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Invasive Insects (Adventive Pest Insects) in Florida1
Archival copy: for current recommendations see http://edis.ifas.ufl.edu or your local extension office. ENY-827 Invasive Insects (Adventive Pest Insects) in Florida1 J. H. Frank and M. C. Thomas2 What is an Invasive Insect? include some of the more obscure native species, which still are unrecorded; they do not include some The term 'invasive species' is defined as of the adventive species that have not yet been 'non-native species which threaten ecosystems, detected and/or identified; and they do not specify the habitats, or species' by the European Environment origin (native or adventive) of many species. Agency (2004). It is widely used by the news media and it has become a bureaucratese expression. This is How to Recognize a Pest the definition we accept here, except that for several reasons we prefer the word adventive (meaning they A value judgment must be made: among all arrived) to non-native. So, 'invasive insects' in adventive species in a defined area (Florida, for Florida are by definition a subset (those that are example), which ones are pests? We can classify the pests) of the species that have arrived from abroad more prominent examples, but cannot easily decide (adventive species = non-native species = whether the vast bulk of them are 'invasive' (= pests) nonindigenous species). We need to know which or not, for lack of evidence. To classify them all into insect species are adventive and, of those, which are pests and non-pests we must draw a line somewhere pests. in a continuum ranging from important pests through those that are uncommon and feed on nothing of How to Know That a Species is consequence to humans, to those that are beneficial. -
The Great Migration and Women in Jazz
BORDER CROSSINGS: THE GREAT MIGRATION AND WOMEN IN JAZZ Dinah Washington – Circa 1952 Birth name Ruth Lee Jones Also known as Queen of the Blues, Queen of the Jukebox, Queen of Jam Sessions Influenced by Mahalia Jackson Origin/Grew Up - Chicago, Illinois, U.S. Genres - Jazz, blues, R&B, gospel, traditional pop music Instruments - Vocals, piano, vibraphone Associated acts - Lionel Hampton, Brook Benton 1924 - Born August 29 - Tuscaloosa, Alabama, U.S. 1939 - Won an amateur contest at Chicago's Regal Theater where she sang "I Can't Face the Music". After winning a talent contest at the age of 15, she began performing in clubs. 1941-42 Performing in such Chicago clubs as Dave's Rhumboogie and the Downbeat Room of the Sherman Hotel (with Fats Waller). She was playing at the Three Deuces, a jazz club, when a friend took her to hear Billie Holiday at the Garrick Stage Bar. Joe Sherman[who?] 1944 - Recording debut for the Keynote label that December with "Evil Gal Blues", written by Leonard Feather and backed by Hampton and musicians from his band, including Joe Morris (trumpet) and Milt Buckner (piano).[1][6][7] Both that record and its follow-up, "Salty Papa Blues", made Billboard's "Harlem Hit Parade". 1946 - Signed with Mercury Records as a solo singer. Her first solo recording for Mercury, a version of Fats Waller's "Ain't Misbehavin'", was another hit, starting a long string of success. 1948 – 1955 27 R&B top ten hits, making her one of the most popular and successful singers of the period. -
“It's Just a Matter of Time”: African American Musicians and The
“It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time. -
CHECKLIST of WISCONSIN MOTHS (Superfamilies Mimallonoidea, Drepanoidea, Lasiocampoidea, Bombycoidea, Geometroidea, and Noctuoidea)
WISCONSIN ENTOMOLOGICAL SOCIETY SPECIAL PUBLICATION No. 6 JUNE 2018 CHECKLIST OF WISCONSIN MOTHS (Superfamilies Mimallonoidea, Drepanoidea, Lasiocampoidea, Bombycoidea, Geometroidea, and Noctuoidea) Leslie A. Ferge,1 George J. Balogh2 and Kyle E. Johnson3 ABSTRACT A total of 1284 species representing the thirteen families comprising the present checklist have been documented in Wisconsin, including 293 species of Geometridae, 252 species of Erebidae and 584 species of Noctuidae. Distributions are summarized using the six major natural divisions of Wisconsin; adult flight periods and statuses within the state are also reported. Examples of Wisconsin’s diverse native habitat types in each of the natural divisions have been systematically inventoried, and species associated with specialized habitats such as peatland, prairie, barrens and dunes are listed. INTRODUCTION This list is an updated version of the Wisconsin moth checklist by Ferge & Balogh (2000). A considerable amount of new information from has been accumulated in the 18 years since that initial publication. Over sixty species have been added, bringing the total to 1284 in the thirteen families comprising this checklist. These families are estimated to comprise approximately one-half of the state’s total moth fauna. Historical records of Wisconsin moths are relatively meager. Checklists including Wisconsin moths were compiled by Hoy (1883), Rauterberg (1900), Fernekes (1906) and Muttkowski (1907). Hoy's list was restricted to Racine County, the others to Milwaukee County. Records from these publications are of historical interest, but unfortunately few verifiable voucher specimens exist. Unverifiable identifications and minimal label data associated with older museum specimens limit the usefulness of this information. Covell (1970) compiled records of 222 Geometridae species, based on his examination of specimens representing at least 30 counties. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
Taxa Names List 6-30-21
Insects and Related Organisms Sorted by Taxa Updated 6/30/21 Order Family Scientific Name Common Name A ACARI Acaridae Acarus siro Linnaeus grain mite ACARI Acaridae Aleuroglyphus ovatus (Troupeau) brownlegged grain mite ACARI Acaridae Rhizoglyphus echinopus (Fumouze & Robin) bulb mite ACARI Acaridae Suidasia nesbitti Hughes scaly grain mite ACARI Acaridae Tyrolichus casei Oudemans cheese mite ACARI Acaridae Tyrophagus putrescentiae (Schrank) mold mite ACARI Analgidae Megninia cubitalis (Mégnin) Feather mite ACARI Argasidae Argas persicus (Oken) Fowl tick ACARI Argasidae Ornithodoros turicata (Dugès) relapsing Fever tick ACARI Argasidae Otobius megnini (Dugès) ear tick ACARI Carpoglyphidae Carpoglyphus lactis (Linnaeus) driedfruit mite ACARI Demodicidae Demodex bovis Stiles cattle Follicle mite ACARI Demodicidae Demodex brevis Bulanova lesser Follicle mite ACARI Demodicidae Demodex canis Leydig dog Follicle mite ACARI Demodicidae Demodex caprae Railliet goat Follicle mite ACARI Demodicidae Demodex cati Mégnin cat Follicle mite ACARI Demodicidae Demodex equi Railliet horse Follicle mite ACARI Demodicidae Demodex folliculorum (Simon) Follicle mite ACARI Demodicidae Demodex ovis Railliet sheep Follicle mite ACARI Demodicidae Demodex phylloides Csokor hog Follicle mite ACARI Dermanyssidae Dermanyssus gallinae (De Geer) chicken mite ACARI Eriophyidae Abacarus hystrix (Nalepa) grain rust mite ACARI Eriophyidae Acalitus essigi (Hassan) redberry mite ACARI Eriophyidae Acalitus gossypii (Banks) cotton blister mite ACARI Eriophyidae Acalitus vaccinii -
Biology and Illustrated Key for the Identification of Twenty Species of Economically Important Noctuid Pests a D
Louisiana State University LSU Digital Commons LSU Agricultural Experiment Station Reports LSU AgCenter 1981 Biology and illustrated key for the identification of twenty species of economically important noctuid pests A D. Oliver Follow this and additional works at: http://digitalcommons.lsu.edu/agexp Recommended Citation Oliver, A D., "Biology and illustrated key for the identification of twenty species of economically important noctuid pests" (1981). LSU Agricultural Experiment Station Reports. 260. http://digitalcommons.lsu.edu/agexp/260 This Article is brought to you for free and open access by the LSU AgCenter at LSU Digital Commons. It has been accepted for inclusion in LSU Agricultural Experiment Station Reports by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. Biology and Illustrated Key for the Identification of Twenty Species of bconomically Impor tant Noctuid Pests A.D. C liver and J. B Chapin LOUISIANA STATE UNIVERSITY AND AGRICULTURAL AND MECHANICAL COLLEGE Center for Agricultural Sciences And Rural Dei lopment ALVIN C HARPER CHANCE. LOP AGRICULTURAL EXPERIMENT Sia;ION DO^E C-1 AMBERS, DIRECT "P Table of Contents Page Introduction 3 4 Identifying Noccuid Larvae The Larval Key 6 Dichotomous Ke\ to the Larvae of 20 Species of Important Noctuid Pests Identifying Noctuid Adults 9 Summary Descriptions, Distributions, Hosts, and Seasonal Histories 9 Varieeated Cutworm, Peridroma saucia (Hiibner) 9 Granulate Cutworm, Feltia subterranea (F.) 10 () Dingy Cutworm, Feltia ducens Walker ' Black Cutworm. Agrotis ipsilon (Hufnagel) 10 Claybacked Cutworm, Agrotis gladiaria Morrison 11 Palesided Cutworm, Agrotis malefida Guene'e 11 Tobacco Budworm, Heliothis virescens (F.) 1- Cotton Boll worm, Heliothis zea (Boddie) '2 Cotton Leafworm, Alabama argillacea (Hiibner) ... -
ESTIMATE of Alabama Argillacea (HÜBNER) (LEPIDOPTERA: NOCTUIDAE) DEVELOPMENT with NONLINEAR MODELS
ESTIMATE OF Alabama argillacea DEVELOPMENT WITH NONLINEAR MODELS 589 ESTIMATE OF Alabama argillacea (HÜBNER) (LEPIDOPTERA: NOCTUIDAE) DEVELOPMENT WITH NONLINEAR MODELS MEDEIROS, R. S.,1 RAMALHO, F. S.,2 ZANUNCIO, J. C.1 and SERRÃO, J. E.3 1Departamento de Biologia Animal, Universidade Federal de Viçosa, CEP 36571-000, Viçosa, Minas Gerais, Brazil 2Embrapa Algodão, Rua Osvaldo Cruz, 1143, C.P. 174, CEP 58107-720, Campina Grande, Paraíba, Brazil 3Departamento de Biologia Geral, Universidade Federal de Viçosa, CEP 36571-000, Viçosa, Minas Gerais, Brazil Correspondence to: José Eduardo Serrão, Departamento de Biologia Geral, Universidade Federal de Viçosa, CEP 36571-000, Viçosa, Minas Gerais, Brazil, e-mail: [email protected] Received July 2, 2002 – Accepted August 27, 2002 – Distributed November 30, 2003 (With 1 figure) ABSTRACT The objective of this work was to evaluate which nonlinear model [Davidson (1942, 1944), Stinner et al. (1974), Sharpe & DeMichele (1977), and Lactin et al. (1995)] best describes the relationship be- tween developmental rates of the different instars and stages of Alabama argillacea (Hübner) (Lepi- doptera: Noctuidae), and temperature. A. argillacea larvae were fed with cotton leaves (Gossypium hirsutum L., race latifolium Hutch., cultivar CNPA 7H) at constant temperatures of 20, 23, 25, 28, 30, 33, and 35oC; relative humidity of 60 ± 10%; and photoperiod of 14:10 L:D. Low R2 values obtained with Davidson (0.0001 to 0.1179) and Stinner et al. (0.0099 to 0.8296) models indicated a poor fit of their data for A. argillacea. However, high R2 values of Sharpe & DeMichele (0.9677 to 0.9997) and Lactin et al. -
Arthropods Biodiversity Index in Bollgard® Cotton (Cry1ac) in Brazil
Arthropods biodiVersity indeX in BOLLGard® cotton (Cry1Ac) in BraZIL Danielle Thomazoni, Miguel Ferreira Soria, Paulo Eduardo Degrande, Odival Faccenda and Pierre Jean Silvie SUMMARY Shannon-Wiener’s diversity index (SWI) was used under un- get herbivores was significantly higher in Bt-cotton. The mean treated conditions of a cotton field during the 2006/2007 crop number of Anthonomus grandis (Boh.) and Edessa meditabun- season in the Cerrado region, Brazil. Comparison was carried da (Fabr.) adults were significantly higher in NuOpal® with the out between the transgenic NuOpal® (Bollgard®)(Cry1Ac) and whole plant sampling method. However, such differences were the non-transgenic isogenic variety DeltaOpal®. SWI was cal- not observed with the beat sheet method. For the natural ene- culated for target pests, non-target herbivores and predators mies, SWI and mean number of larvae and adults of the domi- groups. Two sampling methods were used: whole plant obser- nant predators did not show any significant difference between vation and beat sheet. As expected, the mean number of target Bt and non-Bt cotton. These results confirm the conservation pests, especially Pectinophora gossypiella (Saund.) and Ala- of some tritrophic interactions inside the Bt (untreated) cotton bama argillacea (Hübner), was significantly smaller in Bt cot- and contributes to a better sustainable management of non- ton. In the whole plant method sampling the SWI for non-tar- target pests by enhancement of their natural biological control. Introduction vironment. The -
Black Country Music(S) and The
Jost Hendrik Cornelius Burfeind Wilhelmplatz 6 24116 Kiel E-Mail: [email protected] Telefon: 01520–2667189 Matrikelnummer: 1014350 “THAT BLACK SPECK SOUND JUST LIKE A REDNECK”: BLACK COUNTRY MUSIC(S) AND THE (RE-)MAKING OF RACE AND GENRE MASTERARBEIT im Fach „English and American Literatures, Cultures, and Media” mit dem Abschlussziel Master of Arts der Philosophischen Fakultät der Christian-Albrechts-Universität zu Kiel vorgelegt von Hendrik Burfeind Erstgutachter: Prof. Dr. Christian Huck Zweitgutachter: Dr. Dennis Büscher-Ulbrich Kiel im April 2020 TABLE OF CONTENTS 1. Introduction 1 2. Theoretical Framework 2.1 Race, Racialization, and Ideology 8 2.2 Genre and Crossover 10 2.3 Articulation and Genre 15 2.4 On Hijacks, Covers, and Versions 16 3. “Just Out of Reach”: Locating the Soul/Country Binary 3.1 The South and the Geography of Genre(s) 19 3.2 Richard Nixon, “Okie from Muskogee,” and the Politics of Country Music 22 3.3 The ‘Segregation of Sound’ and the ‘Common Stock’ 25 3.4 Charting Success; Or, the Segregation of Sound, Continued 28 4. Analysis, Pt. 1: Rhythm and Country 4.1 “I’ve Always Been Country”: The Making of an Alternative Tradition 31 4.2 Country Music and the Birth of Soul 35 4.3 The Impossibility of Black Country 37 4.4 Modern Sounds and the Same Old Song 39 4.5 Interlude: Race and Genre in the Early 1960s 44 4.6 Country-Soul Flourishes 46 5. Analysis, Pt. 2: Country-Soul 5.1 “Country Music Now Interracial” 48 5.2 Crossover at the Outskirts of Town 50 5.3 Introducing Soul Country 53 5.4 “The Chokin’ Kind” Explores New Territory 57 5.5 “Blacks Sing Country Music” 60 5.6 “Wherever You Go, It’s Simon Country” 64 6. -
Land and Power: Sustainable Agriculture and African Americans
Land Power& Sustainable Agriculture and African Americans A collection of essays from the 2007 Black Environmental Thought conference edited by Jeffrey L. Jordan Edward Pennick Walter A. Hill Robert Zabawa Sustainable Agriculture Research and Education (SARE) Land Power& Sustainable Agriculture and African Americans A collection of essays from the 2007 Black Environmental Thought Conference Edited by Jeffrey L. Jordan, Edward Pennick, Walter A. Hill, and Robert Zabawa First Edition Published by the Sustainable Agriculture Research and Education (SARE) program, with funding from the National Institute of Food and Agriculture, U.S. DepartmentAbout SAREof Agriculture SARE is a grant making and outreach program. Its mission is to advance—to the whole of American agriculture—innovations that improve profitability, stewardship and quality of life by investing in groundbreaking research and education. For more information about SARE’s grant making program and information products, visit www.sare.org or contact: SARE Outreach Associate 10300 Baltimore Ave., BARC, Bldg. 046 Beltsville, MD 20705 [email protected] (301) 504-5236 SARE Regions North Central Alaska Northeast West Guam CNMI South FSM Hawaii AS USVI PR Size and placement not to scale SARE’s four regional offices and outreach office work to advance sustainable innovations to the whole of American agriculture. 155 This book was published by the Sustainable Agriculture Research and Education (SARE) program under cooperative agreements with USDA’s National Institute of Food and Agriculture, University of Maryland and University of Vermont. Online: Visit www.sare.org. By check or purchase order: Make payable to Sustainable Agriculture Publications and send to Sustainable Agriculture Publications P.O.