Praise Ye Jehovah!
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Vol. XII/6, Vienna 1999)
Bruckner Journal Issued three times a year and sold by subscription Editorial and advertising: telephone 0115 928 8300 2 Rivergreen Close, Beeston, GB-Nottingham NG9 3ES Subscriptions and mailing: telephone 01384 566 383 4 Lu)worth Close, Halesowen, West Midlands B63 2UJ VOLUME FIVE, NUMBER THREE, NOVEMBER 2001 Editor: Peter Palmer Managing Editor: Raymond Cox Associate Editor: Crawford Howie In This Issue page Concerts 2 Compact Discs 7 Publications 14 Skrowaczewski Speaks 17 Bruckner1s Third: 1st Edition by Crawford Howie 22 Austerity or Charm ,. by David Aldeborgh 26 l: Poem by Adam Zagajewski 32 Feedback 33 Jottings 34 Calendar 36 Copyright in all material is retained by the author. Photograph (page 9) by Peter Kloos. Translation (pages 17-21) by Peter Palmer. Silhouette: Otto Bohler. Contributors - the next copy deadline is 15 January 2002. Material other than letters in typescript, please. BUS T BY VI KTOR TIL GN E R - see page 16 2 CON C E R T S On Sunday 3 June lorin Maazel conducted the Phil harmonia Orchestra in Bruckner's Eighth Symphony in the Royal Festival Hall, london. The division of critical opinion in the national broadsheets is largely reflected in the reactions of our own correspondents. First, JEREMY WILKINSON reports on a performance given by the same forces two nights earlier in the De Montfort Hall, Leicester. For him, this was a deeply personal occasion: We were celebrating my mother's birthday but also commemorating the anniversary of the loss of my twin brother. How fitting to come and hear Bruckner's great masterpiece, so full of bleakness, tension and emotion. -
Messe E-Moll WAB 27 Zweite Fassung/Second Version 1882
Anton BRUCKNER Messe e-Moll WAB 27 Zweite Fassung/Second version 1882 Coro (SSAATTBB) 2 Oboi, 2 Clarinetti, 2 Fagotti, 4 Corni, 2 Trombe, 3 Tromboni herausgegeben von/edited by Dagmar Glüxam Urtext Partitur/Full score C Carus 27.093 Inhalt / Contents Vorwort 4 Foreword 8 Abbildungen 12 Kyrie (Coro SSAATTBB) 14 Gloria (Coro) 20 Credo (Coro) 32 Sanctus (Coro) 49 Benedictus (Coro SSATTBB) 55 Agnus Dei (Coro SSAATTBB) 63 Kritischer Bericht 73 Zu diesem Werk liegt folgendes Aufführungsmaterial vor: Partitur (Carus 27.093), Klavierauszug (Carus 27.093/03), Klavierauszug XL Großdruck (Carus 27.093/04), Chorpartitur (Carus 27.093/05), komplettes Orchestermaterial (Carus 27.093/19). The following performance material is available: full score (Carus 27.093), vocal score (Carus 27.093/03), vocal score XL in larger print (Carus 27.093/04), choral score (Carus 27.093/05), complete orchestral material (Carus 27.093/19). Carus 27.093 3 Vorwort Als Anton Bruckner (1824–1896) zwischen August und November C-Dur (WAB 31) für vierstimmigen gemischten Chor a cappella 1866 seine Messe in e-Moll (WAB 27) komponierte, konnte er (1. Fassung 1835–1843, 2. Fassung 1891) oder der Windhaager bereits eine langjährige Erfahrung als Kirchenmusiker aufweisen und Messe in C-Dur für Alt, zwei Hörner und Orgel (WAB 25; 1842) auch auf ein überaus umfangreiches kirchenmusikalisches Œuvre können hier etwa die Messe ohne Gloria in d-Moll („Kronstorfer zurückblicken.1 Schon als Kind wurde er durch seinen musikbe- Messe“; WAB 146, 1844) für vierstimmigen gemischten Chor a geisterten Vater und Schullehrer Anton Bruckner (1791–1837) zur cappella oder das Requiem für vierstimmigen Männerchor und Mitwirkung – u. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Mendelssohn's Elijah
Boston University College of Fine Arts School of Music presents Boston University Symphony Orchestra and Symphonic Chorus Mendelssohn’s Elijah Ann Howard Jones conductor Monday, April 11 Symphony Hall Founded in 1872, the School of Music combines the intimacy and intensity of conservatory training with a broadly based, traditional liberal arts education at the undergraduate level and intense coursework at the graduate level. The school offers degrees in performance, composition and theory, musicology, music education, collaborative piano, historical performance, as well as a certificate program in its Opera Institute, and artist and performance diplomas. Founded in 1839, Boston University is an internationally recognized private research university with more than 32,000 students participating in undergraduate, graduate, and professional programs. BU consists of 17 colleges and schools along with a number of multidisciplinary centers and institutes which are central to the school’s research and teaching mission. The Boston University College of Fine Arts was created in 1954 to bring together the School of Music, the School of Theatre, and the School of Visual Arts. The University’s vision was to create a community of artists in a conservatory-style school offering professional training in the arts to both undergraduate and graduate students, complemented by a liberal arts curriculum for undergraduate students. Since those early days, education at the College of Fine Arts has begun on the BU campus and extended into the city of Boston, a rich center of cultural, artistic and intellectual activity. Boston University College of Fine Arts School of Music Boston University Symphonic Chorus April 11, 2011 Boston University Symphony Orchestra Symphony Hall Ann Howard Jones, conductor The 229th concert in the 2010–11 season Elijah, op. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing. -
22. BIS 25. MAI 2015 Die Sparkasse Regensburg Treibt Kultur An
€ Preis: 5,00 MUSIK VOM MITTELALTER BIS ZUR ROMANTIK KONZERTE AN HISTORISCHEN STÄTTEN Regensburger Domspatzen L’ Orfeo Barockorchester (Österreich) Profeti della Quinta (Israel/Schweiz) Rachel Podger (Großbritannien) Echo du Danube (Deutschland) Ensemble Leones (Deutschland/Schweiz) Musica Humana 430 (Polen/Deutschland) The Marian Consort (Großbritannien) Rose Consort of Viols (Großbritannien) Ensemble Stravaganza (Frankreich) Concerto Palatino (Italien) Batzdorfer Hofkapelle (Deutschland) Harmonie Universelle (Deutschland) Phantasm (Großbritannien) New York Polyphony (USA) Il Suonar Parlante Orchestra (Italien) Les Ambassadeurs (Frankreich) Verkaufsausstellung von Nachbauten historischer Musikinstrumente, von Noten, Büchern und CDs 22. BIS 25. MAI 2015 Die Sparkasse Regensburg treibt Kultur an. Mit rund 640.000 Euro engagiert sich die Sparkasse Regensburg ganz weit vorne als Förderin der Kunst und Kultur in Regensburg. Viele große Musik-Ereignisse – darunter Jugend musiziert, die Tage Alter Musik, das Musikfestival Palazzo und die Schloss- festspiele Thurn und Taxis – wären ohne die Unterstützung der Sparkasse Regens- burg nicht möglich. s Sparkasse Regensburg TAGE ALTER Musik REGEnsbuRG MAi 2015 VVoorrwwoorrtt GGrruußßwwoorrtt GGrruußßwwoorrtt Vier Tage Alte Musik pur Musikereignis von internationalem Rang Einzigartiges Festival Liebe Musikfreunde, die TAGE ALTER MUSIK REGENS - BURG finden in diesem Jahr zum 31. Mal statt. In den vier Tagen des Festi- vals können wir Ihnen auch heuer wieder anregende Begegnungen mit Musik vergangener -
The Importance of the Dead Sea Scrolls for the Study of the Explicit Quotations in Ad Hebraeos
HTS Teologiese Studies/Theological Studies ISSN: (Online) 2072-8050, (Print) 0259-9422 Page 1 of 9 Original Research The importance of the Dead Sea Scrolls for the study of the explicit quotations inAd Hebraeos Author: The important contribution that the Dead Sea Scrolls (DSS) hold for New Testament studies is Gert J. Steyn¹ probably most evident in Ad Hebraeos. This contribution seeks to present an overview of Affiliation: relevant extant DSS fragments available for an investigation of the Old Testament explicit 1Department of New quotations and motifs in the book of Hebrews. A large number of the explicit quotations in Testament Studies, Faculty of Hebrews were already alluded to, or even quoted, in some of the DSS. The DSS are of great Theology, University of importance for the study of the explicit quotations in Ad Hebraeos in at least four areas, namely Pretoria, South Africa in terms of its text-critical value, the hermeneutical methods employed in both the DSS and Project leader: G.J. Steyn Hebrews, theological themes and motifs that surface in both works, and the socio-religious Project number: 02378450 background in which these quotations are embedded. After these four areas are briefly explored, this contribution concludes, among others, that one can cautiously imagine a similar Description Jewish sectarian matrix from which certain Christian converts might have come – such as the This research is part of the project, ‘Acts’, directed by author of Hebrews himself. Prof. Dr Gert Steyn, Department of New Testament Studies, Faculty of Theology, University of Introduction Pretoria. The relation between the text readings found among the Dead Sea Scrolls (DSS), those of the LXX witnesses and the quotations in Ad Hebraeos1 needs much more attention (Batdorf 1972:16–35; Corresponding author: 2 Gert Steyn, Bruce 1962/1963:217–232; Grässer 1964:171–176; Steyn 2003a:493–514; Wilcox 1988:647–656). -