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Black Magic & White Supremacy
Portland State University PDXScholar University Honors Theses University Honors College 2-23-2021 Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power Nicholas Charles Peters Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Television Commons Let us know how access to this document benefits ou.y Recommended Citation Peters, Nicholas Charles, "Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power" (2021). University Honors Theses. Paper 962. https://doi.org/10.15760/honors.986 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power By Nicholas Charles Peters An undergraduate honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in English and University Honors Thesis Adviser Dr. Michael Clark Portland State University 2021 1 “Being burned at the stake was an empowering experience. There are secrets in the flames, and I came back with more than a few” (Head 19’15”). Burning at the stake is one of the first things that comes to mind when thinking of witchcraft. Fire often symbolizes destruction or cleansing, expelling evil or unnatural things from creation. “Fire purges and purifies... scatters our enemies to the wind. -
UNIVERSIDAD POLITECNICA DE VALENCIA ESCUELA POLITECNICA SUPERIOR DE GANDIA Grado En Comunicación Audiovisual
UNIVERSIDAD POLITECNICA DE VALENCIA ESCUELA POLITECNICA SUPERIOR DE GANDIA Grado en Comunicación Audiovisual “American Horror Story, análisis de la dirección de fotografía en una serie de televisión” TRABAJO FINAL DE GRADO Autor/a: Isaac Almendros Tolosa Tutor/a: Rebeca Díez Somavilla GANDIA, 2014 PORTADA 2 Agradecimientos A Sergio Gómez por su trabajo maquetan- do. A mis amigos por compartir en la distancia las horas, amarguras y experiencias de hacer un TFG en verano, así como a los que han co- laborado y animado. Y por último, a mi tutora Rebeca Díez, por toda su dedicación corrigien- do, ayudando y motivando. 3 RESUMEN Este trabajo final de grado consiste en un análisis de la dirección de fotografía de las dos pri- meras temporadas de la serie de televisión American Horror Story. En el trabajo se verá cómo la fotografía influye en la serie, teniendo en cuenta la importancia de la fotografía como uno de los lenguajes que complementan al resto de los lenguajes audiovisuales. También se pretende com- prender de qué herramientas, técnicas, y elementos fotográficos hacen uso, y para qué, es decir de qué modo son empleadas para conseguir transmitir unas sensaciones y emociones que apoyen la narrativa de la historia. Palabras clave: dirección de fotografía, serie, televisión, American Horror Story, análisis. ABSTRACT This final degree project is an analysis of the cinematography of the two first seasons of the TV show American Horror Story. In this essay we will see how cinematography influences into the series, taking into account the importance of photography as one of the languages that comple- ment the rest of audiovisual languages. -
The Mythology of Marie Laveau in and out of the Archive (2019) Directed by Dr
CARTER, MORGAN E., M.A. Looking For Laveau: The Mythology of Marie Laveau In and Out of the Archive (2019) Directed by Dr. Tara T. Green. 97 pp. The purpose of this work is to engage with the proliferation of the myth of Marie Laveau, the nineteenth-century Voodoo figure of New Orleans, Louisiana and its multiple potentialities as both a tool of investment in whiteness as a form of intellectual property as well as a subject for myth as uplift, refusal, and resistance in terms of southern black womanhood and the critically imaginary. In this work, I create a trajectory of work that has endeavored to “recover” Laveau within institutionalized forms of knowing, specifically taking to task projects of recovery that attempt to present Laveau as a figure of strong leadership for women through institutionalized spaces and forms of knowledge, such as the archive while simultaneously dismissing other, “nonacademic” proliferations of the Laveau myth. This thesis serves to decenter the research, reading, and writing of the Laveau mythology as within the academy, which ostensibly serves white and normative generated and centered ways of knowing, identifying, and articulating, in favor of a methodology that accounts for cultural forms of mythologies that center memory, lineage, and communal identification. Through this critical work, I hope to supply a critical imaginary of what a Creole/Cajun southern feminism would look like, and how it is deeply intertwined with gendered and racialized nuances that are specific to region and community. LOOKING FOR LAVEAU: THE MYTHOLOGY OF MARIE LAVEAU IN AND OUT OF THE ARCHIVE by Morgan E. -
A Critical Analysis of American Horror Story: Coven
Volume 5 ׀ Render: The Carleton Graduate Journal of Art and Culture Witches, Bitches, and White Feminism: A Critical Analysis of American Horror Story: Coven By Meg Lonergan, PhD Student, Law and Legal Studies, Carleton University American Horror Story: Coven (2013) is the third season an attempt to tell a better story—one that pushes us to imag- analysis thus varies from standard content analysis as it allows of the popular horror anthology on FX1. Set in post-Hurricane ine a better future. for a deeper engagement and understanding of the text, the Katrina New Orleans, Louisiana, the plot centers on Miss Ro- symbols and meaning within the text, and theoretical relation- This paper combines ethnographic content analysis bichaux’s Academy and its new class of female students— ships with other texts and socio-political realities. This method and intersectional feminist analysis to engage with the televi- witches descended from the survivors of the witch trials in Sa- is particularly useful for allowing the researcher deep involve- sion show American Horror Story: Coven (2013) to conduct a lem, Massachusetts in 16922. The all-girls school is supposed ment with the text to develop a descriptive account of the com- close textual reading of the show and unpack how the repre- to be a haven for witches to learn about their heritage and plexities of the narrative (Ferrell et al. 2008, 189). In closely sentations of a diversity of witches can be read and under- powers while fostering a community which protects them from examining the text (Coven) to explore the themes and relation- stood as representing a diversity of types of feminism. -
Table of Contents Abstract
Table of Contents Abstract………………………………………………………………………………. …….. 2. Introduction………………………………………………………………………………….. 3-5. Theoretical approaches………………………………………………………………………. 5-12. On reading Ryan Murphy’s critical creation(s)……………………………………………… 12-14. An analysis of the symbolical power present within the composition of the American nuclear family and how it is critiqued through its representation in American Horror Story: Murder House………………………………………………………………………………………… 14-62. Conclusion…………………………………………………………………………………… 62-64. Works Cited………………………………………………………………………………….. 65-66. 1 Abstract This Master’s Thesis is a psychoanalytical investigation into the critical interpretation of the traditional family practice taking place within contemporary American society as it is vividly mediated out to the viewing masses of the world by Ryan Murphy in his 2011 FOX series American Horror Story: Murder House. By making an individual analysis of each relevant episode with the theoretical propositions made by psychoanalyst Sigmund Freud such as that of ‘the unconscious’, ‘the perceptive aspects of the primary and secondary processes’, ‘the repetition compulsion’, as well as the ‘final model of the mind’ and the theoretical composition of ‘the abject’ by philosopher Julia Kristeva readily at hand, this Master’s Thesis functions to bring a critique of how the American nuclear family remains an unchangeable product of its past sociological definition that places the validating notion of embodying the American (nuclear family) dream on a pedestal never to be obtainable to the desire driven psychological being of the American individual, who is indeed forever expected to pursue it, even in death. The main oppositional focus of the thesis is centered on sociologist George Peter Murdoch’s 1949 definition of ‘the nuclear family’ and its compatibility with the society in which it is expected to manifest itself by viewing it in the contextual framework of yet another cornerstone that can be found at the baseline of American society, one that is commonly known as the American dream. -
Nomination Press Release
Outstanding Comedy Series 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Tina Fey as Liz Lemon Bros. Television Veep • HBO • Dundee Productions in Curb Your Enthusiasm • HBO • HBO association with HBO Entertainment Entertainment Julia Louis-Dreyfus as Selina Meyer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Outstanding Lead Actor In A Modern Family • ABC • Levitan-Lloyd Comedy Series Productions in association with Twentieth The Big Bang Theory • CBS • Chuck Lorre Century Fox Television Productions, Inc. in association with Warner 30 Rock • NBC • Broadway Video, Little Bros. Television Stranger, Inc. in association with Universal Jim Parsons as Sheldon Cooper Television Curb Your Enthusiasm • HBO • HBO Veep • HBO • Dundee Productions in Entertainment association with HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Outstanding Lead Actress In A Commercial Films, Refugee Productions, Comedy Series Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with Louie • FX Networks • Pig Newton, Inc. in HBO Entertainment association with FX Productions Lena Dunham as Hannah Horvath Louis C.K. as Louie Mike & Molly • CBS • Bonanza Productions, 30 Rock • NBC • Broadway Video, Little Inc. in association with Chuck Lorre Stranger, Inc. in association with Universal Productions, Inc. and Warner Bros. Television Television Alec Baldwin as Jack Donaghy Melissa McCarthy as Molly Flynn Two And A Half Men • CBS • Chuck Lorre New Girl • FOX • Chernin Entertainment in Productions Inc., The Tannenbaum Company association with Twentieth Century Fox in association with Warner Bros. -
American Horror Story
February 14, 2011 Writer’s Draft American Horror Story written by Ryan Murphy & Brad Falchuk directed by Ryan Murphy RYAN MURPHY TELEVISION ALL RIGHTS RESERVED. COPYRIGHT © 2011 TWENTIETH CENTURY FOX FILM CORPORATION. NO PORTION OF THIS SCRIPT MAY BE PERFORMED, PUBLISHED, REPRODUCED, SOLD, OR DISTRIBUTED BY ANY MEANS OR QUOTED OR PUBLISHED IN ANY MEDIUM, INCLUDING ANY WEB SITE, WITHOUT PRIOR WRITTEN CONSENT OF TWENTIETH CENTURY FOX FILM CORPORATION. DISPOSAL OF THIS SCRIPT COPY DOES NOT ALTER ANY OF THE RESTRICTIONS SET FORTH ABOVE. TITLES UP: San Francisco, 1978. The words dissolve, and we hold on blackness. Hear soft eerie wind chimes. CUT TO: EXT. HOUSE -- AFTERNOON PUSH across a leaf-strewn lawn to find a GIRL, eight, with long braids, staring at an abandoned Victorian house that has fallen into grave disrepair. Shutters missing, paint peeling...an ingenue turned dowager by the march of time. Suddenly, a rock whizzes by the girl’s head and SHATTERS an upper story window. She turns and we finally SEE her face. This is ADELAIDE, and she has Down Syndrome. TWO BOYS, TEN, bash a gate open with a baseball bat and strut into the yard. This is Troy and Bryan...the Rutger twins. TROY Hey, retard. They head into the empty derelict house, on a mission. Adelaide suddenly speaks. ADELAIDE Excuse me. They stop, turn. ADELAIDE (CONT’D) You’re going to die in there. They stare at her a beat, the moment is shocking. Then Troy runs to her, viciously pushes her to the ground. He regards her, spits on her, then heads back into the house. -
Representation of Abortion in Selected Film and Television
REPRESENTATION OF ABORTION IN SELECTED FILM AND TELEVISION Claire Ann Barrington Supervisor: Michael Titlestad A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements of the degree of Master of Arts. Johannesburg, 2016 i ABSTRACT This dissertation argues that the representation of abortion provides a platform which reveals women’s societal and gendered positions, and provides a critique of the hypocritical attitudes to which societies subject women. I will be considering various representations of abortion in six films and two television shows. The films are Alexander Kluge’s Part-Time Work of a Domestic Slave (1973), Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days (2007), Mike Leigh’s Vera Drake (2004), Fruit Chan’s Dumplings (2004), The Pang Brother’s Re-Cycle (2006) and Ridley Scott’s Prometheus (2012). The two television shows are FX’s American Horror Story (2011—) and ABC’s Grey’s Anatomy (2005—). Each text provides a unique representation of abortion, often situating the issue within particular physical, social, political and cultural locations. In presenting a close reading of each text, I will show how the representation of abortion in each chapter relates to differing social, political and cultural ideologies. I will argue that there is a developing sense of the lived realities of women, which include, but are not limited to, issues of alienation, autonomy, agency and identity. Such lived realties, I will contend, are constructed within societies that, aware or not of the fact, are dominated by patriarchal influences. ii DECLARATION I declare that this dissertation is my own unaided work. -
American Horror Story" As Adaptation of E
"American Horror Story" as Adaptation of E. A. Poe's "The Fall of the House of Usher" Mikolčić, Monika Undergraduate thesis / Završni rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:177051 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-30 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i hrvatskoga jezika i književnosti Monika Mikolčić "Američka horor priča" kao adaptacija "Pada kuće Usherovih" E. A. Poea Završni rad Mentor: doc. dr. sc. Ljubica Matek Osijek, 2019. Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i hrvatskoga jezika i književnosti Monika Mikolčić "Američka horor priča" kao adaptacija "Pada kuće Usherovih" E. A. Poea Završni rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: doc. dr. sc. Ljubica Matek Osijek, 2019. J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Study Programme: Double Major BA Study Programme in English Language and Literature and Croatian Language and Literature Monika Mikolčić American Horror Story as Adaptation of E. A. Poe's "The Fall of the House of Usher" Bachelor's Thesis Supervisor: Ljubica Matek, Ph.D. Assistant Professor Osijek, 2019 J.J. -
Nomination Press Release
Brad Walsh, Executive Producer Outstanding Comedy Series Jeff Morton, Co-Executive Producer The Big Bang Theory • CBS • Chuck Lorre Jeffery Richman, Co-Executive Producer Productions, Inc. in association with Warner Abraham Higginbotham, Co-Executive Producer Bros. Television Cindy Chupack, Co-Executive Producer Chuck Lorre, Executive Producer Chris Smirnoff, Producer Bill Prady, Executive Producer Steven Molaro, Executive Producer 30 Rock • NBC • Broadway Video, Little Dave Goetsch, Co-Executive Producer Stranger, Inc. in association with Universal Television Eric Kaplan, Co-Executive Producer Lorne Michaels, Executive Producer Jim Reynolds, Co-Executive Producer Tina Fey, Executive Producer Peter Chakos, Supervising Producer Robert Carlock, Executive Producer Steve Holland, Supervising Producer Marci Klein, Executive Producer Maria Ferrari, Producer David Miner, Executive Producer Faye Oshima Belyeu, Produced By Jeff Richmond, Executive Producer Curb Your Enthusiasm • HBO • HBO John Riggi, Executive Producer Entertainment Ron Weiner, Co-Executive Producer Larry David, Executive Producer Matt Hubbard, Co-Executive Producer Jeff Garlin, Executive Producer Kay Cannon, Supervising Producer Gavin Polone, Executive Producer Vali Chandrasekaran, Supervising Producer Alec Berg, Executive Producer Josh Siegal, Supervising Producer David Mandel, Executive Producer Dylan Morgan, Supervising Producer Jeff Schaffer, Executive Producer Luke Del Tredici, Supervising Producer Larry Charles, Executive Producer Jerry Kupfer, Producer Tim Gibbons, Executive -
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"Amped About Hell": Representations of the Suburban Gothic in Serial Television Simone Marjorie Perry Lake Forest College, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Lake Forest College Publications Lake Forest College Lake Forest College Publications Senior Theses Student Publications 4-28-2014 "Amped About Hell": Representations of the Suburban Gothic in Serial Television Simone Marjorie Perry Lake Forest College, [email protected] Follow this and additional works at: http://publications.lakeforest.edu/seniortheses Part of the American Studies Commons, Critical and Cultural Studies Commons, Film and Media Studies Commons, and the Television Commons Recommended Citation Perry, Simone Marjorie, ""Amped About Hell": Representations of the Suburban Gothic in Serial Television" (2014). Senior Theses. This Thesis is brought to you for free and open access by the Student Publications at Lake Forest College Publications. It has been accepted for inclusion in Senior Theses by an authorized administrator of Lake Forest College Publications. For more information, please contact [email protected]. "Amped About Hell": Representations of the Suburban Gothic in Serial Television Abstract Derived from the work of Bernice M. Murphy, "Suburban Gothic" is a subgenre in popular culture providing continuous commentary on American society. Though she writes extensively about depictions of Suburban Gothic throughout the last several decades, Murphy’s research has shown little interest in television. The advent of complex narrative in serial television, particularly over the last twenty-five years, is crucial to homing in on the format. Viewing the Suburban Gothic as a "genre television,” we can see it evolving into a higher art form. Using essays in aesthetics and film theory to enhance the understanding of Suburban Gothic, three shows are using a combination of these theories.