Johnny Burnette Tear It up Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Johnny Burnette Tear It Up mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Tear It Up Country: US Released: 1978 Style: Rockabilly MP3 version RAR size: 1828 mb FLAC version RAR size: 1519 mb WMA version RAR size: 1970 mb Rating: 4.7 Votes: 199 Other Formats: MIDI MMF MOD VQF WMA MOD AU Tracklist A1 Train Kept A-Rollin' 2:14 A2 Lonesome Train (On A Lonesome Track) 2:02 A3 Oh Baby Babe (Alternate Take) 2:18 A4 All By Myself 1:58 A5 Blues Stay Away From Me 2:11 A6 Sweet Love On My Mind 2:19 A7 Rock Therapy 2:14 A8 Please Don't Leave Me 2:13 B1 Rock Billy Boogie 2:30 B2 Drinkin' Wine, Spo-Dee-O-Dee 2:10 B3 Tear It Up 1:51 B4 You're Undecided 1:56 B5 If You Want It Enough 2:05 B6 Eager Beaver Baby 2:00 B7 Your Baby Blue Eyes 2:05 B8 Butterfingers 2:11 B9 Honey Hush 2:00 Credits Acoustic Guitar – Grady Martin (tracks: A1, A2, A4 to A8, B1, B2, B5 to B9) Compiled By – Marty Arbunich, Rick Tolmach Double Bass [Upright], Acoustic Guitar – Dorsey Burnette Drums – Murrey "Buddy" Harman, Jr.* (tracks: A1, A2, A4 to A8, B1, B2, B5 to B9), Eddie Grady (tracks: A3, B3, B4) Guitar [Electric Lead] – Paul Burlison Lead Vocals, Acoustic Guitar [Rhythm] – Johnny Burnette Producer – Bob Thiele (tracks: A3, B3, B4), Owen Bradley (tracks: A1, A2, A4 to A8, B1, B2, B5 to B9) Vocals – Dorsey Burnette (tracks: A5, A6) Notes (P)1978 MCA Records, Inc. (C)Copyright Solid Smoke Records 1978 Tracks A3, B3, and B4 recorded Pythian Temple, New York City. All other tracks recorded The Barn, Nashville, Tennessee. All tracks recorded 1956 except for B5, B6, and B8, which were recorded 1957. Alternate cover art. Other versions Category Artist Title (Format) Label Category Country Year Johnny Burnette / Johnny Burnette / The Rock Solid Smoke SS-8001 The Rock 'N Roll 'N Roll Trio* - Tear It Up (LP, SS-8001 US 1978 Records Trio* Comp, Mono, Gat) Johnny Burnette / Johnny Burnette / The Rock Solid Smoke SS-8001 The Rock 'N Roll 'N Roll Trio* - Tear It Up (LP, SS-8001 US 1978 Records Trio* Mono, Comp, Gat) Comments about Tear It Up - Johnny Burnette Andromakus This is not an "alternate cover." This is the ORIGINAL first issue. The other cover came years later. Jek This is the first issue of the Solid Smoke album. Related Music albums to Tear It Up by Johnny Burnette Johnny Burnette And The Rock 'N Roll Trio - Johnny Burnette And The Rock 'N Roll Trio Various - Stray Cats Classics Various - Imperial Rockabillies Volume Two Johnny Burnette - We're Havin' A Party Johnny & Dorsey Burnette - The Burnette Connection Various - Good Rockin' Tonight: Red Hot Rockabilly Johnny Burnette - Eager Beaver Baby Billy Burnette - Tear It Up.

Copy Link

Recommended publications

John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I ﬁ rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
[Show full text]
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much.
[Show full text]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Johnny Burnette TITLE Johnny Burnette And The Rock ’n’ Roll Trio LABEL Bear Family Productions CATALOG # BAF 18012 PRICE-CODE BAF EAN-CODE ÇxDTRBAMy180125z FORMAT VINYL album 180g Vinyl • Pressed by Pallas Direct Metal Mastering: H.J. Maucksch at PaulerAcoustics GENRE Rock ‘n’ Roll G One of the first and maybe the greatest rockabilly albums ever! G Includes The Train Kept A'Rollin' – later recorded by the Yardbirds, Aerosmith and many others! G Includes many of the greatest guitar solos from the early days of rock 'n' roll! INFORMATION Johnny Burnette died in 1964 after scoring several pop hits in the early Sixties, including Dreamin', You're Sixteen, and Little Boy Sad. If, in the days or weeks before his death, he had been asked how he would be remembered, he would probably have said for those hits or for the songs he'd written for Ricky Nelson. And he would have been wrong. Today, Johnny Burnette is chiefly remembered for some sessions he cut in 1956 that resulted in no hits, but just about defined rockabilly as an art-form – in fact as a new musical life-form. This album, one of the first-ever rockabilly LPs, is still the best-ever rockabilly LP. From the early 1960s, collectors were paying big money for it. When musicologists and musicians deconstruct rockabilly and when revivalists reconstruct it, they're trying to unravel the magic of Johnny Burnette and the Rock 'n' Roll Trio.
[Show full text]
In the Studio: the Role of Recording Techniques in Rock Music (2006)
21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio.
[Show full text]
12-17-20 Rockabilly Auction Ad
John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Thursday, December 17, 2020 at 7:00 p.m. PT See #33 See #44 Original 1950’s Rockabilly / Country Boppers / Teen Rockers 45’s Auction 1. The Anderson Sisters — “The Wolf 17. Boyd Bennett — “The Brain/Coffee 31. Gene Brown — “Big Door/Playing 43. Johnny Burnette — “Me And The Hop/Empty Arms And A Broken Break” MERCURY 71813 M- WHITE With My Heart” 4 STAR 1717 MINT Bear/Gumbo” FREEDOM 44011 M- Heart” FORTUNE 202 (SEE INSERT LABEL PROMO MB $20 FIrst label, true first pressing before it WHITE LABEL PROMO with date of 4/2/59 BELOW) 18. Rod Bernard — “Pardon, Mr. Gordon/ went nationwide on Dot MB $30 written neatly on the label MB $20 2. Angie & The Citations — “I Wanna This Should Go On Forever” ARGO 32. Gene Brown — “Big Door/Playing 44. Mel Calvin And The Kokonuts — Dance/Salt & Pepper” ANGELA NO # 5327 M- MB $20 With My Heart Again” DOT 15709 “My Mummy/I Love You” BERTRAM VG Wol and slight storage warp with NO 19. Bob And The Rockbillies — “Your M- MB $20 INTERNATIONAL 215 M- MB $50 effect on play. Super obscure one from Kind Of Love/Baby Why Did You Have 33. Tom Brown And The Tom Toms — (See picture at top of page) Tamaqua, Pennsylvania MB $20 To Go” BLUE-CHIP 011 M- TWO- “Kentucky Waltz/Tomahawk” JARO 45.
[Show full text]
ADJS Decade Song Lists.Xlsx
The Top 200 Songs of the 1950s Rank Title Artist 1 Johnny B. Goode Chuck Berry 2 Jailhouse Rock Elvis Presley 3 Rock Around The Clock Bill Haley & His Comets 4 Tutti-Frutti Little Richard 5 Whole Lot of Shakin' Going On Jerry Lee Lewis 6 What'd I Say Ray Charles 7 Summertime Blues Eddie Cochran 8 Hound Dog Elvis Presley 9 Long Tall Sally Little Richard 10 That'll Be The Day Buddy Holly & the Crickets 11 Maybellene Chuck Berry 12 Bo Diddley Bo Diddley 13 Shake, Rattle And Roll Joe Turner 14 Blue Suede Shoes Carl Perkins 15 Don't Be Cruel Elvis Presley 16 Bye Bye Love Everly Brothers 17 Great Balls Of Fire Jerry Lee Lewis 18 Earth Angel Penguins 19 Why Do Fools Fall In Love Frankie Lymon & the Teenagers 20 Good Golly Miss Molly Little Richard 21 Be-Bop-A-Lula Gene Vincent & the Bluecaps 22 School Day Chuck Berry 23 Rock And Roll Music Chuck Berry 24 Peggy Sue Buddy Holly 25 Lawdy Miss Clawdy Lloyd Price 26 Lucille Little Richard 27 Roll Over Beethoven Chuck Berry 28 In The Still Of The Nite Five Satins 29 I Only Have Eyes For You Flamingos 30 For Your Precious Love Jerry Butler & the Impressions 31 Blueberry Hill Fats Domino 32 Please, Please, Please James Brown & the Famous Flames 33 Sh-Boom Chords 34 Money Honey Drifters featuring Clyde McPhatter 35 I Walk The Line Johnny Cash and the Tennessee Two 36 Fever Little Willie John 37 The Great Pretender Platters 38 Ain't It A Shame Fats Domino 39 That's All Right Elvis Presley with Scotty and Bill 40 Your Cheatin' Heart Hank Williams 41 Sweet Little Sixteen Chuck Berry 42 The Train Kept-A-Rollin
[Show full text]
Press Release
press release Contact: Diane Steinert [email protected] 330-677-4549 FOR IMMEDIATE RELEASE New Musical Programs Dominate PBS PBS 45 & 49 Programming Schedule in March 45 & 49 Specials feature the 1960s British beat, Northeastern movie songs, classical music and more Educational Television of Ohio, Inc. KENT, Ohio — March 2, 2007 — From the British rock ‘n’ roll of the 1960s to 1750 Campus rockabilly to the Italian classical crossover group Andiamo, music is at the forefront Center Drive of the PBS 45 & 49 March programming schedule. The programs are part of the PBS P. O. Box 5191 45 & 49 Spring Membership Drive, which has a goal of $170,400. Contributions received during the drive help to pay for the purchase of high-quality programs and Kent, Ohio the development of local productions. The March programs are new but much of the music is nostalgic, with many of the 44240-5191 specials featuring 1950s-era music and programs. Tune in to PBS 45 & 49 to enjoy the following specials: Phone 330.677.4549 Tuesday, March 6 Kenny Rogers: The Journey, 9:30 p.m. Fax Featuring Kenny Rogers’ hits such as “Ruby, Don’t Take Your Love to Town,” 330.678.0688 “Lucille” and “The Gambler,” this special brings Rogers’ story to life with insightful interviews and rare concert footage spanning several decades. E-mail [email protected] Wednesday, March 7 Web Site Heavenly Voices, 8 p.m. www.pbs4549.org Heavenly Voices introduces four exceptional singers — Ryland Angel, Giorgia Fumanti and Sasha and Shawna — in a concert of intimate songs.
[Show full text]
Charles Earle's
CATAMOUNT T #82/171 NOVEMBER 2003 Paige Ladrone 4 Eric Babcock CHARLES EARLE's B-Sides JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #51 REVIEWS (or not) David Brake & That Damn Band Albert Lee Rick Shea & Patty Booker Wailin' Elroys TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S “TURBINADO" texas íí:::c round-dp YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! Me R i s in TH! E n T s "A BOUNTY-SIZED CREW OF TEXAS MUSIC HITTERS HAVE STEPHEN BRUTON JON DEE GRAHAM JOINED FORCES FOR ONE WILD TOUR DE FORCE THAT HAS JUD NEWCOMB BRUCE HUGHES > TO BE HEARD TO BE BELIEVED. TRULY AN ASSEMBLAGE THAT'S JOHN CHIPMAN A DREAM BAND, THE KILLER MUSIC FLOWS LIKE WATER." - MIDWEST RECORD RECAP IY TOMBUN BAND FEATURING REDO VOLKAERT EARL POOLE BALL CINDY CASHDOLLAR SARAH BROWN BOBBY ARNOLD JON HAHN WITH SPECIAL GUEST AUGIE MEYERS "THIS IS THE KIND OF UNDER-THE-RADAR COUNTRY ALBUM THAT RENEWS ONE'S FAITH IN THE INDIE SCENE IN GENERAL, AND TEXAS IN PARTICULAR." -SLIPCUE.COM TEXAS WORLD RECORDS 210 Barron Springs Road, Suite 550, Austin, Texas 78704 512-615-2412 “To my mind, she’s the best new thing to come down this Austin pike in some time, displaying class, versatility, and a distinctiveness...” -Mob Patterson,Country Music People “ Every once in a while, a musician moves to Austin and knocks the town on it’s ear. Elizabeth McQueen is one of those.” -Jim Caliguirl,Austin Chronicle "It's country for those with dirt under their fingernails and rock for those with dust on their jeans..
[Show full text]
Master Document National Register of Historic Places Nomination Form
Master Document National Register of Historic Places Nomination Form The Burgess-Osborne Memorial Auditorium 1701 Wabash Avenue Mattoon, Illinois Prepared by Stephen A. Thompson Intrepid Consulting Services, Inc. April 2018 Executive Summary The following document is the master National Register of Historic Places (NRHP) nomination form submitted in a draft configuration to the Illinois State Historic Preservation Officer on 04 August 2017 for the 1953 Burgess-Osborne Memorial Auditorium (the Burgess) located at 1701 Wabash Avenue, Mattoon, Illinois. This NRHP document addresses the social and architectural significance of the Burgess and is an expansion of the 2013 Coles County List of Significant Places document generated for local landmarking of the Burgess. A related social sub-context addressed in detail in Appendix A of Section 8 is the role the Burgess played in the regional 1950s and 1960s pop music culture, with emphasis on the teen dances/concerts held at the facility and the bands that played there. The research of the associated contexts and the preparation of the nomination form were undertaken by Stephen A. Thompson of Intrepid Consulting Services, Inc., Carolyn Cloyd and Joyce St. Michael, members of the Coles County Historic Preservation Advisory Council, assisted with research and preparation of the National Register documentation. The Coles County Historic Preservation Advisory Council is an historic preservation advisory body under the Coles County Regional Planning & Development Commission, which reports to the Coles County Board. After thorough research and evaluation it has been determined that the Burgess is eligible for listing on the NRHP in that it: 1. Is locally significant under NRHP Criterion A, “…events that have made a significant contribution to the broad patterns of our history.” 2.
[Show full text]
Wavelength (July 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 7-1984 Wavelength (July 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (July 1984) 45 https://scholarworks.uno.edu/wavelength/45 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. 0 ·.::.: •• :·: :· :· .:·•• . .. .. :-:::: ... ~ ·: ~--~~\:§;;~ ....... :~ ......·.: .:::"" .: : :.;. ·~ ·• :;~~ .. : ... , ·:.·.. ~ . .: ... ::.: ~·\::~:}~ ·.. :: .. :. ::.-::·.:~~:~':: .: . • •• :·,; :·;:;;t .... .•: .... ·:_.::··.~::::~~l : .. ::: FRANKIE FORD .......... .: ·•· . • 0 .;·.. ~~ . ::. ~ . • . : .-:s ·.· :::·.~.... .. ..... .... , · . .. ..... 'SN11 3l~O 1d30 SNOiliSinOJ~ ..... A~~~ 9I l ~NOl ~ 1~~ 3 :. · : . SN~~l~O M3N ~0 A1ISM3AINn . .·. .... .·. .... 66/66/66 ;o~ o .···. :::/. .-:::.:'.':·::.:::: =:· :·:;.. :: '\?@?·1<·;·::.:.::• • • • ••• •• • • • • • • • • • • • • ::~=:·~• •• • • • • · • ••• 0. 0 • • • • •• • • • • • • • • • • • •••••·: • ••• • • • • •• • . • . • • • ••• : • • • • • • ... • • • : • 0 0 • • • • • • • • • • • • • • •• • • • • • • • • • • •• ... NEW ORLEANS M u s I c MAGAZINE __ UJauelenalh For ISSUE NO. 45 e .JULY 1984 ISSN 07 41 · 2460 New "''m not sure, but I'm almost positive, that all music came from
[Show full text]
Date Top Position Re
TOP TOP RELEASE RELEASE SINGLE ALBUM BILLBOARD TOP POSITION POSITION ARTIST TRIVIA DATE YEAR NAME NAME CHART POSITION REACHED - REACHED - DATE YEAR 1-Jan 2-Jan 3-Jan 4-Jan 5-Jan 6-Jan 7-Jan 8-Jan 9-Jan 10-Jan "The Supremes The second "Love Is Here Sing consecutive #1 pop and Now Holland–Dozi The R&B AND single from this 11-Jan 1967 You're Gone" er–Holland" Supremes Hot 100 1 11-Mar 1967 album. 12-Jan 13-Jan 14-Jan 15-Jan The last song released with Stevie Wonder officially classified as 'Little' on the album label. Also released on this date: "Thank You (For Loving Me All The Way)" by Stevie "Castles In "Stevie At Little Stevie Wonder (did not 16-Jan 1964 The Sand" The Beach" Wonder Pop 52 chart) Also released on this date: "Old Love (Let's Try It Again)" by Martha & The Martha and Vandellas (did not 17-Jan 1964 "Live Wire" the Vandellas R&B 11 chart). 18-Jan 19-Jan 20-Jan Also released on this date: "Beautiful Women" by Gene Henslee (did not chart). 1971 release: “What’s Going On” by Gene Marvin Gaye (Hot 21-Jan 1964 "Shambles" Henslee N/A N/A N/A N/A 100 #2). 22-Jan Also released on this date: "Just Let Me Know" by The Temptations (did not chart) and "If Your "The Way Heart Says Yes" and You Do The "I'll Cry Tomorrow" by Things You "Meet The The The Serenaders (did 23-Jan 1964 Do" Temptations" Temptations R&B 1 not chart).
[Show full text]
Rubber Souls: Rock and Roll and the Racial Imagination
Rubber Souls: Rock and Roll and the Racial Imagination The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hamilton, John C. 2013. Rubber Souls: Rock and Roll and the Racial Imagination. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11125122 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Rubber Souls: Rock and Roll and the Racial Imagination A dissertation presented by Jack Hamilton to The Committee on Higher Degrees in American Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of American Studies Harvard University Cambridge, Massachusetts April 2013 © 2013 Jack Hamilton All rights reserved. Professor Werner Sollors Jack Hamilton Professor Carol J. Oja Rubber Souls: Rock and Roll and the Racial Imagination Abstract This dissertation explores the interplay of popular music and racial thought in the 1960s, and asks how, when, and why rock and roll music “became white.” By Jimi Hendrix’s death in 1970 the idea of a black man playing electric lead guitar was considered literally remarkable in ways it had not been for Chuck Berry only ten years earlier: employing an interdisciplinary combination of archival research, musical analysis, and critical race theory, this project explains how this happened, and in doing so tells two stories simultaneously.
[Show full text]