Stavros Niarchos Center (Greece)

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Project information Stavros Niarchos Center (Greece) Project description mageba scope Highlights & facts The Stavros Niarchos Foundation Cultural In order to ensure that the building struc- Center (SNFCC) in Athens is a multifunc- ture can withstand even a severe earth- mageba products: tional arts, education and recreation com- quake of the type Athens has known Type: RESTON®PENDULUM plex. It includes, within its 170,000 m2 for thousands of years, the buildings of Curved Surface Sliders park, new state-of-the-art facilities for the the National Library of Greece and the RESTON®SA shock National Library of Greece and the Greek Greek National Opera are built on 323 absorbers National Opera. RESTON®PENDULUM Curved Surface RESTON®SP elastic spring devices The buildings were designed by Renzo Pi- Sliders. The 323 seismic isolators allow ano, the internationally acclaimed archi- dynamic movements of +/- 350 mm and ROBO®CONTROL SHM tect who achieved worldwide fame in the carry loads of up to 70,000 kN per unit. Installation: 2013–2015 1970s with the Centre Georges Pompidou A solar collector roof canopy with an Structure: in Paris. With a budget of €566 million, the area of 10,000 m2 is also equipped with City: Athens SNFCC is one of the largest construction 60 RESTON®SA shock absorbers and 120 projects in recent Greek history. RESTON®SP spring devices to resist the Country: Greece strong wind forces arising. All these de- Completed: 2016 vices regulate the connections to the 30 Type: Cultural centre column heads that hold the roof, damping Owner: Stavros Niarchos all vertical vibrations. Foundation (to be donated to Greek state) A ROBO®CONTROL structural health moni- Contractor: Impregilo-TERNA JV toring (SHM) system is also linked to all Designer: PENELIS SA / EXPEDITION damper and spring devices. / OMETE The SNFCC is located 4.5 km south of the centre of The RESTON®PENDULUM isolators allow large Testing of one set of four RESTON®SA shock ab- Athens, Greece movements and carry loads of up to 70,000 kN sorbers, arranged as used in roof canopy Greece Turkey © 2014 Google 2021.07 CH-EN ©mageba mageba sa – Solistrasse 68 – 8180 Bulach – Switzerland – T +41 44 872 40 50 – [email protected].

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2017 Stavros Niarchos Foundation Lecture Brochure
World Trade and Exchange Rates From the Pax Americana to a Multilateral New Order LORD MERVYN KING Former Governor of the Bank of England SEVENTEENTH ANNUAL STAVROS NIARCHOS FOUNDATION LECTURE AND DINNER TUESDAY, MAY 16, 2017 About the Stavros Niarchos Foundation Lecture Series The annual Stavros Niarchos Foundation Lecture Series at the Peterson Institute for International Economics was established in 2001 through the generous support of the Stavros Niarchos Foundation. The Series enables the Institute to present a leader of world economic policy and thinking for a major address each year on a topic of central concern to the US and international policy communities. The Series’ inaugural lecture was delivered by Alan Greenspan, former chairman of the Federal Reserve Board, in 2001. The list of subsequent speakers includes Ernesto Zedillo, former President of Mexico, in 2003; Lawrence H. Summers, former Secretary of the Treasury and Chair of the National Economic Council, in 2004; Long Yongtu, former Vice Minister of China’s Ministry of Foreign Trade and Economic Cooperation, in 2005; Mario Monti, former Prime Minister of Italy, in 2006; Heizō Takenaka, former Minister for Economic Policy of Japan, in 2007; Petr Aven, former President of Alfa Bank, in 2008; Nandan M. Nilekani, former Co- Chairman of the Board of Directors, Infosys Technologies, LTD, in 2009; Niall Ferguson, Laurence A. Tisch Professor of History, Harvard University, in 2010; John Lipsky, former First Deputy Managing Director of the International Monetary Fund, in 2011;
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World Premiere of Angels' Atlas by Crystal Pite
World Premiere of Angels’ Atlas by Crystal Pite Presented with Chroma & Marguerite and Armand Principal Dancer Greta Hodgkinson’s Farewell Performances Casting Announced February 26, 2020… Karen Kain, Artistic Director of The National Ballet of Canada, today announced the casting for Angels’ Atlas by Crystal Pite which makes its world premiere on a programme with Chroma by Wayne McGregor and Marguerite and Armand by Frederick Ashton. The programme is onstage February 29 – March 7, 2020 at the Four Seasons Centre for the Performing Arts. #AngelsAtlasNBC #ChromaNBC #MargueriteandArmandNBC The opening night cast of Angels’ Atlas features Principal Dancers Heather Ogden and Harrison James, First Soloist Jordana Daumec, Hannah Fischer and Donald Thom, Second Soloists Spencer Hack and Siphesihle November and Corps de Ballet member Hannah Galway. Principal Dancer Greta Hodgkinson retires from the stage after a career that has spanned over a period of 30 years. She will dance the role of Marguerite opposite Principal Dancer Guillaume Côté in Marguerite and Armand on opening night. The company will honour Ms. Hodgkinson at her final performance on Saturday, March 7 at 7:30 pm. Principal Dancers Sonia Rodriguez, Francesco Gabriele Frola and Harrison James will dance the title roles in subsequent performances. Chroma will feature an ensemble cast including Principal Dancers Skylar Campbell, Svetlana Lunkina, Heather Ogden and Brendan Saye, First Soloists Tina Pereira and Tanya Howard, Second Soloists Christopher Gerty, Siphesihle November and Brent
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Types & Forms of Theatres
THEATRE PROJECTS 1 Credit: Scott Frances Scott Credit: Types & Forms of Theatres THEATRE PROJECTS 2 Contents Types and forms of theatres 3 Spaces for drama 4 Small drama theatres 4 Arena 4 Thrust 5 Endstage 5 Flexible theatres 6 Environmental theatre 6 Promenade theatre 6 Black box theatre 7 Studio theatre 7 Courtyard theatre 8 Large drama theatres 9 Proscenium theatre 9 Thrust and open stage 10 Spaces for acoustic music (unamplified) 11 Recital hall 11 Concert halls 12 Shoebox concert hall 12 Vineyard concert hall, surround hall 13 Spaces for opera and dance 14 Opera house 14 Dance theatre 15 Spaces for multiple uses 16 Multipurpose theatre 16 Multiform theatre 17 Spaces for entertainment 18 Multi-use commercial theatre 18 Showroom 19 Spaces for media interaction 20 Spaces for meeting and worship 21 Conference center 21 House of worship 21 Spaces for teaching 22 Single-purpose spaces 22 Instructional spaces 22 Stage technology 22 THEATRE PROJECTS 3 Credit: Anton Grassl on behalf of Wilson Architects At the very core of human nature is an instinct to musicals, ballet, modern dance, spoken word, circus, gather together with one another and share our or any activity where an artist communicates with an experiences and perspectives—to tell and hear stories. audience. How could any one kind of building work for And ever since the first humans huddled around a all these different types of performance? fire to share these stories, there has been theatre. As people evolved, so did the stories they told and There is no ideal theatre size. The scale of a theatre the settings where they told them.
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The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P.
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Operaharmony
#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too .
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Organisational Members
Organisational Members Be part of a European community that encourages innovation, international collaboration and intercultural dialogue through opera and ballet Supporting innovation in opera and ballet The non-profit organization FEDORA based at the Palais Garnier in Paris encourages innovation and creativity in opera and ballet in Europe and beyond through an international Prizes competition initiated under the presidency of Jérôme-François Zieseniss, as a tribute to Rolf Liebermann. Every year, FEDORA awards privately-funding prizes to new operas, ballets as well as to education and digital artistic projects, helping them reach “Jean Monnet, one of the creators of Europe, once said the stage. that if he could start again, he would try to unite Europe through culture. FEDORA shows that this is possible.” An international network Today, the FEDORA network federates 95 opera houses, festivals, ballet companies and Handelsblatt, 2018 friends associations in 25 countries, as well as individual, corporate donors and foundations to create a sustainable ecosystem between the cultural and economic sector guaranteeing the future of opera and ballet. A unique platform (www.fedora-platform.com) “FEDORA sends an important and very positive message Thanks to 2 million euros of co-funding of the Creative Europe programme of the European Union, FEDORA harnesses the digital shift to showcase artistic works-in-progress on its across Europe that advocates our cultural heritage.” Platform. Thereby it reaches out to a new generation of people, allowing them to promote and support online new operas and ballets that are still in the making. Barbara Gessler, Head of Unit Creative Europe, European online giving system DG Education, Youth, Sport and Culture This year, FEDORA will be the first non-profit organisation alongside Common Goal in of the European Commission Europe to test a new online transnational giving system that will allow simplified online cross-border donations and facilitate philanthropy across Europe.
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Aruilffi * &Til
ffiH"A GIUSEPPEVERDI AIDA Librettobv AntonioGhislanzoni Thisproduction of Ardais dedicatedto DiamondProducers' Circle Sponsors lris and Matthew Strauss, TitleCo-Sponsors Gillian and Tony Thornley, and Producers' Circle Sponsors Jennifer and RichardGreenfield, Lyndaand RichardKerr, Barbara Kjos, John Rebeloand SarahB. Marsh-Rebeloand Friendsof Pam Slater-Price. SanDiego Opera is pleasedto recognizeNorthern Trust as our CorporateProducing Partner for Aida. Sincerethanks also go to AmericanAirlines. OfficialAirline of SanDiego Opera, SycuanCasino, Phone Etiquette Sponsor, and PointLoma Nazarene University, Supertitles Sponsor. ilA$T: $ilTTit*t: (in orderof vocalappearance) Setting:The periodof the Pharaoh'spower. Memphisand Thebes Ramfis ReinhardHagen Radames Walter Fraccaro. ACT I Amneris Jill Grove. Scene1 : A Hallin the Palacein Memphis Aida LatoniaMoore" Scene2. lnsidethe Templeof Vulcan Kingof Egypt Ashraf Sewailam ACT II Messenger Greg Fedderly Scene'l : Amneris'apartments in Thebes Priestess PritiGandhi Scene2; The Gatesof Thebes Amonasro Mark S. Doss - 2O Minute lntermission - Conductor DanieleCallegari- ACT Director Andrew Sinclair III TheTemple of lsison the Banksof the Nile Choreographer Kennethvon Heidecke ScenicDesigner ZandraRhodes ACT IV Cncfr rma Dacinnar ZandraRhodes TheJudgment Hall and SubterraneanTomb LrghtingDesigner ChristopherMaravich Wig and MakeupDesigner Steven Bryant . ChorusMaster CharlesF. Prestinari Therunning time is approximately 3 hours, tncluding one intermission. Supertitles ChristopherBergen . Byarrangement
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SOFIA KONDYLIA Calendar of Seminars and Further Training
SOFIA KONDYLIA Calendar of seminars and further training DANCE TRAINING & WORKSHOPS [2007-2019] CLASSICAL DANCE - TECHNIQUE [Vaganova based] 2017 Elena Topalidou (Rontidi Professional Drama Regular professional classes School) 2016 Gesh Mihov (Municipal Ballet School of Larisa) 5-day summer workshop 2009 – 2015 Nona Gieova (Bolshoi Ballet Academy) Regular professional classes 2009 – 2013 Cynthia Frydas (Greek National Opera) BA professional training 2009 – 2013 Tania Miltenova (Sofia National Opera and BA professional training Ballet) 2009 – 2013 Basia Lionaki (Rallou Manou Professional BA professional training Dance School) 2011 – 2013 Vaso Kykna (Polish State Opera Brotslaf) BA professional training 2009 – 2013 Katerina Kassioumi (Greek National State BA professional training School of Dance) 2010 – 2011 Avgi Karageorgiou (Rallou Manou Professional Regular pre-professional Dance School) classes 2011 Anton Stoinov Professional classes 2007 – 2010 Pierre Tavernier (Opera de Paris, Greek Regular professional classes National State School of Dance) 2008 – 2009 Alain Astie (Opera de Paris) 10-day summer workshops 2008 – 2009 Emi Korfia (Budapest Contemporary Dance Regular professional classes Academy) 2008 – 2009 Sascha Neskov (Greek National Opera) 2007 – 2008 Zozo Kyverioti (Rallou Manou Professional Regular pre-professional Dance School, Greek National State School of classes Dance) 1990 – 2007 Sissy Persi (Greek National Opera) Regular elementary classes - REPERTOIRE Russian vers. 2016 Mioara Popescu (Municipal Ballet School of 5-day
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Hans Christian Andersen Award 2018 Stavros Niarchos Foundation Cultural Center Athens, Greece Friday, 31 August 2018
Hans Christian Andersen Award 2018 Stavros Niarchos Foundation Cultural Center Athens, Greece Friday, 31 August 2018 Welcome by Hans Christian Andersen Jury President Patricia Aldana Welcome to this beautiful building in this most magnificent city of Athens for the very special evening when the 2018 winners of the Hans Christian Andersen Award will be honoured as they deserve. I would like to welcome not only all the Congress participants, but also His Excellency Mr Yasuhiro Shimizu the Japanese Ambassador to Greece and his wife Mrs Yoshimi Shimizu and Mr Vladimir Grigoriev the Deputy Head for the Russian Federal Agency for Press and Mass Communications. I also want to take this opportunity to warmly thank Vassiliki Nika and her organizing committee for this fantastic congress and especially for this impressive venue for this Award evening. However, before I do anything else I would like to once again thank our generous and wonderful sponsors, Nami Island Inc, the Minn family and Mr Kang. I would like to invite Mrs Lee to the stage to say a few words on behalf of our generous and engaged sponsor of the most prestigious international award for children’s literature. Greetings from the sponsor Nami Island Inc. by Lee Kye Young, Vice Chairperson of Nami Island I would also like to welcome four Andersen nominees that are with us today. Please come to the stage to receive your diplomas as I call your name: Vagelis Iliopoulos, Author from Greece Jeannie Baker, Illustrator from Australia Andres Konstantinides, Author from Cyprus Farhad Hassanzedeh, Author from Iran Gundega Muzikante, Illustrator from Latvia In addition, I would like to invite the sister of Christos Dimos, the Illustrator nominee from 1 Greece, who would like to be here but cannot join us on health grounds, so I welcome Martha Dimou to receive his diploma on his behalf.
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THE TRAGEDY of CARMEN by PETER BROOK DONALD and DONNA BAUMGARTNER Presnting Title Sponsor
March 13, 15, 21 & 22, 2020 Wilson Theater at Vogel Hall Marcus Performing Arts Center ROBERT SOBCZAK Presnting Title Sponsor THE TRAGEDY OF CARMEN BY PETER BROOK DONALD AND DONNA BAUMGARTNER Presnting Title Sponsor VERDI’S MACBETH May 29 at 7:30pm | May 31 at 2:30pm Marcus Performing Arts Center Call 414-291-5700 x 224 or www.florentineopera.org THE SEASON OF THE 2020 2 0 2 1 ENSEMBLE THE TRAGEDY OF CARMEN BY PETER BROOK Photo: Cory Weaver Cory Photo: THE TRAGEDY OF CARMEN BY PETER BROOK PROGRAM INFORMATION 07 From the General Director & CEO 09 From the Board President 10 Donor Spotlights 11 In Memorium 14 Credits 15 Cast 17 Synopsis 18 Program Notes 20 Director’s Notes 22 Conductor, Christopher Rountree 23 Stage Director, Eugenia Arsenis 24 The Anello Society 28 Artist Biographies 34 Musicians 38 Board of Directors 39 Lifetime Donors 40 Commemorative Gifts 41 Annual Donors 48 Florentine Opera Staff Cover Photo: Brianne Sura Photo Credit: Becca Kames Photo: Cory Weaver Cory Photo: FLORENTINE OPERA COMPANY 5 GENERAL INFORMATION Please make sure all cellular phones, pagers GROUP RATES: and watch alarms are turned off prior to the Groups of 10 or more are eligible for special performance. No photography or videography discounts off regular single ticket prices for is allowed by audience members during the selected performances. For more information, performance. call (414) 291-5700, ext. 224. LATE SEATING: ACCESSIBILITY: Guests arriving late will be seated at a suitable Wheelchair seating is available on the main pause in the performance. Please be advised floor in Vogel Hall and Uihlein Hall.
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New Round of Pandemic Relief from the Stavros Niarchos Foundation (SNF) Provides Wide-Ranging Aid to Organizations Delivering Ke
New round of pandemic relief from the Stavros Niarchos Foundation (SNF) provides wide-ranging aid to organizations delivering key education, food, and social services in U.S., Europe, and Africa. New round of more than $6.9 million in SNF’s $100 million global COVID-19 relief initiative brings total allocated to $88.8 million Tuesday, March 2, 2021 – As global vaccination efforts and new variants of the virus continuously shift the landscape of the pandemic, the Stavros Niarchos Foundation (SNF) continues to focus on meeting urgent needs for vulnerable populations in a way that also lays groundwork for recovery through its $100 million global COVID-19 relief initiative. In this sixth round of grants, 32 grants total more than $6.9 million and bring the overall total allocated through the initiative so far to $88.8 million. The new grants aim to help keep kids’ education on track, combat elevated food insecurity, make quality health care accessible in remote settings, provide access to clean water, and more. “One year ago, we could not have predicted where we would find ourselves now,” said SNF Co-President Andreas Dracopoulos. “What the next months hold will be determined in large part by leadership across sectors, and these organizations demonstrate a critical type of leadership: leading by action. SNF is proud to partner with organizations trusted in their communities to help meet the needs of the most vulnerable.” As it has been since the start of the pandemic, food insecurity remains a dire and growing need, including in communities across the United States.
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Greek National Opera Program of Events For
GREEK NATIONAL OPERA PROGRAM OF EVENTS FOR MARCH TO JULY 2017 > OLYMPIA THEATER > GREEK NATIONAL OPERA MAIN STAGE – ‘STAVROS NIARCHOS’ HALL – STAVROS NIARCHOS FOUNDATION CULTURAL CENTER > ODEON OF HERODES ATTICUS THEATER The GNO kicks off the second half of the 2016-2017 Artistic Period with opera and ballet performances to be held during the introductory period at the Main Stage - ‘Stavros Niarchos’ Hall of the Stavros Niarchos Foundation Cultural Center, and will end in July with Giuseppe Verdi’s Il Trovatore being presented at the Odeon of Herodes Atticus Theater. > For the GNO’s introductory period at the Stavros Niarchos Foundation Cultural Center, its first production will be the GNO Ballet’s work Landscapes [Topia], choreographed by Benjamin Millepied, Antonis Foniadakis and Douglas Lee. Performances will take place on March 31, April 1, 2, 4 and 5 as well as May 5, 6 and 10, 2017 at the GNO Main Stage – ‘Stavros Niarchos’ Hall. > The GNO’s first opera in the introductory period at the Stavros Niarchos Foundation Cultural Center is Giuseppe Verdi’s Macbeth, conducted by Lukas Karytinos - Elias Voudouris, and directed by Lorenzo Mariani. It will be presented on April 23, 25, 27 and 29 & May 3, 2017 at the GNO Main Stage – ‘Stavros Niarchos’ Hall. Tassis Christoyannis and Dimitra Theodosiou perform in the starring roles. > On May 19, 2017 the GNO bids farewell to the Olympia Theater by presenting the first work it ever staged at this historic venue in Academias Street back in 1944. It is Spyridon-Filiskos Samaras’ opera Rhea, to be presented in semi-staged format, conducted by Byron Fidetzis and directed by Nikos Diamantis.
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