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GAZİANTEP ZEUGMA MOZAİK MÜZESİ We Have a New Museum: Gaziantep Zeugma Mozaic Museum
EKİM-KASIM-ARALIK 2011 OCTOBER-NOVEMBER-DECEMBER 2011 SAYI 3 ISSUE 3 Yeni bir müzemiz oldu: GAZİANTEP ZEUGMA MOZAİK MÜZESİ We have a new museum: Gaziantep Zeugma Mozaic Museum KÜLTÜRE ve SANATA CAN SUYU: DÖSİMM Life line support for history, culture and art: DÖSİMM TOKAT ATATÜRK EVİ ve Etnografya Müzesi The Atatürk House and Etnographic Museum in Tokat Başarısını talanıyla gölgeleyen SCHLIEMANN Schliemann who overshadowed his success with his pillage MEDUSA: Mitolojinin yılan saçlı kahramanı Medusa: Mythological heroine with snakes for hair İSTANBUL ARKEOLOJİ MÜZELERİ KOLEKSİYONUNDAN IYI ÇOBAN ISA İyi Çoban İsa ensesine oturttuğu koçun ayaklarını sağ eli ile tutmuştur. Kısa bir tunik giymiş olup giysisini belinden bir kuşakla bağlamıştır. Başını yukarı doğru kaldırmıştır. Kısa dalgalı saçları yüzünü çevirmektedir. Sırtındaki koçun anatomik yapısı çok iyi işlenmiştir. Ana Sponsor İstanbul Arkeoloji Müzeleri TÜRSAB’ın desteğiyle yenileniyor İstanbul Arkeoloji Müzeleri Osman Hamdi Bey Yokuşu Sultanahmet İstanbul • Tel: 212 527 27 00 - 520 77 40 • www.istanbularkeoloji.gov.tr EKİM-KASIM-ARALIK 2011 OCTOBER-NOVEMBER-DECEMBER 2011 SAYI 3 ISSUE 3 Yeni bir müzemiz oldu: GAZİANTEP ZEUGMA içindekiler MOZAİK MÜZESİ We have a new museum: Gaziantep Zeugma Mozaic Museum KÜLTÜRE ve SANATA CAN SUYU: DÖSİMM Life line support for history, culture and art: DÖSİMM TOKAT ATATÜRK EVİ ve Etnografya Müzesi The Atatürk House and Etnographic Museum in Tokat Başarısını talanıyla gölgeleyen SCHLIEMANN Schliemann who overshadowed his success with his pillage MEDUSA: Mitolojinin yılan saçlı kahramanı Medusa: Mythological heroine with snakes for hair 5 Başyazı Her taşı bir tarih sahnesi 22 Dünya tarihinin ev sahibi BRITISH MUSEUM 8 36 KÜLTÜRE ve SANATA can suyu 46 Taşa çeviren bakışlar Tarihin AYAK İZLERİ.. -
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04_518823-ch01.qxp 9/24/08 8:11 PM Page 1 1 Family Highlights of Turkey COPYRIGHTED MATERIAL 04_518823-ch01.qxp 9/24/08 8:11 PM Page 2 TURKEY 0 100 mi R U S S I A 0 100 km BLACKB L A C K SEAS E A BULGARIAB U L G A R I A G E O R G I A EdirneEdirnEdirne SinopSinop 16 AmasraAmasra 4 ZonguldakZonguldak BartinBartin Bafra Family Highlights of Turkey KastamonuKastamonu Artvin SafranboluSafranbolu Ardahan TerkirdaTerkirdağ IstanbulIstanbul EregliEregli 27 KeKeşanan 1 30 20 Samsun Trabzon Rize KarabukKarabuk Ünye Ordu SeaSea ofof MMarmaraarmara GebzeGebze KocaelKKocaeliocaeli SakaryaSakarya DüzceDüzceüzce Kars GallipoliGallipoli 28 BoluBolu Giresun A R M E N I A AegeanAegean YalovYYalovaalova 32 ÇankiriÇankiri SeaSea IIznikznik ÇorumÇorum Amasya Gümüşhane Yerevan IznikIznik22 9 12 BandirmaBandirma GölüGölü Tokat Bayburt 11 ÇanakkaleÇanakkale Turhal BursaBursa InegolInegol Erzurum SincanSincan Karakose BalıkesirBalıkesir ş AnkaraAnkara Doğubayazıt BozüyükBozBozüyüküyük EskiEski ehirehir 5 YozgatYozgat 7 KirikkaleKirikkale Sivas Erzincan PolatliPolatli LesboLLesbosesbos KütahyaKütahya TURKEYT U R K E Y Kemaliye Erçis AkhisarAkhisar Tunceli I R A N KirKirşehirehir Bingol ManisaManisa Mus Uşakak AfyonAfyon Van Gölü ş IzmirIzmir TurgutluTurgutlu KayseriKayseri Van ÇeÇe meme 21 TuzTuz GGölüölü Bitlis SalihliSalihli ÜrgüpÜrgüp Elazığ 14 13 3 AkAkşehirehir 17 OOdOdemisdemismis AksarayAksaray Malatya AegeanAegean ş DinarDinar KuKu adasiadasi 19 HoyranHoyran Siirt SeaSea 24 AydinAydin Diyarbakır SamosSamos 26 GölüGölü NiNiğdede Göksun Batman KonyaKonya -
An Interpretation of Some Unpublished in Situ and Recorded Rum Seljuk 13Th C. External and Internal Figural Relief Work on the Belkıs (Aspendos) Palace, Antalya
GEPHYRA 8 2011 143–184 Terrance Michael Patrick DUGGAN An interpretation of some unpublished in situ and recorded Rum Seljuk 13th c. external and internal figural relief work on the Belkıs (Aspendos) Palace, Antalya Abstract: This article is divided into four parts. Firstly, it notes the precedent provided by the conversion of the Roman theatre at Bosra in Syria into an Ayyubid Palace, for the conversion of the Roman theater into the Rum Seljuk palace at Belkis–Aspendos and the known extensive use made of Syrian trained architects for important architectural projects by Rum Seljuk Sul- tans in the first half of the 13th c. Secondly, the two bands of Seljuk low relief depictions of fe- lines and a deer on a series of re–carved Roman limestone blocks on the exterior wall by the door leading to the southern köşk–pavilion erected above the parados and upon the lintel over this door, discovered by the author in 2007, extending over a length of nearly 10 m are de- scribed and the deliberate pecking of the surface of these low relief depictions it is suggested, was to provide bonding for applied painted stucco carved relief–work that completed this relief work on the exterior palace facade. The third section describes the painted Seljuk tympanum relief sculpture made of stucco plaster that concealed the Roman relief carving of Dionysus in the pediment of the sceanae frons in the 13th c. A sculptural relief depiction of a nude female figure which was fortunately recorded by Charles Texier early in the 19th c. -
The Influences of the Interactive Systems on Museum Visitors’ Experience: a Comparative Study from Turkey
JOURNAL OF TOURISM INTELLIGENCE AND SMARTNESS Year (Yıl): 2019 Volume (Cilt): 2 Issue (Sayı): 1 Pages (Sayfa): 27/38 THE INFLUENCES OF THE INTERACTIVE SYSTEMS ON MUSEUM VISITORS’ EXPERIENCE: A COMPARATIVE STUDY FROM TURKEY Assist. Prof. Sebahattin Emre DİLEK1 Batman University, School of Tourism and Hotel Management, Turkey E-mail: [email protected] ORCID: 0000-0001-7830-1928 Assoc. Prof. Mustafa DOĞAN Batman University, School of Tourism and Hotel Management, Turkey E-mail: [email protected] ORCID: 0000-0001-7648-8469 Prof. Dr. Gülriz KOZBE Batman University, Faculty of Science and Letters, Department of Art History, Turkey E-mail: [email protected] ORCID: 0000-0002-4727-3052 Abstract To the effect, technologically advanced interactive systems, settled in modern-day museums research new ways to offer a Article Info: positive experience to the visitors and encourage them to return, using modern communication and learning tools. This paper Received: 30-04-2019 examines user interaction applications of a recent digital cultural Accepted: 07-05-2019 heritage exploration project concerning of the most popular three museums (Mardin, Şanlıurfa, Gaziantep Museums) that are located in different cities of the southeast region of Turkey. The project aims at enriching the visitor experiences through modern digital technologies. Main modules include 3D scanning of the artifacts, information screens and mobile interaction with Augmented Reality (AR). In this paper, it is explored and Keywords: compared the visitor perceptions and experiences for three Museum, museums. For this purpose, two scales were used for data Interactive Systems, collection. In accordance with the first aim of the study, the scale Augmented Reality, adapted by Chung, Han & Joun (2015) which is to explain Visitor Experience, visitors’ acceptance of based on the interactive systems. -
Point Cloud Registration and Virtual Realization of Large Scale and More Complex Historical Structures
International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XL-7/W2, 2013 ISPRS2013-SSG, 11 – 17 November 2013, Antalya, Turkey POINT CLOUD REGISTRATION AND VIRTUAL REALIZATION OF LARGE SCALE AND MORE COMPLEX HISTORICAL STRUCTURES C. Altuntas*, F. Yildiz Selcuk University, Engineering Faculty, Department of Geomatics, 42075, Selcuklu, Konya, Turkey - [email protected] Commission V KEY WORDS: Terrestrial, Laser Scanning, Point Cloud, Registration, Accuracy, Three-Dimensional, Cultural Heritage ABSTRACT: Digital information technology always needs more information about object and its relations. Thus, three-dimensional (3D) models of historical structures are created for visualize and documentation of them. Laser scanner performs collecting spatial data with fast and high density. 3D modeling is extensively performed by terrestrial laser scanner (TLS) with high accuracy. At the same time, point cloud registration of large scale objects must be performed precisely for high accuracy 3D modeling. In this study, 3D model was created by measuring the historical Mevlana Museum in Konya with terrestrial laser scanner. Outside and inside point clouds were registered relation one of the point clouds selected from the measurements. In addition accuracy evaluation was performed for created point cloud model. In addition, important details were specifically imaged by mapping photographs onto the point cloud and detail measurements were given. 1. INTRODUCTION Sultanul-Ulema Bahaeddin Veled who is the father of Mevlana. Sultanul-Ulema was buried in the present mausoleum after his The historical structures have to be documented with all the death. The mausoleum where the Green Dome (Kubbe-i Hadra) details in order to maintain and restore to their original forms is located was built with the permission of the son of Mevlana, and re-build when they are destroyed. -
Country Report - TÜRKİYE
Country Report - TÜRKİYE TÜRKİYE Country Profile & Facts Official Name Republic of Turkey Date of Foundation 29 October 1923 Capital Ankara Largest Cities İstanbul, Ankara, İzmir, Adana, Antalya Area 814.578 km2 Eastern Meridians 26° and 45° Geographical Coordinates Northern Parallels 36° and 42° Mediterranean Sea in the south, Aegean Sea in the west and Coastal Borders Black Sea in the north Official Language Turkish - English is widely spoken in major cities TL (Turkish Lira) (¨) Currency 1 Euro approximately equals to 2,30 TL Time Zone GMT+2; CET +1; and EST (US -East) +7 The workweek in Turkey runs from Monday to Friday. Banks, Business Hours government offices and majority of corporate offices open at 9 a.m. and close at 5 p.m. Visas Visas are easily obtained upon arrival at the airport and are required for citizens of most countries. Electricity 220V. European standard round two-pin sockets. Cities and major touristic towns have a selection of private inter- Health Services national and public hospitals with good standards Tap water is chlorinated and, therefore, safe to drink. However, Water it is recommended that you consume bottled water, which is readily and cheaply available. Turkey has three GSM operators, all of them offering 3G Communications services and almost 95% coverage over the country. Internet service is available all around the country. International Dial Code +90 Country Report - TÜRKİYE Language The official language of the country is Turkish. It is spoken by 220 million people and is the world's fifth most widely spoken language. Today's Turkish has evolved from dialects known since the 11th century and is one of the group of languages known as Ural-Altaic, which includes Finnish and Hungarian. -
P30-31S Layout 1
Established 1961 31 Wednesday, December 20, 2017 Lifestyle Feature Turkey’s dervishes whirl for Rumi anniversary ‘A lot of people like his poetry because it comes from the heart, from his soul’ Whirling dervishes perform a “Sema” ritual during a ceremony. rms crossed over their hearts, hands rest- fit and their tall cap-one hand pointed towards ing on their shoulders, the dervishes start the sky and another towards the earth-has Atheir dance. They turn on themselves, become one of the most famous symbols of slowly sliding their hands along their bodies Turkey. The audience watched entranced at a before raising them, embracing the universe. But dance which copies the movement of planets far from being only an act of introvert worship, against a background of Sufi music that filled the dance of the whirling dervishes is now a the large Konya Sports and Congress Centre. huge spectacle in Turkey, attracting flocks of “A lot of people like his poetry because it tourists every year. Every December, the comes from the heart, from his soul. And in his Turkish city of Konya organizes 10 days of cele- soul, he was with Allah,” said Andrey Zhuravlyov brations to commemorate the death on who came from Latvia for the third time. At December 17, 1273, of Jalal ud-Din Muhammad Rumi’s mausoleum-recognizable by its Rumi, the Sufi mystic who is one of the world’s turquoise-tiled dome-tourists jostle each other, most beloved poets. reflect deeply and some weep profusely at the It was Rumi’s followers who founded the tomb of the poet. -
Pick & Mix: Turkey
Pick & Mix: Turkey Index For everything else… Lonely Planet and World MasterCard combine to create your personal travel toolkit. Enjoy breathtaking, once-in-a-lifetime experiences; wake up to postcard views in faraway places; and enjoy worldwide acceptance as your curiosity leads you to new adventures. For a world of possibilities… With the world’s best travel information in your hands, and the flexibility of World MasterCard in your pocket, you are free to experience life’s passions in your own unique way. The best the world has to offer is within easy reach; unforgettable sights and sounds, delicious food and exceptional service. Create your own experience-of-a-lifetime and enjoy complete peace of mind. For no pre-set spending limits… World MasterCard credit cardholders can shop with confidence and no pre-set spending limit; giving you the benefit of additional spending power should you ever need it. Simply pay the amount that exceeds your revolving credit line on your billing statement each month to enjoy flexibility and peace of mind – anywhere in the world. For total confidence… Lonely Planet’s team of experienced travel experts scour the world to find great experiences - wherever they are. Use recommendations from the world’s most trusted source of independent travel information to ensure your travel experiences are unforgettable and truly unique. And whatever happens, your World MasterCard card is there to assist you 24 hours a day, seven days a week. Wherever you are in the world, you’ll never have to worry about a lost or stolen card, getting an emergency replacement card, or even getting a cash advance. -
A Project Model in Interior Architecture: from Patterns to Spaces
Global Journal of Arts Education Volume 07, Issue 2, (2017) 40-46 www.gjae.eu A project model in interior architecture: From patterns to spaces Rabia Kose Dogan*, Department of Interior Architecture and Environmental Design, Faculty of Fine Arts, Seljuk University, 42079, Konya, Turkey. Suggested Citation: Dogan, K.R. (2017). A project model in interior architecture: From patterns to spaces. Global Journal of Arts Education. 7(2), 40-46 Received December 21, 2016; revised March 26, 2016; accepted May 23, 2016. Selection and peer review under responsibility of Prof. Dr. Ayse Cakir Ilhan, Ankara University, Turkey. ©2017 SciencePark Research, Organization & Counseling. All rights reserved. Abstract Dating back to 3000 BC, Alaaddin Hill is located right in the heart of Konya province, which used to be the capital of Seljuk Civilization. More than 60 years wedding halls built on Alaaddin Hill is hardly ever used due to the reason that cars are unable to reach this area because there is an ongoing landscaping for almost four years. This building has become a problem for the city, also getting older every year. In this aspect, this building is revised as Museum of Seljuk Civilizations and projects are prepared to re-function it within the scope of course name Interior Architecture Project-7 by Seljuk University, Faculty of Fine Arts, Department of Interior Architecture and Environmental Design during fall semester of 2015-2016 education year. There are 48 students in this project. Technical visits are made to the building, field studies are concluded and research is conducted. The underlying reason of this project work is the Seljuk patterns. -
Dionysus and Ariadne in the Light of Antiocheia and Zeugma Mosaics
Anatolia Antiqua Revue internationale d'archéologie anatolienne XXIII | 2015 Varia Dionysus and Ariadne in the light of Antiocheia and Zeugma Mosaics Şehnaz Eraslan Electronic version URL: http://journals.openedition.org/anatoliaantiqua/345 DOI: 10.4000/anatoliaantiqua.345 Publisher IFEA Printed version Date of publication: 1 June 2015 Number of pages: 55-61 ISBN: 9782362450600 ISSN: 1018-1946 Electronic reference Şehnaz Eraslan, « Dionysus and Ariadne in the light of Antiocheia and Zeugma Mosaics », Anatolia Antiqua [Online], XXIII | 2015, Online since 30 June 2018, connection on 18 December 2020. URL : http://journals.openedition.org/anatoliaantiqua/345 ; DOI : https://doi.org/10.4000/anatoliaantiqua. 345 Anatolia Antiqua TABLE DES MATIERES Hélène BOUILLON, On the anatolian origins of some Late Bronze egyptian vessel forms 1 Agneta FRECCERO, Marble trade in Antiquity. Looking at Labraunda 11 Şehnaz ERASLAN, Dionysus and Ariadne in the light of Antiocheia and Zeugma Mosaics 55 Ergün LAFLI et Gülseren KAN ŞAHİN, Middle Byzantine ceramics from Southwestern Paphlagonia 63 Mustafa AKASLAN, Doğan DEMİRCİ et Özgür PERÇİN en collaboration avec Guy LABARRE, L’église paléochrétienne de Bindeos (Pisidie) 151 Anaïs LAMESA, La chapelle des Donateurs à Soğanlı, nouvelle fondation de la famille des Sképidès 179 Martine ASSENAT et Antoine PEREZ, Localisation et chronologie des moulins hydrauliques d’Amida. A propos d’Ammien Marcellin, XVIII, 8, 11 199 Helke KAMMERER-GROTHAUS, »Ubi Troia fuit« Atzik-Köy - Eine Theorie von Heinrich Nikolaus Ulrichs (1843) -
Archaeology University of Michigan
KELSEY MUSEUM OF ARCHAEOLOGY UNIVERSITY OF MICHIGAN FALL 2O12 NEWS NOTES FROM THE DIRECTOR STAFF It is always a pleasure for me to read the current Kelsey Newsletter in preparing to write Sharon Herbert, Director the notes from the director. Despite being in the center of things in the director’s office, Dawn Johnson, Associate Director I always find things in theNewsletter that are new to me or enrich my own work. In this Curators issue my eye was immediately caught by Nicole High-Steskal’s photograph of a seal ring Suzanne Davis, Conservation from Ephesus, which bears a striking resemblance to the thousands of seal impressions I Elaine K. Gazda, Hellenistic and Roman am studying from the Kelsey’s excavations at Kedesh. I was also delighted to learn in her Sharon Herbert, Greek and Hellenistic Janet Richards, Dynastic Egypt article about the opening of the new Mosaic Museum at Gaziantepe. When I was there Margaret Cool Root, Greek and Near Eastern in 2003 the salvaged mosaics were piled around the museum’s courtyard and impossible Lauren Talalay, Academic Outreach to view. It is wonderful to hear they now have a safe home open to the public. Terry Wilfong, Graeco-Roman Egypt The story of the Zeugma mosaics—rescued by international teams of archaeologists Research Scientists and conservators racing against the rising waters of the Euphrates River and now safely Geoffrey Emberling displayed in a modern museum environment—underlines the breadth of skills that are Richard Redding needed to discover, preserve, and display the treasures of the past. This fall’s special exhi- Research Associates/Affiliates bition, Conserving Antiquity, dramatically illustrates the Kelsey’s ongoing commitment to Gary Beckman Christopher Ratté and leadership in these efforts. -
Sculpture and Inscriptions from the Monumental Entrance to the Palatial Complex at Kerkenes DAĞ, Turkey Oi.Uchicago.Edu Ii
oi.uchicago.edu i KERKENES SPECIAL STUDIES 1 SCULPTURE AND INSCRIPTIONS FROM THE MONUMENTAL ENTRANCE TO THE PALATIAL COMPLEX AT KERKENES DAĞ, TURKEY oi.uchicago.edu ii Overlooking the Ancient City on the Kerkenes Dağ from the Northwest. The Palatial Complex is Located at the Center of the Horizon Just to the Right of the Kale oi.uchicago.edu iii KERKENES SPECIAL STUDIES 1 SCULPTURE AND INSCRIPTIONS FROM THE MONUMENTAL ENTRANCE TO THE PALATIAL COMPLEX AT KERKENES DAĞ, TURKEY by CatheRiNe M. DRAyCOTT and GeOffRey D. SuMMeRS with contribution by CLAUDE BRIXHE and Turkish summary translated by G. B∫KE YAZICIO˝LU ORieNTAL iNSTiTuTe PuBLiCATiONS • VOLuMe 135 THe ORieNTAL iNSTiTuTe Of THe uNiVeRSiTy Of CHiCAGO oi.uchicago.edu iv Library of Congress Control Number: 2008926243 iSBN-10: 1-885923-57-0 iSBN-13: 978-1-885923-57-8 iSSN: 0069-3367 The Oriental Institute, Chicago ©2008 by The university of Chicago. All rights reserved. Published 2008. Printed in the united States of America. ORiental iNSTiTuTe PuBLicatiONS, VOLuMe 135 Series Editors Leslie Schramer and Thomas G. urban with the assistance of Katie L. Johnson Series Editors’ Acknowledgments The assistance of Sabahat Adil, Melissa Bilal, and Scott Branting is acknowledged in the production of this volume. Spine Illustration fragment of a Griffin’s Head (Cat. No. 3.6) Printed by Edwards Brothers, Ann Arbor, Michigan The paper used in this publication meets the minimum requirements of American National Standard for information Services — Permanence of Paper for Printed Library Materials, ANSi Z39.48-1984. oi.uchicago.edu v TABLE OF CONTENTS LiST Of ABBReViatiONS ............................................................................................................................