Herbert C. Hoover and Poland, 1929–1933: Between Myth and Reality Written by Halina Parafianowicz
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Interpreting Tempo and Rubato in Chopin's Music
Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings. -
Paderewski, Ignacy Jan | International Encyclopedia of the First World War
Version 1.0 | Last updated 08 January 2017 Paderewski, Ignacy Jan By Andrzej Chojnowski Paderewski, Ignacy Jan Polish pianist, composer, and politician Born 06 November 1860 in Kurilovka, Russian Empire (today: Ukraine) Died 29 June 1941 in New York City, United States of America Ignacy Jan Paderewski was a virtuoso pianist. He made use of his popularity in the United States and western Europe to propagate the idea of Polish independence and state sovereignty. In 20th century Poland, he became a symbol of patriotism and devotion to the national cause. Table of Contents 1 Beginnings of Artistic Career and Political Activity 2 The First World War 3 An Independent Polish State 4 Final Years Notes Selected Bibliography Citation Beginnings of Artistic Career and Political Activity Ignacy Jan Paderewski (1860-1941) was born into a family of petty landowners. His ancestors participated in the struggle for Polish independence by taking part in the anti-Russian January Uprising (1863–1864). He maintained a firm conviction about the necessity of acting for the sake of the homeland deprived of independence, and this remains his political legacy. Paderewski’s greatest passion, however, was music. In 1887 he debuted on stage, initiating a series of successful concerts Paderewski, Ignacy Jan - 1914-1918-Online 1/4 across Europe and the Americas. Paderewski used his success to establish contact with important politicians and disseminate knowledge about the so-called “Polish question.” He chose to open his concerts with patriotic speeches, and he promoted the works of Frederic Chopin (1810–1849), another Polish composer. He also inserted into his own compositions motifs referring to Polish folk music and events from the history of Poland. -
Political Visions and Historical Scores
Founded in 1944, the Institute for Western Affairs is an interdis- Political visions ciplinary research centre carrying out research in history, political and historical scores science, sociology, and economics. The Institute’s projects are typi- cally related to German studies and international relations, focusing Political transformations on Polish-German and European issues and transatlantic relations. in the European Union by 2025 The Institute’s history and achievements make it one of the most German response to reform important Polish research institution well-known internationally. in the euro area Since the 1990s, the watchwords of research have been Poland– Ger- many – Europe and the main themes are: Crisis or a search for a new formula • political, social, economic and cultural changes in Germany; for the Humboldtian university • international role of the Federal Republic of Germany; The end of the Great War and Stanisław • past, present, and future of Polish-German relations; Hubert’s concept of postliminum • EU international relations (including transatlantic cooperation); American press reports on anti-Jewish • security policy; incidents in reborn Poland • borderlands: social, political and economic issues. The Institute’s research is both interdisciplinary and multidimension- Anthony J. Drexel Biddle on Poland’s al. Its multidimensionality can be seen in published papers and books situation in 1937-1939 on history, analyses of contemporary events, comparative studies, Memoirs Nasza Podróż (Our Journey) and the use of theoretical models to verify research results. by Ewelina Zaleska On the dispute over the status The Institute houses and participates in international research of the camp in occupied Konstantynów projects, symposia and conferences exploring key European questions and cooperates with many universities and academic research centres. -
An Attempt to Define Ignacy Jan Paderewski's Performing Style
An Attempt to Define Ignacy Jan Paderewski’s Performing Style by Prof. Lidia Kozubek Prof. Lidia Kozubek, concert pianist and one of Poland’s most prominent piano educators, is well known to music lovers in nearly all European countries as well as in Africa, both Americas, Asia, Australia and New Zealand. Besides concertizing and recording music, Prof. Kozubek is a faculty member of the Warsaw Academy of Music. She has also taught a number of piano students in other countries (such as Japan, Norway, Taiwan and Philippines just to mention a few) as a visiting professor or lecturer. For her artistic and educational achievement Prof. Kozubek received highly regarded national distinctions from Polish government, including the Chevalier Cross “Polonia Restituta.” An inquiry as to who was Paderewski seems to be a good starting point for a discussion of the pianist’s performing style. Paderewski was without doubt a personality of his times. Even among the greatest contemporary musicians, Paderewski remains a phenomenon. He had extraordinary combination of virtues, a multitude of talents and, above all, personal charm, unusual honesty and decency. All of these qualities allowed him to be highly successful in a variety of fields. Paderewski was simply an exceptional human figure. The legend surrounding his pianism is justified not only by his musical genius, but also by the richness of his character, which certainly had an impact on his performing style. As a composer, Paderewski was not always appreciated, but he definitely had a solid theoretical background and developed a strong individual style in which the “Polish tone” is easily found. -
Acta 103.Indd
Acta Poloniae Historica 103, 2011 PL ISSN 0001–6892 Marek Kornat THE POLISH IDEA OF ‘THE THIRD EUROPE’ (1937–1938): A REALISTIC CONCEPT OR AN EX-POST VISION? The concept of ‘the Third Europe’ – or ‘the Intermarium Bloc’ – was certainly an interesting political project invented by the Polish Foreign Minister Józef Beck in the years 1937–8. It was bold and ambitious, but quite controversial, therefore it was merely mentioned in many works devoted to the foreign policy of the interwar Poland. There can be no doubt today that without a careful analysis of the assumptions of this concept, it is impossible to grasp the real meaning of the Polish ‘policy of balance’ between Nazi Germany and the Stalinist Soviet Union, as well as the way of thinking of the Polish leaders about international affairs towards the end of the 1930s. The idea of concentrating the smaller states of East-Central Europe around Poland was one of the most essential and independent politi- cal concepts of Beck, although, quite naturally, it referred to various similar ideas put forward by Polish political thought and in the Polish Ministry of Foreign Affairs from the dawn of Poland’s independence. Had this project any real basis in the political reality of the Europe of the 1930s? What was its essence? What were its concrete pros- pects? What aims did Józef Beck connect with it – who was regarded, not without reason, as a fi rm adherent of bilateralism in international relations and a critic of the concept of ‘bloc-building’ as a method of fi nding security? What were the possibilities of Polish diplomacy in the realities of the late 1930s? Was it a real political project, or maybe only a concept described by historians ex post? What determined its failure? The present study is devoted to refl ection upon these questions. -
The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes In
THE USE OF THE POLISH FOLK MUSIC ELEMENTS AND THE FANTASY ELEMENTS IN THE POLISH FANTASY ON ORIGINAL THEMES IN G-SHARP MINOR FOR PIANO AND ORCHESTRA OPUS 19 BY IGNACY JAN PADEREWSKI Yun Jung Choi, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Adam Wodnicki, Major Professor Jeffrey Snider, Minor Professor Joseph Banowetz, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Choi, Yun Jung, The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes in G-sharp Minor for Piano and Orchestra, Opus 19 by Ignacy Jan Paderewski. Doctor of Musical Arts (Performance), May 2007, 105 pp., 5 tables, 65 examples, references, 97 titles. The primary purpose of this study is to address performance issues in the Polish Fantasy, Op. 19, by examining characteristics of Polish folk dances and how they are incorporated in this unique work by Paderewski. The study includes a comprehensive history of the fantasy in order to understand how Paderewski used various codified generic aspects of the solo piano fantasy, as well as those of the one-movement concerto introduced by nineteenth-century composers such as Weber and Liszt. Given that the Polish Fantasy, Op. 19, as well as most of Paderewski’s compositions, have been performed more frequently in the last twenty years, an analysis of the combination of the three characteristic aspects of the Polish Fantasy, Op.19 - Polish folk music, the generic rhetoric of a fantasy and the one- movement concerto - would aid scholars and performers alike in better understanding the composition’s engagement with various traditions and how best to make decisions about those traditions when approaching the work in a concert setting. -
Wstęp W 2020 R. Mija Sto Lat Od Utworzenia Ligi Narodów I Podjęcia Przez Nią Działalności. W Dniu 10 St
STUDIA PRAWNICZE KUL 2 (82) 2020 https://doi.org/10.31743/sp.11754 ANNA PRZYBOROWSKA-KLIMCZAK * Członkostwo Polski w Lidze narodów – asPekty Prawne Wstęp W 2020 r. mija sto lat od utworzenia Ligi Narodów i podjęcia przez nią działalności. W dniu 10 stycznia 1920 r. wszedł w życie Pakt Ligi Na- rodów ustanawiający podstawy prawne funkcjonowania organizacji1. Powstanie Ligi Narodów rozpoczęło nowy etap w procesie instytucjona- lizacji stosunków międzynarodowych, zapoczątkowanym w drugiej po- łowie XIX w. i związanym z tworzeniem organizacji międzynarodowych, które zajmowały się sprawami współpracy w określonych dziedzinach, głównie o charakterze technicznym, nie wkraczając w relacje polityczne między państwami członkowskimi2. Postanowiono bowiem powołać do życia organizację o kompetencjach ogólnych, w celu „rozwoju współdzia- łania narodów oraz zapewnienia im pokoju i bezpieczeństwa” (pream- buła Paktu). Duże straty ludzkie i materialne poniesione przez państwa podczas I wojny światowej spowodowały, że idea utworzenia organizacji, która zapobiegałaby w przyszłości wybuchowi wojny, uzyskała poparcie * Prof., dr hab., Uniwersytet Marii Curie-Skłodowskiej w Lublinie, e-mail: aprzybo- [email protected], https://www.orcid.org/0000-0002-9670-4103 1 Tekst Paktu Ligi Narodów stanowił część pierwszą Traktatu pokoju między Mocar- stwami Sprzymierzonemi i Skojarzonemi a Niemcami, Wersal, 23 czerwca 1919 r., Dz. U. z 1920 r. nr 35 poz. 200; Pakt został w nim opublikowany pod tytułem Umowa Związ- ku Narodów. 2 J. Menkes, A. Wasilkowski, Organizacje -
Ignacy Paderewski: Poland. (Makers of the Modern World Series)
20H-Diplo Review10 H-Diplo H-Diplo Review Editor: Diane Labrosse H-Diplo Review H-Diplo Web and Production Editor: George Fujii http://www.h-net.org/~diplo/essays/ Commissioned for H-Diplo by Diane Labrosse Published on 16 June 2010 H-Diplo has commissioned reviews of the Makers of the Modern World Series (Haus Publishing), which concerns the Peace Conferences of 1919-23 and their aftermath. The 32 volumes are structured as biographies in standard format or as specific national/organizational histories. http://www.hauspublishing.com/product/229 Anita Prażmowska. Ignacy Paderewski: Poland. (Makers of the Modern World Series). London: Haus Publishing, 2009. pp. xxii +199pp. Notes, chronology and further reading. Cloth. £12.99. URL: http://www.h-net.org/~diplo/essays/PDF/Haus-Poland.pdf Reviewed for H-Diplo by M. B. B. Biskupski, Central Connecticut State University gnacy Jan Paderewski is a major figure in modern Polish history. His service to the Polish cause during the World War was considerable and his subsequent efforts at the I Paris Peace Conference, though disappointing to many Poles, were certainly devoted Paderewski’s career and the focus is to be on his role at the Peace Conference in this volumeand exhausting. in the Makers Author of theAnita Modern Prażmowska World series. was given Given only this a assi verygnment, few pages concision to discuss and careful selectivity are demanded. First we must compliment the author for many well- turned phrases, an overall graceful style, and some valuable insights. For example, the author describes well Paderewski’s failure to comprehend the dynamics of the Polish situation when he returned after World War I. -
Looking Westwards
Founded in 1944, the Institute for Western Affairs is an interdis- Looking westwards ciplinary research centre carrying out research in history, political The role of the Institute for Western Affairs science, sociology, and economics. The Institute’s projects are typi- in the construction of the Lubusz Land concept cally related to German studies and international relations, focusing On local historical policy and collective on Polish-German and European issues and transatlantic relations. memory in Gorzów Wielkopolski The Institute’s history and achievements make it one of the most Cultural heritage against a background important Polish research institution well-known internationally. of transformation in 1970s and 1980s Western Since the 1990s, the watchwords of research have been Poland– Ger- Poland many – Europe and the main themes are: Polish interest in the early medieval past • political, social, economic and cultural changes in Germany; of Kołobrzeg • international role of the Federal Republic of Germany; The Greater Poland Uprising in the French and British daily press • past, present, and future of Polish-German relations; • EU international relations (including transatlantic cooperation); Rosa Luxemburg against war • security policy; Literary fiction and poverty. The example of Gustav Freytag’s novel Soll und Haben • borderlands: social, political and economic issues. The Institute’s research is both interdisciplinary and multidimension- Coming to terms with the West German 68ers in the writings of the 85ers al. Its multidimensionality can be seen in published papers and books The manuscript of the letter of the Polish on history, analyses of contemporary events, comparative studies, bishops to the German bishops and the use of theoretical models to verify research results. -
Kierunek Wschodni Aktywności Dyplomatycznej Rady Regencyjnej
Dzieje Najnowsze, Rocznik L – 2018, 1 PL ISSN 0419–8824 STUDIA I ARTYKUŁ Y Henryk Bartoszewicz Archiwum Główne Akt Dawnych Kierunek wschodni aktywności dyplomatycznej Rady Regencyjnej Abstrakt: W okresie działalności Rady Regencyjnej i jej gabinetów zbudowano podwaliny pol- skiej dyplomacji i prowadzono politykę zagraniczną Królestwa Polskiego pomimo ograniczeń wynikających z postanowień patentu z 12 IX 1917 r. Przejęto placówki zagraniczne Naczelne- go Komitetu Narodowego i powołano przedstawicielstwa Rady Regencyjnej w Moskwie, Kijo- wie i Helsinkach. Starano się wypracować koncepcję polityki wschodniej, koncentrując uwagę przede wszystkim na kwestii przyszłej granicy wschodniej państwa polskiego. Przygotowywano kadry służby dyplomatycznej Polski niepodległej. S ł owa kluczowe: Rada Regencyjna, gabinety Rady Regencyjnej, Departament Spraw Poli- tycznych (Departament Stanu), Przedstawicielstwo Rady Regencyjnej w Moskwie, Przedstawi- cielstwo Rady Regencyjnej w Kijowie, polska granica wschodnia. Abstract: In the period of operation of the Regency Council and its cabinets, the foundations of Polish diplomacy was laid, and foreign policy of the Kingdom of Poland was pursued, despite the restrictions resulting from the decree of 12 September 1917. Foreign posts of the Supreme National Committee were taken over, and representatives of the Regency Council were sent to Moscow, Kiev, and Helsinki. An attempt was made to develop an eastern policy with the focus on the problem of future borderline of the Polish state; and the diplomatic personnel of the independent Poland was being trained. Keywords: Regency Council, cabinets of the Regency Council, Department of Political Affairs (Department of State), Regency Council diplomatic agency in Moscow, Regency Council diplo- matic agency in Kiev, Polish eastern frontier. Pomimo ograniczenia zawartego w art. -
Pierwszy AUTOR*
JOURNAL OF SCIENCE OF THE MILITARY ACADEMY OF LAND FORCES Volume 49 Number 1 (183) 2017 ISSN 1731-8157 DOI: 10.5604/17318157.1234852 INTELLIGENCE COOPERATION BETWEEN THE SECOND REPUBLIC OF POLAND AND THE REPUBLIC OF TURKEY. PART 1 – THE 1920s. Adam SZYMANOWICZ, Arda YURDATAPAN Faculty of Security Studies, The General Tadeusz Kościuszko Military Academy of Land Forces e-mail: [email protected] **War Studies University, Warsaw e-mail: [email protected] Received on June 28th 2016; accepted after revision in October 2016 Copyright © 2017 by Zeszyty Naukowe WSOWL Summary: In the period between the two World Wars, Turkey played quite an important role in the security system of the Second Republic of Poland, especially after the May Coup in 1926. Poland promoted the establishment of the Central European Bloc, which in some va- riants would also include Turkey. Furthermore, the state played an important role in the Polish Promethean politics because it had borders with the Caucasus, and in addition there was a wave of Caucasian emigration. As early as in the 1920s Poland initiated in- Słowa kluczowe: czcionka Calibri kursywa 11 pkt. telligence cooperation with Turkey against the USSR, as a result of which Polish intelli- gence missions operated in the Turkish territory and Turkish intelligence officers under- went specialized training in Poland. The closer the ties between Turkey and the Western countries before the outbreak of World War II, the more this cooperation intensified. Keywords: Poland 1918-1939, Turkey, military intelligence (Poland), Prometheism, Caucasus INTRODUCTION Shortly after the establishment of the Polish state in November 1918, Józef Piłsudski and Tytus Filipowicz from the Ministry of Foreign Affairs signed the Notification to governments of the existence of the Polish state, which was later forwarded to the Sul- tan government. -
Intelligence Infiltration of the Polish Ministry of Foreign Affairs by Soviet Intelligence
258 INTERNAL SECURITY REVIEW 20/19 Marek Świerczek Intelligence infiltration of the Polish Ministry of Foreign Affairs by Soviet intelligence Introduction In 2009 a set of documents by L.F. Sockow1, entitled Секреты польской политики. Сборник документов was issued in Moscow. It contained selected materials from the SVR archive (Служба Внешней Разведки Российской Федерации, СВР2) that come from the INO GUGB NKVD (Иностранный отдел Главного управления государственной безопасности Народного комиссариата внутренних дел СССР, INO GUGB NKVD3) and that referred to the foreign politics of the Second Republic of Poland 1935‒1945. Both the editor of the work, i.e. the Foreign Intelligence Service (SVR) and the set of documents with a clear-cut introduction by gen. Lev Filipovich Sockow leave no room for doubt about the propaganda nature of the work. And it was received exactly so by the Polish side. Polish historians and journalists tried to discredit the paper by proving that the thesis suggested there about the alleged politics of rapprochement between the Second Republic of Poland and Nazi Germans to establish that probable alliance against the USSR is in reality a manipulation. Probably it was only Władysław Bułhak who admitted that gen. Sockow’s work proves the thesis that the Soviets had an agent in the Polish MoFA. He developed a hypothesis that the documents of the Polish MoFA published in the set could have been the result of a disinformation operation carried out by the II Department of the Polish General Staff (further: II Department) against INO GUGB NKVD.4 Apart from the short discussion storm the work did not seriously change the way the intelligence infiltration of the state institutions of the II Republic of Poland by the Soviet intelligence.