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New Breed 2018 July 2018
NEW BREED 2018 MEET THE NEW BREED OF AUSTRALIAN CHOREOGRAPHERS Forimmediate release August7 2018 29 NOV – 8 DEC CARRIAGEWORKS SYDNEY Sydney DanCe Company and Carriageworks, in conjunCtion with The Balnaves Foundation, announCe four Australian choreographers commissioned to Create works for the aCClaimed New Breed initiative that supports Australia’s next generation of dance-maKers. ‘An eclectic and consistently satisfying night of dance’ Time Out Sydney Co-presented by two of Australia’s most dynamic arts organisations – Carriageworks and Sydney Dance Company – with the generous support of The Balnaves Foundation, New Breed 2018 will provide Australian choreographers Prue Lang (Melbourne), Katina Olsen (Sydney/Sunshine Coast), Holly Doyle (Sydney) and Janessa Dufty (Yamba) with an invaluable opportunity to work with Australia’s finest contemporary dancers on a newly commissioned dance piece. These four new works will comprise the New Breed 2018 season from 29 November to 8 December 2018. The New Breed initiative made its debut in November 2014, supporting five emerging Australian choreographers through the commissioning and presentation of new dance work. Four sold out seasons in 2014, 2015, 2016 and 2017 ensued. Adelaide-based New Breed 2014 choreographer Gabrielle Nankivell was the recipient of the 2015 Tanja Liedtke Fellowship for her New Breed premiere, Wildebeest. Wildebeest was part of Sydney Dance Company’s stunning double bill Untamed in 2016, and nominated for a Helpmann Award for Best Choreography in a Ballet, Dance or Physical Theatre Production in 2017. It went on to bepart of Sydney Dance Company’s European Spring Tour in April 2018, which included sold-out performances at the Chaillot - Théâtre National de la Danse in Paris. -
Workshops & Research
WORKSHOPS & RESEARCH 20 JULY - 16 AUGUST 2014 Workshops in Contemporary Dance and Bodywork for all levels from beginners to professional dancers. Seven phases which can be attended independently from each other (each week- workshop: 1 class per day, each intensive-workshop: 2 classes per day) «impressions'14»: 20 July ! Week1: 21 - 25 July Intensive1: 26 + 27 July Week2: 28 July - 01 August! Intensive2: 02 + 03 August! Week3: 04 - 08 August! Intensive3: 09 + 10 August! Week4: 11 - 15 August ! «expressions'14»: 16 August Index 3 Artists listed by departments 4 - 133 All workshop descriptions listed by artists 134 - 149 All Field Project descriptions listed by artists 149 - 150 Pro Series description 2 CONTEMPORARY DANCE Jose Agudo | Conny Aitzetmueller | Kristina Alleyne | Sadé Alleyne | Laura Arís | Iñaki Azpillaga | Susanne Bentley | Marco Berrettini | Bruno Caverna | Marta Coronado | Zoi Dimitriou | Frey Faust | Ori Flomin | Saju Hari | Sascha Hauser aka CIONN | Kathleen Hermesdorf | Damien Jalet | Peter Jasko | German Jauregui | Kira Kirsch | Kerstin Kussmaul | Juliana Neves | Sabine Parzer | Rasmus Ölme | Francesco Scavetta | Rakesh Sukesh | Samantha Van Wissen | Hagit Yakira | David Zambrano IMPROVISATION Marco Berrettini | Adriana Borriello | Alice Chauchat | Ivo Dimchev | Zoi Dimitriou | Defne Erdur | Judith Grodowitz | Miguel Gutierrez | Francesca Harper | Andrew Harwood de Lotbinière | Keith Hennessy | Damien Jalet | Martin Kilvády | Barbara Kraus | Aiko Kazuko Kurosaki | Jennifer Lacey | Benoît Lachambre | Nita Little | Eroca -
Black Grace March 19 / 2:30 Pm Memorial Auditorium
PROGRAM: BLACK GRACE MARCH 19 / 2:30 PM MEMORIAL AUDITORIUM ARTISTS PROGRAM Black Grace All choreography by Neil Ieremia. A separate program will be provided at Minoi (1999) the performance. Minoi fuses a traditional Samoan dance style known as Fa’ataupati (slap dance) and western contemporary dance as a means of exploring cultural identity issues, live singing, and vocalizations. Pati Pati (2009) This work is a mixture of excerpts from older repertoire that utilizes body percussion influenced by traditional Samoan Sasa (seated dance) and Fa’ataupati (slap dance). Crying Men – Excerpt (new work) In this sneak preview of his latest work, Ieremia explores masculinity from a Pacific perspective. Mother Mother (premiered 2013) Mother Mother was originally choreographed for a music video, on request from the popular New Zealand band Fat Freddy’s Drop. INTERMISSION As Night Falls (2016) A poetic ode to our troubled world, As Night Falls is a beautiful new work set to the timeless and passionate sounds of Antonio Vivaldi. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms. Photography and recording of any kind are not permitted. Thank you. 28 STANFORD LIVE MAGAZINE MARCH 2017 his work has been presented in Australia, Canada, Germany, Holland, Luxembourg, Mexico, New Caledonia, South Korea, Scotland, Switzerland, Japan, and the United States. Numerous firsts for a New Zealand choreographer include sell-out performances at Jacob’s Pillow Dance Festival (U.S. debut 2004 and 2005), a four-week season on New York City’s 42nd Street, and performances at the renowned Cervantino Festival in Mexico, the John F. -
Saluteremembering WW1: Four Dance Works
EDUCATION RESOURCE Education rnzb.org.nz facebook.com/nzballet SALUTERemembering WW1: Four dance works NATIONAL SPONSOR SUPPORTED BY MAJOR SUPPORTER SUPPORTING EDUCATION CURRICULUM In this unit you and your students will: LEARNING OBJECTIVES FOR • Learn about the elements that come LEVELS 7 & 8 together to create a theatrical ballet experience. Level 7 students will learn how to: • Identify the processes involved in making a • Understand dance in context – Investigate theatre production. and evaluate the effects of individual, social, cultural, and technological influences on the development of a variety of dance genres and styles. CURRICULUM LINKS IN THIS • Develop practical knowledge – UNIT Extend skills in the vocabulary, practices, Values and technologies of selected dance genres Students will be encouraged to value: and styles. • Innovation, inquiry and curiosity, by thinking • Communicate and interpret – Analyse, critically, creatively and reflectively. explain, and discuss aspects of performance • Diversity, as found in our different cultures and choreography in a range of dance and heritages. works. • Community and participation for the common good. Level 8 students will learn how to: • Understand dance in context – Investigate, analyse, and discuss the features, history, KEY COMPETENCIES issues, and development of dance in New Zealand, including the contribution of • Using language, symbols and text – selected individuals and groups. Students will recognise how choices of • Develop practical knowledge – language and symbols in live theatre affect Extend and refine skills, practices, and use people’s understanding and the ways in of technologies in a range of dance genres which they respond. and styles. • Relating to others – Students will develop • Communicate and interpret – Critically the ability to listen actively and share ideas analyse, interpret, and evaluate the artistic regarding theatrical ballet performances. -
The Joyce Ballet Festival | Criticaldance 2015-12-09, 12:18 AM
MOVE: the company at The Joyce Ballet Festival | CriticalDance 2015-12-09, 12:18 AM Search… Follow @CriticalDance An Inclusive Site for Dancers and Dance Audiences Home About Reviews and Features Taiwan International Festival of the Arts Dance Salad 2015 Forum Archives Links Contact ! BALLET (USA & CANADA), REVIEWS FOLLOW US ON MOVE: the company at The Joyce Ballet Festival FACEBOOK The Joyce CriticalDance Theater, New Like Page 1.8k likes York, NY August 4, 2015 REVIEWS AND Jerry FEATURES: BY Hochman CATEGORY The two-week Reviews and Features: summer 2015 By Category Joyce Ballet Select Cate Festival began gory with the first Joshua Beamish’s Burrow of two REVIEWS AND (dancers here: Nicol Edmonds, Matthew Ball) FEATURES: BY performances Photo Alice Pennefather MONTH by Canadian- born dancer Reviews and Features: and contemporary ballet choreographer Joshua Beamish’s MOVE: the company. By Month Select Mon Beamish is one of ballet’s choreographers du jour – a post-up-and-coming but not quite th household name who is virtually ubiquitous, having presented Conditional Sentences in Wendy Whelan’s Restless Creatures program in May (also at the Joyce), his company’s RECENT COMPANIES tenth anniversary performance in Vancouver, a world premiere at the Fire Island Dance Festival last month, and Rouge et Noir (reportedly an homage to the Ballet Russes) for Akram Khan the Ashley Bouder Project at this same Joyce Festival; and he gets to work with some of Alonzo King LINES Ballet the finest dancers in the world. American Ballet Theatre American Of the pieces danced here, Stay and Surface Properties have more interest than the Repertory Ballet AXIS others, but each was skillfully crafted and superbly executed. -
Final Project Completion Reports Are Made Available on Our Web Site, and Publicized in Our Newsletter and Other Communications
Organization Legal Name: Conservation International - Pacific Islands Program Project Title: Small Grants Mechanism for Polynesia-Micronesia Date of Report: 24 February 2014 Leilani Duffy Report Author and Contact CI Pacific Islands Information Apia - SAMOA CEPF Region: Polynesia-Micronesia Strategic Direction: 1-2-3 Grant Amount: $824,955 Project Dates: May 1, 2008-May 31, 2013 Implementation Partners for this Project (please explain the level of involvement for each partner): The following partners assisted CI-Pacific Islands in the implementation of the Small Grants Mechanism by participating as the Technical Advisory Committee in reviewing and providing advice on the project proposals received from potential grantees. These committee comprised of members from inter-governmental organizations, international NGOs, academic institutions, regional NGOs and UN Agencies. 1. Mr. Greg Sherley (served as the Chair of the TAG) UNEP Task Force Manager Pacific Region - Samoa 2. Easter Galuvao Biodiversity Advisor Secretariat Pacific Regional Programme, Samoa 3. Jean-Yves Meyer Environment Research Department French Polynesia 4. Mark O’Brien Pacific Birdlife International Fiji 5. Willie Kostka Micronesia Conservation Trust FSM 6. Marika Tuiwawa University South Pacific Fiji 7. Souad Boudjelas Pacific Invasive Initiative, Auckland NZ. Conservation Impacts Please explain/describe how your project has contributed to the implementation of the CEPF ecosystem profile. Please summarize the overall results/impact of your project. The CEPF Small Grants (SG) investment managed by CI-Pacific Islands for terrestrial biodiversity conservation in the Polynesia-Micronesia hotspot had addressed some issues and concern that were not directly covered in the large grants. The SG focused on the three strategic directions (SD) highlighted in the Ecosystem Profile which includes invasive species control, management and eradication; improved management of KBA sites and community awareness and species recovery. -
Index for Volumes 17-18
INDEX, VOLUMES 17-18 Includes four issues per volume. Index compiled by Russell T. Clement and Robert S. Means. AUTHOR INDEX Ahlburg, Dennis A. “Return Migration from the United States to American Samoa: Evidence from the 1980 and 1990 Censuses.” 17 (2): 71-84. Aldrich, Robert. France and the South Pacific since 1940. Reviewed by Paul de Deckker, Colin Newbury, and Michel Panoff. In “Book Review Forum,” 18 (3): 119-133. -------. Response to reviews of France and the South Pacific since 1940. In “Book Review Forum,” 18 (3): 133-142. Ariki, Pa Tuterangi. See Davis Augé, Marc. Review of Inalienable Possessions: The Paradox of Keeping- While-Giving, by Annette B. Weiner. In “Book Review Forum,” 18 (1): 114-118. Ballekom, Manu van, and Ray Harlow. Te Waiatatanga mai o te Atua: South Island Traditions Recorded by Matiaha Tiramorehu. Reviewed by John Charlot. In “Some Recent Publications of Maori Texts,” 18 (2): 139-149. Barker, Judith C. “Home Alone: The Effects of Out-Migration on Niuean Elders’ Living Arrangements and Social Supports.” 17 (3): 41-81. Beaudet, Jean-Michel, and Lionel Weiri, comps., text by Jean-Michel Beau- det and Kaloonbat Tein. Chants Kanaks: Cérémonies et berceuses. Reviewed by Peter Russell Crowe. In “Melanesian Music on Compact Disc: Some Significant Issues,” 18 (3): 147-159. Pacific Studies, Vol. 19, No. 1--March 1996 195 196 Pacific Studies, Vol. 19, No. 1--March 1996 Beechert, Edward D. See Lal, Munro, and Beechert Besnier, Niko. “The Truth and Other Irrelevant Aspects of Nukulaelae Gossip.” 17 (3): 1-39. Black, Peter W. “The Domestication of Catholicism on Tobi.” 17 (1): 1-28. -
REVISED DRAFT Round-Leaved Chaff Flower (Achyranthes Splendens Var
REVISED DRAFT Round-Leaved Chaff Flower (Achyranthes splendens var. rotundata) Habitat Conservation Plan Kenai Industrial Park Project Prepared for: Hawai‘i Department of Land and Natural Resources Applicant: CIRI Land Development Company 2525 C Street, Suite 500 Anchorage, Alaska 99503 Draft prepared by: AMEC Environment & Infrastructure, Inc. 23049 Ualena Street, Suite 1100 Honolulu, Hawai‘i 96819 Revisions and final document produced by: SWCA Environmental Consultants, Honolulu Office Bishop Square: ASB Tower 1001 Bishop Street, Suite 2800 Honolulu, Hawai‘i 96813 June 2013 REVISED DRAFT Round-Leaved Chaff Flower HCP; Kenai Industrial Park This page intentionally left blank 2013 SWCA Environmental Consultants REVISED DRAFT ROUND-LEAVED CHAFF FLOWER (ACHYRANTHES SPLENDENS VAR. ROTUNDATA) HABITAT CONSERVATION PLAN KENAI INDUSTRIAL PARK PROJECT PREPARED FOR: Hawaiʻi Department of Land and Natural Resources APPLICANT: CIRI Land Development Company 2525 C Street, Suite 500 Anchorage, Alaska 99503 DRAFT PREPARED BY: AMEC Environment & Infrastructure, Inc. 3049 Ualena Street, Suite 1100 Honolulu, HI. 96819 REVISIONS AND FINAL DOCUMENT PRODUCED BY: SWCA Environmental Consultants Honolulu Office Bishop Square: ASB Tower 1001 Bishop Street, Suite 2800 Honolulu, HI. 96813 June 2013 REVISED DRAFT Round-Leaved Chaff Flower HCP; Kenai Industrial Park This page intentionally left blank 2013 SWCA Environmental Consultants REVISED DRAFT Round-Leaved Chaff Flower HCP; Kenai Industrial Park TABLE OF CONTENTS 1 INTRODUCTION AND PROJECT OVERVIEW............................................................................ -
Botanical Inventory of the Proposed Ta'u Unit of the National Park of American Samoa
Cooperative Natiad Park Resou~cesStudies Unit University of Hawaii at Manoa Department of Botany 3 190 Made Way Honolulu, Hawaii 96822 (808) 956-8218 Technical Report 83 BOTANICAL INVENTORY OF THE PROPOSED TA'U UNIT OF THE NATIONAL PARK OF AMERICAN SAMOA Dr. W. Arthur Whistler University of Hawai'i , and National Tropical Botanical Garden Lawai, Kaua'i, Hawai'i NatidPark Swice Honolulu, Hawai'i CA8034-2-1 February 1992 ACKNOWLEDGMENTS The author would like to thank Tim Motley. Clyde Imada, RdyWalker. Wi. Char. Patti Welton and Gail Murakami for their help during the field research catried out in December of 1990 and January of 1991. He would also like to thank Bi Sykes of the D.S.I.R. in Chtistchurch, New Zealand. fur reviewing parts of the manuscript, and Rick Davis and Tala Fautanu fur their help with the logistics during the field work. This research was supported under a coopemtive agreement (CA8034-2-0001) between the University of Hawaii at Man08 and the National Park !&mice . TABLE OF CONTENTS I . INTRODUCTION (1) The Geography ...........................................................................................................1 (2) The Climate .................................................................................................................1 (3) The Geology............................................................................................................... 1 (4) Floristic Studies on Ta'u .............................................................................................2 (5) Vegetation -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
Range Extension of Doleschallia Tongana (Nymphalidae) to the Samoan Archipelago, with Notes on Its Life History and Ecology
Journal of the Lepidopterists' Society 54(1), 2000, 33~3,5 RANGE EXTENSION OF DOLESCHALLIA TONGANA (NYMPHALIDAE) TO THE SAMOAN ARCHIPELAGO, WITH NOTES ON ITS LIFE HISTORY AND ECOLOGY ROBERT P. COOK l U.S. National Park Selvice, National Park of American Samoa, Pago Pago, AMERICAN SAMOA 96799 AND DON VARGO American Samoa Community College, Land Grant Program, Pago Pago, AMERICAN SAMOA 96799 ABSTRACT. Adults and larvae of the nymphalid butterfly Doleschallia tongana vomana Fruhst, were recently documented for the first time in the Samoan archipelago, on the island o[Tutuila, American Samoa. Distributed from Melancsia to western Polynesia, this species consists of several sub-species, with D. t. vomana endemic to Fiji. The establishment of this species on Tutuila is likely the result of natural dispersal by adult(s) blown from Fiji, though the success of this colonization was made possible only as the result of human introduction of the host plants Graptophyllum pictum and Pseuderanthemum carruthersii (Acanthaceae). The nymphalid butterfly Doleschallia tongana Hop dorsally and prominent cream colored stripes running kins is distributed through Melanesia eastward to longitudinally, located dorso-Iaterally and ventro-Iater western Polynesia. Formerly considered a subspeCies ally. Each body segment had seven prominent black of D. bisaltide, D. tongana was elevated to full species spines, with numerous smaller secondary spines. The status by Parsons (1999), Based on a review of Do base of each primary spine was pale metallic blue. leschallia specimens, Parsons (1999) determined that From a distance, the most prominent features of the D. bisaltide extended from India eastward to New caterpillar are the black ground color with metallic Guinea, and that further eastward, specimens consid blue spots, and the pair of light parallel stripes running ered to be subspecies of D, bisaltide were in fact, D. -
A Comparative Analysis of Content in Maori
MATTERS OF LIFE AND DEATH: A COMPARATIVE ANALYSIS OF CONTENT IN MAORI TRADITIONAL AND CONTEMPORARY ART AND DANCE AS A REFLECTION OF FUNDAMENTAL MAORI CULTURAL ISSUES AND THE FORMATION AND PERPETUATION OF MAORI AND NON-MAORI CULTURAL IDENTITY IN NEW ZEALAND by Cynthia Louise Zaitz A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, Florida August 2009 Copyright by Cynthia Louise Zaitz 2009 ii CURRICULUM VITA In 1992 Cynthia Louise Zaitz graduated magna cum laude with a Bachelor of Arts in Drama from the University of California, where she wrote and directed one original play and two musicals. In 1999 she graduated with a Masters in Consciousness Studies from John F. Kennedy University. Since 2003 she has been teaching Music, Theatre and Dance in both elementary schools and, for the last two years, at Florida Atlantic University. She continues to work as a composer, poet and writer, painter, and professional musician. Her original painting, Alcheme 1 was chosen for the cover of Volume 10 of the Florida Atlantic Comparative Studies Journal listed as FACS in Amazon.com. Last year she composed the original music and created the choreography for Of Moon and Madness, a spoken word canon for nine dancers, three drummers, an upright bass and a Native American flute. Of Moon and Madness was performed in December of 2008 at Florida Atlantic University (FAU) and was selected to represent FAU on iTunesU. In April 2009 she presented her original music composition and choreography at FAU in a piece entitled, Six Butts on a Two-Butt Bench, a tongue-in- cheek look at overpopulation for ten actors and seventy dancers.