Travel to Greece – May 2017

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TRAVEL TO GREECE – MAY 2017 GRS/ART 307 The Art and Archaeology of Greek Myth (AR) Myths and rituals constitute the religion of ancient Greece, and are expressed in art, monuments, and in writing. The culture, ideas, and values imparted through the varied expressions of Greek myths influenced Western thought in a profound and lasting way. In this course, we will study the intimate relationship between myth, art, history, and culture of ancient Greece. Recommended prerequisite: GRS/REL 210. COST: for 12 students: $4650, including RT airfare from Chicago Ohare on Lufthansa, lodging, and bus travel between cities (price goes down with more students!) Total of 18 days in country. Where will we go? We will visit many important archaeological sites and museums to study Greek myth and culture from the Bronze Age (Age of Troy) to the Roman period (Corinth). Athens: The Acropolis, Theatre of Dionysus, Acropolis Museum, Agora (where Socrates hung out), with day trip to the Temple of Poseidon at Sounion Crete: Heraklion Museum, Minoan Palaces at Knossos, Phaestos, Aghia Triada, Gournia, Dikteon Cave (where Zeus was born!) Santourini Island (Thera): Akrotiri (Bronze Age town) and trip to the active volcano that destroyed Minoan Civilization Eleusis: Sanctuary of Demeter and Persephone Delphi: Sanctuary of Apollo Peloponnese: Olympia (Sanctuary of Zeus, where the games began!), Pylos (home of Nestor from the Iliad), Mycenae (palace of Agamemnon), Corinth (where Jason abandoned Medea!) Epidauros: Sanctuary of healing god Asclepius with large amphitheater For information contact Prof. Sultan [email protected] .

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The Conditions of Dramatic Production to the Death of Aeschylus Hammond, N G L Greek, Roman and Byzantine Studies; Winter 1972; 13, 4; Proquest Pg
The Conditions of Dramatic Production to the Death of Aeschylus Hammond, N G L Greek, Roman and Byzantine Studies; Winter 1972; 13, 4; ProQuest pg. 387 The Conditions of Dramatic Production to the Death of Aeschylus N. G. L. Hammond TUDENTS of ancient history sometimes fall into the error of read Sing their history backwards. They assume that the features of a fully developed institution were already there in its earliest form. Something similar seems to have happened recently in the study of the early Attic theatre. Thus T. B. L. Webster introduces his excellent list of monuments illustrating tragedy and satyr-play with the following sentences: "Nothing, except the remains of the old Dionysos temple, helps us to envisage the earliest tragic background. The references to the plays of Aeschylus are to the lines of the Loeb edition. I am most grateful to G. S. Kirk, H. D. F. Kitto, D. W. Lucas, F. H. Sandbach, B. A. Sparkes and Homer Thompson for their criticisms, which have contributed greatly to the final form of this article. The students of the Classical Society at Bristol produce a Greek play each year, and on one occasion they combined with the boys of Bristol Grammar School and the Cathedral School to produce Aeschylus' Oresteia; they have made me think about the problems of staging. The following abbreviations are used: AAG: The Athenian Agora, a Guide to the Excavation and Museum! (Athens 1962). ARNon, Conventions: P. D. Arnott, Greek Scenic Conventions in the Fifth Century B.C. (Oxford 1962). BIEBER, History: M. Bieber, The History of the Greek and Roman Theatre2 (Princeton 1961).
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Storytelling and Community: Beyond the Origins of the Ancient
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What Role and Perspectives for Africa's Social Economy to Cope with The
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The Form of the Orchestra in the Early Greek Theater
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The Acropolis Museum: Contextual Contradictions, Conceptual Complexities by Ersi Filippopoulou
The Acropolis Museum: Contextual Contradictions, Conceptual Complexities by Ersi Filippopoulou 20 | MUSEUM international rsi Filippopoulou is an architect and a jurist, specialised in archaeological museums planning and programming. She served as Director Eof Museum Studies in the Greek Ministry of Culture, and was also responsible for the new Acropolis museum project over 18 years. She worked as Director of the Greek Managing Authority for the European Union, co-financed cultural projects for six years. She served as an adjunct faculty member at the Departments of Architecture of the Universities of Thessaloniki and Patras, Greece. She was elected chairperson of the ICOM International Committee for Architecture and Museum Techniques (ICAMT) twice on a three-year mandate. Since 2012, she has been working as an advisor on heritage issues to the Peloponnese Regional Governor. She recently published a book entitled Τo neo Mouseio tis Acropolis—dia Pyros kai Sidirou, which retraces the new Acropolis Museum’s tumultuous history from its inception to its inauguration (Papasotiriou Publishers 2011). Her current research project is a comparative approach to the Greek archaeological museum paradigm. MUSEUM international | 21 he visitor to the new Acropolis Museum in Athens, climbing to the up- per floor and passing through the exhibition gallery door to an all-glass space flooded with natural light, is suddenly awestruck by the breathtak- ing view of the Parthenon rising up above the surrounding city (Fig. 1). Enjoying the holistic experience inspired by the natural and cultural landscape, the viewer is unaware of past controversies about the mu- seum’s location, and is certain that is the right place to be for anyone wishing to admire the ancient monument together with its architectur- al sculptures.
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Lecture 05 Greek Architecture Part 2
Readings Pages 54-60, A World History of Architecture, Fazio, Michael, Moffet & Wodehousecopoy Pages 60– 65 Great Architecture of the World ARCH 1121 HISTORY OF ARCHITECTURAL TECHNOLOGY Photo: Alexander Aptekar © 2009 Gardner Art Through the Ages Classical Greek Architecture 480 – 431BCE: Known as the Classical Period in Greek History Assertion that human intelligence puts man above the rest of nature Architecture began in the service of religion 7th century BCE – 1st efforts to create proper shapes and design Beauty = Gods Secret of beauty lay in ratios and proportions Invented democracy and philosophy Created works of art in drama, sculpture and architecture Greek Architecture 480 – 431BCE Temples first built with wood, then stone w/ terra cotta tiles Purely formal objects Greeks pursued the beauty through architecture and materials The home of the Gods Became the principal ornaments in the cities, generally on hills or other prominent locations www.greatbuildings.com www.greatbuildings.com Temple of Hephaestus megron Athenian Treasury Classical Orders In classical Greek architecture, beauty lay in systems of the ratios and proportions. A system or order defined the ideal proportions for all the components of the temples according to mathematical ratios – based on the diameter of the columns. What is an order? An order includes the total assemblage of parts consisting of the column and its appropriate entablature which is based on the diameter of the column. Temple of Hera II (Poseidon) 450 BCE The column is vertical and supports the structure. Its diameter sets the proportion of the other parts. The entablature is horizontal and consists of many elements.
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Study Tour to Greece~
Tour is open to: • All students • Alumnae Trip Highlights~ Enhance your studies at some of the greatest ancient sites in the Study Tour to world. We owe our western view of the world to the modern- thinking Greeks. Theatre and psychology come together in this 10- Greece~ day trip to Athens and Santorini. Daily excursions take us to Delphi, the ancient center of the Earth the Naval Stone, the Parthenon, the With Professor Roxanne Amico and Acropolis, the Agora, Mycene and Epidaurus, Theatre of Dionysus, Lycabettus Hill and wonderful museums. You will enjoy great food Dr. Sharon Himmanen and nightlife in historic Plaka, the location of our hotel at the foot of May 14--May 25, 2017 the Acropolis and some free time in Syntagma Square in Athens, the seaport of Piraeus and the old flea market and shopping area of Course: THS / PSY 260- (1 credit) Monastiraki. Reading lists will be available for all travelers. In the Footsteps of the Ancient Greeks Students seeking course credit will have play readings and writing assignments focused on the relationship between ancient psychology Students are encouraged to take class if and philosophy and Greek drama. participating in travel component. THS / PSY 260 are not “free—standing” Included in Program Fee: classes. o Round Trip shuttle between campus and the airport o International flights to/from Athens Contact: Mary Anne Kucserik o Airport transfers in Athens Director of Global Initiatives & o 8 overnights in twin-shared accommodations in Athens International Programs & 2 overnights in Santorini, with daily breakfast included Curtis 201 o One welcome and one farewell dinner included o Round trip transfer to Santorini to include guided [email protected] cultural visits and entries 610-606-4666, ext.
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With Archaeologist Kathleen Lynch
THE LEGACY OF Ancient Greece October 13-25, 2021 (13 days | 16 guests) with archaeologist Kathleen Lynch Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur Archaeological Institute of America xperience the glories of Greece, from the Bronze Age to the Classical era and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Kathleen Lynch Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient is Professor history and to witness how integral mythology, religion, drama, and literature of Classics at the University are to their understanding. This well-paced tour, from city to mountains to of Cincinnati seaside, spends a total of four nights in the modern yet historic capital, Athens; and a classical two nights in the charming port town of Nafplion; one night in Dimitsana, archaeologist with a medieval mountain village; two nights in Olympia, home of the original a focus on ancient Olympic Games; and two nights in the mountain resort town of Arachova, Greek ceramics. She earned her near Delphi. Ph.D. from the Highlights include: University of Virginia, and has worked on archaeological projects at sites in • SIX UNESCO World Heritage Sites: Greece (Athenian Agora, Olynthos, ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion Corinth, Pylos), Turkey (Gordion, temples, plus the nearby Acropolis Museum; Troy), Italy (Morgantina), and Albania (Apollonia). Kathleen’s research considers ˚ the greatest ancient oracle, Delphi, located in a spectacular what ancient ceramics can tell us mountain setting; about their use and users.
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Illustrations and Maps
Illustrations and Maps 1 The Parthenon, the Propylaea and the Erechtheum, Athens, built in the fifth century b.c. Photo © AISA/Bridgeman Images. 2 View of the Pnyx from the Observatory. ASCS. 3 Reconstruction of Athens, fifth century b.c., after drawing by Ru Dièn-Jen. 4 Pericles, marble portrait bust, Roman copy of an earlier Greek original, second century. © The Trustees of the British Museum. 5 View of the Theatre of Dionysus from the Acropolis. White Images/Scala, Florence. 6 Demosthenes, Roman copy of an early Hellenistic portrait statue. Ny Carlsberg Glyptotek, Copenhagen, photo by Ole Haupt. 7 Aeschines, statue from Pisoni’s villa at Herculaneum, Naples, Archaeological Museum. Photo by Sailko. 8 Socrates, marble portrait bust, Vatican. Photo Scala, Florence. 9 Plato, herm, Vatican. Photo Scala, Florence. 10 Aristotle, marble portrait bust, Museo Archeologico Regionale Antonio Salinas. DeAgostini Picture Library/Scala, Florence. 11 Detail from a kylix by the Kleomelos Painter depicting a male athlete with discus, c. 510–500 b.c. Musée du Louvre, collection of Giampietro Campana di Cavelli, purchased 1861. 12 Kylix by the Tarquinia Painter depicting a symposium with female entertainers, c. 470–460 b.c. © Antikenmuseum Basel und Sammlung Ludwig/A. Voegelin. 13 Terracotta lekythos attributed to the Amasis Painter depicting women weaving, c. 550–530 b.c. The Metropolitan Museum of Art, Fletcher Fund, 1931 (31.11.10). Image © The Metropolitan Museum of Art. 14 Red-figured hydria depicting a woman reading with three attendants, c. 450 b.c. © The Trustees of the British Museum. vi ILLUSTRATIONS AND MAPS vii 15 Terracotta hydria attributed to the Class of Hamburg depicting women collecting water at a fountain house, c.
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The Staging of Suppliant Plays , Greek, Roman and Byzantine Studies, 29:3 (1988:Autumn) P.263
REHM, RUSH, The Staging of Suppliant Plays , Greek, Roman and Byzantine Studies, 29:3 (1988:Autumn) p.263 The Staging of Suppliant Plays Rush Rehm HE ORIGINAL STAGING of Greek tragedy has become an area of T increasing interest, owing in no small part to the work of Oliver Taplin. His The Stagecraft of Aeschylus, followed by Greek Tragedy in Action, legitimized-for a new generation of classicists the study of tragedy as a creation in and for the theater.l The new emphasis is welcome, but its promise has often gone unfulfilled, owing to certain misconceptions about the space in which plays were orig inally staged; these misconceptions continue to distort our under standing of the plays as they were performed in fifth-century Athens. Chief among these involves the presence and function in the theater of Dionysus of an altar or altars, of critical importance in the staging of suppliant drama.2 The currently held view-that the altar used in suppliant plays was I The following will be cited by author's name: J. T. ALLEN, The Greek Theater of the Fifth Century Before Christ (Berkeley 1920); P. ARNOTT, Greek Scenic Conven tions (Oxford 1962); D. BAIN, Actors and Audience (Oxford 1977); C. COLLARD, Euripides. Supplices (Groningen 1975); W. B. DINSMOOR, "The Athenian Theater of the Fifth Century," in Studies Presented to David M. Robinson I (St Louis 1951) 309- 30; W. DORPFELD and E. REISCH, Das griechische Theater (Athens 1896); R. C. FLICKINGER, The Greek Theater and its Drama 3 (Chicago 1926); A. F. GARVIE, Aeschylus.
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The Athenian Agora: Excavations of 1972
THE ATHENIAN AGORA: EXCAVATIONS OF 1972 (PLATES 65-76) FROMMarch to August of 1972, the American School of Classical Studies conducted its twenty-ninth campaign of excavations in the Athenian Agora.' Although the work of the past season was concentrated entirely in areas which had begun to be cleared during the previous two years, significant results were forth- coming in five separate sectors of the excavations. Our efforts brought nearly to completion the general clearing of the northern sections bordering modern Hadrian Street, and as a result the history and disposition of the monuments at the north- western and northeastern corners of the market square can now be charted in some detail. Here there remain to be carried out only a few tests and probings of the early stratified deposits in order to verify the results of recent years' work prior to publication of the area. Our principal forces were massed on the eastern front during 1972, where the excavators succeeded in carrying out the general exploration of the large block of land lying between the south end of the Stoa of Attalos and the Market of Caesar and Augustus. Excavation of this area had commenced in 1971 at its western edge along modern Brysakiou Street, but the major part of the section remained to be opened from the modern surface at the beginning of last season. The clearing of this block provided the first evidence for the topography and architecture in a pre- viously unexplored region of the ancient city. The archaeological history of Athens was further enriched by the addition of new evidence for a period which had hitherto 1 The season of 1972 was entirely financed by the grant from the Ford Foundation which has made possible the excavations of recent years; and grateful acknowledgemnentis once again made for this support.
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Athens – Greece, 8-11 October 2015
Serafim Sotiriades & Associates Law Office IAG Assembly Program & Information: Athens – Greece, 8-11 October 2015 Athens is considered one of the top destinations in the world. We will try to make this Assembly an unforgettable experience for you! The Program Thursday, 8 October 2015 Evening 19:00 Welcome drink and registration at the Electra Palace lounge-bar (lobby) Delegates and guests are welcomed in a private area at the Electra Palace with White Prosecco and the traditional Greek Ouzo drink. 20:00 Walk around Athens Ancient City Centre (15 minutes) We will fuel your appetite with a night-walk around Athens Ancient City Centre (15 minutes). During our first short walk, we will admire the narrow streets of Plaka, called “the neighbourhood of the Gods”, and Anafiotika area, that looks like a small island within Athens. 20:15 Greek Traditional Dinner at Plaka Area We will taste typical Greek dishes at the famous greek “tavernas”, all made of excellent quality fresh ingredients and flooded with the famous Greek olive oil. Tip: A taverna is a small Greek restaurant that serves traditional Greek cuisine, an integral part of Greek culture. Typical dishes are Greek salad, feta, mousakas, tzatziki, fava, ntolmadakia, etc. Special Interest Group: Starting with a Cocktail night at Plaka Area 4, Likavittou Street, 106 71 Athens – Greece Tel: +30-210 3388822, Fax: +30-210 3388813, e-mail: [email protected] Serafim Sotiriades & Associates Law Office Friday, 9 October 2015 Morning Business Session for delegates only. Includes lunch. The business session will take place in Electra Palace Ballroom. The detailed program to be announced.
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