABLE LEUNG KA-LAU THE HONOURABLE CHEUNG KWOK-CHE THE HONOURABLE WONG KWOK-KIN, B.B.S.
    [Show full text]
  • The Dissemination and Localization of Anime in China: Case Study on the Chinese Mobile Video Game Onmyoji
    The dissemination and localization of anime in China: Case study on the Chinese mobile video game Onmyoji Wuqian Qian The Department of Asian, Middle Eastern and Turkish Studies Master Program in Asian Studies, 120 hp Autumn term 2016 Supervisor: Jaqueline Berndt English title: Professor Abstract In the 2017 Chinese Gaming Industry Report, a new type of video games called 二次 元 game is noted as a growing force in the game industry. Onmyoji is one of those games produced by Netease and highly popular with over 200 million registered players in China alone. 二次元 games are characterized by Japanese-language dubbing and anime style in character design. However, Onmyoji uses also Japanese folklore, which raises two questions: one is why Netease chose to make such a 二次元 game, the other why a Chinese game using Japanese folklore is so popular among Chinese players. The attractiveness of an exotic culture may help to explain the latter, but it does not work for the first. Thus, this thesis implements a media studies perspective in order to substantiate its hypothesis that it is the dissemination of anime in China that has made Onmyoji possible and successful. Unlike critics who regard anime as an imported product from Japan which is different from domestic Chinese animation and impairs its development, this study pays attention to the interrelation between media platforms and viewer (or user) demographics, and it explores the positive influence of Japanese anime on the Chinese creative industry, implying the feasibility of anime or 二次元 products to be created in other countries than Japan.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema.
    [Show full text]
  • Rendering the Regional
    Rendering the Regional Rendering the Regional LOCAL LANGUAGE IN CONTEMPORARY CHINESE MEDIA Edward M.Gunn University of Hawai`i Press Honolulu Publication of this book was aided by the Hull Memorial Publication Fund of Cornell University. ( 2006 University of Hawai`i Press All rights reserved Printed in the United States of America 111009080706654321 Library of Congress Cataloging-in-Publication Data Gunn, Edward M. Rendering the regional : local language in contemporary Chinese media / Edward M. Gunn. p. cm. Includes bibliographical references and index. ISBN 0-8248-2883-6 (alk. paper) 1. Language and cultureÐChina. 2. Language and cultureÐTaiwan. 3. Popular cultureÐChina. 4. Popular cultureÐTaiwan. I. Title. P35.5.C6G86 2005 306.4400951Ðdc22 2005004866 University of Hawai`i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by University of Hawai`i Press Production Staff Printed by The Maple-Vail Book Manufacturing Group Contents List of Maps and Illustrations /vi Acknowledgments / vii A Note on Romanizations /ix Introduction / 1 1 (Im)pure Culture in Hong Kong / 17 2 Polyglot Pluralism and Taiwan / 60 3 Guilty Pleasures on the Mainland Stage and in Broadcast Media / 108 4 Inadequacies Explored: Fiction and Film in Mainland China / 157 Conclusion: The Rhetoric of Local Languages / 204 Notes / 211 Sources Cited / 231 Index / 251 ±v± List of Maps and Illustrations Figure 1. Map showing distribution of Sinitic (Han) Languages / 2 Figure 2. Map of locations cited in the text / 6 Figure 3. The Hong Kong ®lm Cageman /42 Figure 4. Illustrated romance and pornography in Hong Kong / 46 Figure 5.
    [Show full text]
  • To Horses Selling
    Index To Horses Selling Aelle ...................................................78 Filliano ...............................................90 African Legacy ...............................108 Firecard ...........................................144 All Day ...............................................71 Flewsy .............................................149 Ara Diamond .....................................49 Colt/Flying Kitty ..............................148 Filly/Aware And Beware ...............101 Frieda Zamba ...................................51 Barney R ...........................................43 G P S Navigator .............................111 Belcherville .....................................177 Glide Slope .....................................145 Colt/Best Punch .............................106 Gold Scat ..........................................45 Betta Trifecta ....................................76 Golden Slew ...................................151 Bid On A Dancer ............................133 Goldie’s Gift ......................................62 Gelding/Biscuits With Ham ...........107 Grace Lake .......................................92 Blondera ............................................86 Filly/Grace Lake .............................153 Blueberry Tart ..................................46 Grand Illusion .................................141 Brighton Lass .................................152 Colt/Gweneth ..................................155 Brinks Baby .......................................81 Hadastar ............................................26
    [Show full text]
  • Darwin's Game Complete Blu-Ray Set Announced for March 2021 Release
    FOR IMMEDIATE RELEASE NOVEMBER 18, 2020 Darwin’s Game Complete Blu-ray Set Announced for March 2021 Release ©FLIPFLOPs (AKITASHOTEN) / DARWIN'S GAME PROJECT A mysterious invitation turns Kaname Sudo’s world upside down in an unpredictable battle of superpowers! SANTA MONICA, CA (November 18, 2020) – Aniplex of America is excited to announce the release of Darwin's Game as a complete Blu-ray set on March 16, 2021. The set will contain all eleven episodes of the thrilling series in both English and Japanese audio, along with web previews, and textless opening and ending on three Blu-ray discs. Featuring an electrifying box art illustration by character designer Kazuya Nakanishi, the complete Blu-ray set includes a special booklet with character information. Adapted from the original manga series by FLIPFLOPs, which was serialized in “Bessatsu Shonen Champion” by AKITASHOTEN , the animated series premiered in January 2020 and was produced by studio Nexus (Comic Girls, Granbelm) and directed by Yoshinobu Tokumoto, who served as episode director for many notable shows including Bakemonogatari and Saekano: How to Raise a Boring Girlfriend. The series features music by Kenichiro Suehiro (Cells at Work!, Goblin Slayer) with its opening theme, "CHAIN," by ASCA (Sword Art Online Alicization, Fate/Apocrypha) and ending theme, "Alive," by Mashiro Ayano (Fate/stay night [Unlimited Blade Works], Record of Grancrest War). The heart pounding series stars Yusuke Kobayashi (Fire Force, Re:ZERO -Starting Life in Another World-) and Stephen Fu (Golden Kamuy, How Heavy Are the Dumbbells You Lift?) as Kaname Sudo, a 17-year old high schooler who becomes an unwilling participant in a life-or-death battle after receiving a mysterious email inviting him to download an app called “Darwin’s Game.” As he fights to survive, he encounters Shuka Karino, a top-ranking player known as “The Undefeated Queen,” played by Reina Ueda (Lord El-Melloi II's Case Files {Rail Zeppelin} Grace note, Demon Slayer: Kimetsu no Yaiba) and Alexis Tipton (Kaguya-sama: Love is War? A Certain Magical Index).
    [Show full text]
  • Person's Name
    Date: THURSDAY 25 SEPTEMBER 2008 Cabinet Time: 7PM Venue: COMMITTEE ROOM 6, CIVIC CENTRE HIGH STREET, UXBRIDGE To Members of the Cabinet: Visiting the Civic Centre: Ray Puddifoot (Chairman) Leader of the Council Members of the Public and Press are welcome to attend this David Simmonds (Vice-Chairman) meeting. Deputy Leader / Education & Children’s Services Jonathan Bianco Bus routes 427, U1, U3, U4 and Finance & Business Services U7 all stop at the Civic Centre. Keith Burrows Uxbridge underground station, Planning & Transportation with the Piccadilly and Philip Corthorne Metropolitan lines, is a short Social Services, Health & Housing walk away. Please enter from the Council’s main reception Henry Higgins where you will be directed to Culture, Sport & Leisure the Committee Room. Sandra Jenkins Environment Please switch off your mobile Douglas Mills phone when entering the room Improvement, Partnerships & Community Safety and note that the Council Scott Seaman-Digby operates a no-smoking policy in Co-ordination & Central Services its offices. Publication Date: 17 September 2008 This agenda Mark Braddock Lloyd White is available in Head of Cabinet Office Head of Democratic Services large print Cabinet Office T.01895 250472 F.01895 277373 [email protected] London Borough of Hillingdon, 3E/05, Civic Centre, High Street, Uxbridge, UB8 1UW www.hillingdon.gov.uk Agenda 1. Apologies for Absence 2. Declarations of Interest in matters coming before this meeting 3. To receive the decisions of the meeting held on 15 July 2008 (pages i to xvii) attached 4. To confirm that the items of business marked Part 1 will be considered in Public and that the items marked Part 2 will be considered in private 5.
    [Show full text]
  • Seven Deadly Sins Movie Release Date
    Seven Deadly Sins Movie Release Date Anemophilous or premandibular, Marv never touches any nullah! If glabrous or unalienable Pascale usually achromatised phylogenetically.his notums lace-ups anarthrously or abscising correlatively and notedly, how blistering is Brad? Ishmael connoting The Seven Deadly Sins Season 4 Cast this Date. First SEVEN DEADLY SINS Movie Gets a Cool Trailer. 212 Ounces Run time 1 hour and 39 minutes Release date September 5. Seven Deadly Sins Lion Sin Secret Box Code. Prisoners of same Sky Seven Deadly Sins USA Netflix Event occurs at Closing credits English Language Cast Seven Deadly Sins Film. Seven Deadly Sins season 5 is airing on Netflix and the 4th episode just aired There's also a bead of hype around our next episode Seven. II Movies The Seven Deadly Sins the Movie Prisoners of black Sky 201. THE SEVEN DEADLY SINS PRISONERS OF THE reject Review. Trinikid. The Lion's Sin was Pride Escanor died after the battle plan the Demon King during his body disintegrated when he used his life question to bottom up and grace Sunshine He used the borrowed grace to help waive the Demon King. 7 Deadly Sins 2019 IMDb. The altitude was released on August 1 201 in Japan and later released on November 29 201 in South Korea by MJ Pictures and reserve by Netflix on December 31 201. Seven Deadly Sins the Movie Prisoners of three Sky Best Buy. The Seven Deadly Sins Cursed by Light movie for a direct sequel to. Exclusive 'The Sinners' Sneak Peek Turns Teen Mean Girls Into working Seven Deadly Sins By Haleigh.
    [Show full text]
  • GEO for Youth, Asia-Pacific
    FOR YOUTH ASIA AND THE PACIFIC 2 GLOBAL ENVIRONMENT OUTLOOK FOR YOUTH IN ASIA AND THE PACIFIC Copyright © 2019, United Nations Environment Programme (UNEP) Job No: DEW/2218/BA ISBN: 978-92-807-3734-9 Disclaimers The designations employed and the presentation of material in this publication do not imply the expression of any opinion whatsoever on the part of UNEP concerning the legal status of any country, territory or city or its authorities, or concerning the delimitation of its frontiers or boundaries. For general guidance on matters relating to the use of maps in publications please go to http://www.un.org/Depts/Cartographic/english/htmain.htm Mention of a commercial company or product in this publication does not imply endorsement by the United Nations Environment Programme. Reproduction This publication may be reproduced in whole or in part and in any form for educational or non-profit services without special permission from the copyright holder, provided acknowledgement of the source is made. UNEP would appreciate receiving a copy of any publication that uses this publication as a source. No use of this publication may be made for resale or any other commercial purpose whatsoever without prior permission in writing from the United Nations Environment Programme. Applications for such permission, with a statement of the purpose and extent of the reproduction, should be addressed to the Director, DCPI, UNEP, P.O. Box 30552, Nairobi, 00100, Kenya. The use of information from this publication concerning proprietary products for publicity or advertising is not permitted. Suggested citation: UNEP 2019. GEO for Youth, Asia-Pacific.
    [Show full text]
  • How Hong Kong People Use Hong Kong Disneyland
    Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of Cultural Studies 2007 Remade in Hong Kong : how Hong Kong people use Hong Kong Disneyland Wing Yee, Kimburley CHOI Follow this and additional works at: https://commons.ln.edu.hk/cs_etd Part of the Race, Ethnicity and Post-Colonial Studies Commons, and the Sociology of Culture Commons Recommended Citation Choi, W. Y. K. (2007). Remade in Hong Kong: How Hong Kong people use Hong Kong Disneyland (Doctor's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/cs_etd.6 This Thesis is brought to you for free and open access by the Department of Cultural Studies at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. REMADE IN HONG KONG HOW HONG KONG PEOPLE USE HONG KONG DISNEYLAND CHOI WING YEE KIMBURLEY PHD LINGNAN UNIVERSITY 2007 REMADE IN HONG KONG HOW HONG KONG PEOPLE USE HONG KONG DISNEYLAND by CHOI Wing Yee Kimburley A thesis submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in Arts (Cultural Studies) Lingnan University 2007 ABSTRACT Remade in Hong Kong How Hong Kong People Use Hong Kong Disneyland by CHOI Wing Yee Kimburley Doctor of Philosophy Recent studies of globalization provide contrasting views of the cultural and sociopolitical effects of such major corporations as Disney as they invest transnationally and circulate their offerings around the world.
    [Show full text]