“Praise.” Psalms 113-118 Are Hymns of Praise to God
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4Q521 and What It Might Mean for Q 3–7
Chapter 20 4Q521 and What It Might Mean for Q 3–7 Gaye Strathearn am personally grateful for S. Kent Brown. He was a commit- I tee member for my master’s thesis, in which I examined 4Q521. Since that time he has been a wonderful colleague who has always encouraged me in my academic pursuits. The relationship between the Dead Sea Scrolls and Christian- ity has fueled the imagination of both scholar and layperson since their discovery in 1947. Were the early Christians aware of the com- munity at Qumran and their texts? Did these groups interact in any way? Was the Qumran community the source for nascent Chris- tianity, as some popular and scholarly sources have intimated,¹ or was it simply a parallel community? One Qumran fragment that 1. For an example from the popular press, see Richard N. Ostling, “Is Jesus in the Dead Sea Scrolls?” Time Magazine, 21 September 1992, 56–57. See also the claim that the scrolls are “the earliest Christian records” in the popular novel by Dan Brown, The Da Vinci Code (New York: Doubleday, 2003), 245. For examples from the academic arena, see André Dupont-Sommer, The Dead Sea Scrolls: A Preliminary Survey (New York: Mac- millan, 1952), 98–100; Robert Eisenman, James the Just in the Habakkuk Pesher (Leiden: Brill, 1986), 1–20; Barbara E. Thiering, The Gospels and Qumran: A New Hypothesis (Syd- ney: Theological Explorations, 1981), 3–11; Carsten P. Thiede, The Dead Sea Scrolls and the Jewish Origins of Christianity (New York: Palgrave, 2001), 152–81; José O’Callaghan, “Papiros neotestamentarios en la cueva 7 de Qumrān?,” Biblica 53/1 (1972): 91–100. -
Worship! Psalm 148-150 - Read Passage: Epmkg.Com/Psalm148
Study Notes Worship! Psalm 148-150 - Read Passage: epmkg.com/Psalm148 About Austin’s Study Notes This document contains information and resources Pastor Austin Rammell used to research and compile his weekly message. Resources are copyrighted by their respective authors and credited via footnotes. We encourage you to purchase the original resource materials to perform your own study. Notes C. The Praise of Creation (Ps 148) This anonymous psalm certainly belongs to the period of the restoration of Jerusalem under Nehemiah. It consists of two divisions: (1) heavenly praise (vv. 1–6); and (2) earthly praise (vv. 7–14). 148:1–6. The psalmist calls for praise to ring out from the heavens. The angels and the “hosts”—here probably the stars—should join in that praise. “The heaven of heavens” is the highest heavens. The waters above the expanse in the clouds should praise God too. All that is in the heavens were created at the command of God. They owe their perpetual maintenance to his providence. 148:7–13. The earth should join the heavens in the praise of God. The sea monsters of the deep, the phenomena of weather, mountains, trees, beasts and fowl owe Yahweh their praise. Last of all man, as the crown of creation, is summoned to join the Hallelujah chorus without respect to station, age or sex. 148:14. Israel had special ground for praise. Yahweh had once more “lifted up the horn” of his people, i.e., given them dignity and power. Israel was a people near to Yahweh, i.e., they stood in a unique relationship to him. -
Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH -
Psalm 34 Author and Date
Psalm 34 Title: The Lord Delivers the Righteous Author and Date: David Key Verses: Psalm 34:4, 7, 17, 19 Type: Thanksgiving Outline A. Thanksgiving: I will bless with a song because the Lord delivers (verses 1-10). B. Teaching: I will teach with a sermon because the Lord delivers (verses 11-22). Notes Title: “A Psalm of David.” See the notes on Psalm 3. “Who changed his behavior before Abimelech, who drove him away, and he departed.” This incident may be the one recorded in 1 Samuel 21:10-22:2 where David feigned madness before King Achish of Gath so that he would be left alone. Some commentators believe that “Abimelech” (meaning father of a king) is inaccurate, while others believe this name was a generic, dynastic title (like Pharoah) of the kings of Gath. Verses 1-22: This psalm is one of nine alphabetic acrostic psalms: Psalm 9, 10, 25, 34, 37, 111, 112, 119, and 145 (see the notes for Psalm 9, 10, and 25). The first word of each verse begins with a successive letter of the Hebrew alphabet (aleph, beth, gimel, daleth, etc.). There are 22 verses just like the 22 letters of the Hebrew alphabet. However, in this psalm two letters (the Hebrew letter he and vav) are used in one verse (verse 5) and another letter (the Hebrew letter pe) is repeated (in verse 16 and 22) which make for 22 verses. Psalm 34 describes the Lord as a deliverer, a savior, and a redeemer of the righteous. Verse 5: Note that the psalmist switches abruptly from “I” to “they” in this verse. -
Vesper PASSIONTIDE 03 06 16 Website
SUNDAY VESPERS Passiontide This booklet was prepared for parish use (March 2016 rev). Text and English translation are from The Divinum Officium Project (http://divinumofficium.com). Music for Vespers is from the Benedictines of Solesmes (eds.) The Liber Usualis with Introduction and Rubrics in English. (Desclee Company, 1961) and music for Benediction is from the Parish Book of Chant (Church Music Association of America, 2012). SUNDAY VESPERS - PASSIONTIDE All stand for the beginning of Vespers. SUNDAY AT VESPERS. PateINVITATORYr n6ster. Ave Maria. Festal Tone. 6- -=-SUNDA+ Hi 1 YI • A•T VESPERS. +9 Make the Sign ofSUNDA theSUNDA Cross Y(Y ✠ A) AwithTT theVESPERSVESPERS Officiant as.. he intones: E-usSUNDA in adjuto-ri-uPateYr n6ster AmT. Av m^-urVESPERSe Marian .inte"nde. 1^7. D o m i n e FestaDl Tone. Pater n6ster. Ave Maria. Pater n6ster. Ave Maria. Officiant:Festal Tone . Pate r n6ster . Av e Maria . All: mFesta l Tone. • Festal Tone6- .-=-+ Hi 1 I • • +9 O God, come to my -=--=-++ HHi i 11 I I • • •• assistance. ✠ Glory be to the 66---=-+SUNDAHi 1 I Y• •AT VESPERS. ++99 6adjuvandu- m festina. G16-ri- +9 Father, and to the Son, and to Dad E-us in adjuto-ri-ume m m^-ur n inte"ndea Patri. 1^7, e. Dt oFi-li m i n-eo, E-us in adjuto-ri-uPater n6sterm. Av m^-ure Marian inte"nde. 1^7. D o m i n e the Holy Spirit. As is was in 1 E-us in adjuto-ri-um m^-urn inte"nde. 1^7. -
NH Parker, "Psalm 103: God Is Love; He Will
Psalm 103: God is Love. He will have Mercy and Abundantly Pardon N. H. PARKER SALM 103 is one of the Old Testament's sublimest utterances on a Ptheme which is basic to both Judaism and Christianity, namely that God is love and in all of his dealings with men that love is manifest. Such a doctrine did not spring up spontaneously; it was the product of profound reflection upon history and personal experience. Nor did the prophets do all the thinking. Psalmists and priests also did their part. Hermann Gunkel, pioneer of form criticism in the Old Testament,1 has demonstrated that all except a few of the Hebrew psalms can be traced to a Sitz im Leben related to the cultic worship of ancient Israel, some having served the whole congregation when it worshipped as a nation and some the individuals who worshipped alone or with their families and immediate friends, being concerned in their devotions with intensely personal confession, petition, thanksgiving, or protestation of innocence. Gunkel places No. 103 amongst national hymns of thanksgiving, and no doubt it was often so used, but most commentators, even amongst his loyal disciples, feel obliged to discuss it as an individual utterance. Professor Elmer A. Leslie, than whom none could be more faithful to a master, makes peace with the ghost of Gunkel by assuming that the psalm was sung by a soloist as a part of congregational worship.2 Perhaps so, but more probably it was prescribed as a solo for only those individuals who, while at the temple on festal pilgrim age, took opportunity to fulfil vows of thanksgiving previously planned. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing. -
ELIJAH, Op. 70 (1846) Libretto: Julius Schubring English Translation
ELIJAH, Op. 70 (1846) Libretto: Julius Schubring Felix Mendelssohn-Bartholdy (1809-1847) English Translation: William Bartholomew PART ONE The Biblical tale of Elijah dates from c. 800 BCE. "In fact I imagined Elijah as a real prophet The core narrative is found in the Book of Kings through and through, of the kind we could (I and II), with minor references elsewhere in really do with today: Strong, zealous and, yes, the Hebrew Bible. The Haggadah supplements even bad-tempered, angry and brooding — in the scriptural account with a number of colorful contrast to the riff-raff, whether of the court or legends about the prophet’s life and works. the people, and indeed in contrast to almost the After Moses, Abraham and David, Elijah is the whole world — and yet borne aloft as if on Old Testament character mentioned most in the angels' wings." – Felix Mendelssohn, 1838 (letter New Testament. The Qu’uran also numbers to Julius Schubring, Elijah’s librettist) Elijah (Ilyas) among the major prophets of Islam. Elijah’s name is commonly translated to mean “Yahweh is my God.” PROLOGUE: Elijah’s Curse Introduction: Recitative — Elijah Elijah materializes before Ahab, king of the Four dark-hued chords spring out of nowhere, As God the Lord of Israel liveth, before Israelites, to deliver a bitter curse: Three years of grippingly setting the stage for confrontation.1 whom I stand: There shall not be dew drought as punishment for the apostasy of Ahab With the opening sentence, Mendelssohn nor rain these years, but according to and his court. The prophet’s appearance is a introduces two major musical motives that will my word. -
Mahzor - Fourth Edition.Indb 1 18-08-29 11:38 Mahzor
Mahzor - Fourth Edition.indb 1 18-08-29 11:38 Mahzor. Hadesh. Yameinu RENEW OUR DAYS A Prayer-Cycle for Days of Awe Edited and translated by Rabbi Ron Aigen Mahzor - Fourth Edition.indb 3 18-08-29 11:38 Acknowledgments and copyrights may be found on page x, which constitutes an extension of the copyright page. Copyright © !""# by Ronald Aigen Second Printing, !""# $ird Printing, !""% Fourth Printing, !"&' Original papercuts by Diane Palley copyright © !""#, Diane Palley Page Designer: Associès Libres Formatting: English and Transliteration by Associès Libres, Hebrew by Resolvis Cover Design: Jonathan Kremer Printed in Canada ISBN "-$%$%$!&-'-" For further information, please contact: Congregation Dorshei Emet Kehillah Synagogue #( Cleve Rd #!"" Mason Farm Road Hampstead, Quebec Chapel Hill, CANADA NC !&)#* H'X #A% USA Fax: ()#*) *(%-)**! ($#$) $*!-($#* www.dorshei-emet.org www.kehillahsynagogue.org Mahzor - Fourth Edition.indb 4 18-08-29 11:38 Mahzor - Fourth Edition.indb 6 18-08-29 11:38 ILLUSTRATIONS V’AL ROSHI SHECHINAT EL / AND ABOVE MY HEAD THE PRESENCE OF GOD vi KOL HANSHEMAH T’HALLEL YA / LET EVERYTHING THAT HAS BREATH PRAISE YOU xxii BE-ḤOKHMAH POTE‘AḤ SHE‘ARIM / WITH WISDOM YOU OPEN GATEWAYS 8 ELOHAI NESHAMAH / THE SOUL YOU HAVE GIVEN ME IS PURE 70 HALLELUJAH 94 ZOKHREINU LE-ḤAYYIM / REMEMBER US FOR LIFE 128 ‘AKEDAT YITZḤAK / THE BINDING OF ISAAC 182 MALKHUYOT, ZIKHRONOT, SHOFAROT / POWER, MEMORY, VISION 258 TASHLIKH / CASTING 332 KOL NIDREI / ALL VOWS 374 KI HINNEI KA-ḤOMER / LIKE CLAY IN THE HAND OF THE POTIER 388 AVINU MALKEINU -
1 Wedding Scripture List the Following Passages Are Frequently Read As
1 Wedding Scripture List The following passages are frequently read as part of the wedding ceremony. The list is not exhaustive and you may pick other texts. Passages may be read by your friends, family or the pastor. You are welcome to choose from any of the listings below. If you have another favorite, just let me know. I am always open to new possibilities. Janine Old Testament Lessons Genesis 1:26-28, 31; 2:18, 21-24 Psalms 23, 33, 34, 37:3-7, 67, 100, 103, 112, 117, 121, 127, 128, 136, 145, 148, 150 Song of Solomon 2:8-13; 8:6-7 Jeremiah 31:31-33 Isaiah 54:5-8 Hosea 2:18a, 19-20a Ruth 1:16-17 Epistle Lessons Romans 8:31-39; 12:1-2, 9-18 1 Corinthians 13:4-8, 13-14:1 Ephesians 3:14-21; 5:2, 21-33 Colossians 3:12-17 (may also include vs. 18-19). 1 Peter 3:1-9 1 John 3:18-24; 4:7-16 Revelation 19:1, 5-9 Gospel Lessons Matthew 5:1-12; 5:13-16; 7:12, 24-29; 19:3-6; 22:35-40 Mark 10:6-9, 13-16 John 2:1-11; 15:9-17 2 Old Testament Lessons Genesis 1:26-28, 31 Then God said, "Let us make humankind in our image, according to our likeness; and let them have dominion over the fish of the sea, and over the birds of the air, and over the cattle, and over all the wild animals of the earth, and over every creeping thing that creeps upon the earth." So God created humankind in his image, in the image of God he created them; male and female he created them. -
JEWISH PRINCIPLES of CARE for the DYING JEWISH HEALING by RABBI AMY EILBERG (Adapted from "Acts of Laving Kindness: a Training Manual for Bikur Holim")
A SPECIAL EDITION ON DYING WINTER 2001 The NATIONAL CENTER for JEWISH PRINCIPLES OF CARE FOR THE DYING JEWISH HEALING By RABBI AMY EILBERG (adapted from "Acts of Laving Kindness: A Training Manual for Bikur Holim") ntering a room or home where death is a gone before and those who stand with us now. Epresence requires a lot of us. It is an intensely We are part of this larger community (a Jewish demanding and evocative situation. It community, a human community) that has known touches our own relationship to death and to life. death and will continue to live after our bodies are It may touch our own personal grief, fears and gone-part of something stronger and larger than vulnerability. It may acutely remind us that we, death. too, will someday die. It may bring us in stark, Appreciation of Everyday Miracles painful confrontation with the face of injustice Quite often, the nearness of death awakens a when a death is untimely or, in our judgement, powerful appreciation of the "miracles that are with preventable. If we are professional caregivers, we us, morning, noon and night" (in the language of may also face feelings of frustration and failure. the Amidah prayer). Appreciation loves company; Here are some Jewish principles of care for the we only need to say "yes" when people express dying which are helpful to keep in mind: these things. B'tselem Elohim (created in the image of the Mterlife Divine) Unfortunately, most Jews have little knowledge This is true no matter what the circumstances at of our tradition's very rich teachings on life after the final stage of life. -
Happiness Manifested in Book I of the Psalter*
S&I 3, no. 1 (2009): 33-47 ISSN 1975-7123 Happiness Manifested in Book I of the Psalter* Sora Kang BaekSeok University, Korea [email protected] Abstract The eight yr'#$;)a sayings in Book I of the Psalter (1–41), forming a prominent structure at the beginning (Pss 1–2), the middle (Pss 32– 34), and the end (Pss 40–41), evidence structural unity and purpose- ful arrangement. The first (Pss 1–2) and the last clusters (Pss 40–41) present two foundations for happiness in life: delighting in God’s in- struction and trusting in God. The second cluster of yr'#$;)a sayings (Pss 32–34) resolves the issue of sin by declaring God’s forgiveness (Ps 32), God’s election of his own people (Ps 33), and by offering instruc- tions for wisdom and happiness in life (Ps 34). These compositional links allow for more holistic readings of Book I and indeed, the whole Psalter. (Keywords: Psalms, ’ashrei sayings, structural and linguistic approaches) I. Introduction The term yr'#$;)a (“how happy” or “how blessed”)1 in Psalm 1:1 calls for the reader’s attention because it is the opening word of the Psalter2 and because it is distributed in places of particular attention in the Psal- * This article is a summary of my dissertation, “Reading Book I of the Psalter through the yr'#$;)a Sayings” (Ph.D. diss., Trinity Evangelical Divinity School, 2007). 1 The term yr'#$;)a is found 26 times in 19 psalms in the book of Psalms (Pss 1:1; 2:12; 32:1, 2; 33:12; 34:8; 40:4; 41:1; 65:4; 84:4, 5, 12; 89:15; 94:12; 106:3; 112:1; 119:1, 2; 127:5; 128:1, 2; 137:8, 9; 144:15 [2x]; 146:5).