DOCSLIB.ORG

Past Village Award Winners 1991-2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Past Village Award Winners 1991-2020 Past Village Award Winners 1991-2020 13th Street Repertory Company Barry Benepe Chez Brigitte (1997) 121 Charles Street Restoration Albert Bennett The Children’s Aid Society 171-173 MacDougal Street Facade Be Seated Christopher Park Alliance Restoration Bill Bowser Church of St. Luke’s-in-the-Fields 201 East 12th Street Renovation Biography Bookshop Church of the Ascension 34 Commerce Street Restoration The Bitter End Church of the Ascension Nave 6th Street and Avenue B Garden Bleecker Street Sitting Area Renovation Restoration 749 Washington Street Restoration Block Drug Store Cinema Village 81 Barrow Street Restoration Bonnie Slotnick Cookbooks Classic Stage Company 859-877 Washington Street Restoration Bowery Alliance of Neighbors Bowery Frank Collerius AIDS Memorial Theaters The Comedy Cellar Abingdon Square Park Restoration Bowne & Co., Inc. George Cominskie Alexander S. Onassis Center The Brant Foundation and Gluckman Cooper Union Public Programs Anglers & Writers Café Tang Architects Cornelia Street Restaurants Annisa Broadway Windows Corner Bistro Antholgy Film Archives Angelo Bruno Keith Crandell Aphrodisia Herb Shoppe C.O. Bigelow Pharmacy Merce Cunningham Marilyn Appleberg Café Loup Dinosaur Hill Arturo’s Resturant The Caring Community Doris Diether Mrs. Brooke Astor and the Vincent Caffe Reggio Kathy Donaldson Astor Foundation Steve Cannon Fedora Dorato Avignone Chemists Casa Italiana Zerilli-Marimo Dr. Rick's Village Flute and Sax Shop B & H Dairy Carmine Street Guitars State Senator Tom Duane Bagel Restaurant Lucy Cecere East Village Meat Market Bayard Condict Building Restoration Charles Lane Streetscape Charterhouse Edgar M. Bronfman Center for Bea Arthur Residence Antiques Jewish Student Life Bedford Barrow Commerce Block Cherry Lane Theatre Paul Egita Association Chess Forum El Faro Restaurant Past Village Award Winners 1991-2020 Elephant & Castle Grey Dog's Coffee LGBT Community Services Center Estate of Fred W. McDarrah Gus's Place Lewis L. & Loretta Brendan Leroy Ellis Uta Hagen and HB Studios Glucksman Ireland House Faicco's Pork Store The High Line LiLac Chocolates Father Demo Square Bob Holman Little Red School House/Elisabeth Film Forum Hudson Rv. Pedestrian & Bike Path Irwin High School First Presbyterian Church Restoration Hudson Triangle Garden Liz Christy Community Garden Lower Florence Prime Meat Market Idlewild Books East Side History Project Foods of New York Tours Industria Superstudio "Mad About You" Fourth Arts Block Jackson Square Park Marquet Patisserie Friends of the High Line Jaffe Art Theater Interior Matt Umanov Guitars Front Stoop Award: 19 W. 10th Street Restoration Jane Street Garden McNulty’s Tea & Coffee Co. Front Stoop Award: 24 W. 10th Street Jefferson Market Garden City Council Member Rosie Mendez Front Stoop Award: 25 W. 10th Street Jefferson Market Library Restoration Mercer-Houston Dog Run Merchant’s Front Stoop Award: 64 Jane Street Joe Jr.'s House Museum Front Stoop Award: 68 Morton Street Joe’s Dairy Terry Miller Front Stoop Award: 71 Jane Street Detective Jaime Hernandez Minetta Parks Garber's Hardware Hettie Jones Morton Street Triangle Good Old Lower East Side (GOLES) Judson Church Municipal Archives Goodfella's Pizza Julius’ Bar James & Karla Murray Grace Episcopal Church Restoration King Juan Carlos I of Spain Center Murray's Cheese Grace Opportunity Project Knickerbocker Bar & Grill Myers of Keswick Greenwich House LaGuardia Corner Gardens LaMaMa New York Central Art Supply Greenwich Locksmiths Le Poisson Rouge New York Marble Cemetery, Inc. New G.V. Girls’ Basketball League Miriam Lee York Studio School G.V. Little League & Soccer Club Ralph Lee New York University Faculty Against Greenwich Village Singers Rita Lee the Sexton Plan Past Village Award Winners 1991-2020 New York University’s Historic Second Avenue Deli University Parish of St. Joseph House Restorations M & D Shapiro True Value Hardware Unoppressive Non-Imperialist Nikos Smoke & Magazine Shop Barbara Shaum Bargain Books O. Ottomanelli & Son’s Prime Meat Jeremiah Shea Veselka Market Kevin Shea Village Alliance Eighth Street B.I.D Oscar Wilde Memorial Bookshop Sheridan Square Viewing Garden Village Apothecary O’Toole Building Restoration Sir Winston Churchill Square Village Community Boathouse Ottendorfer Branch Library Patisserie Sixth Precinct Quality of Life Squad Village Community School Addition Claude Verna Small Village Community School Fence P.E. Guerin Smalls Jazz Club Village Vanguard Pen & Brush Incorporated Squad 18 Fire Station The Villager Newspaper The Pink Teacup St. Luke in the Fields Garden Visiting Neighbors Pino Prime Meats St. Mark's Bookshop Richard Walker Poetry Project at St. Mark's Church St. Mark's Historic Landmark Fund Dr. Joyce Wallace Porto Rico Importing Co. St. Mark's-in-the-Bowery Church Washington Square Arch The Public Theater St. Vincents Triangle Park Restoration Washington Square Pratt Institute Statue of Fiorello LaGuardia Hotel Washington Square Music City Council Member Christine Quinn The Strand Bookstore Festival West Ninth Street Block Raffetto's The Source Unltd Print & Copy Shop Association West Village Committee Ray’s Candy Store Tea & Sympathy Newsletter West Village Dog The Renee and Chaim Gross Theater for the New City Owner's Group West Village Foundation Tartine Nursery School Westbeth Artists’ Restaurant Florent Theatre 80 Housing Rocco's Pastry Shop Third Street Music School Settlement The White Horse Tavern David Rothenberg Thompson Alchemists Wisteria Award The Salmagundi Club Three Lives Bookstore Women’s Prison Association Save Gansevoort Tootsie's Your Neighborhood Office Zito's Bakery .
Load more

Recommended publications
  • Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011)
    Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Date Created Borough Map Atlas Block Lot 10/10/2019 1 2 1 10/10/2019 1 2 2 10/10/2019 1 2 3 10/10/2019 1 2 23 10/10/2019 1 3 1 10/10/2019 1 3 2 10/10/2019 1 3 3 10/10/2019 1 6 1 10/10/2019 1 10 14 10/10/2019 1 12 28 10/10/2019 1 16 1 Page 1 of 10975 10/10/2021 Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Address Street Number Street Name Parcel Name 4 SOUTH STREET 4 SOUTH STREET SI FERRY TERMINAL 10 SOUTH STREET 10 SOUTH STREET BATTERY MARITIME BLDG MARGINAL STREET MARGINAL MTA SUBSTATION STREET 1 PIER 6 1 PIER 6 PIER 6 10 BATTERY PARK 10 BATTERY PARK BATTERY PARK PETER MINUIT PLAZA PETER MINUIT PETER MINUIT PLAZA/BATTERY PK PLAZA PETER MINUIT PLAZA PETER MINUIT PETER MINUIT PLAZA/BATTERY PK PLAZA 24 SOUTH STREET 24 SOUTH STREET VIETNAM VETERANS PLAZA 33 WHITEHALL STREET 33 WHITEHALL STREET WHITEHALL STREET WHITEHALL BOWLING GREEN PARK STREET 22 BATTERY PLACE 22 BATTERY PLACE PIER A / MARINE UNIT #1 Page 2 of 10975 10/10/2021 Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Agency Current Uses Total Area DOT;DSBS FERRY TERMINAL;NO 209215 USE;WATERFRONT PROPERTY DSBS IN USE-TENANTED;LONG-TERM 191502 AGREEMENT;WATERFRONT PROPERTY DSBS NO USE-NON RES STRC;TRANSIT 38800 SUBSTATION DSBS IN USE-TENANTED;FINAL COMMITMNT- 510025 DISP;LONG-TERM AGREEMENT;NO USE;FINAL COMMITMNT-DISP PARKS PARK 945425 PARKS PARK 39900 PARKS PARK 33600 PARKS PARK 35166 SANIT OFFICE 13214 PARKS PARK 22500 DSBS
    [Show full text]
  • Here to Attend the Stella Adler Studio the Mysteries
    THE FLEA THEATER JIM SIMPSON ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF THE MYSTERIES ED SYLVANUS ISKANDAR CONCEPT AND DIRECTION JILL RAFSON DRAMATURGY DAVID DABBON MUSIC DIRECTION AND ARRANGMENTS DAVID DABBON ORIGINAL MUSIC CHAse BROCK CHOREOGRAPHY COLLABORATIONTOWN ADDITIONAL CREATIVE SUPPORT MICHAEL WIeseR FIGHT DIRECTION AMY JO JACKSON VOICE AND TEXT DIRECTION JASON SHERWOOD SCENIC DESIGN SETH REIseR LIGHTING DESIGN LOREN SHAW COSTUME AND HAIR DESIGN JEREMY S. BLOOM SOUND DESIGN MARIssA BERGMAN PROPS MASTER KARA KAUFMAN PRODUCTION STAGE MANAGER BETH DEMBROW MANAGING DIRECTOR BENJAMIN D. RUSH TECHNICAL DIRECTOR RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE This work was supported by an Exploration grant from the Doris Duke Charitable Foundation to The Flea Theater for the Building Demand for the Performing Arts Program. PlayWRIGHTS (in order of performance) ACT I - THE FALL Dael Orlandersmith........Song of the Trimorph (Lucifer’s Lament) Liz Duffy Adams....................................................Falling for You Jason Williamson........................The Eighth Day (Creation Hymn) Johnna Adams............................................................God’s Rules Madeleine George.............................A Worm Walks into a Garden, or The Fall of Man Jorge Ignacio Cortinas..........................................Right of Return David Henry Hwang..................................................Cain and Abel Trista Baldwin...................................................................Build
    [Show full text]
  • Rage, Rage Against Croman
    The Voice of the West Village WestView News VOLUME 15, NUMBER 4 APRIL 2019 $1.00 All We Can Rage, Rage Against Croman Afford Is By Cynthia Chaffee and Mary Ann Miller Memories Whenever a New York restaurant closes, By George Capsis look under the nearest rock and you’ll usually find Steve Croman, the notorious Perhaps nothing has so suddenly drama- landlord who just spent several months in tized the loss of the “old” Village as the jail—not at Rikers where he was supposed sale of the building in which the beloved to go, but at the Manhattan correctional White Horse Tavern has sat unchanged center, a.k.a. “The Tombs.” since 1880. Generations and generations Add to the mix Eytan Sugarman and An- of young and not so young people have thony “The Mooch” Scaramucci, and this eased their way into a chair or booth there toxic trio may close the White Horse Tavern, to sip a lager or two and talked—just talk- the much beloved bar at Hudson and 11th ed—“Meet you at the White Horse.” streets in the far west Greenwich Village. Now, we have learned that Steve Cro- Welsh poet Dylan Thomas, probably man, the caricature of an ice-blooded it’s most famous patron, wrote, “Do not landlord, fresh from eight months in the go gentle into that good night...Rage, rage Tombs prison and still owning over 100 against the dying of the light.” He had his tenement buildings housing anxious rent- last drinks there and later died at St.
    [Show full text]
  • Annual Report 2012
    Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector.
    [Show full text]
  • Sounds of the Great Religions
    The Voice of the West Village WestView News VOLUME 14, NUMBER 6 JUNE 2018 $1.00 Sounds of the Great Religions By George Capsis ate—"Papadopoulos" which means “son of the father, or more accurately, son of the The dramatic, almost theatrical interior priest, for as you know, Greek priests can space of St. Veronica invites imaginative and do marry). uses and we came up with The Sounds A very young looking Panteleimon came of the Great Religions, a survey of great down for lunch in the garden and shortly it musical moments from the world’s great was like talking to a relative. That is what religions. is great about being Greek—it is really one Having been exposed to the Greek Or- big family. thodox church (my father was Greek, my I casually mentioned how long I thought mother a Lutheran German), I knew how the presentation should be and he snapped dramatic it could be so I called Archdea- "no, no, that's too long. Yah gotta make it con Panteleimon Papadopoulos who is in shorter.” charge of music at the Archdiocese. We were hours away from sending to the Archdeacon Panteleimon Papadopoulos A HUNDRED VOICES ECHO A THOUSAND YEARS: The Musical Director of the Greek Orthodox printer when I asked if he could send some (yes I know Greek names are a bit much Church offered its choir to celebrate the great moments in Orthodox history for the Sounds of thoughts about the presentation and here but in this case the last name is appropri- the Great Religions program at St.
    [Show full text]
  • 2021-02-12 FY2021 Grant List by Region.Xlsx
    New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc.
    [Show full text]
  • Rhythm, Dance, and Resistance in the New Orleans Second Line
    UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy.
    [Show full text]
  • Copyrighted Material
    09_573837 ch05.qxd 12/14/04 11:17 PM Page 85 5 Family-Friendly Dining In the gastronomic universe, New revolving showcase of whipped York has a fair number of star-quality cream–topped desserts. A number of restaurants, but are they worth it if trendy retro coffee shops have opened you’re eating out with your kids? in recent years, adding upscale parent- Fuhgeddaboudit. Le Bernardin and pleasing food to the traditional menu Nobu be damned—what I look for of burgers, omelets, and grilled cheese these days is a restaurant that’s noisy sandwiches. and casual, where the service is rela- I’m not a big fan of eating at side- tively speedy, and where the menu walk tables—I’d rather get away from includes at least one or two items from traffic and exhaust—but as soon as the my kids’ major food groups: chicken weather warms up, many families opt fingers, burgers, pasta, pancakes, and for restaurants with sidewalk seating. pizza, any or all of which could come The open-air arrangement minimizes with a side of fries. You can find your child’s noise, provides endless plenty of such restaurants in New distraction, and makes messes less York, and they won’t cost you an arm important (there’s always a pigeon or and a leg. two around to peck up dropped DINING OUT WITH YOUR KIDS french fries after you’ve cleared off). You know a restaurant welcomes kids Knowing how many Manhattan when they’ve printed up a place mat restaurants don’t work for smaller chil- for young customers to color and dren, for the most part I’ve tried to when you get to keep the crayons steer you towards those that do, you’re given to color it with.
    [Show full text]
  • United States Theatre Programs Collection O-016
    http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items.
    [Show full text]
  • Sophocles' Elektra
    DATE: August 12, 2010 FOR IMMEDIATE RELEASE ABOUT THE COMPANY Sophocles' Elektra Thursdays, Fridays, Saturdays, September 9—October 2, 2010 Carey Perloff (Director) Carey Perloff is celebrating her nineteenth season as artistic director of Tony Award-winning American Conservatory Theater (A.C.T.) in San Francisco, where she is known for directing innovative productions of classics, championing new writing for the theater, and creating international collaborations with such artists as Robert Wilson and Tom Stoppard. Before joining A.C.T., Perloff was artistic director of Classic Stage Company (CSC) in New York. She is a recipient of France’s Chevalier de l’Ordre des Arts et des Lettres and the National Corporate Theatre Fund’s 2007 Artistic Achievement Award. Perloff received a B.A. Phi Beta Kappa in classics and comparative literature from Stanford University and was a Fulbright fellow at the University of Oxford. She has taught at the Tisch School of the Arts at New York University and in the Master of Fine Arts Program in Acting at A.C.T., in addition to authoring numerous plays. This is Perloff’s second encounter with Sophocles’ Elektra, having directed the world premiere of Ezra Pound’s version of the play at CSC in 1988. Timberlake Wertenbaker (Translator/Adaptor) Timberlake Wertenbaker is an acclaimed playwright who grew up in the Basque Country in southwest France. Plays include The Grace of Mary Traverse (Royal Court Theatre); Our Country's Good (Royal Court Theatre and Broadway), which won the Laurence Olivier Play of the Year
    [Show full text]
  • MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MACBETH by WILLIAM SHAKESPEARE
    MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MACBETH BY WILLIAM SHAKESPEARE WITH BARZIN AKHAVAN, RAFFI BARSOUMIAN, NADIA BOWERS, N’JAMEH CAMARA, ERIK LOCHTEFELD, MARY BETH PEIL, COREY STOLL, BARBARA WALSH, ANTONIO MICHAEL WOODARD COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ANN HOULD-WARD SOLOMON WEISBARD MATT STINE FIGHT DIRECTOR PROPS SUPERVISOR THOMAS SCHALL ALEXANDER WYLIE ASSOCIATE ASSOCIATE ASSOCIATE SCENIC DESIGN COSTUME DESIGN SOUND DESIGN DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI PRESS PRODUCTION CASTING REPRESENTATIVES STAGE MANAGER TELSEY + COMPANY BLAKE ZIDELL AND BERNITA ROBINSON KARYN CASL, CSA ASSOCIATES ASSISTANT DESTINY LILLY STAGE MANAGER JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE MACBETH (in alphabetical order) Macduff, Captain ............................................................................ BARZIN AKHAVAN Malcolm ......................................................................................... RAFFI BARSOUMIAN Lady Macbeth ....................................................................................... NADIA BOWERS Lady Macduff, Gentlewoman ................................................... N’JAMEH CAMARA Banquo, Old Siward ......................................................................ERIK LOCHTEFELD Duncan, Old Woman .........................................................................MARY BETH PEIL Macbeth.....................................................................................................
    [Show full text]
  • 'Ourglass
    ,.'OURGLASS o4I!<~~!!E!!!~G1~----."'-Ii.---<I>~;':~:~~£iJ"~;g(~-~,,,.:~~"?¢4$~".~-----3E~!!!?!2!!!!Z!~-> Vol. 13, No. 28248 HOURGLASS Tuesday, Derembe~ 2, 1975 i: ';,': .' ~'~ * * * * * * * * ;', * '" * ;'; * Russia Accused of '" Kwai Weather * * * * Yesterday * ford Holds Talles With Mao Tse-Tung Co'onizing Africa ~~ ~: WASHINGTON (UPI) -- 'The U.S. ie Hlgh Temp. -- 86° ~': PEKING, (UPI) -- Chairman Mao Tse-Tung, reported looking sur­ Ambassador to the United Nations, "il: Low Temp. -- 77° prisingly fit, hosted President Ford in his forbidden city home Danlel P. MOjmihan, said today the "il:* ,': Ralnfall --.05 today and held nearly two hours of talks officially described as Soviet Union is trying "to colo­ ;': Monthly Total -- .05 ,': "significant and earnest •.• in a friendly atmosphere." nize Africa" and is using military * ,,: The meeting ran one hour and 50 minutes -- an unusually long force where necessary. ;': Tomorrow ,': meetlng for the aillng, 81-year-old Mao and nearly twice the time In a speech to the fourth ,,: * Partly ( )tidy with widely he spent with President Richard M. Nixon durin~ his 1972 visit. nationwide "Pacem In Terris" -­ * scatterc,", showers. 'I: Hours after the event, the Chinese issued a statement approved Peace on Earth -- conference, * ,'.. by the White House whlch said: Moynihan said the Russians already High Tide .,..- 1657 6.1 "After shaking hands with each of the Amerlcan guests, Chairman * -- ,t*.. have been partially successful in * Low Tlde -,.. lQ34 -.,. 0.5 Mao had earnest and slgnificant discusslons
    [Show full text]