Le sceptre ottokar pdf

Continue Scepter King Ottokar (Le Sceptre d'Ottokar) Cover of the English editionDate 1939 (black and white) 1947 (color) SeriesThe Adventures of TintinPubCasterlishermanCreactorHergeOriginal publicationPublicly inL Petit WingteemDeat publication 1938 - August 10 1939Langugenage Date1958Transloil Leslie Lonsdale- Cooper Michael Turner ChronologyPrecious Black Isle (1938)After which Earth of black gold (1939) (abandoned) Crab with Golden Claws (1941) King Ottokar in Scepter (French: Le Sceptre d'Ottokar) is the eighth volume of the Adventure of , a comic series by Belgian cartoonist Geragh. Commissioned by the conservative Belgian newspaper Le Vingti'me Sicle for his children's supplement Le Petit Vingti'me, it was serialized weekly from August 1938 to August 1939. Gerge conceived this story as a satirical critique of nazi Germany's expansionist policies, in particular the annexation of Austria in March 1938 (Anschluss). The story tells the story of a young Belgian reporter Tintin and his dog , who go to the fictional Balkan nation of Sildavi, where they fight a conspiracy to overthrow the monarchy of King Muskar XII. Gerge continued Tintin's Adventures with the Land of Black Gold until the forced closure of Le Vingti'me Sicle in 1940, while the series itself became a defining part of the Franco-Belgian comic tradition. In 1947, Gerge was painted and repainted by King Ottokar's scepter in his distinctive ligne-claire style with the help of Edgar. Jacobs for The Republican. The story represents the recurring character Bianca Castafiore, and represented the fictional countries of and , both of which appear in later stories. The first volume of the series, which will be translated into English, King Ottokar's scepter was adapted for both the 1956 Belvision Studios animation and the 1991 Ellipse/Nelvana animated series The Adventures of Tintin. Synopsis, having discovered a lost briefcase in a Belgian park, Tintin returns it to its owner, Sigillographer Professor Hector Alembik, who informs the reporter about his plans to go to the Balkan country of Sildavi. Tintin discovers agents spying on the professor, and follows those responsible for the nearby Syldavian restaurant. The unidentified man agrees to meet Tintin, but is found unconscious and appears to have amnesia. Shortly thereafter, the reporter receives a threatening note and then is the target of a bomb; Tintin survives after police detectives Thomson and Thompson intercepted a bomb. Suspecting that these events are related to Silvavia, Tintin decides to accompany Professor Alembik during his upcoming visit to the country. (2) On The plane travels there, Tintin notices Alembick acting out of character, and suspects that the imposter has replaced him. Reading a pamphlet on the history of Sildavian, Tintin says that the imposter is part of a plot to steal the scepter of medieval King Ottokar IV from the current King Muskar XII before St. Vladimir's Day, thus forcing him to abdicate. Forcibly thrown from the plane by the pilot, Tintin survives and informs the local police of his fears about the plot. However, the police captain is part of the plot and he organizes an ambush in the woods where Tintin will be eliminated. Tintin evades death and heads to the capital Clow by car with opera singer Bianca Castafiore. Leaving the car to avoid singing Castafiore, Tintin was arrested again and survived another attempt before heading to Clow on foot. Arriving in the city, he meets the assistant king de camp, Colonel Boris Jorgen, and warns him of the plot. However, Jorgen is also a conspirator and is orchestrating another failed assassination attempt against Tintin. Tintin manages to personally warn the king about the plot. Worried, Tintin and Muskar rush to Kropou Castle, where the scepter is kept, to discover that the impostor pretending to be Alembik has succeeded in smuggling his accomplices out of the building. With the help of Thomson and Thompson, who recently arrived in Sildavi, Tintin pursues thieves, first by car and then on foot. He is able to prevent the scepter from being transported across the border to nearby Borduly by discovering a letter on one of the conspirators. This shows that the plot was organized by Mustler, a political agitator who runs the Sildav Iron Guard, or The Revolutionary Guards (KRC), and who intends to foment unrest in Syldavia, thereby allowing Borduria to invade and annex the country. Entering Borduray, Tintin commands a fighter jet and heads to Clow, but the Sledaw military shoot him down. Skydiving, he continues Toe on foot, returning the scepter to the king on St. Vladimir's Day and ensuring the monarchy. In gratitude, the King makes Tintin a knight of the Order of the Golden Pelican; the first foreigner to receive the honor. Tintin later learns that the imposter was Alembik's twin brother, while police arrested Mueller and rescued Professor Alembik. Historic von Anschluss: A jubilant crowd greets the Nazis in King Ottokar's Vienna Sceptre, not the first Tintin adventure to be used on modern events; Gerge, for example, previously used the Japanese invasion of Manchuria in 1931 as a political backdrop for staging in . This time Gerge closely followed the unfolding events related to the expansionist policy of Nazi Germany. In the production of this story, he was particularly Anschluss, the annexation of Austria by Nazi Germany in March 1938. The Munich Agreement and the subsequent Nazi invasion of the Sudeet region followed in October 1938. Three weeks after King Ottokar's Scepter ended the serialization, Germany invaded Poland. By this point, the threat to Belgian sovereignty posed by Nazi expansionism was becoming increasingly apparent. By 1939, events related to the Italian annexation of Albania led Gerge to insist that his editor publish the work to take advantage of current events, as he felt that Sildavia is Albania. Gerge later denied that he meant only one country. Gerge claimed that the main idea of the story was given to him by a friend; Biographer Benoit Peters suggested that the most likely candidate was school and scout friend Philippe Gerard, who for years warned of a second war with Germany. Tintin scholars claimed that Gerge did not develop the names of Sildavia and Borduria himself; Instead, the names of the countries allegedly appeared in an article included in the 1937 edition of the British Journal of Psychology, in which the author described a hypothetical conflict between a small kingdom and annexing power. Lewis Fry Richardson's article entitled Common Foreign Policy reportedly mathematically explored the nature of interstate conflict. Peters attributed the claims to George Lawrence, but said that no researcher has confirmed this source. Instead, Richardson's article titled Generalized Foreign Policy: A History in Group Psychology was published in the British Journal of Psychology by Monograph Supplements in 1939, but not to mention Syldavia or Borduria. In any case, given the date of publication, it is unlikely that this influenced the scepter of King Ottokar. At that time Germany was certainly on my mind; The scepter of Ottokar is nothing but a story about a failed Anschluss. But you can take it for any other totalitarian regime ... Also, isn't the villain Scepter Ottokar called Mustler, obviously a combination of Mussolini and Hitler? It seems to me like a clear hint. Gerge, in an interview with Noma Sadul, designed Borduly as a satirical depiction of Nazi Germany. Gerge named the pro-Boarder agitator Mustler after Nazi leader Adolf Hitler and Italy's national fascist leader Benito Mussolini. The name also bore similarities to the leader of the British Union of Fascists Oswald Mosley and the National Socialist Movement in the Netherlands leader Anton Mussert. The Mustler Group was named after the Iron Guard, a Romanian fascist group that tried to overthrow King Carol II and form a Romanian-German alliance. Bordurian officers wore uniforms based on the German SS, while Bordurian's planes were German in design; In the original version runs away to Heinkel He 112, while in the revised version it is replaced by the Messerschmitt Bf 109. Gerge took as the basis of the operation on the false flag of Borduria to take on Sildavia from the plans outlined in the Teknik del Colpo di Stato by Kurzio Malaparta (The Technique of The Coup d'Etat). The image of Sildavia was influenced by the costumes and culture of Romania and the neighboring Balkan region. The mosques that appear in Silvavia Gerge are based on mosques found in the Balkans, while the appearance of a Sylva village with red tiled roofs and minarets may have been deliberately inspired by the Bosnian city of Mostar. Mineral-rich subsoil Sildawiia can be seen as a reference to uranium deposits found under the Carpathians of Romania, which will later be mentioned directly in a possible destination moon. Tintin scholars note that the black pelican of the flag of Sildavia resembles a black eagle of the flag of Albania, and that Romania is the only European country in which pelicans are inhabited. The Bosnian town of Mirar (pictured c.1890-1900) was proposed as a likely influence on the image of Gergo village Silvavier. The name Sildavia can be an integral part of Transylvania and Moldova, two regions with historical ties with Romania. Czech, Slovak and Czech history influenced Silva's names, while several medieval Czech kings were the inspiration for the name Ottokar. The Polish language influenced the inclusion of Gergo in the names of Syldaw places, while Polish history parallels Gerge's description of the history of Syldavian. The Sylvain language used in the book had French syntax, but with the Marollien dictionary, a joke understood by the original Brussels readership. However, despite its Eastern European location, Sildavia itself was partly a metaphor for Belgium - King Muskar XII physically resembles King Leopold III of Belgium. Many places in Sildavia are visually based on existing European objects: Diplodocus at the Clow Museum of Natural History is based on what is in the Fuhr-Naturkunda Museum, Berlin; The Royal Palace of Silvavia is based both on the Charlotten palace, Berlin, and at the Royal Palace of Brussels; Kropov Castle is based on Olavinlinna Castle, built in the fifteenth century by Savonia, a historic province of the Swedish Kingdom located in present-day Finland. For the revised version, Krop castle was painted with an additional tower inspired by Vyborg Castle, Russia. United Kingdom There has been at least one influence on Sildavi, as King Muskar's XII carriage is based on the British royal family's golden state bus. The original publication, The Scepter of King Ottokar, was first published in Le Petit Vingti'me from August 4, 1938 to August 10, 1939, under the title Tintin En Syldavie (Tintin in Syldavi). This will be Tintin's last adventure, which will be published in full in Le Petit Vingti'me. On May 14, 1939, the story was also published in the French Catholic newspaper Kurs Wylants. In 1939, Edicius Kasterman collected the story in a hardcover volume; Gerge insisted on his contact with Casterman, Charles Lesna, that they are rushing the process because of the changing political situation in Europe. The Molotov-Ribbentrop Nazi-Soviet pact was signed on the day that Gerge handed over the remaining drawings of the book; The finishing touches included the original cover of the book, the royal crest for the front page and a tapestry depicting Sildavian's victory over the Turks in the Battle of Seeherum on page 20. Gerge suggested that the title of the story should be changed to The Scepter of Ottokar IV for this publication; Casterman changed this to King Ottokar's scepter. King Ottokar's scepter introduced the recurring character of Bianca Castafiore in the series, which appears alongside her pianist Igor Wagner. He also witnessed the appearance of antagonist Colonel Jorgen, who appears in the later adventures of Tintin Destination Moon and his sequel Explorers on the Moon. The inclusion of the Alembik brothers echoes the inclusion of the Balthazar brothers in Broken Ear. After the completion of King Ottokar's Scepter, Gerge continued The Adventures of Tintin with the Land of Black Gold until Germany placed Belgium under occupation in 1940 and forced the closure of the Le Wingthem Siecle. From the adventures of the Land of Black Gold had to give up. The second version, 1947 History was repained and colored in 1947. In this edition, Herge was assisted by Edgar. Jacobs, an artist who worked in Gerge's studio. Jacobs oversaw changes in costumes and background to history; In the 1938 version, the Sylda Royal Guard is dressed as British beef, while the 1947 version dresses them in a Balkan uniform similar to that of the Bulgarian National Guard. Jacobs also inserted a cameo of himself and his wife in the Silva royal court, while in the same scene is a cameo by Gerge, his then wife Jermaine, his brother Paul and three of his friends - Ededouard Cnaepelinckx, Jacques Van Melkebeke, and Marcel Stobbaerts. Gerge and Jacobs also inserted new cameos themselves at the bottom of page 38, where they appear as uniformed officers. While Professor Alembik's character was given 's name in the original this was changed to Hector for the second; this was done in order to avoid confusion with the character of Nestor, the butler of Marlianspage Hall, whom Gerge introduced in The Mystery of the . Casterman published this second version as a book in 1947. The subsequent publications and legacy of King Ottokar's Scepter became Tintin's first adventure to be published for a British audience when Eagle serialized the comic in 1951. Here the names of Tintin and Mill were retained, although the characters of DuPont and DuPont were renamed Thomson and Thompson; The last two names will be taken by translators Leslie Lonsdale-Cooper and Michael Turner when they translated the series into English for Methuen Publishing in 1958. Casterman republished the original black-and-white version of the story in 1980 as part of the fourth volume in their Archives Here collection. In 1988, they published a facsimile version of this first edition. A critical analysis by Gerge biographer Benoit Pieters (pictured, 2010) revealed that King Ottokar's scepter showed 'political maturity'. Harry Thompson described King Ottokar's Sceptre as biting political satire and claimed it was courageous for Gerge to write it, given that the threat of Nazi invasion was imminent. Describing it as a classic secret of a locked room, he praised its densely constructed plot. Ultimately, he considered it one of Tintin's three best adventures, written before World War II, along with Blue Lotus and . He also noted that in 1976 archaeologists discovered a scepter belonging to King Ottokar in the Cathedral of St. Vitus in Prague, belonging to King Ottokar in the 13th century. Gerge's biographer Pierre Assulin believed that the story has the atmosphere of Franz Lecher's The Merry Widow, with added touches from the films of Erich von Stroheim and Ernst Lubitsch. Biographer Beno't Peeters said he was showing political maturity and originality. He also felt that Gerge had managed to break free from the narrative limits... too much realism using Syldavia as a setting. Jean-Marc Lofizier and Randy Loffisier called King Ottokar's Scepter a Hitchcockian thriller that recaptured the paranoid atmosphere of Pharaoh's Cigar. They compared the pace of the second part of the story to the pace of Steven Spielberg's Indiana Jones before noting that, despite the real-world horrors that are present with the inclusion of Borduria, they do not interfere with the pure escapist nature of adventure. In the end, they awarded him three stars out of five. said the adventure had a convincingly authentic look because of the satirical image of Nazi Germany, but this was combined with sufficient possibilities for invention with the creation of Sildawi. [58] compared him to Hitchcock's Lady Disappears. However, Farr preferred the color version collected with the help of E.P. Jacobs. Considering it particularly successful, he thought it was one of the most polished and accomplished adventures in the series, with a perfectly tempo and balanced narrative that mixed drama and comedy succeeded. The literary critic of Stanford University, Joan-Marie Apostolides, argued that the inclusion of the Iron Guard caused colonel Francois de La Roca's Croix de Feu. Mentioning that The Mustler figure was Angry Without a Face, he expressed distrust of Gerge Sildawi's image, as there were no obvious economic problems or reasons why Mustler's anti-myconic conspiracy was so strong; thus, the mass revolution remains schematic. Literary critic Tom McCarthy has identified several examples in history that he believes are related to the broader themes in Tintin's Adventures. He identified a recurring theme for guests during Alembik's visit to Sildavia and believed that the topic of theft was present in history, as Alembik's identity had been stolen. Another theme identified in the McCarthy series was the blur between the sacred and the political; he saw echoes of this in The Scepter of King Ottokar, when the king had to wait three days before appearing at the Sylda public on St. Vladimir's Day, what McCarthy thought was related to Jesus Christ and the Resurrection. McCarthy also suggested that a number of characters in the book visually resembled , the character to be featured in Tintin's subsequent adventure, Crab with Golden Claws. The Scepter of King Ottokar was the first of Tintin's Adventures, which was adapted for the animated series The Adventures of Tintin by Gerge. The series was created by Belgian Belvision Studios in 1957, directed by Ray Goossens and written by . The studio divided King Ottokar's Scepter into six 5-minute black-and-white episodes, which were very different from Gerge's original plot. It was also adapted in 1991 in an episode of the television series The Adventures of Tintin by French studio Ellipse and Canadian animation company Nelvana. The episode is directed by Stefan Bernasconi and Thierry Wermuth voiced Tintin's character. Tintin's fans adopted the Sylvain language that appears in history and used it to build grammar and dictionaries, akin to a fan of the Klingon Star Trek and Elvis J.R.R. Tolkien. Notes: Gerge first called the country Siddu into force. King Muskar XII also resembles King Of Albania, Sog I, and Prince Alexander Ioku of Romania. The Land of Black Gold was successfully re-crossed ten years later, in 1950. Footnotes - Gerge 1958, page 1-7. - Gerge 1958, page 7-15. - Gerge 15-22. - Gerge 1958, page 23-28. - Gerge 1958, page 29-38. - Gerge 1958, page 38-46. - Gerge 1958, page 47-53. - Gerge 1958, page 54-60. Assulin 2009, page 61. a b Peters 2012, page 97. Thompson 1991, page 82; Farr 2001, page 81; Assouline 2009, page 61; Peters 2012, page 97; Goddin 2009, page 40. Farr 2001, page 81; Peters 2012, page 97; Goddin 2009, page 40.49. Farr 2001, page 81; Assouline 2009, page 62; Goddin 2009, page 50. b c d e Assouline 2009, page 62. - Peters 2012, page 98; Goddin 2009, page 40. Goddin 2009. a b Farr 2001, page 82; Liberation 2006. Peters 2012, page 325. Sadul 1975; Farr 2001, page 82. a b Thompson 1991, page 83; Apostolides 2010, page 29. Thompson 1991, page 82; Lofficier and Lofficier 2002, page 43; Assouline 2009, page 62; Peters 2012, page 98. Peters 2012, page 98. Thompson 1991, page 82; Farr 2001, page 81. a b Goddin 2009, page 50. Farr 2001, page 84-85; Apostolides 2010, page 29. a b c Peters 2012, page 99. - Peters 2012, page 100; Goddin 2009, page 50. a b Thompson 1991, page 83; Farr 2001, page 81. - Tett 2012, page 8. a b c d Tett 2012, page 9. a b Farr 2001, page 81. Farr 2001, page 82; Peters 2012, page 100. - Lofizier and Lofizier 2002, page 43. Farr 2001, page 82. - Tett 2012, page 12-13. - Tett 2012, page 11. - Tett 2012, page 23. - Tett 2012, page 18-19. - Peters 1989, page 62; Lofficier - Lofficier 2002, page 42; Goddin 2009, page 37. a b c d e Lofficier - Lofficier 2002, page 42. - Lofizier and Lofizier 2002, page 42; Assouline 2009, page 62; Peters 2012, page 100-101; Goddin 2009, page 53. Goddin 2009, page 57. Goddin 2009, page 53.56-57. Assulin 2009, page 63. Thompson 1991, page 84; Lofficier and Lofficier 2002, page 43; Peters 2012, page 100; Goddin 2009, page 43. b Thompson 1991, page 84. Peters 2012, page 100. Assulin 2009, page 68-69; Goddin 2009, page 70; Peters 2012, page 114. Thompson 1991, page 84; Farr 2001, page 87; Lofficier and Lofficier 2002, page 44. Farr 2001, page 87; Lofficier and Lofficier 2002, page 44. - Tett 2012, page 22. Farr 2001, page 87, 89. Thompson 1991, 86. Thompson 1991, 82. b Thompson 1991, page 83. Thompson 1991, 83-84. a b Lofficier - Lofficier 2002, page 44. a b Farr 2001, page 85. Farr 2001, page 89. a b Apostolides 2010, page 29. McCarthy 2006, page 70. McCarthy 2006, page 122. McCarthy 2006, page 53. McCarthy 2006, page 100. - Lofizier and Lofizier 2002, page 87. a b Lofficier - Lofficier 2002, page 90. - Lofizier and Lofizier 2002, page 43; Rogers 2011, page 215; Rosenfelder 1996. Apostolides bibliography, Jean-Marie (2010) (2006). Tintin metamorphosis, or Tintin for adults. Jocelyn Hoy (translator). Stanford: Stanford University Press. ISBN 978-0-8047-6031-7.CS1 maint: ref'harv (link) Assouline, Pierre (2009) (1996). Gerge, the man who created Tintin. Charles Ruas Oxford and New York: Oxford University Press. ISBN 978-0-19-539759-8.CS1 maint: ref'harv (link) Farr, Michael (2001). Tintin: Full satellite. London: John Murray. ISBN 978-0-7195-5522-0.CS1 maint: ref'harv (link) Goddin, Philippe (2009). Art by Gerge, inventor of Tintin: Volume 2: 1937-1949. Michael Farr (translator). San Francisco: Last breath. ISBN 978-0-86719-724-2.CS1 maint: ref'harv (link) Gerge (1958) (1947). King Ottokar's scepter. Leslie Lonsdale-Cooper and Michael Turner (translators). London: Egmont. ISBN 978-0-316-35831-6.CS1 maint: ref'harv (link) (permanent dead connection) Lyndon, Mathieu (August 21, 2006). Une m'taphore de la Belgique (Belgium Metaphor). Liberation (in French). Paris. Received on June 18, 2014. Lofficier, Jean-Marc; Lofizier, Randy (2002). Pocket irreplaceable tintin. Harpenden, Hertfordshire: Pocket essentials. ISBN 978-1-904048-17-6.CS1 maint: ref'harv (link) McCarthy, Tom (2006). Tintin and the secret of literature. London: Granta. ISBN 978-1-86207-831-4.CS1 maint: ref'harv (link) Peters, Benoit (1989). Tintin and the world of Gerge. London: Methuen Children's Books. ISBN 978-0-416-14882-4.CS1 maint: ref'harv (link) Peters, Benoit (2012) (2002). Gerge: Son of Tintin. Tina A. Carpet (translator). Baltimore, Maryland: Johns Hopkins University Press. ISBN 978-1-4214-0454-7.CS1 maint: ref'harv (link) Rogers, Steven D. (2011). Dictionary of made languages: from Elwich to Klingon. New York: Adams Media, 201-4405-3039-5.CS1 Maint: ref'harv (link) Rosenfelder, Mark (1996). Sildaviana Gerge: grammar. Archive from the original on February 9, 2014. Received June 18, 2014.CS1 maint: ref'harv (link) Sadul, Numa (1975). Tintin and mine: entretiens avec Herge (Tintin and I: Interview with Gergo) (in French). Tournae: Kasterman. ISBN 978-2-08-080052-7.CS1 maint: ref'harv (link) Tett, Stuart (January 10, 2012). Scepter king Ottokar - Inspiration in real life behind the adventures of Tintin. New York: Little, Brown and company. ISBN 978-0-316-13383-8.CS1 maint: ref'harv (link) Thompson, Harry (1991). Tintin: Gerge and his creation. London: Hodder and Staughton. ISBN 978-0-340-52393-3.CS1 maint: ref'harv (link) External links of Scepter King Ottokar on the official website of Tintin King Ottokar in Tintinologist.org extracted from the le sceptre ottokar pdf. le sceptre d'ottokar. tintin le sceptre d'ottokar. le sceptre d'ottokar pdf. cote bd tintin le sceptre d'ottokar. tintin le sceptre d'ottokar youtube. tintin et le sceptre d'ottokar youtube. tintin et le sceptre d'ottokar pays

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