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United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
Sophocles' Elektra
DATE: August 12, 2010 FOR IMMEDIATE RELEASE ABOUT THE COMPANY Sophocles' Elektra Thursdays, Fridays, Saturdays, September 9—October 2, 2010 Carey Perloff (Director) Carey Perloff is celebrating her nineteenth season as artistic director of Tony Award-winning American Conservatory Theater (A.C.T.) in San Francisco, where she is known for directing innovative productions of classics, championing new writing for the theater, and creating international collaborations with such artists as Robert Wilson and Tom Stoppard. Before joining A.C.T., Perloff was artistic director of Classic Stage Company (CSC) in New York. She is a recipient of France’s Chevalier de l’Ordre des Arts et des Lettres and the National Corporate Theatre Fund’s 2007 Artistic Achievement Award. Perloff received a B.A. Phi Beta Kappa in classics and comparative literature from Stanford University and was a Fulbright fellow at the University of Oxford. She has taught at the Tisch School of the Arts at New York University and in the Master of Fine Arts Program in Acting at A.C.T., in addition to authoring numerous plays. This is Perloff’s second encounter with Sophocles’ Elektra, having directed the world premiere of Ezra Pound’s version of the play at CSC in 1988. Timberlake Wertenbaker (Translator/Adaptor) Timberlake Wertenbaker is an acclaimed playwright who grew up in the Basque Country in southwest France. Plays include The Grace of Mary Traverse (Royal Court Theatre); Our Country's Good (Royal Court Theatre and Broadway), which won the Laurence Olivier Play of the Year -
MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MACBETH by WILLIAM SHAKESPEARE
MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MACBETH BY WILLIAM SHAKESPEARE WITH BARZIN AKHAVAN, RAFFI BARSOUMIAN, NADIA BOWERS, N’JAMEH CAMARA, ERIK LOCHTEFELD, MARY BETH PEIL, COREY STOLL, BARBARA WALSH, ANTONIO MICHAEL WOODARD COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ANN HOULD-WARD SOLOMON WEISBARD MATT STINE FIGHT DIRECTOR PROPS SUPERVISOR THOMAS SCHALL ALEXANDER WYLIE ASSOCIATE ASSOCIATE ASSOCIATE SCENIC DESIGN COSTUME DESIGN SOUND DESIGN DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI PRESS PRODUCTION CASTING REPRESENTATIVES STAGE MANAGER TELSEY + COMPANY BLAKE ZIDELL AND BERNITA ROBINSON KARYN CASL, CSA ASSOCIATES ASSISTANT DESTINY LILLY STAGE MANAGER JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE MACBETH (in alphabetical order) Macduff, Captain ............................................................................ BARZIN AKHAVAN Malcolm ......................................................................................... RAFFI BARSOUMIAN Lady Macbeth ....................................................................................... NADIA BOWERS Lady Macduff, Gentlewoman ................................................... N’JAMEH CAMARA Banquo, Old Siward ......................................................................ERIK LOCHTEFELD Duncan, Old Woman .........................................................................MARY BETH PEIL Macbeth..................................................................................................... -
A Sourcebook on Feminist Theatre and Performance: on and Beyond the Stage/Edited by Carol Martin; with an Introduction by Jill Dolan
A SOURCEBOOK OF FEMINIST THEATRE AND PERFORMANCE A Sourcebook of Feminist Theatre and Performance brings together key articles first published in The Drama Review (TDR), to provide an intriguing overview of the development of feminist theatre and performance. Divided into the categories of “history,” “theory,” “interviews,” and “texts,” the materials in this collection allow the reader to consider the developments of feminist theatre through a variety of perspectives. This book contains the seminal texts of theorists such as Elin Diamond, Peggy Phelan, and Lynda Hart, interviews with performance artists including Anna Deveare Smith and Robbie McCauley, and the full performance texts of Holly Hughes’ Dress Suits to Hire and Karen Finley’s The Constant State of Desire. The outstanding diversity of this collection makes for an invaluable sourcebook. A Sourcebook of Feminist Theatre and Performance will be read by students and practitioners of theatre and performance, as well as those interested in the performance of sexualities and genders. Carol Martin is Assistant Professor of Drama at Tisch School of the Arts, New York University. WORLDS OF PERFORMANCE What is a “performance”? Where does it take place? Who are the participants? Not so long ago these were settled questions, but today such orthodox answers are unsatisfactory, misleading, and limiting. “Performance” as a theoretical category and as a practice has expanded explosively. It now comprises a panoply of genres ranging from play, to popular entertainments, to theatre, dance, and music, to secular and religious rituals, to “performance in everyday life,” to intercultural experiments, and more. For nearly forty years, The Drama Review (TDR), the journal of performance studies, has been at the cutting edge of exploring these questions. -
The Resistible Rise of Arturo Ui
Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents THE RESISTIBLE RISE OF ARTURO UI BY BERTOLT BRECHT TRANSLATED BY GEORGE TABORI with GEORGE ABUD, EDDIE COOPER, ELIZABETH A. DAVIS, RAÚL ESPARZA, CHRISTOPHER GURR, OMOZÉ IDEHENRE, MAHIRA KAKKAR, THOM SESMA Costume Design Lighting Design Sound Design ANN HOULD-WARD JANE COX MATT STINE TESS JAMES Associate Scenic Design Associate Costume Design Associate Sound Design DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI Casting Press Representative Production Stage Manager TELSEY + COMPANY BLAKE ZIDELL AND ASSOCIATES BERNITA ROBINSON ADAM CALDWELL, CSA WILLIAM CANTLER, CSA Assistant Stage Manager KARYN CASL, CSA JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE Cast in alphabetical order Clark / Ragg.............................................................................GEORGE ABUD Roma..........................................................................................EDDIE COOPER Giri......................................................................................ELIZABETH A. DAVIS Arturo Ui....................................................................................RAÚL ESPARZA Dogsborough / Dullfeet..........................................CHRISTOPHER GURR O’Casey / Betty Dullfeet.............................................OMOZÉ IDEHENRE Flake / Dockdaisy...............................................................MAHIRA KAKKAR Givola............................................................................................THOM -
Name Website Address Email Telephone 11R Www
A B C D E F 1 Name Website Address Email Telephone 2 11R www.11rgallery.com 195 Chrystie Street, New York, NY 10002 [email protected] 212 982 1930 Gallery 14th St. Y https://www.14streety.org/ 344 East 14th St, New York, NY 10003 [email protected] 212-780-0800 Community 3 4 A Gathering of the Tribes tribes.org 745 East 6th St Apt.1A, New York, NY 10009 [email protected] 212-777-2038 Cultural 5 ABC No Rio abcnorio.org 156 Rivington Street , New York, NY 10002 [email protected] 212-254-3697 Cultural 6 Abrons Arts Center abronsartscenter.org 456 Grand Street 10002 [email protected] 212-598-0400 Cultural 7 Allied Productions http://alliedproductions.org/ PO Box 20260, New York, NY 10009 [email protected] 212-529-8815 Cultural Alpha Omega Theatrical Dance Company, http://alphaomegadance.org/ 70 East 4th Street, New York, NY 10003 [email protected] Cultural 8 Inc. 9 Amerinda Inc. (American Indian Artists) amerinda.org 288 E. 10th Street New York, NY 10009 [email protected] 212-598-0968 Cultural 10 Anastasia Photo anastasia-photo.com 166 Orchard Street 10002(@ Stanton) [email protected] 212-677-9725 Gallery 11 Angel Orensanz Foundation orensanz.org 172 Norfolk Street, NY, NY 10002 [email protected] 212-529-7194 Cultural 12 Anthology Film Archives anthologyfilmarchives.org 32 2nd Avenue, NY, NY 10003 [email protected] 212-505-5181 Cultural 13 ART Loisaida / Caroline Ratcliffe http://www.artistasdeloisiada.org 608 East 9th St. #15, NYC 10009 [email protected] 212-674-4057 Cultural 14 ARTIFACT http://artifactnyc.net/ 84 Orchard Street [email protected] Gallery 15 Artist Alliance Inc. -
2014 Playbill Venues
VENUES SERVED BY PLAYBILL 2014 NEW YORK NEW YORK WESTERN Broadway Theatres: Off-Broadway Theatres: Los Angeles: Ambassador Astor Place Pantages Theatre American Airlines Atlantic Theatre Company Atkinson Cherry Lane San Diego: Barrymore Classic Stage Company Playgoers Series: Civic Belasco Joyce Theater Beaumont Little Shubert Booth Lortel San Francisco: Broadhurst Manhattan Theatre Club Cal Performances Broadway (City Center, Stage 1 The San Francisco Circle in the Square and 2) Symphony Cort Minetta Lane Foxwood Newhouse Theatre Friedman New World Stages (1-5) Gershwin New York Theatre Workshop SOUTH CENTRAL Golden Orpheum Dallas: Hayes Playwrights Horizons Dallas Opera Hirschfeld Primary Stages (Mainstage) Dallas Broadway Series: Imperial Public Theatre (Anspacher, Music Hall Jacobs Delacorte, LuEsther, Dallas Summer Musicals: Kerr Martinson, Newman) Fair Park at Music Hall Longacre Roundabout-Laura Pels Majestic Theatre Lunt-Fontanne Second Stage Theatre Lyceum Signature Theatre Company Houston: Majestic Snapple Theater Center Alley Theatre Marquis (Orbach) Houston Ballet: Wortham Miller Theatre for a New Audience Center Minskoff Westside Houston Broadway Series: Music Box (Downstairs/Upstairs) Hobby Center for the Nederlander Performing Arts New Amsterdam Carnegie Hall / City Center: Theatre Under The Stars O’Neill Stern Auditorium Palace Weill Recital Hall San Antonio: Rodgers Zankel Hall Broadway Series: Majestic Schoenfeld Theatre Shubert Lincoln Center: Simon Alice Tully Hall Sondheim Avery Fisher Hall St. James David H. Koch Theater Studio 54 Metropolitan Opera House Wilson Winter Garden Time Warner Building: Allen Room Rose Theater 525 Seventh Ave., Suite 1801 NY, NY 10018 (212) 557-5757 • Email: [email protected] Playbill is a registered trademark of Playbill Incorporated, N.Y.C. -
Kurt Weill Newsletter SPRING 2019
VOLUME 37 NUMBER 1 Kurt Weill Newsletter SPRING 2019 Raves for Lady in the Dark at New York City Center New Lives for Deadly Sins Unveiling a New Orchestration IN THIS ISSUE VOLUME 37 Kurt Weill Newsletter NUMBER 1 EDITOR’S NOTE 2 German Publisher for Love Life SPRING 2019 As so often, this spring finds us looking both backward and for- tions to date to offer perspective and context for all those newly 3 Editor’s Note ward to striking developments in the Weill universe. Behind us intrigued by the work. Down in the Valley Re-Issue lies the MasterVoices production of Lady in the Dark, which Marc Blitzstein’s universe expanded this past season as well, © 2019 Kurt Weill Foundation for Music ISSN 0899-6407 Vive les Livres! proved to be everything Weill fans had been hoping for, greet- with the world premiere of the complete score of his ballet Cain. 7 East 20th Street tel (212) 505-5240 Rise of the City of Mahagonny ed by a rapturous press and prolonged ovations at each perfor- Our news section offers a brief account, along with a cornuco- New York, NY 10003-1106 fax (212) 353-9663 mance. Meanwhile, a new epoch in the history of one of Weill's pia of other stories, not least the results of the latest Lotte Lenya FEATURES [email protected] [email protected] best-known works, Die sieben Todsünden, begins on 21 Septem- Competition. We must also shoulder the sad duty of memorializ- ing three great artists who intersected with Weill, Len ya, or Blitz- 4 Raves for Lady ber at Beethovenfest Bonn, the world premiere of a new version Published twice a year, the Kurt Weill Newsletter features articles and reviews for an orchestra of fifteen musicians. -
Theatre Facts 2006
THEATRE FACTS 2006 INSIDE THIS ARTICLE A Report on Practices and Performance in the American Not-for-profit Theatre Based on the Annual TCG Fiscal Survey ♦ Theatres contributed over $1.67 billion to the economy in the form of salaries, benefits and payments for goods and By Zannie Giraud Voss and Glenn B. Voss, with Christopher Shuff and Ilana B. Rose services (p. 2). Theatre Facts uses responses to the annual TCG Fiscal Survey to offer an analysis of ♦ A majority of theatres have operated in the field’s attendance, performance and fiscal health. Theatre Facts 2006 compiles the black since 2004, and more theatres information for the fiscal year that theatres completed during the period between had positive CUNA in 2006 than in September 30, 2005, and August 31, 2006. Last year’s Theatre Facts 2005 any of the past 5 years (pp. 3-4, highlighted sustained improvement in the industry’s fiscal health, while this year’s Figures 1 and 2). report reveals slight declines in some key areas. Despite ongoing challenges, theatres ♦ Total ticket income grew 6% over the continue to make tremendous contributions to the nation’s artistic legacy, to their past 5 years, but it was not enough to communities and to the economy. keep pace with inflation. In contrast, total earned income growth exceeded The report is organized into three sections that offer different perspectives. The expense growth, with earned income Universe section provides a broad overview of the 1,893 not-for-profit professional rising 8% in the past year alone and theatres that filed Internal Revenue Service (IRS) Form 990 in 2006. -
Download Program
THE FLEA THEATER NIEGEL SMITH ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF THE PLACE WE BUILT WRITTEN BY SARAH GANCHER DIRECTED BY DANYA TAYMOR FEATURING THE BATS BRITTANY K. ALLEN, LYDIAN BLOSSOM, TOM COSTELLO, BRENDAN DALTON, TAMARA DEL ROSSO, PHILIP FELDMAN, KRISTIN FRIEDLANDER, CLEO GRAY, RACHEL INGRAM, BEN LORENZ, ASH MCNAIR, SONIA MENA, ISABELLE PIERRE, XAVIER REMINICK, LETA RENÉE-ALAN, TESSA HOPE SLOVIS THE BENGSONS ARRANGEMENTS/MUSIC CONSULTANTS ARNULFO MALDONADO & FELI LAMEncA SCENIC DESIGN MASHA TSIMRING LIGHTING DESIGN CLAUDIA BROWN COSTUME DESIGN BEN TRUPPIN-BROWN SOUND DESIGN MARTE JOHAnnE EKHOUGEN PUPPET DESIGN ZACH SERAFIN PROPS MASTER ALEX J. GOULD FIGHT CHOREOGRAPHY JOCELYN CLARKE DRAMATURG CHARISE GREENE VOICE/DIALECT COACH BECKY HEISLER ASSOCIATE LIGHTING DESIGN IzzY FIELds COSTUME ASSISTANT JAKE BECKHARD ASSISTANT DIRECTOR TZIPORA REMAN STAGE MANAGER KAILA HILL ASSISTANT STAGE MANAGER BRADLEY MEAD/WIIDE GRAPHIC DESIGNER RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE CAST Aniko ..........................................................................Leta Renée-Alan Julia ......................................................................................Cleo Gray Kata ....................................................................... Kristin Friedlander Szuszanna ................................................................... Lydian Blossom Aisha ............................................................................ Isabelle Pierre Ilona .........................................................................Tamara -
Beckett on Film (2001) Artists for the Extraordinary Interviews That They Gave to Me, Some of Whom Are Quoted Here
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Balaam, Annette C Title: Samuel Beckett in Virtual Reality General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Samuel Beckett in Virtual Reality. ANNETTE CAROLINE BALAAM. A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of PhD in the Faculty of Arts, Graduate School of Arts and Humanities, October 2019. -
Meeting Minutes of Each Meeting of the National Council on the Arts (NEA), 2015-2019
Description of document: Meeting Minutes of each meeting of the National Council on the Arts (NEA), 2015-2019 Requested date: 27-October-2019 Release date: 25-November-2019 Posted date: 23-December-2019 Source of document: FOIA Requests Office of General Counsel National Endowment for the Arts 400 7th Street, SW Washington, DC 20506 Fax: 202/682-5572 Email: [email protected] The governmentattic.org web site (“the site”) is a First Amendment free speech web site, and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. From: FOIA <[email protected]> Sent: Mon, Nov 25, 2019 4:07 pm Subject: RESPONSE : New FOIA request received for National Endowment for the Arts This e-mail responds to your request for records under the Freedom of Information Act (FOIA), 5 U.S.C.