DOCSLIB.ORG

The Post Colonial Transformation of the Tropeninstituut: How Development Aid Influenced the Direction of the Institute from 1945-1979

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Post Colonial Transformation of the Tropeninstituut: How Development Aid Influenced the Direction of the Institute from 1945-1979 The Post Colonial Transformation of the Tropeninstituut: How Development Aid Influenced the Direction of the Institute from 1945-1979 Source: Visual Documentation The Royal Tropical Institute (Amsterdam 1990). Niek Lohmann MA History of International Relations, Thesis University of Amsterdam Submission date: 5 January, 2016 Supervisor: prof. dr. Elizabeth Buettner Second assessor: dr. Vincent Kuitenbrouwer Student number: 5970601 Eerste van Swindenstraat 114-2 1093GL Amsterdam [email protected] Contents Introduction 3 Chapter 1. 1945 – 1960 11 1.1 Dutch development aid in the 1940s and 1950s 11 1.2 The Tropeninstituut in the 1940s and 1950s 16 1.3 Analysis of the developments of the Tropeninstituut and Dutch development aid 22 Chapter 2. 1960 – 1970 24 2.1 Dutch development aid in the 1960s 25 2.2 The Tropeninstituut in the 1960s 29 2.3 Analysis of the developments of the Tropeninstituut and Dutch development aid 32 Chapter 3. 1970 – 1980 35 3.1 Dutch development aid in the 1970s 36 3.2 The Tropeninstituut in the 1970s 40 3.3 Analysis of the developments of the Tropeninstituut and Dutch development aid 42 Conclusion 47 Bibliography 50 2 Introduction Most visitors who come to the Netherlands arrive in Amsterdam, and many of these visitors will arrive at the Central Station, one of the oldest and busiest train stations in the country. Many will be impressed by the grandeur of this large neo-renaissance building that was completed in 1889. Few, however, will pay much attention to the peculiar sculptural works embellished in the façades. Upon closer inspection, one can see a muscular, barely dressed, humble-looking Javanese man (recognizable by his typical Javanese headscarf) greeting a bearded European-looking man. Above this image the words ‘Verbroedering der Volkeren’ are written. This can be translated as ‘fraternization of peoples’ and was meant to depict the friendship between the Netherlands and its now-former colony: the Dutch East Indies, which became Indonesia after World War II.1 This curious scene is just one of the many expressions that can be found throughout the city that remind us of the extensive colonial history of the Netherlands. The most significant can be found at an equally impressive building in the eastern district of Amsterdam. This building (rightfully labelled a ‘cathedral of modern Dutch colonialism’2) was constructed in 1926 and was intended to accommodate the Koloniaal Instituut (Colonial Institute) and the Koloniaal Museum (Colonial Museum). Its façades are richly decorated by colonial propaganda. There are images of Asian men and women working at typically colonial industries such as the rubber trade and tobacco industry, a European man preaching from a Bible to a kneeling group of Asians, and a portrait of Jan Pieterszoon Coen, the founder of Batavia and an illustrious officer of the Dutch East India Company. Today these images have lost their relevance. In 1950, the Koloniaal Instituut became the Koninklijk Instituut voor de Tropen [Royal Tropical Institute], nowadays better known as the Tropeninstituut. As the new name implies, the Institute’s interests shifted to the tropics in general. In the same year, the Koloniaal Museum turned into the Tropenmuseum [Tropical Museum] which has become a large anthropological museum that welcomes around 200.000 visitors a year and has a collection of more than 175.000 objects. The transition from Koloniaal Institituut to Tropeninstituut did not happen overnight. In order to survive, the Koloniaal Instituut had to find not just a new name but also a new purpose in post-colonial times. In the early 1950s, the Tropeninstituut found this purpose in the form of development aid. This thesis will examine the post-colonial transformation of the Tropeninstituut and how development aid became the Institute’s main objective. Additionally, 1 E. Vanvugt, De maagd en de soldaat (Amsterdam 1998) 61. 2 Ibid., 77. 3 it will argue what profound implications this had for the functioning of the Tropeninstituut. The time period of this research will be from 1945 until 1979. Before going into more detail on the origin of this subject and the historical framework of the thesis, it is necessary to briefly determine the historical background of the Tropeninstituut, Dutch decolonization and development aid. Koos van Brakel, current Head of the Collection Department of the Tropenmuseum, distinguishes five periods in the history of the Tropeninstituut in Roeland Muskens’ book Colonial Past, Global Future (2010). 3 The first period spans from 1850 to 1900. The Koloniaal Museum was established in Haarlem in 1864 by the Maatschappij ter Bevordering van Nijverheid en Handel [Society to Stimulate Trade and Industry]. The society wanted to arouse commercial interest in the Dutch colonial territories and its focus was on the study of specific objects and products from the colonies. During the second period (1900 to 1945) the guiding principle became an ethical one. It was the duty of the Dutch to ‘civilize’ the colonized people. This moral vocation was supposed to put the interests of the indigenous people ahead. The process of organizing this modernization became known as ethical politics.4 In the 1920s, the Koloniaal Museum was relocated to Amsterdam where it was integrated into the already established Koloniaal Instituut. The Museum was intended to give the public a glimpse of colonial life and the ‘great achievements of the Kingdom’.5 In the third period (1945-1970) the process of decolonization gave opportunity to broaden the focus on other tropical areas. In the fourth period (1970-1990), in cooperation with the development aid branch of the Ministry of Foreign Affairs, Tropeninstituut’s efforts were almost completely aimed at promoting Dutch development policy. From 1990 until the present day the Tropeninstituut’s main focus has been on investigating and explaining globalization.6 The long era of European colonialism ended in the mid-twentieth century. For over four hundred years European powers had established colonies all over the world. This had resulted in direct dominance of large parts of the world by a handful of European countries. In the seventeenth century, the Dutch Golden Age, the Netherlands developed into a powerful trading nation. Through the establishment of the Dutch East India Company in 1602 and the Dutch West India Company in 1621 the Dutch were able to set up trading posts in Asia and the Americas. These posts became colonial possessions primarily founded on economic 3 R. Muskens, Colonial Past, Global Future: 100 Years of The Royal Tropical Institute (KIT): 1910-2010 (Amsterdam 2010) 13. 4 E. Locher-Scholten, Ethiek in fragmenten: Vijf studies over koloniaal denken en doen van Nederlanders in de Indonesische Archipel 1877-1942 (Utrecht 1981) 176. 5 C. Kreps, Decolonizing anthropology museums, dissertation University of Oregon (Eugene 1988) 47. 6 Muskens, Colonial Past, Global Future, 14. 4 activities such as the slave trade in the West and the spice trade in the East. At the end of the eighteenth century, when the French revolutionary army turned the Netherlands into a satellite state of France, the country lost most of its colonies to the British Empire.7 After the defeat of Napoleon and the restoration of Dutch independence, the Dutch Empire was partially restored as well. The Dutch East Indies and Suriname remained the primary Dutch colonies until the dissolution of European imperialism after World War II. The end of the Second World War paved the way for decolonization. The concept of decolonization first of all refers to the end of imperial rule by European states over colonized societies in Africa, Asia, Australia or the Americas. Secondly it depicts the foundation of new nation states. 8 Several developments contributed to the process of decolonization. The inability of the colonial powers to protect their colonies such as in Indonesia and Vietnam from Japanese occupation gave the nationalists of the colonized countries a clear signal that the major powers were not invulnerable. The war-stricken European powers then struggled to find the financial means and political will to adequately respond to colonial resistance. The decolonization process was further boosted by the United States and the United Nations which began putting pressure on the European powers to put an end to colonialism. Most European colonial powers, however, refused to accept this and became involved in (often) long and bloody wars of independence. Eventually the public support of these wars crumbled and the above-mentioned factors and other domestic and foreign factors led to the end of colonialism.9 On 17 August 1945, two days after the Japanese unconditional surrender to the Allies, the Indonesian nationalist leaders Sukarno and Mohammed Hatta declared Indonesian independence and Sukarno became the first president of the newfound state of Indonesia. The independence of Indonesia was not acknowledged by the Netherlands and the government tried to re-establish its rule. An intense armed and diplomatic struggle followed which lasted for four years of occasional but hard-fought conflict, it consisted of two major international diplomatic interventions and much internal Indonesian violent turmoil. The Royal Netherlands East Indies Army succeeded in securing control in cities, major towns and industrial assets but failed to control the countryside. The guerrilla tactics and resilience of the Indonesian resistance movement and major international pressure made the position of the
Load more

Recommended publications
  • Royal Tropical Institute Annual Report 2016
    Royal Tropical Institute Annual Report 2016 1 Contents Preface 4 Health 6 SED & Gender 16 Intercultural Professionals 24 Hospitality 30 Real Estate 38 Financial annual report 44 Social annual report 48 Corporate Governance 50 KIT’s Mission Boards & Council 54 Our mission is to enhance the positive impact of agencies, governments and corporations on sustainable development in low- and middle-income countries. For that purpose, we refer to the Sustainable Development Goals (SDG’s) as a general framework for action. We achieve this by generating evidence and applied knowledge for the practical implementation of socio-economic change and global health care, together with our partners. Our knowledge is disseminated through advising, teaching, convening and publishing. Our historical premises Our patron: in Amsterdam serve as a global host and a campus for international knowledge H.M. Queen Máxima exchange, whereby we aspire to promote intercultural cooperation. 2 Preface For KIT, 2016 has been a positive year marked by remarkable progress in all the areas in which we are active. This year we formulated our 2020 strategy, establishing KIT as a cohesive hybrid entity, in which the for-profit business units (KIT Hospitality and KIT Intercultural Professionals) support financially the research and educational programmes of the not-for-profit units (KIT Health and KIT Sustainable Economic Development & Gender). As one KIT, together with our clients and partners, we strive for sustainable impact in the areas of gender, health and economic development, in pursuit of the SDGs. Together, we collaborate under the seven strategic values of inclusion, impact, sustainability, independence, transparency, diversity and equality.
    [Show full text]
  • Rules for the Contest BALI – Behind the Scenes with Djoser Travel
    Rules for the contest BALI – Behind the Scenes with Djoser Travel 1. The contest to accompany the exhibition BALI – Behind the scenes runs from Thursday 13th February 2020 from 16.00 through Sunday 10th January 2021 17.00. 2. Only people aged 18 and over are eligible to take part. 3. Each visitor is entitled to take part in the competition by filling out a digital entry form at the competition desk at the Tropenmuseum. Participation is limited to one entry form per person. 4. Only fully-completed forms will be taken into consideration. These digital documents remain the property of the Tropenmuseum. No prints will be issued. 5. To be eligible to participate, people must have visited Amsterdam’s Tropenmuseum during the contest period. The museum, located at Linnaeusstraat 2 in Amsterdam, is part of the Nationaal Museum van Wereldculturen Foundation. 6. The following people are excluded from taking part: employees, interns, voluntary workers, temporary staff, freelancers and all others who have or have had a working relationship of some kind – including a provision of services agreement – with the Nationaal Museum van Wereldculturen Foundation or Djoser during the duration of the contest. 7. The Tropenmuseum retains the right to end the competition before 10th January 2021 without reason and thus to award no prize without having to inform participants. 8. The winner will be named by the Tropenmuseum’s brand manager and online marketeer in the two weeks after the exhibition has finished, by Friday 29th January 2021 at the latest. The competition draw will be executed according to software 3rd party Draw Service by the RANDOM.org website.
    [Show full text]
  • Beyond Empire and Nation (CS6)-2012.Indd 1 11-09-12 16:57 BEYOND EMPIRE and N ATION This Monograph Is a Publication of the Research Programme ‘Indonesia Across Orders
    ISBN 978-90-6718-289-8 ISBN 978-90-6718-289-8 9 789067 182898 9 789067 182898 Beyond empire and nation (CS6)-2012.indd 1 11-09-12 16:57 BEYOND EMPIRE AND N ATION This monograph is a publication of the research programme ‘Indonesia across Orders. The reorganization of Indonesian society.’ The programme was realized by the Netherlands Institute for War Documentation (NIOD) and was supported by the Dutch Ministry of Health, Welfare and Sport. Published in this series by Boom, Amsterdam: - Hans Meijer, with the assistance of Margaret Leidelmeijer, Indische rekening; Indië, Nederland en de backpay-kwestie 1945-2005 (2005) - Peter Keppy, Sporen van vernieling; Oorlogsschade, roof en rechtsherstel in Indonesië 1940-1957 (2006) - Els Bogaerts en Remco Raben (eds), Van Indië tot Indonesië (2007) - Marije Plomp, De gentleman bandiet; Verhalen uit het leven en de literatuur, Nederlands-Indië/ Indonesië 1930-1960 (2008) - Remco Raben, De lange dekolonisatie van Indonesië (forthcoming) Published in this series by KITLV Press, Leiden: - J. Thomas Lindblad, Bridges to new business; The economic decolonization of Indonesia (2008) - Freek Colombijn, with the assistance of Martine Barwegen, Under construction; The politics of urban space and housing during the decolonization of Indonesia, 1930-1960 (2010) - Peter Keppy, The politics of redress; war damage compensation and restitution in Indonesia and the Philippines, 1940-1957 (2010) - J. Thomas Lindblad and Peter Post (eds), Indonesian economic decolonization in regional and international perspective (2009) In the same series will be published: - Robert Bridson Cribb, The origins of massacre in modern Indonesia; Legal orders, states of mind and reservoirs of violence, 1900-1965 - Ratna Saptari en Erwiza Erman (ed.), Menggapai keadilan; Politik dan pengalaman buruh dalam proses dekolonisasi, 1930-1965 - Bambang Purwanto et al.
    [Show full text]
  • View Exhibition Brochure
    1 Renée Cox (Jamaica, 1960; lives & works in New York) “Redcoat,” from Queen Nanny of the Maroons series, 2004 Color digital inket print on watercolor paper, AP 1, 76 x 44 in. (193 x 111.8 cm) Courtesy of the artist Caribbean: Crossroads of the World, organized This exhibition is organized into six themes by El Museo del Barrio in collaboration with the that consider the objects from various cultural, Queens Museum of Art and The Studio Museum in geographic, historical and visual standpoints: Harlem, explores the complexity of the Caribbean Shades of History, Land of the Outlaw, Patriot region, from the Haitian Revolution (1791–1804) to Acts, Counterpoints, Kingdoms of this World and the present. The culmination of nearly a decade Fluid Motions. of collaborative research and scholarship, this exhibition gathers objects that highlight more than At The Studio Museum in Harlem, Shades of two hundred years of history, art and visual culture History explores how artists have perceived from the Caribbean basin and its diaspora. the significance of race and its relevance to the social development, history and culture of the Caribbean: Crossroads engages the rich history of Caribbean, beginning with the pivotal Haitian the Caribbean and its transatlantic cultures. The Revolution. Land of the Outlaw features works broad range of themes examined in this multi- of art that examine dual perceptions of the venue project draws attention to diverse views Caribbean—as both a utopic place of pleasure and of the contemporary Caribbean, and sheds new a land of lawlessness—and investigate historical light on the encounters and exchanges among and contemporary interpretations of the “outlaw.” the countries and territories comprising the New World.
    [Show full text]
  • Colonial Collecting and Its Motivations Vattier Kraane, a Businessman in the Dutch East Indies
    Colonial Collecting and its Motivations Vattier Kraane, a businessman in the Dutch East Indies Colonial Collecting and its Motivations Vattier Kraane, a businessman in the Dutch East Indies Name: Ervée van der Wilk Student number: S0629758 Email address: [email protected] First reader: W. van Damme Second reader: M.A. Leigh Specialization: Arts and culture; museums and collections Academic year: 2014/2015 Date: 24-07-2015 List of contents Introduction.................................................................................................................................1 Chapter 1: The Dutch Colonial Empire......................................................................................7 1.1 The 19th century...................................................................................................................8 1.2 The early 20th century........................................................................................................12 1.3 Changing colonial culture...................................................................................................15 Chapter 2: Dutch Colonial Collecting.......................................................................................16 2.1 The advancement of knowledge.........................................................................................16 2.2 Commercialism...................................................................................................................18 2.3 Expanding the ethnographic frontier...................................................................................20
    [Show full text]
  • Jaar in Beeld 2018
    De burgemeester van Leiden, Henri Lenferink, en de ambassadeur van Japan, Z.E. de heer Hiroshi Inomata, onthullen het kamerscherm van Keiga Kawahara. Deze aankoop vormt het sleutelstuk van de Japancollectie. 2018 IN CIJFERS WE BLIJVEN GROEIEN Een rij cijfers om trots op te zijn; niet in de laatste plaats 423.447 150 bezoekers voor het Tropenmuseum, Afrika Museum publieksprogramma’s aangeboden op de hoge waarderingscijfers en Museum Volkenkunde. Het op twee na hoogste bezoekersaantal ooit voor de musea samen die we van onze bezoekers ontvangen. 1981 54.000 nieuwe objecten in de collectie opgenomen leerlingen ontvangen in de drie musea 530 8.9 objecten uitgeleend t.b.v. tentoonstellingen is het gemiddelde waarderingscijfer dat het in andere musea Tropenmuseum Junior krijgt van de bezoekers Zowel voor primair onderwijs als voortgezet onderwijs bieden wij de keuze uit bijna 100 programma’s. Het gemiddelde waarderingscijfer voor onze onderwijsprogramma’s is een 8,3. De tentoonstelling Sieraden in Museum Volkenkunde is met een 8,3 als rapport- cijfer zeer goed ontvangen door het publiek. Daarna is de tentoonstelling in het Afrika Museum te zien. Met dit unieke model van reizende tentoonstellingen bereiken we een groter publiek. TENTOON- STELLINGEN 20 TENTOONSTELLINGEN, Van grote publiekstrekkers ONTELBARE VERHALEN tot kleine expo’s voor de OVER MENSEN liefhebber: de diversiteit in onze tentoonstellingen toont een open blik op de wereld en nodigt de bezoeker uit na te denken over wereldburgerschap. Publieksonderzoek wijst uit dat we dit jaar
    [Show full text]
  • Partnerships in Cultural Heritage
    PARTNERSHIPS IN CULTURAL HERITAGE Jos van Beurden PARTNERSHIPS IN CULTURAL HERITAGE The international projects of the KIT Tropenmuseum in Amsterdam Bulletin 364 Royal Tropical Institute – Amsterdam KIT Tropenmuseum Bulletins of the Royal Tropical Institute Royal Tropical Institute (KIT) The Bulletin Series of the Royal Tropical KIT Tropenmuseum Institute (KIT) deals with current themes in Mauritskade 63 international development cooperation. 1092 AD Amsterdam, The Netherlands KIT Bulletins offer a multi-disciplinary forum Telephone: +31 (0)20 5688 414 for scientists, policy makers, managers and Telefax: +31 (0)20 5688 331 development advisors in agriculture, natural E-mail: [email protected] resource management, health, culture, history Website: www.tropenmuseum.nl and anthropology. These fields reflect the broad scope of the Royal Tropical Institute (KIT) Royal Tropical Institute’s activities. KIT Publishers P.O. Box 95001 1090 HA Amsterdam, The Netherlands About the author: Telephone: +31 (0)20 5688 272 Drs Jos van Beurden (1946) is a journalist and Telefax: +31 (0)20 5688 286 publicist. He specialises in North-South E-mail: [email protected] issues. He co-wrote Jhagrapur: Poor Peasants Website: www.kit.nl/publishers and Women in a Village in Bangladesh (Dhaka, 1998, 5th imp.), as well as From © 2005 KIT Publishers, Amsterdam, Output to Outcome? 25 Years of IOB The Netherlands Evaluations (Amsterdam, 2004). For more than a decade he has focused on the Editing: Tibbon Translation protection of cultural heritage and the illicit Cover: Grafisch Ontwerpbureau Agaatsz trade in art and antiquities. Van Beurden has BNO, Meppel, The Netherlands studied this issue in many countries and Cover photograph: Schoolchildren in Kafali, published extensively on the subject, near Cotonou, Benin, visit the mobile including Goden, Graven en Grenzen: Over exhibition L’homme et son environnement kunstroof uit Afrika, Azië en Latijns Amerika (Man and environment).
    [Show full text]
  • Treasures in Trusted Hands
    Van Beurden Van TREASURES IN TRUSTED HANDS This pioneering study charts the one-way traffic of cultural “A monumental work of and historical objects during five centuries of European high quality.” colonialism. It presents abundant examples of disappeared Dr. Guido Gryseels colonial objects and systematises these into war booty, (Director-General of the Royal confiscations by missionaries and contestable acquisitions Museum for Central Africa in by private persons and other categories. Former colonies Tervuren) consider this as a historical injustice that has not been undone. Former colonial powers have kept most of the objects in their custody. In the 1970s the Netherlands and Belgium “This is a very com- HANDS TRUSTED IN TREASURES returned objects to their former colonies Indonesia and mendable treatise which DR Congo; but their number was considerably smaller than has painstakingly and what had been asked for. Nigeria’s requests for the return of with detachment ex- plored the emotive issue some Benin objects, confiscated by British soldiers in 1897, of the return of cultural are rejected. objects removed in colo- nial times to the me- As there is no consensus on how to deal with colonial objects, tropolis. He has looked disputes about other categories of contestable objects are at the issues from every analysed. For Nazi-looted art-works, the 1998 Washington continent with clarity Conference Principles have been widely accepted. Although and perspicuity.” non-binding, they promote fair and just solutions and help people to reclaim art works that they lost involuntarily. Prof. Folarin Shyllon (University of Ibadan) To promote solutions for colonial objects, Principles for Dealing with Colonial Cultural and Historical Objects are presented, based on the 1998 Washington Conference Principles on Nazi-Confiscated Art.
    [Show full text]
  • Policy Document
    KIT Royal Tropical Institute Policy Document 1 March 2018 Page 2 of 14 Content KIT’s Mission 3 History 4 Expertise & Activities 6 Governance & Management 8 Boards anD Council 9 Financial Report 13 Multi-annual Strategy 14 Contact KIT Royal Tropical Institute MauritsKaDe 64, 1092 AD AmsterDam Tel: 020 56 88 711 RSIN: 002564476 KVK: 33185213 Page 3 of 14 Mission Statement The mission of KIT Royal Tropical Institute is to enhance the positive impact of agencies, governments anD corporations on sustainable development in low- anD miDDle-income countries. Using the UN’s Sustainable Development Goals (SDG’s) as a Facts & Figures general frameworK for action, we translate practice into global knowledge anD bring global knowledge to inform best practices. The knowledge we generate is DisseminateD through advisory • KIT Royal Tropical Institute is a non-profit association with services, research, teaching, training, dialogue anD discussion. members from the public, private anD non-profit sectors anD Our landmark, historic premises in AmsterDam serve as a forum individuals. for the exchange of knowledge anD intercultural cooperation. • Today KIT employs 198 people anD has annual turnover of We generate income through our consultancy services. The €30 million. income we generate by our Hospitality services anD by renting out part of the premises is useD to maintain our historical building • Her Royal Highness Queen Maxima has been our patron anD to invest in our knowledge units to enhance our mission to be since 2004. an applied knowledge Institute. Read more about the services of our knowledge units in the chapter Expertise & Activities. • KIT was founded in 1910 by businesses anD government as the national centre of expertise for the stuDy of the Tropics.
    [Show full text]
  • PATIENTS of the COLONIAL STATE the Rise of a Hospital System in the Netherlands Indies,1890-1940
    PATIENTS OF THE COLONIAL STATE The rise of a hospital system in the Netherlands Indies,1890-1940 PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit Maastricht op gezag van de Rector Magnificus, Prof. dr. Rianne M. Letschert volgens het besluit van het College van Decanen in het openbaar te verdedigen op donderdag 29 september 2016 om 14:00 uur door Sjoerd Zondervan Promotores Prof. dr. E.S. Houwaart Prof. dr. P. Boomgaard (Universiteit van Amsterdam) Beoordelingscommisie 1. Prof. dr. F.G. Huisman, UM/ UU (voorzitter) 2. Dr. E.Q. Hesselink, Leiden 3. Dr. A. Krumeich 4. Prof. dr. J.A.M. Maarse 5. Prof. dr. H. Schulte Nordholt, Universiteit Leiden 2 CONTENTS Acknowledgements 8 Preface 9 1 INTRODUCTION 11 Historiography of health care 12 Historiography of hospitals 13 Primary Objective 14 Conceptual framework 15 Civil Hospitals in colonial times in the Netherlands Indies 16 Description of the object 16 Periodicity of the object 18 Geography object 18 Database 18 Arrangement of chapters 19 2 HEALTH CARE AND HOSPITALS IN VOC TIME 21 The VOC, Diseases and Health Care 21 The VOC and its medical staff 23 Batavia and its population 24 The VOC and its hospitals 25 General hospitals on Java 29 The Schepelingen Sieckenhuys (Sailors’ Hospital) at Jayakarta (1670-1790) 29 The VOC hospitaal (Company’s Hospital) at Batavia (1619-1640) 29 The Binnenhospitaal (City Hospital) at Batavia (1641-1808) 31 The Buitenhospitaal (Outer City Hospital,1743-1836) 33 The Hospital at Bantam (1682-1817) 34 The Hospital at Semarang (1776-1836) 35 The
    [Show full text]
  • Dissonant Heritages and Memories in Contemporary Europe
    PALGRAVE STUDIES IN CULTURAL HERITAGE AND CONFLICT Dissonant Heritages and Memories in Contemporary Europe Tuuli Lähdesmäki · Luisa Passerini Sigrid Kaasik-Krogerus · Iris van Huis Palgrave Studies in Cultural Heritage and Confict Series Editors Ihab Saloul University of Amsterdam Amsterdam, Noord-Holland, The Netherlands Rob van der Laarse University of Amsterdam Amsterdam, The Netherlands Britt Baillie Centre for Urban Conficts Research University of Cambridge Cambridge, UK This book series explores the relationship between cultural heritage and confict. The key themes of the series are the heritage and memory of war and confict, contested heritage, and competing memories. The series editors seek books that analyze the dynamics of the past from the perspective of tangible and intangible remnants, spaces, and traces as well as heritage appropriations and restitutions, signifcations, museal- izations, and mediatizations in the present. Books in the series should address topics such as the politics of heritage and confict, identity and trauma, mourning and reconciliation, nationalism and ethnicity, dias- pora and intergenerational memories, painful heritage and terrorscapes, as well as the mediated reenactments of conficted pasts. Dr. Ihab Saloul is associate professor of cultural studies, founder and research vice-di- rector of the Amsterdam School for Heritage, Memory and Material Culture (AHM) at University of Amsterdam. Saloul’s interests include cultural memory and identity politics, narrative theory and visual anal- ysis, confict and trauma, Diaspora and migration as well as contempo- rary cultural thought in the Middle East. Professor Rob van der Laarse is research director of the Amsterdam School for Heritage, Memory and Material Culture (AHM), and Westerbork Professor of Heritage of Confict and War at VU University Amsterdam.
    [Show full text]
  • Program Indonesian Textiles at the Tropenmuseum Book Launch
    Indonesian Textiles at the Tropenmuseum by Itie van Hout The Tropenmuseum Amsterdam holds an internationally renowned collection of textiles from Indonesia. Numbering approximately 12,000 objects, the majority of these textiles were acquired during the period that Indonesia was a Dutch colony. These textiles originate from all over the archipelago, from Aceh on Sumatra, to Tanimbar in the east. A small part of the collection was made in the Netherlands for artistic or commercial reasons. Indonesian Textiles at the Tropenmuseum examines the stories of those who made and used these collections, those who collected and brought them to the Netherlands, as well as those who have studied and exhibited them. During the book launch, we will explore questions such as: what is the importance of these collections today and what do they tell us about the material worlds in which they were created and used? How might a study of these collections help us better understand Dutch colonial and scientific histories and relations? In addition, in what ways have the study of textiles in ethnographic museums related to the discipline of anthropology in general and its subfield of material culture studies? About the author: Itie van Hout is former Curator of Textiles of the Tropenmuseum, Amsterdam, and is now retired. She is the author of Batik Drawn in Wax: 200 Years of Batik Art from Indonesia in the Tropenmuseum Collection (2001) and Beloved Burden: Baby Carriers in Different Countries (2011). Program book launch starts at 14:00: 1. Opening Dr. Wayne Modest (Research Center for Material Culture) 2. Textile Collections of the Tropenmuseum Itie van Hout (Tropenmuseum) 3.
    [Show full text]