DOCSLIB.ORG

Shawn W. Walker

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shawn W. Walker Claire Oliver Gallery Shawn W. Walker Collections: Brooklyn Museum Charles Perry Rand Foundation Harlem Arts Collection James Van Der Zee Institute Museum of Modern Art, NYC National Afro-American Museum, Wilberforce, OH New York Public Library, Main Branch The Schomburg Center for Research in Black Culture The Studio Museum in Harlem Misterioso #1 William Patterson Foundation archival digital pigment print Exhibitions: 16 x 9.3 in | 40.6 x 23.6 cm 2014 “Kamoinge + En Foco: Advancing the Frame” Nathan Cummings Foundation, NYC “Reflections of Monk: Inspired Images of Music and Moods II”, The Dwyer Cultural Center, NY 2013 “Jazz. Covers. Politics”, Nathan Cummings Foundation, NYC “Art and Protest”, The Malcolm X & Dr. Betty Shabazz Memorial and Educational Center, NYC “Salute to Sekou Sundiata”, The Apollo Theater, NYC “Harlem Art Walk” Open Studio, NYC “New York Photo Show” The Lighthouse, NYC 2012 “Heart and Soul: African American by African American Photographers” Keith de Lellis Gallery, NYC ”Kamoinge: Revealing the Face of Katrina”, Group Show, Gordon Parks Gallery, College of New Rochelle, Bronx, NY “Reflections of Monk: Inspired Images of Music and Moods”, Wilmer Jennings Gallery at Kenkeleba, NYC “Harlem & the City” The City College of New York, NYC “Old Harlem New Harlem: Images of Transformation Photographic Exhibition” Rio II Gallery, NYC “Harlem Art Walk” Open Studio, NYC 2011 “Harlem Views/Diaspora Visions: The New Harlem Renaissance Photographers”, Group Show, Schomburg Center, NYC Traveled Rhodes International Sculpture Arts Garden. Brooklyn, NY 2010 “Neo African Identities”, Group Show, Baobab Center, Rochester, NY “Kamoinge: In The Moment”, Group Show, HP Gallery at Calulmet Photo, NYC 2008 Group Show. Wilmer Jennings Gallery at Kenkeleba, NYC 2007 “Kamoinge: Revealing the Face of Katrina” Group Show, HP Gallery at Calumet Photo, NYC “The Rhythm of Life” Group Show, Nordstrom, various locations nationally Group show for Katrina grant recipients on Open Society Website. !3 2006 “Lifestyles: Celebrating Black History Month”, Group show at Nordstrom various locations nationally Kamoinge-Ferman Scholarship exhibition and auction, Group show, Columbia College, Chicago “The Eye of the Storm, Images of New Orleans”, Group show, Columbia University, NYC “Amadou Diallo: A Memorial”, Group show, Casa Frela, NYC 2288 Adam Clayton Powell Jr. Boulevard New York, NY 10030 T: (212) 929-5949 09-24-2021 W: www.claireoliver.com 1/3 Claire Oliver Gallery 2005 Group show, The 2nd International Photographic Exhibition, NYC Group show, PCOG Gallery, NYC “Water Inner Landscape”, three-person show, Casa Frela, NYC Faculty Show, City College Art Department, NYC “Message in the Masquerade: Carnival from Brooklyn to Bahia”, Group show, Nathan Cummings Foundation, NYC 2004 “Movement Movers”, IRIDAC, City College NYC Group show, PCOG Gallery, NYC Faculty Show, City College Art Department, NYC 2003 Group show, PCOG Gallery, NYC Faculty Show, City College Art Department, NYC 2002 “Carnival in Brooklyn: West Indian Labor Day Parade”, Group show, Brooklyn Public Library, Brooklyn, NY 2001 “African and African-American Artists”, Group show, PCOG Gallery, NY “Committed to the Image”, Group show, The Brooklyn Museum, Brooklyn, NY “A Photographic Show”, three-person show, Marymount College, NYC Web-based group exhibit and sale, artnet.com 2000 “Reflections in Black: A History of Black Photographers 1840-Present”, Group show, Smithsonian Institute, Washington, DC 1999 “Ritual and Spirit”, Vassar College, Poughkeepsie, NY Group show, Bronx River Center, Bronx, NY “Jazz Plus”, Kamoinge group show, UFA Gallery, NYC Faculty Show, City College Art Department Group show, Institute for Youth Entrepreneurship, NYC “Black Photographers of the 20th Century”, Group show, The Schomburg Center for Research in Black Culture, NYC 25th Annual Group Show, En Foco, El Museo del Bario, NYC 1998 “At One With God”, Group show, 92nd Street Y, NYC Faculty Show, City College Art Department, NYC 1997 Hatch-Billops Collection, Group show, NYC “Ritual and Spirit”, two-person show, Cinque Gallery, NYC Faculty Show, City College Art Department, NYC 1996 “Shadow Series”, College of New Rochelle, Bronx, NY 25th Anniversary Group Show, Empire State College, NYC “Say It Loud: Kamoinge Group Show”, Art in the Atrium, Montclair, NJ Faculty Show, City College Art Department, NYC “The Dedicators”, Group show, Brooklyn, NY 1995 Faculty show, City College Art Department, NYC 1994 2288 Adam Clayton Powell Jr. Boulevard New York, NY 10030 T: (212) 929-5949 09-24-2021 W: www.claireoliver.com 2/3 Claire Oliver Gallery Kamoinge Anniversary Show, Countee Cullen Library, NYC Cinque Gallery Anniversary Show and Sale, Group show, NYC National Conference of Artists’ Annual Show, NYC Faculty Show, International Center of Photography, NYC Faculty Show, City College Art Department, NYC Faculty Show, Queensborough College, Queens, NY 1993 “Shadow, Dreams and Manifestations”, Three-person show, Cinque Gallery, NYC “There is a World Through Our Eyes” Rockland State Museum, NY 1990 “Workers Exhibit”, Group show, NYS Legislature, Albany, NY Faculty Show, Queensborough College, Queens, NY 2288 Adam Clayton Powell Jr. Boulevard New York, NY 10030 T: (212) 929-5949 09-24-2021 W: www.claireoliver.com 3/3.
Load more

Recommended publications
  • Author's Proof. Not for Distribution
    [ 4 ] Lyric Citizenship in Post 9/11 Performance Sekou Sundiata’s the 51st (dream) state Author'sJULIE ELLISONProof. NotCivic engagementfor Distribution. is in the air, and it’s probably in the drinking water. —Sekou Sundiata, “Thinking Out Loud: Democracy, Imagination, and Peeps of Color” In June 2004 Sekou Sundiata addressed a national gathering in Pitts- burgh, “Diversity Revisited/A Conversation on Diversity in the Arts.” Sun- diata’s speech, “Thinking Out Loud: Democracy, Imagination, and Peeps of Color,” makes explicit the fact that he shared the meeting’s general impatience with the status quo on multiculturalism and that this impa- tience propelled his turn to the conjoined forces of democracy and imagi- nation. “Democracy,” like “citizenship,” is for him not only a feature of political systems or a matter of state but rather a repositioning of the sub- ject: “a humane social practice that . brings together the inner need for the freedom to be who you are with the outer need for a social and politi- cal and economic ecology . for the whole human being.”1 Sundiata’s “humane social practice” emerged from his weariness with the politics of protest and the politics of administered diversity in favor of citizenship in a changed key, “new ways of imagining and acting in the world.”2 He urged a shift from diversity to democracy and from color to difference: “When I say ‘diversity’ I am not talking about a diversity of colors but a democracy of ideas as expressed through different cultures.” And he estab- lishes “generous imaginings,” differently voiced, as the defining practice 02_wein15617_cl, intro, 1-4.indd 91 12/12/11 7:10 PM 92 aesthetics and the politics of freedom of citizens.
    [Show full text]
  • The Poetry Project Newsletter
    THE POETRY PROJECT NEWSLETTER $5.00 #212 OCTOBER/NOVEMBER 2007 How to Be Perfect POEMS BY RON PADGETT ISBN: 978-1-56689-203-2 “Ron Padgett’s How to Be Perfect is. New Perfect.” —lyn hejinian Poetry Ripple Effect: from New and Selected Poems BY ELAINE EQUI ISBN: 978-1-56689-197-4 Coffee “[Equi’s] poems encourage readers House to see anew.” —New York Times The Marvelous Press Bones of Time: Excavations and Explanations POEMS BY BRENDA COULTAS ISBN: 978-1-56689-204-9 “This is a revelatory book.” —edward sanders COMING SOON Vertigo Poetry from POEMS BY MARTHA RONK Anne Boyer, ISBN: 978-1-56689-205-6 Linda Hogan, “Short, stunning lyrics.” —Publishers Weekly Eugen Jebeleanu, (starred review) Raymond McDaniel, A.B. Spellman, and Broken World Marjorie Welish. POEMS BY JOSEPH LEASE ISBN: 978-1-56689-198-1 “An exquisite collection!” —marjorie perloff Skirt Full of Black POEMS BY SUN YUNG SHIN ISBN: 978-1-56689-199-8 “A spirited and restless imagination at work.” Good books are brewing at —marilyn chin www.coffeehousepress.org THE POETRY PROJECT ST. MARK’S CHURCH in-the-BowerY 131 EAST 10TH STREET NEW YORK NY 10003 NEWSLETTER www.poetryproject.com #212 OCTOBER/NOVEMBER 2007 NEWSLETTER EDITOR John Coletti WELCOME BACK... DISTRIBUTION Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 4 ANNOUNCEMENTS THE POETRY PROJECT LTD. STAFF ARTISTIC DIRECTOR Stacy Szymaszek PROGRAM COORDINATOR Corrine Fitzpatrick PROGRAM ASSISTANT Arlo Quint 6 WRITING WORKSHOPS MONDAY NIGHT COORDINATOR Akilah Oliver WEDNESDAY NIGHT COORDINATOR Stacy Szymaszek FRIDAY NIGHT COORDINATOR Corrine Fitzpatrick 7 REMEMBERING SEKOU SUNDIATA SOUND TECHNICIAN David Vogen BOOKKEEPER Stephen Rosenthal DEVELOpmENT CONSULTANT Stephanie Gray BOX OFFICE Courtney Frederick, Erika Recordon, Nicole Wallace 8 IN CONVERSATION INTERNS Diana Hamilton, Owen Hutchinson, Austin LaGrone, Nicole Wallace A CHAT BETWEEN BRENDA COULTAS AND AKILAH OLIVER VOLUNTEERS Jim Behrle, David Cameron, Christine Gans, HR Hegnauer, Sarah Kolbasowski, Dgls.
    [Show full text]
  • Jorge Sylvester ACE (Afro Caribbean Experimental)
    FOR IMMEDIATE RELEASE Contact: Glenn Siegel, 413-320-1089 [email protected] Pioneer Valley Jazz Shares presents: Jorge Sylvester ACE (Afro Caribbean Experimental) Collective Pioneer Valley Jazz Shares continues its 4th season with a performance by Jorge Sylvester ACE (Afro Caribbean Experimental) Collective featuring Sylvester , saxophone ; Nora McCarthy , vocals; Gene Torres , electric bass; Kenny Grohowski , drums, on Friday, December 11, 7:30pm, Parlor Room, 32 Masonic St., Northampton, MA. Single tickets ($15) available at www.jazzshares.org and at the door. Born in Colon, Panama, alto-saxophonist, composer, arranger and teacher Jorge Sylvester began his professional career at age 14, and was soon writing arrangements and compositions for his own Caribbean dance band. He studied privately with renowned Panamanian jazz saxophonist, Euclides Hall, before attending the Panama Conservatory of Music and the University of Panama. Sylvester arrived in New York City in 1980, where his blend of African-Caribbean rhythms with new music gave him a distinguished voice. Sylvester has performed with: Stefon Harris, the David Murray Big Band, poet Sekou Sundiata, the Black Rock Coalition Orchestra, the Oliver Lake Big Band, Kuumba Frank Lacy‘s Vibe Tribe, Joe Bowie‘s Defunkt Big Band and the World Saxophone Quartet. His latest ACE Collective release is Spirit Driven . A poet, songwriter and a highly original singer and improviser, Nora McCarthy has been an important force in the New York jazz vocal scene since 1996 when she recorded her first of eight CD’s, red&blue . She currently leads: The Nora McCarthy Trio, The HeartStrings Project, Nora McCarthy Qu’ART’et and its feminine counterpart, Nora McCarthy ♀u’ART’et, The Modern Voice Ensemble, and Jay Clayton’s cappella group, “Different Voices”.
    [Show full text]
  • BOND BOMBSHELL IRS Would Hike Ratner’S Yards Cost the Program Under Scrutiny Is Called Cable Taxes,” the IRS Said in the Regulation
    BROOKLYN’S REAL NEWSPAPERS Including Windsor Terrace, Sunset Park, Midwood, Kensington, Ocean Parkway Papers Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2006 Brooklyn Paper Publications • 20/16 pages •Vol.29, No. 43 AWP • Saturday, November 4, 2006 • FREE BOND BOMBSHELL IRS would hike Ratner’s Yards cost The program under scrutiny is called cable taxes,” the IRS said in the regulation. Secondly, PILOT cash doesn’t flow into Experts: New “payments in lieu of taxes,” or PILOTs. Us- “If the proposal becomes law, it will city coffers, but instead pays for the develop- ing PILOTs, a city can take land off the generally raise financing costs for er’s debt servicing or maintenance of the de- rules could scare tax rolls in exchange for fixed rent-like developers,” said George Sweet- velopment — another cozy arrangement that payments — but the payments are ing, deputy director of the has drawn the attention of the IRS bean- typically less than property taxes city’s Independent Budget counters. off investors and, in Ratner’s case, would not Office. PILOTs are routinely used for public By Ariella Cohen even end up in the city’s coffers. This could hurt Ratner in projects like hospitals. But critics — in- The Brooklyn Papers If the new rule goes into ef- two ways: cluding city Comptroller Bill Thompson, fect as expected next year, de- For one thing, the IRS who called the incentive rife with “costly Bruce Ratner’s sweetheart deal velopers would no longer be al- rule change would force PI- flaws and misuse” — argue that when used may be about to turn sour — thanks to lowed to use federally subsidized, LOTs to be pegged to a piece as a development incentive, the program the IRS.
    [Show full text]
  • Creating Blues: an Interdisciplinary Study
    Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1997 Volume V: The Blues Impulse Creating Blues: An Interdisciplinary Study Curriculum Unit 97.05.05 by Medria Blue SECTION I: BLUES BACKGROUND PART A: WHAT IS THE BLUES ? The blues. I was born with the blues. You were born with the blues. We were wombed with the blues. Traveling the birth canal blues, first boo-boo blues, too much homework blues, macaroni and cheese again blues, pimple blues, racism blues, love blues, money blues—everyone has experience with blues. Micheal S. Harper’s poem, The Blues Don’t Change and Ntozake Shange’s Takin A Solo/A Poetic Possibility/A Poetic Imperative capture the essence of what the Blues is: “The Blues Don’t Change” “Now I’ll tell you about the Blues. All Negroes like Blues. Why? Because they was born with the Blues. And now everybody have the Blues. Sometimes they don’t know what it is.” —Leadbelly Curriculum Unit 97.05.05 1 of 23 And I was born with you, wasn’t I, Blues? Wombed with you, wounded, reared and forwarded from address to address, stamped, stomped and returned to sender by nobody else but you, Blue Rider, writing me off every chance you got, you mean old grudgeful-hearted, table- turning demon, you, you sexy soul-sucking gem. Blue diamond in the rough, you are forever. You can’t be outfoxed don’t care how they cut and smuggle and shine you on, you’re like a shadow, too dumb and stubborn and necessary to let them turn you into what you ain’t with color or theory or powder or paint.
    [Show full text]
  • Fall Newsletter.Indd
    Issue 8, Fall 2006 the newsletter of the humanities institute at the university of texas at austin Dr. Pauline Strong Becomes Humanities Institute Associate Director THE HUMANITIES INSTITUTE’S CREATIVE AND ADMINISTRATIVE Diffi cult Dialogues programs, resources have been signifi cantly enhanced this fall by the in the development of a model appointment of Dr. Pauline Turner Strong to the new position for an ambitious new Museum of Institute Associate Director. Studies degree program, and An Associate Professor in the Department of as a member of the Faculty Anthropology and a faculty affi liate in the Center for Council Executive Committee. Women’s and Gender Studies, Dr. Strong completed her In the community, she serves Ph.D. in sociocultural anthropology at the University of as President of the Board of Chicago before joining the University of Texas faculty in Directors of Camp Fire USA 1993. Her research centers on historical and contemporary Balcones Council and is an enthusiastic supporter of Austin representations of Native Americans and American national arts organizations. identity in such contexts as literature, fi lms, museums, Over the Humanities Institute’s fi rst fi ve years, sports arenas, and youth organizations. Professor Strong was a frequent contributor to its initiatives, As a teacher and a citizen of both the University as a member of the faculty seminar, a professor in the and the larger Austin community, Professor Strong has Texas Teachers as Scholars program, a Mayor’s Book Club also made wide-ranging contributions across disciplines discussion leader, and a panelist in one of the HI’s topical and constituencies.
    [Show full text]
  • Julie Ellison University of Michigan
    JULIE ELLISON UNIVERSITY OF MICHIGAN EDUCATION 1965-69 Northfield School 1969-73 B.A. Magna cum laude, American History and Literature, Harvard University 1975-80 Ph.D. English Language and Literature, Yale University FACULTY AND ADMINISTRATIVE APPOINTMENTS* 1978-1979 Instructor, English, Yale University 1980-1986 Assistant Professor, English 1987-1990 Associate Professor, English 1990-2003 Professor, English 1995-1996 Director of Graduate Studies, English 1996-2001 Associate Vice President for Research Founding Director, Imagining America: Artists and Scholars in Public Life, White House Millennium Council Partner Program (1998-2000) 2001-2007 Founding Director, Imagining America: Artists and Scholars in Public Life (consortium of colleges and universities) 2003-2010 Professor of American Culture; Faculty Associate in English and School of Art and Design 2008-2010 Director of Undergraduate Studies, Program in American Culture 2009-2010 Co-founder and leader (with Professor Kristin Hass), Public Humanities Institute, Rackham School of Graduate Studies 2011- Professor of American Culture and English; Faculty Associate in Stamps School of Art and Design and Department of Afroamerican and African Studies Ellison 2 2012- Founder and Lead Organizer, Citizen Alum (national initiative) * At University of Michigan unless otherwise indicated SELECTED FELLOWSHIPS AND HONORS 1985 Bredvoldt Prize, Outstanding Junior Faculty Member, University of Michigan English Department 1987 National Endowment for the Humanities Fellowship 1993-1994 John Rich
    [Show full text]
  • City College in the Popular Imagination Philip Kay Submitted in Partial Fulfillment Of
    ‘Guttersnipes’ and ‘Eliterates’: City College in the Popular Imagination Philip Kay Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK 2011 © 2011 Philip Kay All rights reserved (This page intentionally left blank) ABSTRACT ‘Guttersnipes’ and ‘Eliterates’: City College in the Popular Imagination Philip Kay Young people go to college not merely to equip themselves for competition in the workplace, but also to construct new identities and find a home in the world. This dissertation shows how, in the midst of wrenching social change, communities, too, use colleges in their struggle to reinvent and re-situate themselves in relation to other groups. As a case study of this symbolic process I focus on the City College of New York, the world’s first tuition-free, publicly funded municipal college, erstwhile “Harvard of the Poor,” and birthplace of affirmative action programs and “Open Admissions” in higher education. I examine five key moments between 1940 and 2000 when the college dominated the headlines and draw on journalistic accounts, memoirs, guidebooks, fiction, poetry, drama, songs, and interviews with former students and faculty to chart the institution’s emergence as a cultural icon, a lightning rod, and the perennial focus of public controversy. In each instance a variety of actors from the Catholic Church to the New York Post mobilized popular perceptions in order to alternately shore up and erode support for City College and, in so doing, worked to reconfigure the larger New York public.
    [Show full text]
  • Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
    Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies.
    [Show full text]
  • JOIN the CONVERSATION #THEARTOFJUSTICE the Art Of
    The Art of Justice Articulating an Ethos and Aesthetic of the Movement To join the conversation via Twitter use hashtag #THEARTOFJUSTICE Follow @CCCADI and @NYUARTSPOLITICS WIFI GuestID: guest1 Password: dspatett For more information about the conference, presenters and JOIN THE CONVERSATION resources, visit www.theartofjusticeconference.com #THEARTOFJUSTICE www.theartofjusticeconference.com STATEMENT From the Organizing Committee In Memory of Our Ancestors THE ART OF JUSTICE: Abbey Lincoln Grace Lee Boggs Max Roach Articulating an Ethos and Aesthetic of the Movement Abdul Rahman Grace Paley Maya Anjelou A One-Day Conference Aishah Rahman Henrietta Engel Michael Babatunde Al Loving Herman Engel Olatunji “We knew we heard Monk and Mongo differently; Trane’s tenor seized Albert Ayler Holt Fuller Miriam Makeba our spirit, shook our consciousness while Miles blue thru a cold trumpet Alvin Ailey Ingrid Mongo Santamaria that cooled the asphyxiating heat of our collective hell in America… Ours Amiri Baraka Washinawatok Nana Gus Dinizulu was the first American aesthetic revolution.” -Felipe Luciano 2015 Andrew Hill Jack Tchen Nina Simone Art Williams Jacob Lawrence Nora Astorga Welcome to the first in a three part series of conversations focused on Arthur Hall James Baldwin Odetta the role of culture and art as integral to the actions of individuals, Baba Oserjiman Adefumi James Brown Ornette Coleman advocacy movements to claim their right to culture, racial, civil and social Barbara Ann Teer Jane Cortez Oscar Micheaux justice. Understanding
    [Show full text]
  • "A Unified Poet Alliance": the Personal and Social
    International Journal of Education & the Arts Editors Liora Bresler University of Illinois at Urbana-Champaign, U.S.A. Margaret Macintyre Latta University of Nebraska-Lincoln, U.S.A. http://www.ijea.org/ ISSN 1529-8094 Volume 11 Number 2 February 6, 2010 “A Unified Poet Alliance”: The Personal and Social Outcomes of Youth Spoken Word Poetry Programmingi Susan Weinstein Louisiana State University, USA Citation: Weinstein, S. (2010). “A Unified Poet Alliance”: The Personal and Social Outcomes of Youth Spoken Word Poetry Programming. International Journal of Education & the Arts, 11(2). Retrieved [date] from http://www.ijea.org/v11n2/. Abstract This article places youth spoken word (YSW) poetry programming within the larger framework of arts education. Drawing primarily on transcripts of interviews with teen poets and adult teaching artists and program administrators, the article identifies specific benefits that participants ascribe to youth spoken word, including the development of literate identities, therapeutic experiences, overcoming of shyness, and increased self-confidence and self-esteem. The author describes the writing workshop format common to many YSW programs and analyzes the specific contribution of performance to the benefits that participants identify from YSW. This article draws on James Gee’s (1991) concept of Discourses to explain the strong identification that many YSW poets feel toward their chosen genre. IJEA Vol. 11 No. 2 - http://www.ijea.org/v11n2/ 2 Introduction It turned into 300 poets chanting, marching out of the subway and onto the street. It was like we started this big revolution. (Marco, 2006 Taos youth slam team) Marco’s words, above, describe the aftermath of Brave New Voices, the annual international youth poetry slam festival.
    [Show full text]
  • Piedmont Blues: a Search for Salvation
    Piedmont Blues: A Search for Salvation Gerald Clayton Concept and Composer Christopher McElroen Director featuring René Marie / Vocals with Gerald Clayton & The Assembly Gerald Clayton / Piano Godwin Louis / Alto Saxophone Jimmy Greene / Tenor Saxophone Dayna Stephens / Baritone Saxophone Alan Hampton / Guitar Rashaan Carter / Bass Kendrick Scott / Drums Maurice Chestnut / Tap Dance and Gospel Choir of Hope United Methodist Church Alvin Waddles / Director Wednesday Evening, March 14, 2018 at 7:30 Michigan Theater Ann Arbor 71st Performance of the 139th Annual Season Traditions and Crosscurrents This evening’s performance is supported by Michigan Medicine. Funded in part by the National Endowment for the Arts. Media partnership provided by WEMU 89.1 FM. Special thanks to Taylor Renee Aldridge, Jenna Bacolor, Clare Croft, Nic Gareiss, Tariq Gardner, Jennifer Harge, Amanda Krugliak, Lynn Settles, Mark Siegfried, Ann Arbor Public Schools Community Education and Recreation, the Ann Arbor Y, ARTS.BLACK, and the U-M Institute for the Humanities for their participation in events surrounding this evening’s performance. Piedmont Blues: A Search for Salvation appears by arrangement with B Natural Management, Inc. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. CREATIVE TEAM Text / Jaymes Jorsling and Lizz Wright Projections Designer / Liviu Pasare Lighting Designer / Becca Jeffords Scenic Designer / William Boles Sound Engineer / Adam Camardella Production Manager / Will Bishop Associate Production Manager / JJ Marquis Producers / B Natural, Inc. and the american vicarious Piedmont Blues: A Search for Salvation is approximately 75 minutes in duration and is performed without intermission.
    [Show full text]