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Black History Month February 2020
BLACK HISTORY MONTH FEBRUARY 2020 LITERARY FINE ARTS MUSIC ARTS Esperanza Rising by Frida Kahlo Pam Munoz Ryan Frida Kahlo and Her (grades 3 - 8) Animalitos by Monica Brown and John Parra What Can a Citizen Do? by Dave Eggers and Shawn Harris (K-2) MATH & CULINARY HISTORY SCIENCE ARTS BLACK HISTORY MONTH FEBRUARY 2020 FINE ARTS Alma Thomas Jacob Lawrence Faith Ringgold Alma Thomas was an Faith Ringgold works in a Expressionist painter who variety of mediums, but is most famous for her is best-known for her brightly colored, often narrative quilts. Create a geometric abstract colorful picture, leaving paintings composed of 1 or 2 inches empty along small lines and dot-like the edge of your paper marks. on all four sides. Cut colorful cardstock or Using Q-Tips and primary Jacob Lawrence created construction paper into colors, create a painted works of "dynamic squares to add a "quilt" pattern in the style of Cubism" inspired by the trim border to your Thomas. shapes and colors of piece. Harlem. His artwork told stories of the African- American experience in the 20th century, which defines him as an artist of social realism, or artwork based on real, modern life. Using oil pastels and block shapes, create a picture from a day in your life at school. What details stand out? BLACK HISTORY MONTH FEBRUARY 2020 MUSIC Creating a Music important to blues music, and pop to create and often feature timeless radio hits. Map melancholy tales. Famous Famous Motown With your students, fill blues musicians include B.B. -
Festival Events 1
H.E. Lieutenant-General Olusegun Obasanjo, Head of State of Nigeria and Festival Patron. (vi) to facilitate a periodic 'return to origin' in Africa by Black artists, writers and performers uprooted to other continents. VENUE OFEVENTS The main venue is Lagos, capital of the Federal Republic of Nigeria. But one major attraction, the Durbar. will take place in Kaduna, in the northern part basic facts of the country. REGISTRATION FEES Preparations are being intensified for the Second World There is a registration fee of U.S. $10,000 per partici- Black and African Festival of Arts and Culture to be held pating country or community. in Nigeria from 15th January to 12th February, 1977. The First Festival was held in Dakar, Senegal, in 1966. GOVERNING BODY It was then known simply as the World Festival of Negro The governing body for the Festival is the International Arts. Festival Committee representing the present 16 Festival At the end of that First Festival in 1966, Nigeria was Zones into which the Black African world has been invited to host the Second Festival in 1970. Nigeria divided. These 16 Zones are: South America, the accepted the invitation, but because of the internal Caribbean countries, USA/Canada, United Kingdom and situation in the country, it was not possible to hold the Ireland, Europe, Australia/Asia, Eastern Africa, Southern Festival that year. Africa, East Africa (Community), Central Africa I and II, At the end of the Nigerian civil war, the matter was WestAfrica (Anglophone), West Africa (Francophone) I resuscitated, and the Festival was rescheduled to be held and II, North Africa and the Liberation Movements at the end of 1975. -
Honorary Degree Recipients 1977 – Present
Board of Trustees HONORARY DEGREE RECIPIENTS 1977 – PRESENT Name Year Awarded Name Year Awarded Claire Collins Harvey, C‘37 Harry Belafonte 1977 Patricia Roberts Harris Katherine Dunham 1990 Toni Morrison 1978 Nelson Mandela Marian Anderson Marguerite Ross Barnett Ruby Dee Mattiwilda Dobbs, C‘46 1979 1991 Constance Baker Motley Miriam Makeba Sarah Sage McAlpin Audrey Forbes Manley, C‘55 Mary French Rockefeller 1980 Jesse Norman 1992 Mabel Murphy Smythe* Louis Rawls 1993 Cardiss Collins Oprah Winfrey Effie O’Neal Ellis, C‘33 Margaret Walker Alexander Dorothy I. Height 1981 Oran W. Eagleson Albert E. Manley Carol Moseley Braun 1994 Mary Brookins Ross, C‘28 Donna Shalala Shirley Chisholm Susan Taylor Eleanor Holmes Norton 1982 Elizabeth Catlett James Robinson Alice Walker* 1995 Maya Angelou Elie Wiesel Etta Moten Barnett Rita Dove Anne Cox Chambers 1983 Myrlie Evers-Williams Grace L. Hewell, C‘40 Damon Keith 1996 Sam Nunn Pinkie Gordon Lane, C‘49 Clara Stanton Jones, C‘34 Levi Watkins, Jr. Coretta Scott King Patricia Roberts Harris 1984 Jeanne Spurlock* Claire Collins Harvey, C’37 1997 Cicely Tyson Bernice Johnson Reagan, C‘70 Mary Hatwood Futrell Margaret Taylor Burroughs Charles Merrill Jewel Plummer Cobb 1985 Romae Turner Powell, C‘47 Ruth Davis, C‘66 Maxine Waters Lani Guinier 1998 Gwendolyn Brooks Alexine Clement Jackson, C‘56 William H. Cosby 1986 Jackie Joyner Kersee Faye Wattleton Louis Stokes Lena Horne Aurelia E. Brazeal, C‘65 Jacob Lawrence Johnnetta Betsch Cole 1987 Leontyne Price Dorothy Cotton Earl Graves Donald M. Stewart 1999 Selma Burke Marcelite Jordan Harris, C‘64 1988 Pearl Primus Lee Lorch Dame Ruth Nita Barrow Jewel Limar Prestage 1989 Camille Hanks Cosby Deborah Prothrow-Stith, C‘75 * Former Student As of November 2019 Board of Trustees HONORARY DEGREE RECIPIENTS 1977 – PRESENT Name Year Awarded Name Year Awarded Max Cleland Herschelle Sullivan Challenor, C’61 Maxine D. -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Copyright by Omaris Zunilda Zamora 2013
Copyright by Omaris Zunilda Zamora 2013 The Report Committee for Omaris Zunilda Zamora Certifies that this is the approved version of the following report: Let the Waters Flow: (Trans)locating Afro-Latina Feminist Thought APPROVED BY SUPERVISING COMMITTEE: Supervisor: Jossianna Arroyo Jennifer Wilks Let the Waters Flow: (Trans)locating Afro-Latina Feminist Thought by Omaris Zunilda Zamora, B.A. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2013 Dedication I dedicate this body of work to some of the most influential women in my life. Mom, you motivate me to be a warrior and to always keep up the good fight. To my sister, Omandra: I honestly, don’t know where my brain and my heart would be if you weren’t always there to remind me of who I am and where we are going. To my black sisters who are always sharing words of wisdom and dropping knowledge, continue being who you are. Acknowledgements I want to thank everyone who supported me every step of the way to make this work come to fruition. Professors Jossianna Arroyo, Jennifer Wilks, Luis Cárcamo-Huechante, and Cesar Salgado: thank you for your support and guidance in approaching this work, for sharing your perspective with me, and giving me the necessary feedback to continue re-thinking my project. I also want to take the time to thank my partner William García for his moral support in approaching life’s challenges and motivating me to keep going even when everything seemed physically impossible. -
C Ollections
The University of Wisconsin System - FEMINIST- OLLECTIONS CA QUARTERLYOF WOMEN'S STUDIES RESOURCES TABLE OF CONTENTS BOOKREVIEWS.................................. ................4 THE PERSPECTIVES OF FOUR NATIVE AMERICAN WOMEN WRITERS, by Chris Jendrisak. From theRiverls Edge, by Elizabeth Cook-Lynn; Mean Spirit, by Linda Hogan; Almanacof the Dead, by LeslieMarmon Si1ko;and Grandmothersof the Light: AMedicine Woman's Sourcebook, by Paula Gunn Allen. ACROBATS ON THE TIGHTROPE BETWEEN PHILOSOPHY AND FEMINISM: NO- MADIC FEMALE FEMINISTS AND/OR FEISTY FEMINISTS? by Sharon Scherwitz. Patterns of Dissonance: A Study of Women in Contemporary Philosophy, by Rosi Braidotti; and Feminist Ethics, ed. by Claudia Card. SOUTHERN WOMEN WRITERS AND THE LITERARY CANON, by Michele Alperin. Homeplaces: Stories of the South by Women Writers, ed. by Mary Ellis Gibson; Female Pastoral: Women WritersRe-Visioning theAmerican South,by Elizabeth JaneHamson; Southern Women Writers: The New Generation, ed. by Tonnette Bond Inge; and Friendship and Sympathy: Communities of Southern Women Writers, ed. by Rosemary M. Magee. ARCHIVES ......................................................12 FEMINIST VISIONS ............................................. .13 THE PRINCESS AND THE SQUAW: IMAGES OF AMERICAN INDIAN WOMEN IN CINEMA ROUGE, by Judith Logsdon THE INDEXING OF WOMEN'S STUDIES JOURNALS.. ..............17 By Judith Hudson RESEARCH EXCHANGE ..........................................20 FEMINIST PUBLISHING ..........................................20 A publishing handbook -
The Kano Durbar: Political Aesthetics in the Bowel of the Elephant
Original Article The Kano Durbar: Political aesthetics in the bowel of the elephant Wendy Griswolda,* and Muhammed Bhadmusb aDepartment of Sociology, Northwestern University, 1810 Chicago Avenue, Evanston, Illinois 60208, USA. E-mail: [email protected] bDepartment of Theatre and Drama, Bayero University Kano, Kano, Nigeria. E-mail: [email protected] *Corresponding author. Abstract Political aesthetics deploy theatrical techniques to unite performers and audience into a cultural community, thereby distracting from conflicts. The Kano Durbar in northern Nigeria demonstrates how the aesthetics of power can promote a place-based political culture. Although power in Kano rests on a wobbly three-legged stool of traditional, constitutional and religious authority, the status quo celebrated by the Durbar holds back ideological challengers like Boko Haram even as it perpetuates distance from the unified nation-state. The Durbar works as a social drama that helps sustain a Kano-based collective solidarity against the threats of ethnic/religious tensions and Salafist extremism. A cultural-sociological and dramaturgical analysis of the Durbar demonstrates how weak sources of power can support one another when bound together in an aesthetically compelling ritual. American Journal of Cultural Sociology (2013) 1, 125–151. doi:10.1057/ajcs.2012.8 Keywords: political aesthetics; place; social drama; Kano; Nigeria; Durbar Introduction While political rituals are expressions of power, what is less often noticed is that they are expressions of place. Bringing this insight to bear on the analysis of these rituals can reveal how they work, what exactly they accomplish, thereby resolving some of the puzzles they present. This article examines the case of the Kano Durbar, a Nigerian ritual that presents a social drama of and for Kano residents, a drama that helps sustain a sense of r 2013 Macmillan Publishers Ltd. -
CONGRESSIONAL RECORD— Extensions of Remarks E684 HON
E684 CONGRESSIONAL RECORD — Extensions of Remarks March 17, 2009 TRIBUTE TO KENT OLSON, EXECU- Not only will this initiative increase Internet Madam Speaker, I encourage my col- TIVE DIRECTOR OF THE PROFES- speed and accessibility for customers, but per- leagues to join me in wishing my brothers of SIONAL INSURANCE AGENTS OF haps more importantly it will create 3,000 new Omega Psi Phi Fraternity a successful political NORTH DAKOTA jobs. summit as these men continue to build a Over the next ten years, AT&T also plans to strong and effective force of men dedicated to HON. EARL POMEROY create or save an additional one thousand its Cardinal Principles of manhood, scholar- jobs through a plan to invest $565 million in OF NORTH DAKOTA ship, perseverance, and uplift. replacing its current fleet of vehicles with IN THE HOUSE OF REPRESENTATIVES f 15,000 domestically manufactured Com- Tuesday, March 17, 2009 pressed Natural Gas and alternative fuel vehi- REMEMBERING THE LIFE OF Mr. POMEROY. Madam Speaker, I rise to cles. MUSIC IMPRESARIO RALPH honor the distinguished career of Kent Olson. Research shows that this new fleet will save MERCADO I am pleased to have known Kent Olson for 49 million gallons of gasoline over the next ten the many years he served as the Executive years. It also will reduce carbon emissions by HON. CHARLES B. RANGEL Director of the Professional Insurance Agents 211,000 metric tons in this same time frame. OF NEW YORK of North Dakota working with him on important Madam Speaker, I applaud AT&T for its ini- IN THE HOUSE OF REPRESENTATIVES tiative in taking the lead in the movement to insurance issues for North Dakota farmers. -
Ashani Haynes Sesame - Summer ‘16
EVEwww.everybodysmag.comR U.S.YBODY $3.00 CANADACaribbean $4.00 ’S KeeP WEST INDIAN ALEXANDER HAMILTON ON US $10 ASHANI HAYNES SeSame - Summer ‘16 DENNIS TITUS OF THE MIGHTY QUINN In OlIver’S “GUILT TRIP” Hillary’s Caribbean Friends April 2016 Trump Vol 39 No. 1 Caribbean People Friend … UNTIL Get Tickets For BASIL DAWKINS GNominated u for 9 Actor i Boy lt Awards, Jamaica’sTr version ipof the Tony “The play Starring extols the virtues of reggae icon OLIVER SamUELS Bob Marley,” Ruth Ho Shing Jamaica Gleaner. “It is a useful Dennis Titus guide to adults, (of Denzel Washington’s THE MIGHTY QUINN) parents, and children … It is a must-see MAY 21-29 play,” Rev. Devon Dick, Pastor, Boulevard QUEENS, NJ, BROOKLYN & BRONX Baptist Church, St Andrew. TICKETS FOR ALL SHOWS WWW.EVERYBODYSMAG.COM - (718) 941-1879 “Guilt Trip is If paying with Money Order, make payable and mail to a good choice Herman Hall Communications, 1630 Nostrand Ave., Brooklyn, NY 11226 for the family, QUEENS, YORK COLLEGE BROOKLYN COLLEGE presenting $55 in advance $50 - $55 - $60 a fusion of www.everybodysmag.com Jamaican (All seats Reserved) www.brooklyncenter.org culture. And, of EAST ORANGE, NJ, CAMPUS HS BRONX, LEHMAN CENTER course, there $40 in advance are many laugh www.everybodysmag.com $50 - $55 - $60 lines,” (All seats Reserved) Jamaica Observer. www.lehmancenter.org Vol. 39 No. 1 APRIL 2016 EVERYBODY’S ontents EVERYBODY’SCaribbean C PUBLISHER Herman Hall FIRST EDITOR Pat Boothe (deceased) CONTRIBUTING EDITORS Winthrop Holder michael la rose (uK) Nathalie Taghaboni Jeff Hercules Tarie Khoraam rafika Soaries FEATURES ART DIRECTOR: lennox robinson 9 Keep West Indian Alexander Hamilton on US$10 PHOTOGRAPHERS By Herman Hall Clyde Jones nolan Patterson lloyd Patterson 16 Global Caribbean Festivals: Summer 2016 Kwame Brathwaite By Louise Mann Henry Duncan roger Hayden Celestin 22 The Immigrant Guide to U.S. -
Annual AT&T San Jose Jazz Summer Fest Friday, August 12
***For Immediate Release*** 22nd Annual AT&T San Jose Jazz Summer Fest Friday, August 12 - Sunday, August 14, 2011 Plaza de Cesar Chavez Park, Downtown San Jose, CA Ticket Info: www.jazzfest.sanjosejazz.org Tickets: $15 - $20, Children Under 12 Free "The annual San Jose Jazz [Summer Fest] has grown to become one of the premier music events in this country. San Jose Jazz has also created many educational programs that have helped over 100,000 students to learn about music, and to become better musicians and better people." -Quincy Jones "Folks from all around the Bay Area flock to this giant block party… There's something ritualesque about the San Jose Jazz [Summer Fest.]" -Richard Scheinan, San Jose Mercury News "San Jose Jazz deserves a good deal of credit for spotting some of the region's most exciting artists long before they're headliners." -Andy Gilbert, San Jose Mercury News "Over 1,000 artists and 100,000 music lovers converge on San Jose for a weekend of jazz, funk, fusion, blues, salsa, Latin, R&B, electronica and many other forms of contemporary music." -KQED "…the festival continues to up the ante with the roster of about 80 performers that encompasses everything from marquee names to unique up and comers, and both national and local acts...." -Heather Zimmerman, Silicon Valley Community Newspapers San Jose, CA - June 15, 2011 - San Jose Jazz continues its rich tradition of presenting some of today's most distinguished artists and hottest jazz upstarts at the 22nd San Jose Jazz Summer Fest from Friday, August 12 through Sunday, August 14, 2011 at Plaza de Cesar Chavez Park in downtown San Jose, CA. -
'Grey's Anatomy' Star Talks About Black Representation in Media As Well As His Provocative Acceptance Speech at the 2016 BET Awards
Philip Martin Gallery At the opening of photographer Kwame Brathwaite's new show "Celebrity and the Everyday," the 'Grey's Anatomy' star talks about black representation in media as well as his provocative acceptance speech at the 2016 BET Awards Fans of Grey’s Anatomy grew concerned last month when the dashing Dr. Jackson Avery, played by Jesse Williams, vanished from the popular TV show for a few weeks, fueling speculation until his recent return. "I was off shooting a movie called Random Acts of Violence, and I'm back. Crisis of conscience, lost his child, lost his ex-wife, lost a patient, so ventured out into the woods and find himself, which I think men need to do more often. Let's call it a mental health angle," Williams said of 2712 S. La Cienega Blvd., Los Angeles, CA 90034 philipmartingallery.com 310 559 0100 Philip Martin Gallery his disappearance when The Hollywood Reporter caught up with him at Philip Martin Gallery in Culver City where he introduced a new show, "Celebrity and the Everyday" (through Dec. 22), a collection of photos by 80-year-old photographer Kwame S. Brathwaite, co-curated by Williams and the artist's son, Kwame Jr. For more than 50 years Brathwaite has trained his lens on African-American subjects: Muhammad Ali in the Congo, seated alone in profile on a bench on a gray day by the water; a furrow-browed Bob Marley, guitar in hand, lost in thought during a sound check; or model Ethel Parks, a member of Grandassa Agency, featuring only African-American women and founded by Brathwaite and his brother, Elombe Brath, to challenge white beauty standards. -
Author's Proof. Not for Distribution
[ 4 ] Lyric Citizenship in Post 9/11 Performance Sekou Sundiata’s the 51st (dream) state Author'sJULIE ELLISONProof. NotCivic engagementfor Distribution. is in the air, and it’s probably in the drinking water. —Sekou Sundiata, “Thinking Out Loud: Democracy, Imagination, and Peeps of Color” In June 2004 Sekou Sundiata addressed a national gathering in Pitts- burgh, “Diversity Revisited/A Conversation on Diversity in the Arts.” Sun- diata’s speech, “Thinking Out Loud: Democracy, Imagination, and Peeps of Color,” makes explicit the fact that he shared the meeting’s general impatience with the status quo on multiculturalism and that this impa- tience propelled his turn to the conjoined forces of democracy and imagi- nation. “Democracy,” like “citizenship,” is for him not only a feature of political systems or a matter of state but rather a repositioning of the sub- ject: “a humane social practice that . brings together the inner need for the freedom to be who you are with the outer need for a social and politi- cal and economic ecology . for the whole human being.”1 Sundiata’s “humane social practice” emerged from his weariness with the politics of protest and the politics of administered diversity in favor of citizenship in a changed key, “new ways of imagining and acting in the world.”2 He urged a shift from diversity to democracy and from color to difference: “When I say ‘diversity’ I am not talking about a diversity of colors but a democracy of ideas as expressed through different cultures.” And he estab- lishes “generous imaginings,” differently voiced, as the defining practice 02_wein15617_cl, intro, 1-4.indd 91 12/12/11 7:10 PM 92 aesthetics and the politics of freedom of citizens.