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The Conditions of Dramatic Production to the Death of Aeschylus Hammond, N G L Greek, Roman and Byzantine Studies; Winter 1972; 13, 4; Proquest Pg
The Conditions of Dramatic Production to the Death of Aeschylus Hammond, N G L Greek, Roman and Byzantine Studies; Winter 1972; 13, 4; ProQuest pg. 387 The Conditions of Dramatic Production to the Death of Aeschylus N. G. L. Hammond TUDENTS of ancient history sometimes fall into the error of read Sing their history backwards. They assume that the features of a fully developed institution were already there in its earliest form. Something similar seems to have happened recently in the study of the early Attic theatre. Thus T. B. L. Webster introduces his excellent list of monuments illustrating tragedy and satyr-play with the following sentences: "Nothing, except the remains of the old Dionysos temple, helps us to envisage the earliest tragic background. The references to the plays of Aeschylus are to the lines of the Loeb edition. I am most grateful to G. S. Kirk, H. D. F. Kitto, D. W. Lucas, F. H. Sandbach, B. A. Sparkes and Homer Thompson for their criticisms, which have contributed greatly to the final form of this article. The students of the Classical Society at Bristol produce a Greek play each year, and on one occasion they combined with the boys of Bristol Grammar School and the Cathedral School to produce Aeschylus' Oresteia; they have made me think about the problems of staging. The following abbreviations are used: AAG: The Athenian Agora, a Guide to the Excavation and Museum! (Athens 1962). ARNon, Conventions: P. D. Arnott, Greek Scenic Conventions in the Fifth Century B.C. (Oxford 1962). BIEBER, History: M. Bieber, The History of the Greek and Roman Theatre2 (Princeton 1961). -
Department Town Address Postcode Telephone Etoloakarnania Agrinio
Department Town Address Postcode Telephone Etoloakarnania Agrinio 1, Eirinis square, Dimitrakaki street 301 00 2641046346 Etoloakarnania Mesologgi 45, Charilaou Trikoupi street 302 00 2631022487 Etoloakarnania Nafpaktos 1, Athinon street 303 00 2634038210 Etoloakarnania Amfilohia Vasileos Karapanou street 305 00 2642023302 Argolida Argos 12, Danaou street 212 00 2751069042 Argolida Nafplio 35, Argous street 211 00 2752096478 Argolida Porto Heli Porto Heli Argolidas 210 61 2754052102 Arkardia Megalopoli 15, Kolokotroni street 222 00 2791021131 Arkardia Tripoli 48, Ethinikis Antistaseos street 221 00 2710243770 Arta Arta 129, Skoufa street 471 00 2681077020 Attica Athens 316, Acharnon street & 26 Atlantos street 112 52 2102930333 Attica Agios Dimitrios 54, Agiou Dimitriou street 173 41 2109753953 Attica Agios Dimitrios 276, Vouliagmenis avenue 173 43 2109818908 Attica Agios Dimitrios 9 - 11, Agiou Dimitriou street 173 43 2109764322 Attica Agia Paraskevi 429, Mesogeion avenue 153 43 2106006242 Attica Athens - Piraeus 153, Piraeus Avenue 118 53 2104815333 Attica Athens - Aristeidou 1, Aristeidou street 105 59 2103227778 Attica Athens 79, Alexandras avenue 114 74 2106426650 Attica Athens - Plateia Viktorias 2, Victoria square 104 34 2108220800 Attica Athens - Stadiou 7, Stadiou street 105 62 2103316892 Attica Egaleo 266, Iera Odos street 122 42 2105316671 126, Vasilissis Sofias street & 2, Feidippidou Attica Abelokipoi street 115 27 2106461200 Attica Amfiali 32, Pavlou Fissa street 187 57 2104324300 Attica Palaio Faliro 82, Amfitheas avenue -
Greek Inspiration
ΤΕΎΧΟΣ 23 – ΧΕΙΜΩΝΑΣ 2018/19 ● ISSUE 23 – WINTER 2018/19 GREEK INSPIRATION WELCOME γαπητοί επισκέπτες, ear Guests, Είναι ιδιαίτερη χαρά και τιμή μας να σας καλωσορί- It is a special joy and honor to welcome you to the A ζουμε στα ξενοδοχεία του Ομίλου Εlectra Hotels & D hotels of the Electra Hotels & Resorts Group. With Resorts. Κοντά μας θα απολαύσετε την πολυτέλεια, την άνεση us, you will experience luxury, comfort and genuine Greek και τη γνήσια ελληνική φιλοξενία, προσαρμοσμένη στις απαι- hospitality adapted to the needs of 21st-century travelers. You τήσεις των ταξιδιωτών του 21ου αιώνα. Θα νιώσετε μέλος μιας will feel, I hope, like a member of a large family, one that has μεγάλης οικογένειας, που μεγαλώνει χρόνο με τον χρόνο από been growing, year on year, since 1965, when we opened our το 1965, όταν άνοιξε το πρώτο ξενοδοχείο μας. Από τότε, έχουμε first hotel. Since then, we have welcomed more than seven φιλοξενήσει πάνω από επτά εκατομμύρια επισκέπτες από την million guests from Greece and around the world. Ελλάδα και όλο τον κόσμο. Whether your stay is for business or leisure, our hotels in Είτε ταξιδεύετε για εργασία είτε για αναψυχή, στα ξενο- Athens, Thessaloniki and Rhodes will make you feel at home. δοχεία μας στην Αθήνα, στη Θεσσαλονίκη και στη Ρόδο θα Our philosophy is to provide high-quality services to meet the νιώσετε σαν στο σπίτι σας. Φιλοσοφία μας είναι να παρέχου- desires and wishes of each and every one of you individually. με υπηρεσίες υψηλών προδιαγραφών, ανταποκρινόμενοι στις For our staff, the soul of the Electra Group, it is both a ανάγκες και στις επιθυμίες καθενός από εσάς ξεχωριστά. -
Storytelling and Community: Beyond the Origins of the Ancient
STORYTELLING AND COMMUNITY: BEYOND THE ORIGINS OF THE ANCIENT THEATRE, GREEK AND ROMAN by Sarah Kellis Jennings Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of Theatre Texas Christian University Fort Worth, Texas May 3, 2013 ii STORYTELLING AND COMMUNITY: BEYOND THE ORIGINS OF THE ANCIENT THEATRE, GREEK AND ROMAN Project Approved: T.J. Walsh, Ph.D. Department of Theatre (Supervising Professor) Harry Parker, Ph.D. Department of Theatre Kindra Santamaria, Ph.D. Department of Modern Language Studies iii TABLE OF CONTENTS ACKNOWLEDGEMENTS ................................................................................................iv INTRODUCTION ...............................................................................................................1 GREEK THEATRE .............................................................................................................1 The Dithyramb ................................................................................................................2 Grecian Tragedy .............................................................................................................4 The Greek Actor ............................................................................................................. 8 The Satyr Play ................................................................................................................9 The Greek Theatre Structure and Technical Flourishes ...............................................10 Grecian -
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T able of Contents Welcome Address ................................................................................4 Committees ............................................................................................5 10 reasons why you should meet in Athens....................................6 General Information ............................................................................7 Registration............................................................................................11 Abstract Submission ............................................................................12 Social Functions....................................................................................13 Preliminary Scientific Program - Session Topics ..........................14 Preliminary List of Faculty..................................................................15 Hotel Accommodation..........................................................................17 Hotels Description ................................................................................18 Optional Tours........................................................................................21 Pre & Post Congress Tours ................................................................24 Important Dates & Deadlines ............................................................26 3 W elcome Address Dear Colleagues, You are cordially invited to attend the 28th Politzer Society Meeting in Athens. This meeting promises to be one of the world’s largest gatherings of Otologists. -
With Samos & Kuşadası
GREECE with Samos & Kuşadası Tour Hosts: Prof. Douglas Henry & MAY 27 - JUNE 23, 2018 Prof. Scott Moore organized by Baylor University in GREECE with Samos & Kuşadası / MAY 27 - JUNE 23, 2018 Corinth June 1 Fri Athens - Eleusis - Corinth Canal - Corinth - Nafplion (B,D) June 2 Sat Nafplion - Mycenaean Palace and the Tomb of King Agamemnon - Epidaurus - Nafplion (B, D) June 3 Sun Nafplion -Church of Agia Fotini in Mantinea- Tripolisand Megalopolis-Mystras-Kalamata (B,D) BAYLOR IN GREECE June 4 Mon Kalamata - Drive by Methoni or Koroni to see the Venetian fortresses - Nestor’s Palace in Pylos (B,D) Program Directors: Douglas Henry and Scott Moore June 5 Tue Pylos - Tours in the surrounding area - more details will follow by Nick! (B,D) MAY 27 - JUNE 23, 2018 June 6 Wed Pylos - Gortynia - Dimitsana - Olympia (B, D) June 7 Thu Olympia - Temple of Zeus, the Temple of Hera, Museum - Free afternoon. Overnight Olympia (B,D) Acropolis, Athens June 8 Fri Olympia - Morning drive to the modern city of Corinth. Overnight Corinth. (B,D) June 9 Sat Depart Corinth for Athens airport. Fly to Samos. Transfer to hotel. Free afternoon, overnight in Samos (B,D) June 10 Sun Tour of Samos; Eupalinos Tunnel, Samos Archaeological Museum, walk in Vathi port. (B,D) June 11 Mon Day trip by ferry to Patmos. Visit the Cave of Revelation and the Basilica of John. Return Samos. (B,D) June 12 Tue Depart Samos by ferry to Kusadasi. Visit Miletus- Prienne-Didyma, overnight in Kusadasi (B,D) Tour Itinerary: May 27 Sun Depart USA - Fly Athens May 28 Mon Arrive Athens Airport - Private transfer to Hotel. -
The Form of the Orchestra in the Early Greek Theater
THE FORM OF THE ORCHESTRA IN THE EARLY GREEK THEATER (PLATE 89) T HE "orchestra" was essentially a dancing place as the name implies.' The word is generally used of the space between the seats and the scene-building in the ancient theater. In a few theaters of a developed, monumental type, such as at Epidauros (built no earlier than 300 B.C.), the orchestra is defined by a white marble curb which forms a complete circle.2 It is from this beautiful theater, known since 1881, and from the idea of a chorus dancing in a circle around an altar, that the notion of the orchestra as a circular dancing place grew.3 It is not surprising then that W. D6rpfeld expected to find an original orchestra circle when he conducted excavations in the theater of Dionysos at Athens in 1886. The remains on which he based his conclusions were published ten years later in his great work on the Greek theater, which included plans and descriptions of eleven other theaters. On the plan of every theater an orchestra circle is restored, although only at Epidauros does it actually exist. The last ninety years have produced a long bibliography about the form of the theater of Dionysos in its various periods and about the dates of those periods, and much work has been done in the field to uncover other theaters.4 But in all the exam- 1 opXeaat, to dance. Nouns ending in -arrpa signify a place in which some specific activity takes place. See C. D. Buck and W. -
Classics in Greece J-Term Flyer
WANG CENTER WANG Ancient Greece is often held in reverential awe, and Excursions around Greece to places including: praised for its iconic values, contributions, • Epidaurus: a famous center of healing in antiquity and site and innovations. However, much of what has been of one of the best preserved Greek theaters in the world considered iconic is, in fact, the product of a • Piraeus, Cape Sounion, and the Battle site of Marathon western classical tradition that re-imagines and re- • Eleusis, Corinth, Acrocorinth, and Corinth Canal fashions its ancient past to meet its present • Nauplion, a charming seaside city and the first capital of AWAY STUDY J-TERM needs. In this course, you will explore the romance modern Greece – and the realities – of ancient Greece in Greece. • Mycene and Tiryns, the legendary homes of Agamemnon and the hero Herakles Explore Athens, the birthplace of democracy, and • Ancient Olympia: where the original Olympics were the ruins of Mycenae, from which the Trojan War celebrated. was launched. Examine the evidence for yourself • The mountain monastery, and UNESCO World Heritage in Greece’s many museums and archeological site, of Hosios Loukas. sites. Learn how the western classical heritage has • Delphi: the oracle of the ancient world. reinvented itself over time, and re-envision what • Daytrip to Hydra island (optional). this tradition may yet have to say that is relevant, fresh, and contemporary. Highlights include exploring Athens, its environments, and the Peloponnesus with expert faculty. Scheduled site visits include: • Acropolis and Parthenon • Pnyx, Athenian Agora, and Library of Hadrian • Temples of Olympian Zeus, Hephaistus, and Asclepius • Theaters of Dionysus and Odeon of Herodes Atticus • Plaka and Monastiraki flea market • Lycebettus Hill, and the neighborhoods of Athens • National Archeological, New Acropolis, and Benaki museums “Eternal Summer Gilds Them Yet”: The Literature, Legend, and Legacy of Ancient Greece GREECE Educating to achieve a just, healthy, sustainable and peaceful world, both locally and globally. -
The Acropolis Museum: Contextual Contradictions, Conceptual Complexities by Ersi Filippopoulou
The Acropolis Museum: Contextual Contradictions, Conceptual Complexities by Ersi Filippopoulou 20 | MUSEUM international rsi Filippopoulou is an architect and a jurist, specialised in archaeological museums planning and programming. She served as Director Eof Museum Studies in the Greek Ministry of Culture, and was also responsible for the new Acropolis museum project over 18 years. She worked as Director of the Greek Managing Authority for the European Union, co-financed cultural projects for six years. She served as an adjunct faculty member at the Departments of Architecture of the Universities of Thessaloniki and Patras, Greece. She was elected chairperson of the ICOM International Committee for Architecture and Museum Techniques (ICAMT) twice on a three-year mandate. Since 2012, she has been working as an advisor on heritage issues to the Peloponnese Regional Governor. She recently published a book entitled Τo neo Mouseio tis Acropolis—dia Pyros kai Sidirou, which retraces the new Acropolis Museum’s tumultuous history from its inception to its inauguration (Papasotiriou Publishers 2011). Her current research project is a comparative approach to the Greek archaeological museum paradigm. MUSEUM international | 21 he visitor to the new Acropolis Museum in Athens, climbing to the up- per floor and passing through the exhibition gallery door to an all-glass space flooded with natural light, is suddenly awestruck by the breathtak- ing view of the Parthenon rising up above the surrounding city (Fig. 1). Enjoying the holistic experience inspired by the natural and cultural landscape, the viewer is unaware of past controversies about the mu- seum’s location, and is certain that is the right place to be for anyone wishing to admire the ancient monument together with its architectur- al sculptures. -
NEW EOT-English:Layout 1
TOUR OF ATHENS, stage 10 FROM OMONIA SQUARE TO KYPSELI Tour of Athens, Stage 10: Papadiamantis Square), former- umental staircases lead to the 107. Bell-shaped FROM MONIA QUARE ly a garden city (with villas, Ionian style four-column propy- idol with O S two-storey blocks of flats, laea of the ground floor, a copy movable legs TO K YPSELI densely vegetated) devel- of the northern hall of the from Thebes, oped in the 1920’s - the Erechteion ( page 13). Boeotia (early 7th century suburban style has been B.C.), a model preserved notwithstanding 1.2 ¢ “Acropol Palace” of the mascot of subsequent development. Hotel (1925-1926) the Athens 2004 Olympic Games A five-story building (In the photo designed by the archi- THE SIGHTS: an exact copy tect I. Mayiasis, the of the idol. You may purchase 1.1 ¢Polytechnic Acropol Palace is a dis- tinctive example of one at the shops School (National Athens Art Nouveau ar- of the Metsovio Polytechnic) Archaeological chitecture. Designed by the ar- Resources Fund – T.A.P.). chitect L. Kaftan - 1.3 tzoglou, the ¢Tositsa Str Polytechnic was built A wide pedestrian zone, from 1861-1876. It is an flanked by the National archetype of the urban tra- Metsovio Polytechnic dition of Athens. It compris- and the garden of the 72 es of a central building and T- National Archaeological 73 shaped wings facing Patision Museum, with a row of trees in Str. It has two floors and the the middle, Tositsa Str is a development, entrance is elevated. Two mon- place to relax and stroll. -
May 2019 Dear Guests, This Is a Small List of Recommendations and Useful Information for You
www.svacropolis.com Last update: May 2019 Dear Guests, This is a small list of recommendations and useful information for you. It is by no means an exhaustive list as there are too many places to eat, drink and sight-see than we could possibly put down. Rather, this is a list of places that we enjoy and that our guests seem to like. We find that our guests like to discover things themselves. After all, is that not a great part of the joy of traveling? To discover new experiences and places. Just click on the underlined letters (link) to see information concerning whatever you are reading. We wish you a wonderful stay, and we hope you love Athens! Lucy & Andreas ACROPOLIS & OTHER SITES https://etickets.tap.gr/: The official site to purchase tickets online for the Acropolis and slopes, The Temple of Olympian Zeus, Kerameikos, Ancient Agora, Roman Agora, Adrians Library and Aristotle's School. Once you access the site in the left-hand corner there are the letters EΛ|EN; click on the EN for English. MUSEUMS THE ACROPOLIS MUSEUM, Dionysiou Areopagitou 15, Athens 117 42 Summer season hours (1/4 – 31/10) Winter season hours (1/11 – 31/3) Monday 8:00 - 16:00 Monday – Thursday 9:00 - 17:00 Tuesday – Sunday 8:00 – 20:00 Friday 9:00 - 22:00 Friday 8:00 a.m. – 22:00 Saturday – Sunday 9:00 a.m. – 20:00 last admission 30 minutes before closing time Closed: 1 January, Greek Orthodox Easter Sunday, 1 May, 25 and 26 December Good Friday: opens 12:00 to 18:00, Easter Saturday: opens 8:00 to 15:00 On August Full Moon and European Night of Museums, the Museum operates until midnight. -
Athens, Greece
NOVEMBER 2014 | PRICE €400 IN FOCUS: ATHENS, GREECE Pavlos Papadimitriou, MBA Senior Associate Panagiotis Verykios Analyst www.hvs.com HVS ATHENS | 17 Posidonos Ave. 5th Floor, 17455 Alimos, Athens, GREECE This market snapshot is part of a series of articles that HVS occasionally produces on key tourism destinations across Greece. In writing these articles, we utilise the expertise of HVS for each market to the full extent combining our in- house data and research together with published information regarding each of the examined destinations. Highlights • Since 2009 the negative publicity stemming from the rumours regarding the economic situation of Greece led to socio- political and economic turbulence which generated significant fluctuations in tourist arrivals during the period of 2009- 12. Due to the double elections held in May and June of that year, 2012 was rather ‘slow’ for Greek tourism. Tourism statistics for Athens over the period 2009-11 were also volatile, contrary to resort destinations which have followed a rather stable or upward path in the last few years. Moreover, approximately 80 hotels closed down in the same period, the vast majority of them classified as three-star and lower; • During 2008-12, revenue per available room (RevPAR) for all hotels in Athens decreased by a remarkable 35.9% as a result of the economic crisis that affected the city. For the same period, RevPAR for five-star hotels decreased by 30.5% and for four-star hotels by 36.4%; • According to one of the most recent reports of the International Monetary Fund (IMF), Greece has unquestionably made significant strides in overcoming deep-rooted problems, with the three most noteworthy achievements standing out being the progress on fiscal adjustment, the narrowing of the competitiveness gap, and the stabilisation of the banking sector; • In 2013, 17.9 million international tourists visited Greece, spending €12.0 billion, up from €10.4 billion in 2012.