The Fourth Biennial
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Writing & Journalism
140 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971 Reg# 375735 Fee: $399 Writers’ Program No refund after 10 Nov. WRITING & ❖ Remote Instruction 6 mtgs Tuesday, 7-10pm, Oct. 27-Dec. 1 Creative Writing Enrollment limited to 15 students. c For help in choosing a course or determining if a Rachel Kann, MFA, author of the collection 10 for course fulfills certificate requirements, contact the Everything. Ms. Kann is an award-winning poet whose Writers’ Program at (310) 825-9415. work has appeared in various anthologies, including JOURNALISM Word Warriors: 35 Women Leaders in the Spoken Word Revolution. She is the recipient of the UCLA Extension Basics of Writing Outstanding Instructor Award for Creative Writing. These basic creative writing courses are for WRITING X 403 students with no prior writing experience. Finding Your Story Instruction is exercise-driven; the process of 2.0 units workshopping—in which students are asked to The scariest part of writing is staring at that blank page! share and offer feedback on each other’s work This workshop is for anyone who has wanted to write but with guidance from the instructor—is introduced. doesn’t know where to start or for writers who feel stuck Please call an advisor at (310) 825-9415 to deter- and need a new form or jumping off point for unique mine which course will best help you reach your story ideas. The course provides a safe, playful atmo- writing goals. sphere to experiment with different resources for stories, such as life experiences, news articles, interviews, his- WRITING X 400 tory, and mythology. -
Kathryn Tucker Windham
IRST RAFT FTHE JOURNAL OF THE ALABAMA WRITERS’ FORUMD VOL. 5, NO. 3 FALL 1998 Kathryn Tucker Windham: Also in this issue: MORE PLAYWRITING Page 6 Telling Stories of the South OPEN THE DOOR: Page 1 WORKS BY YOUNG WRITERS Page 9 AWF-AUM WRITERS’ AND ASSOCIATES’ COLLOQUIUM, ALABAMA VOICES, AND MORE! ROM THE XECUTIVE IRECTOR ALABAMA F E D WRITERS’ ctober 17, 1998, was a watershed day for poetry in Alabama. FORUM At the same time that the Alabama State Poetry Society was 1998-99 Board of Directors Ocelebrating its 30th anniversary with a daylong PoetryFest in President Birmingham–bringing together over 200 members and others to revel Brent Davis (Tuscaloosa) in the Word of poetry–Robert Pinsky, our U.S. Poet Laureate, was vis- Immediate Past President iting Montgomery to fulfill a dream of his own. Norman McMillan (Montevallo) Pinsky visited Montgomery to introduce a staged selection of his Vice-President translation of Dante’s “The Inferno” at the historic Dexter Avenue King Rawlins McKinney (Birmingham) Memorial Baptist Church, just one block from the state capitol. Secretary Jonathan Levi’s production, which features four actors and a violinist, Jay Lamar will travel to Miami, Kansas City, Seattle, Boston and back to New (Auburn) York (where it originated at the 92nd Street Y through the auspices of Treasurer Doug Lindley the Unterberg Poetry Center). Montgomery was the only deep South (Montgomery) stop for “The Inferno.” In the Winter First Draft, we will review the Co-Treasurer production at length. Edward M. George (Montgomery) Regrettably, these events (PoetryFest and “The Inferno” produc- Writers’ Representative Ruth Beaumont Cook tion) conflicted. -
FICTION EDITOR [email protected]
TL Publishing Group LLC PO BOX 151073 TAMPA, FL 33684 ALICE SAUNDERS EDITOR [email protected] AISHA MCFADDEN EDITOR [email protected] REBECCA WRIGHT EDITOR [email protected] ANNE MARIE BISE POETRY EDITOR [email protected] HEDWIKA COX FICTION EDITOR [email protected] TIFFANI BARNER MARKETING & NETWORKING SPECIALIST [email protected] AMANDA GAYLE OLIVER CONTENT WRITER [email protected] Official Website: http://www.torridliterature.com | http://tlpublishing.org Facebook Pages: http://www.facebook.com/torridliteraturejournal http://www.facebook.com/tlpublishing http://www.facebook.com/tlopenmic http://www.facebook.com/gatewayliterature Twitter: @TorridLit | @TLPubGroup Blog: http://torridliterature.wordpress.com To Submit: http://torridliterature.submittable.com/submit Torrid Literature Journal - Volume XV Untamed Creative Voices Copyright © 2015 by TL Publishing Group LLC All rights belong to the respective authors listed herein. All rights reserved. ISBN-13: 978-0692482636 ISBN-10: 0692482636 Customer Service Information: The Torrid Literature Journal is a literary publication published quarterly by TL Publishing Group LLC. To have copies of the Torrid Literature Journal placed in your store or library, please contact Alice Saunders. Advertising Space: To purchase advertising space in the Torrid Literature Journal, please contact Tiffani Barner at [email protected]. A list of advertis- ing rates is available upon request. Disclaimer: Any views or opinions presented or expressed in the Torrid Literature Journal are solely those of the author and do not represent those of TL Publishing Group LLC, its owners, directors, or editors. Rates and prices are subject to change without notice. For current subscription rates, please send an email to tljour- [email protected]. -
Amanda Nash Went Right to the Source: the Author
The Women’s Review of Books Vol. XXI, No. 2 November 2003 74035 $4.00 In This Issue Even in the case of an artist like Louise Bourgeois, who has written extensively about the origins of her artworks in her life experience, the relationship between memory and art is never transparent or straight- forward, says reviewer Patricia G. Berman. Cover story D In The Fifth Book of Peace, her “nonfiction-fiction-nonfiction sandwich,” Maxine Hong Kingston experiments with new narrative forms, forgoing the excitement of conflict in an attempt to encom- pass the experience of peace and community. p. 5 Louise Bourgeois in her Brooklyn studio in 1993, with To find out what makes 3, Julie Shredder (1983) and Spider (then in progress). From Hilden’s novel of sexual obsession Runaway Girl: The Artist Louise Bourgeois and experimentation, so haunting, reviewer Amanda Nash went right to the source: The author. Art and autobiography Interview, p. 11 by Patricia G. Berman Could Hillary Rodham Clinton Three books examine the career of artist Louise Bourgeois became America’s first woman presi- dent? Judith Nies reads the senator’s n Christmas day 2003, the artist like environment suggestive of pulsating memoir Living History—along with Louise Bourgeois will turn 92. Her viscera, and I Do, I Undo, I Redo (2000), the other new books that examine O vitality, wit, and ability to fuse titanically scaled steel towers that initiated excess with elegance continue to rival the the Turbine Hall of the Tate Modern in women’s political leadership in this works of artists one-third her age. -
Author's Proof. Not for Distribution
[ 4 ] Lyric Citizenship in Post 9/11 Performance Sekou Sundiata’s the 51st (dream) state Author'sJULIE ELLISONProof. NotCivic engagementfor Distribution. is in the air, and it’s probably in the drinking water. —Sekou Sundiata, “Thinking Out Loud: Democracy, Imagination, and Peeps of Color” In June 2004 Sekou Sundiata addressed a national gathering in Pitts- burgh, “Diversity Revisited/A Conversation on Diversity in the Arts.” Sun- diata’s speech, “Thinking Out Loud: Democracy, Imagination, and Peeps of Color,” makes explicit the fact that he shared the meeting’s general impatience with the status quo on multiculturalism and that this impa- tience propelled his turn to the conjoined forces of democracy and imagi- nation. “Democracy,” like “citizenship,” is for him not only a feature of political systems or a matter of state but rather a repositioning of the sub- ject: “a humane social practice that . brings together the inner need for the freedom to be who you are with the outer need for a social and politi- cal and economic ecology . for the whole human being.”1 Sundiata’s “humane social practice” emerged from his weariness with the politics of protest and the politics of administered diversity in favor of citizenship in a changed key, “new ways of imagining and acting in the world.”2 He urged a shift from diversity to democracy and from color to difference: “When I say ‘diversity’ I am not talking about a diversity of colors but a democracy of ideas as expressed through different cultures.” And he estab- lishes “generous imaginings,” differently voiced, as the defining practice 02_wein15617_cl, intro, 1-4.indd 91 12/12/11 7:10 PM 92 aesthetics and the politics of freedom of citizens. -
Songfest 2008 Book of Words
A Book of Words Created and edited by David TriPPett SongFest 2008 A Book of Words The SongFest Book of Words , a visionary Project of Graham Johnson, will be inaugurated by SongFest in 2008. The Book will be both a handy resource for all those attending the master classes as well as a handsome memento of the summer's work. The texts of the songs Performed in classes and concerts, including those in English, will be Printed in the Book . Translations will be Provided for those not in English. Thumbnail sketches of Poets and translations for the Echoes of Musto in Lieder, Mélodie and English Song classes, comPiled and written by David TriPPett will enhance the Book . With this anthology of Poems, ParticiPants can gain so much more in listening to their colleagues and sharing mutually in the insights and interPretative ideas of the grouP. There will be no need for either ParticiPating singers or members of the audience to remain uninformed concerning what the songs are about. All attendees of the classes and concerts will have a significantly greater educational and musical exPerience by having word-by-word details of the texts at their fingertiPs. It is an exciting Project to begin building a comPrehensive database of SongFest song texts. SPecific rePertoire to be included will be chosen by Graham Johnson together with other faculty, and with regard to choices by the Performing fellows of SongFest 2008. All 2008 Performers’ names will be included in the Book . SongFest Book of Words devised by Graham Johnson Poet biograPhies by David TriPPett Programs researched and edited by John Steele Ritter SongFest 2008 Table of Contents Songfest 2008 Concerts . -
Land Use and Economic Development Analysis October 2011
North Corridor Commuter Rail Project Land Use and Economic Development Analysis October 2011 Charlotte Area Transit System 600 East Fourth Street, Charlotte, NC 28202 Charlotte Area Transit System North Corridor Commuter Rail Project LYNX RED LINE Charlotte Area Transit System North Corridor Commuter Rail Project LYNX RED LINE Land Use and Economic Development Analysis This report is prepared by the Charlotte Area Transit System and Planning Staffs of the City of Charlotte and the Towns of Cornelius, Davidson, Huntersville and Mooresville. The information is structured according to guidelines of the Federal Transit New Starts Program, in the event the North Corridor Com- muter Rail Project becomes eligible for competition in that program. October 2011 Contents Section I: Existing Land Use ........................................................................................................... 1 Existing Station Area Development ............................................................................................ 1 1. Corridor and Station Area Population, Housing Units and Employment .......................... 1 Table I-1: Population Growth of Municipalities Represented in North Corridor ........... 3 Table I-2: Station Area Summary Data ............................................................................ 3 2. Listing and Description of High Trip Generators .............................................................. 4 3. Other Major Trip Generators in Station Areas .................................................................. -
Fall Course Listing Here
FALL QUARTER 2021 COURSE OFFERINGS September 20–December 12 1 Visit the UCLA Extension’s UCLA Extension Course Delivery Website Options For additional course and certificate information, visit m Online uclaextension.edu. Course content is delivered through an online learning platform where you can engage with your instructor and classmates. There are no C Search required live meetings, but assignments are due regularly. Use the entire course number, title, Reg#, or keyword from the course listing to search for individual courses. Refer to the next column for g Hybrid Course a sample course number (A) and Reg# (D). Certificates and Courses are taught online and feature a blend of regularly scheduled Specializations can also be searched by title or keyword. class meetings held in real-time via Zoom and additional course con- tent that can be accessed any time through an online learning C Browse platform. Choose “Courses” from the main menu to browse all offerings. A Remote Instruction C View Schedule & Location Courses are taught online in real-time with regularly scheduled class From your selected course page, click “View Course Options” to see meetings held via Zoom. Course materials can be accessed any time offered sections and date, time, and location information. Click “See through an online learning platform. Details” for additional information about the course offering. Note: For additional information visit When Online, Remote Instruction, and/or Hybrid sections are available, uclaextension.edu/student-resources. click the individual tabs for the schedule and instructor information. v Classroom C Enroll Online Courses are taught in-person with regularly scheduled class meetings. -
The Poetry Project Newsletter
THE POETRY PROJECT NEWSLETTER $5.00 #212 OCTOBER/NOVEMBER 2007 How to Be Perfect POEMS BY RON PADGETT ISBN: 978-1-56689-203-2 “Ron Padgett’s How to Be Perfect is. New Perfect.” —lyn hejinian Poetry Ripple Effect: from New and Selected Poems BY ELAINE EQUI ISBN: 978-1-56689-197-4 Coffee “[Equi’s] poems encourage readers House to see anew.” —New York Times The Marvelous Press Bones of Time: Excavations and Explanations POEMS BY BRENDA COULTAS ISBN: 978-1-56689-204-9 “This is a revelatory book.” —edward sanders COMING SOON Vertigo Poetry from POEMS BY MARTHA RONK Anne Boyer, ISBN: 978-1-56689-205-6 Linda Hogan, “Short, stunning lyrics.” —Publishers Weekly Eugen Jebeleanu, (starred review) Raymond McDaniel, A.B. Spellman, and Broken World Marjorie Welish. POEMS BY JOSEPH LEASE ISBN: 978-1-56689-198-1 “An exquisite collection!” —marjorie perloff Skirt Full of Black POEMS BY SUN YUNG SHIN ISBN: 978-1-56689-199-8 “A spirited and restless imagination at work.” Good books are brewing at —marilyn chin www.coffeehousepress.org THE POETRY PROJECT ST. MARK’S CHURCH in-the-BowerY 131 EAST 10TH STREET NEW YORK NY 10003 NEWSLETTER www.poetryproject.com #212 OCTOBER/NOVEMBER 2007 NEWSLETTER EDITOR John Coletti WELCOME BACK... DISTRIBUTION Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 4 ANNOUNCEMENTS THE POETRY PROJECT LTD. STAFF ARTISTIC DIRECTOR Stacy Szymaszek PROGRAM COORDINATOR Corrine Fitzpatrick PROGRAM ASSISTANT Arlo Quint 6 WRITING WORKSHOPS MONDAY NIGHT COORDINATOR Akilah Oliver WEDNESDAY NIGHT COORDINATOR Stacy Szymaszek FRIDAY NIGHT COORDINATOR Corrine Fitzpatrick 7 REMEMBERING SEKOU SUNDIATA SOUND TECHNICIAN David Vogen BOOKKEEPER Stephen Rosenthal DEVELOpmENT CONSULTANT Stephanie Gray BOX OFFICE Courtney Frederick, Erika Recordon, Nicole Wallace 8 IN CONVERSATION INTERNS Diana Hamilton, Owen Hutchinson, Austin LaGrone, Nicole Wallace A CHAT BETWEEN BRENDA COULTAS AND AKILAH OLIVER VOLUNTEERS Jim Behrle, David Cameron, Christine Gans, HR Hegnauer, Sarah Kolbasowski, Dgls. -
Jorge Sylvester ACE (Afro Caribbean Experimental)
FOR IMMEDIATE RELEASE Contact: Glenn Siegel, 413-320-1089 [email protected] Pioneer Valley Jazz Shares presents: Jorge Sylvester ACE (Afro Caribbean Experimental) Collective Pioneer Valley Jazz Shares continues its 4th season with a performance by Jorge Sylvester ACE (Afro Caribbean Experimental) Collective featuring Sylvester , saxophone ; Nora McCarthy , vocals; Gene Torres , electric bass; Kenny Grohowski , drums, on Friday, December 11, 7:30pm, Parlor Room, 32 Masonic St., Northampton, MA. Single tickets ($15) available at www.jazzshares.org and at the door. Born in Colon, Panama, alto-saxophonist, composer, arranger and teacher Jorge Sylvester began his professional career at age 14, and was soon writing arrangements and compositions for his own Caribbean dance band. He studied privately with renowned Panamanian jazz saxophonist, Euclides Hall, before attending the Panama Conservatory of Music and the University of Panama. Sylvester arrived in New York City in 1980, where his blend of African-Caribbean rhythms with new music gave him a distinguished voice. Sylvester has performed with: Stefon Harris, the David Murray Big Band, poet Sekou Sundiata, the Black Rock Coalition Orchestra, the Oliver Lake Big Band, Kuumba Frank Lacy‘s Vibe Tribe, Joe Bowie‘s Defunkt Big Band and the World Saxophone Quartet. His latest ACE Collective release is Spirit Driven . A poet, songwriter and a highly original singer and improviser, Nora McCarthy has been an important force in the New York jazz vocal scene since 1996 when she recorded her first of eight CD’s, red&blue . She currently leads: The Nora McCarthy Trio, The HeartStrings Project, Nora McCarthy Qu’ART’et and its feminine counterpart, Nora McCarthy ♀u’ART’et, The Modern Voice Ensemble, and Jay Clayton’s cappella group, “Different Voices”. -
BOND BOMBSHELL IRS Would Hike Ratner’S Yards Cost the Program Under Scrutiny Is Called Cable Taxes,” the IRS Said in the Regulation
BROOKLYN’S REAL NEWSPAPERS Including Windsor Terrace, Sunset Park, Midwood, Kensington, Ocean Parkway Papers Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2006 Brooklyn Paper Publications • 20/16 pages •Vol.29, No. 43 AWP • Saturday, November 4, 2006 • FREE BOND BOMBSHELL IRS would hike Ratner’s Yards cost The program under scrutiny is called cable taxes,” the IRS said in the regulation. Secondly, PILOT cash doesn’t flow into Experts: New “payments in lieu of taxes,” or PILOTs. Us- “If the proposal becomes law, it will city coffers, but instead pays for the develop- ing PILOTs, a city can take land off the generally raise financing costs for er’s debt servicing or maintenance of the de- rules could scare tax rolls in exchange for fixed rent-like developers,” said George Sweet- velopment — another cozy arrangement that payments — but the payments are ing, deputy director of the has drawn the attention of the IRS bean- typically less than property taxes city’s Independent Budget counters. off investors and, in Ratner’s case, would not Office. PILOTs are routinely used for public By Ariella Cohen even end up in the city’s coffers. This could hurt Ratner in projects like hospitals. But critics — in- The Brooklyn Papers If the new rule goes into ef- two ways: cluding city Comptroller Bill Thompson, fect as expected next year, de- For one thing, the IRS who called the incentive rife with “costly Bruce Ratner’s sweetheart deal velopers would no longer be al- rule change would force PI- flaws and misuse” — argue that when used may be about to turn sour — thanks to lowed to use federally subsidized, LOTs to be pegged to a piece as a development incentive, the program the IRS. -
Shawn W. Walker
Claire Oliver Gallery Shawn W. Walker Collections: Brooklyn Museum Charles Perry Rand Foundation Harlem Arts Collection James Van Der Zee Institute Museum of Modern Art, NYC National Afro-American Museum, Wilberforce, OH New York Public Library, Main Branch The Schomburg Center for Research in Black Culture The Studio Museum in Harlem Misterioso #1 William Patterson Foundation archival digital pigment print Exhibitions: 16 x 9.3 in | 40.6 x 23.6 cm 2014 “Kamoinge + En Foco: Advancing the Frame” Nathan Cummings Foundation, NYC “Reflections of Monk: Inspired Images of Music and Moods II”, The Dwyer Cultural Center, NY 2013 “Jazz. Covers. Politics”, Nathan Cummings Foundation, NYC “Art and Protest”, The Malcolm X & Dr. Betty Shabazz Memorial and Educational Center, NYC “Salute to Sekou Sundiata”, The Apollo Theater, NYC “Harlem Art Walk” Open Studio, NYC “New York Photo Show” The Lighthouse, NYC 2012 “Heart and Soul: African American by African American Photographers” Keith de Lellis Gallery, NYC ”Kamoinge: Revealing the Face of Katrina”, Group Show, Gordon Parks Gallery, College of New Rochelle, Bronx, NY “Reflections of Monk: Inspired Images of Music and Moods”, Wilmer Jennings Gallery at Kenkeleba, NYC “Harlem & the City” The City College of New York, NYC “Old Harlem New Harlem: Images of Transformation Photographic Exhibition” Rio II Gallery, NYC “Harlem Art Walk” Open Studio, NYC 2011 “Harlem Views/Diaspora Visions: The New Harlem Renaissance Photographers”, Group Show, Schomburg Center, NYC Traveled Rhodes International Sculpture Arts Garden. Brooklyn, NY 2010 “Neo African Identities”, Group Show, Baobab Center, Rochester, NY “Kamoinge: In The Moment”, Group Show, HP Gallery at Calulmet Photo, NYC 2008 Group Show.