DOCSLIB.ORG

Narvel Felts Appreciation Narvel Felts Fan Club Society (Europe) (U.S.A.) Howard Cockburn, President Roy E

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Narvel Felts Appreciation Narvel Felts Fan Club Society (Europe) (U.S.A.) Howard Cockburn, President Roy E Narvel Felts Appreciation Narvel Felts Fan Club Society (Europe) (U.S.A.) Howard Cockburn, President Roy E. Combs, President 43 Kenilworth Road 286 Primrose Lane Monkseaton Narvel Felts Clarksville, Indiana 47129 Whitley Bay 2005 Narvel Felts Avenue U.S.A. Tyne and Wear Malden, MO 63863-1210 USA Virginia Carpenter NE 25 8 BB Vice President England February 2004 Newsletter Malden, Missouri some 2 hour autograph line awaited me in the lobby. My wife Loretta February 1, 2004 attended this one (only her 2nd time since we lost our son “Bub” Well Hello There, in 1995.) Our daughter Stacia, son-in-law Tommy and grandson I hope all is well with you and yours. When I wrote you in Dakota also attended. June of 03, I told you that my wife Loretta’s sister Althia Wheeler July 18th, I made the some 12 hour drive alone to the New had been car jacked and murdered. Five months later on September Orleans suburb of CHALMETTE, LOUISIANA, arriving late that 10th, 03, her brother Billy Joe Stanfield died. Another tragic year for night. I was there to do a show Saturday the 19th. A surprise 80th Loretta who’s had such a hard time dealing with the loss of our only birthday party, at Vucinovich’s Restaurant, for fan club member Dr. son Narvel “Bub”, Jr. on September 14, 1995. She hasn’t been in good Lucas DiLeo. Callender, did their sets and did a good job backing physical health since her 1999 back surgery. me. The near 200 who jammed the restaurant kept the secret well. Though I played fewer dates in 03 than in previous years, I still Lucas was totally surprised when Callender started “Funny How kept busy. My apologies for not getting this letter to you in December Time Slips Away” then introduced me. The restaurant was full of his when it was due. When it was time to start writing it, it was time to family and friends. Some patients of this still practicing physician master and mail my Christmas CD to radio. With radio calls and also attended. New Orleans D. J. Dan Stien, who plays my records, answering Christmas cards there didn’t seem to be time left for the also attended, as did several of my Louisiana and Oklahoma club letter. Thank you for your birthday and Christmas cards. Those of members. The DiLeo’s have a young granddaughter who loves my you who send Christmas cards could do me a big favor by printing recording “Little Miss Blue” and plays it everyday. The audience clearly your first and last names plus complete mailing address on gave me a great reception. After my show an autograph line awaited. your envelope. That makes it so much easier for me to answer. Sunday I made the drive home, a 1,141 mile round trip. There’s two family birthday’s this week. Our daughter Stacia February, 3rd, our granddaughter Nicole on the 6th. I’ll now take August you through the months since June, then back in time to 1994, 1984, August 8th, my manager Harold Boner and I made the 125 1974 and 1964. mile drive to JACKSON, TENNESSEE. I was there to do a show Hi Lites June 2003 at the Carl Perkins Convention Center for Rockabilly Fest 03. I had decided not to attend the Sam Phillips memorial service in Memphis June 14th, I made the 21⁄2 hour drive alone to WYNNE, the afternoon before or the rockabilly Awards Banquet in Jackson ARKANSAS. I was there to do a show at Farmfest that night. This the night before, as we’d just found out that my wife Loretta’s brother outside concert was with Ace Cannon and Sonny Burgess and the had cancer. She needed me at home more than I needed to attend Pacers. They’d had us do taped advertisements for this event. They these. Her brother Billy Joe would die a month later. were played on 5 radio stations. The newspaper did a phone interview Before our show on the 8th Sonny Burgess and I were requested with me and ran the article and my picture on the front page. Though to be on the channel 4 TV news for a live interview in front of the rain was forecast a huge crowd gathered in front of the covered stage. convention center. For that night’s show I was backed by Sonny’s Sonny went on first, then Ace, then me. All of us were backed by band The Pacers, who did a great job backing me. Fans from coast the Pacers. During Ace’s show it started raining. I thought the show to coast in the USA attended plus some from Canada, England and would be over, that everyone would leave before I went on, but they Japan. Some of my Tennessee club members attended. The audience didn’t! Farmfest officials estimated some 1,000 people sat in rain gave me a great reception. For my finale I called Sonny back to the throughout my show. They gave me a great reception as the Pacers stage, along with W. S. Holland and Paul Burlison – Paul’s final did a good job backing me. I called Sonny and Ace back on stage for finale with me. After my show a long autograph line awaited. The our finale of “Shake Rattle and Roll.” Paul Burlison (guitarist with following day we drove home. Johnny Burnett’s Rock ‘N’ Roll Trio) was in the audience. He was The 15th I made the some 200 mile drive to the St. Louis airport fighting a bout with cancer! I called him to the stage to join us for the and caught my flight to Minneapolis/St. Paul. I was then driven finale. Also in the audience was Bob Timmers, editor of the internet to my motel in Hinckley. I was there to do a matinee and night Rockabilly Hall of Fame and singer Roman Self. After the show a concert at the Midwest Country Theatre in nearby SANDSTONE, long line of autograph seekers waited patiently in the rain as Ace and MINNESOTA the following day Saturday the 16th. Leroy Glazier I signed. Club members from Little Rock attended. and the Midwest Country Band did a great job backing me on both The 28th, I made the 250 mile drive alone to MALVERN, shows. A near full theatre welcomed me to the stage for each show. A ARKANSAS. That night along with Ace Cannon plus Sonny couple from Phoenix Arizona flew all the way there to attend. Each Burgess and the Pacers, I did my show at Brickfest. Hundreds audience blessed me with 3 standing ovations and a long autograph gathered on the courthouse lawn for our concert on that beautiful line after each show as Huey’s record rack opened with my CD’s. June night. The Pacers did a good job backing me. The audience gave Huey P. Long had driven up from Kansas City to handle my me a standing ovation. A long autograph line awaited after our finale, concessions. The following day he took me to the airport, I flew back it included a fan club member from Little Rock and a disc jockey to St. Louis and drove home, arriving around midnight. I’d stopped from Hot Springs. The following day I made my 5 hour Sunday by the hospital in Cape Girardeau, Missouri to visit my brother-in- afternoon drive back home. law Billy Joe Stanfield on my way home from the airport. August 22nd, I played a concert in the city park at KILLEN, July ALABAMA. It was their Founders Day Festival. I was backed by The July 4th weekend was my home town of MALDEN, the Muscle Shoals area band, Blue Water, who did an excellent job. MISSOURI’S 125th birthday celebration. The morning of the 4th Several hundred enthusiastic fans attended. In the audience was a I was Grand Marshal in the parade, riding in a red 03 Thunderbird. buddy who had played rhythm guitar for me on a four month tour Saturday night the 5th I did my concert to a packed community of Canada in 1960, Hulen Hubbard. A long autograph line which center. The Bill Barnett Band did a good job backing me. Jerry Tuttle included a TV interview awaited. Harold Boner and I had driven played for dancing after my show. The receptive audience included down the night before. The following afternoon we drove back home, Malden alumni from through the years and from coast to coast. A a 533 mile round trip. August 30th was a make up date for August 2nd which was birthday November 11th) at the Music Barn at Trail’s End Ranch rained out at Whippoorwill Lake Camp Ground near MARBLE near LOVELACEVILLE, KENTUCKY, sponsored by 96 Classic HILL, MISSOURI. As it was raining again the morning of the 30th, Country, Wickliffe, Kentucky. Harold Boner and I made this some some musicians in the band scheduled to back me (Crossfire) pulled a 2 hour drive over that afternoon. Stanley Walker and his band plus mutiny on their leader and decided not to play that night. Bill Barnett Molly Slone and her band were on the show which was M.C.’d by managed to get some musicians together at the last minute and get Larry Kelly. A full house stood and sang happy birthday to me as I there in time for our scheduled 7:30 p.m. show to start around 9:00 walked to the stage.
Load more

Recommended publications
  • Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
    Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90
    [Show full text]
  • Folk Song in Cumbria: a Distinctive Regional
    FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one.
    [Show full text]
  • “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
    “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof.
    [Show full text]
  • MCA-500 Reissue Series
    MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366.
    [Show full text]
  • Yesterday and Today Records March 2007 Newsletter
    March 2007 Newsletter ----------------------------------- Yesterday & Today Records 255A Church St Parramatta NSW 2150 phone/fax: (02) 96333585 email: [email protected] web: www.yesterdayandtoday.com.au ------------------------------------------------------ Postage: 1 cd $2.00/ 2cd $3/ 3-4 cds $5.80* (*Recent Australia Post price increase.) Guess what? We have just celebrated our 18th anniversary. Those who try things we recommend are rewarded. We have stayed in business for one reason and that is we have never attempted to appeal to the lowest common denominator as mainstream outlets do. At the same time we recognise that people do have different tastes and to some CMT is actually good. We also appeal to those people and offer many mainstream items in our bargain bin. But the legends and true country music are our bread butter and will always be. If you see something you think you may like but are worried let us know. If you pass our inquisition we may be able to send it on a sale or return basis. I say inquisition because if your favourite artists are SheDaisy and Rascal Flatts we certainly aren’t going to risk something as precious as Justin Trevino. By the same token we believe great music is timeless and knows no bounds. People may think chuck steak is good until they try the best rump! Recently I had the pleasure of seeing Dale Watson. Before hand I had the added pleasure of sitting in with my compatriot Eddie White (a.k.a. “The Cosmic Cowboy”) for an interview at the 2RRR Studios. Dale is a humble, engaging and extremely likeable man with a passion for tradition.
    [Show full text]
  • In the Studio: the Role of Recording Techniques in Rock Music (2006)
    21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con­ sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio.
    [Show full text]
  • Current, October 08, 2012 University of Missouri-St
    University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 10-8-2012 Current, October 08, 2012 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, October 08, 2012" (2012). Current (2010s). 118. http://irl.umsl.edu/current2010s/118 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. UMSL's independent student news October 8, 20J2 Vol. 46 Issue 1387 N·ews ................... 3 A&E ....................... 5 Features ......... 6 Opinions ....... .7 Comics.............. 8 Men High: 64 Low: 44 Tue High: 73 Low: 49 o:meco:ming Lip S nchen Wed COlnpeti 1 s stu ents s r t ARTEMIS CARVER Durin g th e high-energy routine, eac h member song and scene in which Effie (portrayed in "E en with everyone's co nfli cting sch ed ules Staff Wri ter of the trio got her own chance to sta nd out from the film by Jennifer Hudson) finds out that she and the few performance rehearsa ls we did Who runs the world? Girls. of course. This was the crowd and step into the spotlight on her has been repla ced as lead singer and ki cked have I stili think we did a gre at perfor ma nce, proven on Oct. 4, when the ladies of Alpha own. Wh en it ca me time for Payne to strut her out f the group.
    [Show full text]
  • Ars Medica Volume 1, Number 1, Fall 2004
    Ars Medica Volume 1, Number 1, Fall 2004 Advisory Board Allison Crawford Managing editor Robin Roger Senior editor Rex Kay Founding editor Allan Peterkin Founding editor Ronald Ruskin Founding editor Board of Directors Guy Allen Board member Jaclyn Duffen Board member Jock Murray Board member Jeff Nisker Board member Thomas Ogden Board member Adam Phillips Board member Mary V. Seeman Board member Anne Marie Todkill Board member Legal Representatives Stanley Kugelmass Adrian Zahl Publishing Ian MacKenzie Copy editor and designer Natalie Ruskin Copy editor Beth Sadavoy Copy editor Liz Konigshaus Executive administrator We are grateful for the generous financial assistance of the Mount Sinai Hospital Foundation. Ars Medica: A Journal for Medicine, Arts, and the Humanities Department of Psychiatry Mount Sinai Hospital 600 University Avenue Toronto, Canada m5G 1X5 For subscription information or to submit a manuscript, contact [email protected], or visit www.ars-medica.ca. contents featured pieces Growth, Progress and the Quest for Salvation: Confessions of a Medical Historian....Michael Bliss .........5 Lie Down: A short story ..................Katherine Govier .... 15 Blackbird: An excerpt . Michel Basilières .....63 short fiction Window.................................Jennifer Sutherland...36 The Second Parlour.......................Anne Marie Todkill .. 55 Kids, Guns, Plagiarism ...................Ron Charach ........95 Peg ......................................Paul MacDougall ...101 Coyote Dreams ..........................Anne Sorbie
    [Show full text]
  • Hundreds of Country Artists Have Graced the New Faces Stage. Some
    314 performers, new face book 39 years, 1 stage undreds of country artists have graced the New Faces stage. Some of them twice. An accounting of every one sounds like an enormous Requests Htask...until you actually do it and realize the word “enormous” doesn’t quite measure up. 3 friend requests Still, the Country Aircheck team dug in and tracked down as many as possible. We asked a few for their memories of the experience. For others, we were barely able to find biographical information. And we skipped the from his home in Nashville. for Nestea, Miller Beer, Pizza Hut and “The New Faces Show had Union 76, among others. details on artists who are still active. (If you need us to explain George Strait, all those radio people, and for instance, you’re probably reading the wrong publication.) Enjoy. I made a lot of friends. I do Jeanne Pruett: Alabama native Pruett remember they had me use enjoyed a solid string of hits from the early the staff band, and I was ’70s right into the ’80s including the No. resides in Nashville, still tours and will suffering some anxiety over not being able 1 smash, “Satin Sheets.” Pruett is based receive a star in the Hollywood Walk of to use my band.” outside of Nashville and is still active as a 1970 Fame in October, 2009. performer and as a member of the Grand Jack Barlow: He charted with Ole Opry. hits like “Baby, Ain’t That Love” Bobby Harden: Starting out with his two 1972 and “Birmingham Blues,” but by sisters as the pop-singing Harden Trio, Connie Eaton: The Nashville native started Mel Street: West Virginian Street racked the mid-’70s Barlow had become the nationally Harden cracked the country Top 50 back her country career as a teenager and hit the up a long string of hits throughout the ’70s, famous voice of Big Red chewing gum.
    [Show full text]
  • Charles Earle's
    CATAMOUNT T #82/171 NOVEMBER 2003 Paige Ladrone 4 Eric Babcock CHARLES EARLE's B-Sides JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #51 REVIEWS (or not) David Brake & That Damn Band Albert Lee Rick Shea & Patty Booker Wailin' Elroys TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S “TURBINADO" texas íí:::c round-dp YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! Me R i s in TH! E n T s "A BOUNTY-SIZED CREW OF TEXAS MUSIC HITTERS HAVE STEPHEN BRUTON JON DEE GRAHAM JOINED FORCES FOR ONE WILD TOUR DE FORCE THAT HAS JUD NEWCOMB BRUCE HUGHES > TO BE HEARD TO BE BELIEVED. TRULY AN ASSEMBLAGE THAT'S JOHN CHIPMAN A DREAM BAND, THE KILLER MUSIC FLOWS LIKE WATER." - MIDWEST RECORD RECAP IY TOMBUN BAND FEATURING REDO VOLKAERT EARL POOLE BALL CINDY CASHDOLLAR SARAH BROWN BOBBY ARNOLD JON HAHN WITH SPECIAL GUEST AUGIE MEYERS "THIS IS THE KIND OF UNDER-THE-RADAR COUNTRY ALBUM THAT RENEWS ONE'S FAITH IN THE INDIE SCENE IN GENERAL, AND TEXAS IN PARTICULAR." -SLIPCUE.COM TEXAS WORLD RECORDS 210 Barron Springs Road, Suite 550, Austin, Texas 78704 512-615-2412 “To my mind, she’s the best new thing to come down this Austin pike in some time, displaying class, versatility, and a distinctiveness...” -Mob Patterson,Country Music People “ Every once in a while, a musician moves to Austin and knocks the town on it’s ear. Elizabeth McQueen is one of those.” -Jim Caliguirl,Austin Chronicle "It's country for those with dirt under their fingernails and rock for those with dust on their jeans..
    [Show full text]
  • BB-Country-Music-Ann
    Contents The Exploding, Evolving Nashville Scene 6 The Billboard Awards 8 Top Albums, Singles 10 Top Male/Female Vocalists 12 Top Singles, Albums Artists & Publishers 14 Top Groups & Labels 16 Publisher Catalogs Bulging 20 Country Labels Enjoy Boom 22 Artists List 26 Personal Managers 36 Booking Agents 34 Fairs and Amusement Park Trends Changing..51 Pop Sounds A Radio Paradox 54 Country's Silver Circuit 56 Coast Country's Home Away From Home 60 New York Embraces Country's New Breed ....60 Country Japanese Style 61 Country Taking Hold In Europe 61 Top Booming Bluegrass Field Eludes Majors 70 Perform Today Credits Editor, Earl Paige. Story direction Gerry Wood, Country Editor. Art, Daniel Chapman Country's and Steve Brown. Production, John F. Halloran. Directory listings: Jon Braude, editor; Joan International mr Elsener, associate editor. P WE HELPED MAK In 1040, Broadcast Music Incorporated became the first licensing organization P for Country music. We made sure that publishers and writers had their P performance royalty rights protected. And, in doing so, BMI has helped make P Country part of our nation. r i' iowever, we've helped Country first place. You see, when it comes to artis _s earn more than just money. For helping Country writers, we've got with :he aid of 38 foreign performing everyone beat by a Country mile. rights societies, they've also earned inter national recognition. Which is why most Country writers and publishers BROADCAST MUSIC INCORPORATED license their music through BMI in the The world's largest performing rights organization Keeping tabs on Nashville and This, then, is Nashville '76-country and Denvers as well as the Snows, Acuffs its spiraling music business music at a critical crossroad.
    [Show full text]
  • Johnny Burnette Tear It up Mp3, Flac, Wma
    Johnny Burnette Tear It Up mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Tear It Up Country: US Released: 1978 Style: Rockabilly MP3 version RAR size: 1828 mb FLAC version RAR size: 1519 mb WMA version RAR size: 1970 mb Rating: 4.7 Votes: 199 Other Formats: MIDI MMF MOD VQF WMA MOD AU Tracklist A1 Train Kept A-Rollin' 2:14 A2 Lonesome Train (On A Lonesome Track) 2:02 A3 Oh Baby Babe (Alternate Take) 2:18 A4 All By Myself 1:58 A5 Blues Stay Away From Me 2:11 A6 Sweet Love On My Mind 2:19 A7 Rock Therapy 2:14 A8 Please Don't Leave Me 2:13 B1 Rock Billy Boogie 2:30 B2 Drinkin' Wine, Spo-Dee-O-Dee 2:10 B3 Tear It Up 1:51 B4 You're Undecided 1:56 B5 If You Want It Enough 2:05 B6 Eager Beaver Baby 2:00 B7 Your Baby Blue Eyes 2:05 B8 Butterfingers 2:11 B9 Honey Hush 2:00 Credits Acoustic Guitar – Grady Martin (tracks: A1, A2, A4 to A8, B1, B2, B5 to B9) Compiled By – Marty Arbunich, Rick Tolmach Double Bass [Upright], Acoustic Guitar – Dorsey Burnette Drums – Murrey "Buddy" Harman, Jr.* (tracks: A1, A2, A4 to A8, B1, B2, B5 to B9), Eddie Grady (tracks: A3, B3, B4) Guitar [Electric Lead] – Paul Burlison Lead Vocals, Acoustic Guitar [Rhythm] – Johnny Burnette Producer – Bob Thiele (tracks: A3, B3, B4), Owen Bradley (tracks: A1, A2, A4 to A8, B1, B2, B5 to B9) Vocals – Dorsey Burnette (tracks: A5, A6) Notes (P)1978 MCA Records, Inc.
    [Show full text]