Japan's Influence on Korea's Judicial Modernization: Examining The
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Race, Memory & Identity of Overseas Korean Women: on the Cultural
University of Alberta Race, Memory & Identity of Overseas Korean Women: On the Cultural Politics of Independent Kyop'o Women's Cinema by Sandra Jae Song (G) A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Department of Sociology Edmonton, Alberta Fall 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-46429-8 Our file Notre reference ISBN: 978-0-494-46429-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Diplomarbeit
Diplomarbeit Titel der Diplomarbeit Die neue Welt, die neue Zeit Die Ö ffnung Koreas, eine Zeit der Ä nderung Verfasser Haemin Kim angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, im August 2010 Studienkennzahl: A 312 Studienrichtung: Diplomstudium Geschichte Betreuerin: Univ.Doz. / PD Dr. Adelheid Krah 1 2 »What we know is a drop, what we don't know is an ocean. « — Isaac Newton Abbildung 1 Iyangseon (이양선, 異樣船): » ein Schiff in seltsamer Form « - so wurden die ersten "westlichen" Schiffe bezeichnet 3 4 Inhaltsverzeichnis 1 Vorwort .................................................................................................................................. 7 2 Vorbemerkung zu Transkription und Bibliographie ...................................................... 10 3 Introductio zum Thema ..................................................................................................... 14 4 Die Joseon-Dynastie bis König Sunjo (1392 – um 1800) ............................................. 19 5 Die Dynastie in der Krise .................................................................................................. 30 5.1 Die Ständeordnung in der Joseon-Dynastie .................................................... 30 5.2 Die Heimatlosen, die Räuberbanden und der Kyungrae Hong-Aufstand ........ 36 5.3 Politische Wirren und die Familienclanherrschaft ........................................... 42 6 Der Westen kommt ........................................................................................................... -
From the Universal to the National the Question of Language and Writing in Twentieth-Century Korea*
Journal of World Literature 1 (2016) 245–258 brill.com/jwl From the Universal to the National The Question of Language and Writing in Twentieth-Century Korea* Lim HyungTaek Sungkyunkwan University [email protected] Abstract With the advent of western modernity towards the end of the nineteenth century, the Chinese scriptworld deconstructed. This was the greatest transformation to take place in this region in all of its recorded history, for that history began in Chinese script. China, Japan, Vietnam, and Korea all used the Chinese script but used it in different ways. The universal system was developed uniquely in each case in interaction with the vernacular. This paper will examine the ways in which Korea adopted and negotiated with the Universal script and how Chinese writing developed with respect to Korean speech. It will conclude with some observations on the tensions brought to bear on the Chinese scriptworld by nationalization and westernization. Keywords Chinese Scriptworld – nationalization – Westernization – Korean National Language * Translated by Sowon S. Park. Translator’s note: This translation is a slightly shortened version of the Korean original, which is a revised and expanded version of the paper presented by the author at the 2015 East Asian Critical Journal Conference held at Lingnan University in Hong Kong on 30–31 May on the theme of “Colonialism in Asia (殖民亞洲)”. While the essay refers to texts most of which have not been translated into English, readers need not be familiar with the literature cited in the essay for them to follow the argument. In undertaking the translation of this essay, every attempt was made to preserve the author’s tone and style wherever possible. -
Nationalism in Crisis: the Reconstruction of South Korean Nationalism in Korean History Textbooks (Han’Guksa)
Nationalism in Crisis: The Reconstruction of South Korean Nationalism in Korean History Textbooks (Han’guksa) by Yun Sik Hwang A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of East Asian Studies University of Toronto © Copyright by Yun Sik Hwang 2016 Nationalism in Crisis: The Reconstruction of South Korean Nationalism in Korean History Textbooks (Han’guksa) Yun Sik Hwang Master of Arts Department of East Asian Studies University of Toronto 2016 Abstract South Korea has undergone considerable transitions between dictatorship and democracy under Korea’s extraordinary status as a divided nation. The nature of this division developed an intense political contestation in South Korea between the political Left who espouse a critical view of top-down national history, and the Right who value the official view of South Korea’s national history. Whether it is a national history or nationalist history, in terms of conceptions of national identity and nationalism in relation to Korean history, disagreement continues. The purpose of this thesis is not to support nor refute the veracity of either political position, which is divided between a sensationalized political Right and a caricaturized Left. The aim of this project is to evaluate a series of developments in Korean history textbooks that can be seen as a recent attempt to build new national identities. ii Acknowledgments There are countless people I am indebted as I completed this Master’s thesis. First and foremost, I would like to thank my professor and supervisor, Andre Schmid for his charismatic and friendly nature for the past 7 years. -
The Ahn Changho Controversy: Rescuing a Patriot from Colonial and Postcolonial Myths
The Ahn Changho Controversy: Rescuing a Patriot from Colonial and Postcolonial Myths Jacqueline Pak Cornell University The Journal of Northeast Asian History Volume 9 Number 2 (Winter 2012), 181-227 Copyright © 2012 by the Northeast Asian History Foundation. All Rights Reserved. No portion of the contents may be reproduced in any form without written permission of the Northeast Asian History Foundation. The Ahn Changho Controversy: Rescuing a Patriot from Colonial and Postcolonial Myths The “Ahn Changho Controversy” was sparked by new documentary evidence which challenged the earlier conventional views concerning the preeminent Korean nationalist leader, Ahn Changho (1878-1938). The Controversy arose from the historical mystery and enigma which long surrounded Ahn Changho, who was a leader of the transnational independence movement during the Japanese colonial rule, 1905-45. As one of the most spirited and enduring controversies in Korean Studies over the past decades since the 1990s, the Ahn Changho Controversy revealed theoretical divisions or ideological cleavages in the interpretations and re-interpretations of Korean colonial history: 1) gradualist pacifism vs. radical militarism; 2) a new view of “revolutionary-democracy” vs. the old view of “tripartite division” of Korean nationalist movement; 3) revisionism of “cultural nationalism” vs. neo-revisionism of revolutionary nationalism; 4) patriotism vs. collaborationism in the colonial period and the complicated legacy of the issue thereafter; and 5) the origins of Korean democracy, including the origin and drafter of the Korean republican constitution. In this regard, the Ahn Changho Controversy touched upon the highly complex and potentially explosive issues of patriotism vs. collaboration by probing into the previous revisionist binaries arising from the reductive matrix of the bipolar Cold War alignments. -
Nomination Form Asia/Pacific Memory of the World Register
Nomination Form Asia/Pacific Memory of the World Register Name Boards and Verse Plaques on Royal Architecture of the Joseon Dynasty National Palace Museum of Korea Cultural Heritage Administration of Republic of Korea Nomination Form Asia/Pacific Memory of the World Register Name Boards and Verse Plaques on Royal Architecture of the Joseon Dynasty (Republic of Korea) Part A: Essential information 1 Summary (Max 100 words) In the royal architecture of the Joseon Dynasty (1392–1910), names carried extraordinary significance. They underlined the rulers’ political philosophy and ideology, and signified status. Composed in the handwriting of kings and crown princes, eminent calligraphers, or literati scholars, name boards engraved by skilled artisans were hung on building exteriors, and inside were plaques inscribed with royal edicts, memorials or rosters of officials. Columns held tablets inscribed with verses bestowing blessings or words of wisdom. The nominated heritage comprises these documentary sources of vital information on Joseon’s rulers and royal structures and the spirit, values and aesthetics of their times. 2 Nominator 2.1 Name of nominator (person or organization) Kim Yeon-soo, Director, National Palace Museum of Korea, Cultural Heritage Administration 2.2 Relationship to the nominated documentary heritage Custodian (All items constituting the nominated heritage are held in the collection of the National Palace Museum of Korea, which is responsible for their preservation and management.) 2.3 Contact person(s) Seo Jun, Researcher, -
The Advent of the First Indoor Stage in Korean Theatre: Impacts, Consequences and Implications Jungman Park, Hankuk University
The Advent of the First Indoor Stage in Korean Theatre: Impacts, Consequences and Implications Jungman Park, Hankuk University of Foreign Studies, Republic of Korea The Asian Conference on Cultural Studies 2016 Official Conference Proceedings Abstract It is widely agreed that the modern Korean theatre began with the opening of the Hyeopyulsa, the first western-style theatre building, in December 1902. The reason for calling this theatre ‘modern’ is multifold, but the primary stress should be put on the fact that it introduced indoor stage, which was the first case in the history of Korean theatre. Outdoor performance in found places was one of the paradigmatic elements in traditional Korean performance and play forms, including Pansori (one- man singing-drama) and Talchum (mask dance). In this respect, the establishment of the indoor stage in the Hyeopyulsa was a sea change, predicting a shift in paradigm and environment that would divide Korean theatre thereafter from the previous. This modern stage needed a new play from to present, which resulted in the appearance of Changgeuk, well known as Korean opera to the West. This new play form is often regarded as ‘new theatre movement’ in that it attempted to extend the theatricality immanent in Pansori in positive way. At the same time, the modern gadgets of stage and play form foreshadowed a series of infringements on Korean theatre tradition. Revisiting the historical moment in the beginning of the twentieth century, this paper examines the impacts, consequences, and implications the advent of the modern stage had on Korean theatre. Keywords: Korean theatre, Hyeopyulsa, modernity, Westernized stage, Changgeuk, Pansori iafor The International Academic Forum www.iafor.org Introduction It is widely agreed that the modern Korean theatre began with the opening of the first indoor-stage theatre, Hyeopyulsa(協律社), in December 1902. -
Formats of Korean Authors' Names
Feature Formats of Korean Authors' Names Sunghee Han Korean characters. However, these days, examples of some family names as written many people write their children’s names in Korean characters (Hangul), Chinese Because English is the international lan- only in Korean. characters, the McCune-Reischauer sys- guage of science, South Korean scientists When Koreans write their names in tem, and the Revised Romanization of prefer to publish their work in English- English, they generally follow the order Korean. The names are listed from most language journals. However, because of of Western names, placing their given common to least common. differences between the Korean language name first and their family name last. Most South Koreans still write their (Hangul) and English, non-Korean editors Sometimes this causes confusion because names in the McCune-Reischauer system may be uncertain about how to list Korean many Westerners know the traditional because it has been used for several decades authors’ names. This article therefore order of East Asian names and some media and so is familiar. The Korean government describes the structure of Korean names, use Korean names in the original order. For lacks authority to require people to write discusses their romanization, and presents example, The Korea Times (an English-lan- their names in the Revised Romanization of observations and guidelines regarding for- guage newspaper in South Korea) places Korean. Transliteration of the same Korean mats of Korean authors’ names in English- the family name first and hyphenates name in different ways sometimes confuses language scientific journals. the two syllables of the given name (for both Western and Korean readers. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Historicizing the Discourse on Pro-Japanese Collaborators in Contemporary Korean History from the Late 1970s to the Late 2000s Permalink https://escholarship.org/uc/item/8611g873 Author Song, Yeun-Jee Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Historicizing the Discourse on Pro-Japanese Collaborators in Contemporary Korean History from the Late 1970s to the Late 2000s A Dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures By Yeun-Jee Song 2013 © Copyright by Yeun-Jee Song 2013 ABSTRACT OF THE DISSERTATION Historicizing the Discourse on Pro-Japanese Collaborators in Contemporary Korean History from the Late 1970s to the Late 2000s By Yeun-Jee Song Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2013 Professor John Duncan My dissertation aims at historicizing the formation, spread, and institutionalization of the discourse on pro-Japanese collaborators (ch’inilp’a discourse) in contemporary South Korean society from the late 1970s to the late 2000s. The ch’inilp’a discourse is a unique historical narrative that claims to resolve the issue of unpunished pro-Japanese collaborators—who were not punished right after Korea’s liberation from Japan—in the present. This discourse attributes all post-1945 political mishaps to the failure to punish collaborators immediately after liberation. Located at the interlocking position of calling for dealing with the unsolved task of decolonization and democratic progress, the ch’inilp’a discourse reflects a victimized postcolonial historical consciousness of Korean progressives and functions as progressives’ ii powerful political rhetoric against political conservatives after the demise of radical socio- political reform movement in the early 1990s. -
The Written Voice of Korea — Suomi
15.10.2018 The written voice of Korea — Suomi (https://www.kieliverkosto.fi/fi) The written voice of Korea The theme of language and nationalism may be approached via various routes. Among these, I choose Hangul, the invented alphabet of Korea, which, I believe, Koreans can by no means separate from the language. To the Korean people, Hangul is the very Korean language and vice versa. They tend to identify the Korean language and its alphabet as a unity, like the body and the soul. It is not rare for Korean-language teachers abroad to be misaddressed as Hangul teachers. I presume that the unity in the Korean mind has been concretely formed through the turmoil of late modern history, although Hangul has been influencing Korean society since the 1440s. To look at ‘language and nationalism’ in Korea, this article begins with the birth of Hangul. Julkaistu: 11. lokakuuta 2018 | Kirjoittanut: Jeong-Young Kim Picture 1. The Korean alphabet: taken from the Korean Grammar, G. J. Ramstedt (https://en.wikipedia.org/wiki/Gustaf_John_Ramstedt) (1939: 1, 45) The laborious birth in 1443 For a long time from the foundation of the first Korean kingdom, learned people used borrowed Chinese characters to read and write, even though both spoken and written Chinese was fundamentally different from Korean. They were the only tools for recording speech and thought https://www.kieliverkosto.fi/fi/journals/kieli-koulutus-ja-yhteiskunta-lokakuu-2018/the-written-voice-of-korea 1/7 15.10.2018 The written voice of Korea — Suomi in Korean. Writing in Chinese characters adapted to Korean, the writing systems called Idu, Gugyeol, Hyangchal and Gakpil appeared; yet, none of them was efficient enough for the native language. -
January 11, 1946 Untitled Memorandum on the Political and Morale Situation of Soviet Troops in North Korea and the Economic Situation in Korea
Digital Archive digitalarchive.wilsoncenter.org International History Declassified January 11, 1946 Untitled memorandum on the political and morale situation of Soviet troops in North Korea and the economic situation in Korea Citation: “Untitled memorandum on the political and morale situation of Soviet troops in North Korea and the economic situation in Korea,” January 11, 1946, History and Public Policy Program Digital Archive, Archives of the Russian General Staff, op. 480, 29, st. 5, p. 2, pa. 21, k. 35. Translated by Gary Goldberg. https://digitalarchive.wilsoncenter.org/document/114893 Summary: A Soviet report on the first several months of the occupation of North Korea. Original Language: Russian Contents: English Translation Scan of Original Document Secret Copy Nº 1 TO MEMBER OF THE MILITARY COUNCIL OF THE MARITIME MILITARY DISTRICT GENERAL-COLONEL Cde. SHTYKOV [handwritten: Outgoing [[number]] 03003, 11 January 1946] I submit the memorandum of Lt. Col. Fedorov about the work of military commandants' offices and the political and morale situation of the troops deployed in North Korea, and also about the economic situation of the population of North Korea. ATTACHMENT: The aforementioned, on 19 pages, to the addressee only. CHIEF OF THE POLITICAL DIRECTORATE OF THE MARITIME MILITARY DISTRICT GENERAL-LIEUTENANT /signature/ KALASHNIKOV Two copies printed ________________ 1 - to the addressee 2 - to file Drafted by Chukov ________________ k. n. [possibly "office number" ( kantselyarsky nomer)] 74.11.1.46 vr. SECRET TO THE CHIEF OF THE POLITICAL DIRECTORATE OF THE MARITIME MILITARY DISTRICT GENERAL-LIEUTENANT Cde. KALASHNIKOV MEMORANDUM Carrying out your assignment to study agrarian relations in Korea, we at the same time interested ourselves in the political and economic situation on the ground. -
5Ðo Sung-Wonš
Trapped in the Quest for Realism: Mistaken Equality in Namchang Chunhyangga Cho Sung-Won Abstract Critics have argued that Namchang Chunhyangga reflects Sin Jae-hyo’s quest for realism, as he attempts to correct the “realistically impossible” cross-class marriage between Chun-hyang and Mong-ryong by “promot- ing” Chun-hyang’s social status from a gisaeng to a seonyeo (illegiti- mate daughter of a yangban). The actual presentation of Chun-hyang’s social status in the text, however, sheds doubts on Sin’s alleged quest for realism. Not only is Chun-hyang’s resistance to the malicious magis- trate in Namchang not rationalized by the fact that she is a seonyeo, but she never wins legitimacy as the hero’s wife or honored for her loy- alty. This paradoxical treatment of Chun-hyang’s social status not only destroys the principle of imyeon (verisimilitude) that Sin Jae-hyo val- ued so much, but undermines the popular spirit of freedom and human equality. In conclusion, the transformation of Chun-hyang from gisaeng to seonyeo does not indicate class promotion but the confirma- tion of class hierarchy. Keywords: Sin Jae-hyo, Namchang Chunhyangga, seonyeo, Chun- hyang, class hierarchy, middle-class consciousness * This study was supported by Seoul Women’s University Research Grant. Cho Sung-Won (Jo, Seong-won) is Professor of English Language and Literature at Seoul Women’s University. She received her Ph.D. in Comparative Literature from University of Texas at Austin in 1994. Her publications include “Renaissance Nun vs. Korean Gisaeng: Chastity and Female Celibacy in Measure for Measure and Chunhyang jeon” (forthcoming) and “Waiting for the Sage King: The ‘Political Unconscious’ of Namchang Chunhyang Ga” (2003).