Psalms 111–112: Big Story, Little Story
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Worship! Psalm 148-150 - Read Passage: Epmkg.Com/Psalm148
Study Notes Worship! Psalm 148-150 - Read Passage: epmkg.com/Psalm148 About Austin’s Study Notes This document contains information and resources Pastor Austin Rammell used to research and compile his weekly message. Resources are copyrighted by their respective authors and credited via footnotes. We encourage you to purchase the original resource materials to perform your own study. Notes C. The Praise of Creation (Ps 148) This anonymous psalm certainly belongs to the period of the restoration of Jerusalem under Nehemiah. It consists of two divisions: (1) heavenly praise (vv. 1–6); and (2) earthly praise (vv. 7–14). 148:1–6. The psalmist calls for praise to ring out from the heavens. The angels and the “hosts”—here probably the stars—should join in that praise. “The heaven of heavens” is the highest heavens. The waters above the expanse in the clouds should praise God too. All that is in the heavens were created at the command of God. They owe their perpetual maintenance to his providence. 148:7–13. The earth should join the heavens in the praise of God. The sea monsters of the deep, the phenomena of weather, mountains, trees, beasts and fowl owe Yahweh their praise. Last of all man, as the crown of creation, is summoned to join the Hallelujah chorus without respect to station, age or sex. 148:14. Israel had special ground for praise. Yahweh had once more “lifted up the horn” of his people, i.e., given them dignity and power. Israel was a people near to Yahweh, i.e., they stood in a unique relationship to him. -
Vesper PASSIONTIDE 03 06 16 Website
SUNDAY VESPERS Passiontide This booklet was prepared for parish use (March 2016 rev). Text and English translation are from The Divinum Officium Project (http://divinumofficium.com). Music for Vespers is from the Benedictines of Solesmes (eds.) The Liber Usualis with Introduction and Rubrics in English. (Desclee Company, 1961) and music for Benediction is from the Parish Book of Chant (Church Music Association of America, 2012). SUNDAY VESPERS - PASSIONTIDE All stand for the beginning of Vespers. SUNDAY AT VESPERS. PateINVITATORYr n6ster. Ave Maria. Festal Tone. 6- -=-SUNDA+ Hi 1 YI • A•T VESPERS. +9 Make the Sign ofSUNDA theSUNDA Cross Y(Y ✠ A) AwithTT theVESPERSVESPERS Officiant as.. he intones: E-usSUNDA in adjuto-ri-uPateYr n6ster AmT. Av m^-urVESPERSe Marian .inte"nde. 1^7. D o m i n e FestaDl Tone. Pater n6ster. Ave Maria. Pater n6ster. Ave Maria. Officiant:Festal Tone . Pate r n6ster . Av e Maria . All: mFesta l Tone. • Festal Tone6- .-=-+ Hi 1 I • • +9 O God, come to my -=--=-++ HHi i 11 I I • • •• assistance. ✠ Glory be to the 66---=-+SUNDAHi 1 I Y• •AT VESPERS. ++99 6adjuvandu- m festina. G16-ri- +9 Father, and to the Son, and to Dad E-us in adjuto-ri-ume m m^-ur n inte"ndea Patri. 1^7, e. Dt oFi-li m i n-eo, E-us in adjuto-ri-uPater n6sterm. Av m^-ure Marian inte"nde. 1^7. D o m i n e the Holy Spirit. As is was in 1 E-us in adjuto-ri-um m^-urn inte"nde. 1^7. -
Nomos and Narrative Before Nomos and Narrative
Nomos and Narrative Before Nomos and Narrative Steven D. Fraade* I imagine that when Robert Cover's Nomos and Narrative essay' first reached the editors of the Harvard Law Review, their befuddlement derived not so much from Cover's framing of his review of the 1982 Supreme Court term with a philosophically opaque discussion of the interdependence of law and narrative, but from the illustrations that he drew from biblical and rabbinic texts of ancient and medieval times. For Cover, both intellectually and as a matter of personal commitment, these ancient texts evoke a "nomian world," rooted more in communally shared stories of legal origins and utopian ends than in the brutalities of institutional enforcement, one from which modem legal theory and practice have much to learn and to emulate. Since my own head is buried most often in such ancient texts, rather than in modem courts, I thought it appropriate to reflect, by way of offering more such texts for our consideration, on the long-standing preoccupation with the intersection and interdependency of the discursive modes of law and narrative in Hebrew biblical and rabbinic literature, without, I hope, romanticizing them. Indeed, I wish to demonstrate that what we might think of as a particularly modem tendency to separate law from narrative, has itself an ancient history, and to show how that tendency, while recurrent, was as recurrently resisted from within Jewish tradition. In particular, at those cultural turning points in which laws are extracted or codified from previous narrative settings, I hope to show that they are also renarrativized (or remythologized) so as to address, both ideologically and rhetorically, changed socio-historical settings.2 I will do so through admittedly * Steven D. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing. -
The Importance of the Dead Sea Scrolls for the Study of the Explicit Quotations in Ad Hebraeos
HTS Teologiese Studies/Theological Studies ISSN: (Online) 2072-8050, (Print) 0259-9422 Page 1 of 9 Original Research The importance of the Dead Sea Scrolls for the study of the explicit quotations inAd Hebraeos Author: The important contribution that the Dead Sea Scrolls (DSS) hold for New Testament studies is Gert J. Steyn¹ probably most evident in Ad Hebraeos. This contribution seeks to present an overview of Affiliation: relevant extant DSS fragments available for an investigation of the Old Testament explicit 1Department of New quotations and motifs in the book of Hebrews. A large number of the explicit quotations in Testament Studies, Faculty of Hebrews were already alluded to, or even quoted, in some of the DSS. The DSS are of great Theology, University of importance for the study of the explicit quotations in Ad Hebraeos in at least four areas, namely Pretoria, South Africa in terms of its text-critical value, the hermeneutical methods employed in both the DSS and Project leader: G.J. Steyn Hebrews, theological themes and motifs that surface in both works, and the socio-religious Project number: 02378450 background in which these quotations are embedded. After these four areas are briefly explored, this contribution concludes, among others, that one can cautiously imagine a similar Description Jewish sectarian matrix from which certain Christian converts might have come – such as the This research is part of the project, ‘Acts’, directed by author of Hebrews himself. Prof. Dr Gert Steyn, Department of New Testament Studies, Faculty of Theology, University of Introduction Pretoria. The relation between the text readings found among the Dead Sea Scrolls (DSS), those of the LXX witnesses and the quotations in Ad Hebraeos1 needs much more attention (Batdorf 1972:16–35; Corresponding author: 2 Gert Steyn, Bruce 1962/1963:217–232; Grässer 1964:171–176; Steyn 2003a:493–514; Wilcox 1988:647–656). -