Society of Woman Geographers Records [Finding Aid]. Library of Congress. [PDF Rendered Mon May 22 13:48:36 EDT 2017] [XSLT Proce

Total Page:16

File Type:pdf, Size:1020Kb

Society of Woman Geographers Records [Finding Aid]. Library of Congress. [PDF Rendered Mon May 22 13:48:36 EDT 2017] [XSLT Proce Society of Woman Geographers Records A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2003 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms005005 LC Online Catalog record: http://lccn.loc.gov/mm88065707 Prepared by Karen Stuart Revised and expanded by Karen Linn Femia with the assistance of Brian McGuire Collection Summary Title: Society of Woman Geographers Records Span Dates: 1910-1998 ID No.: MSS65707 Creator: Society of Woman Geographers Extent: 17,000 items ; 51 containers ; 20.2 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Inactive membership files of the Society of Woman Geographers. The society was founded in 1925 to bring together women actively interested in geography, anthropology, world exploration, and allied disciplines. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Adams, Harriet Chalmers, 1875-1937. Akeley, Delia J. (Delia Julia), 1875?-1970. Andrews, Dorothy M. (Dorothy May), -1984. Beard, Mary Ritter, 1876-1958. Black, Ruby A. (Ruby Aurora), 1896-1957. Bolton, Frances Payne Bingham, 1885-1977. Bourke-White, Margaret, 1904-1971. Boyd, Louise Arner, 1887-1970. Bradley, Mary Hastings. Briggs, Berta N. (Berta Nabersberg), 1884-1976. Brown, Muriel Agnes Eleanora Talbot, 1874- Buck, Pearl S. (Pearl Sydenstricker), 1892-1973. Campbell, Edna Fay, 1881-1969. Carpenter, Frances, 1890-1972. Carson, Rachel, 1907-1964. Chapelle, Dickey, 1919-1965. Clark, Sally, 1883-1982. Colby, Mary McRae, 1899?-1985. Cole, Mabel Cook, -approximately 1978. Craig, May, 1889?-1975. Crowe, Bettina Peter Lum, 1911- Davisson, Elizabeth Derr, 1899?-1965. Densmore, Frances, 1867-1957. Douglas, Marjorie Stoneman. Douglass, Lucille Sinclair, -1935. Dyhrenfurth, Hettie, 1892- Earhart, Amelia, 1897-1937. Felland, Nordis Adelheid, 1901- Foster, Alice, 1872-1962. Gilpin, Laura. González Acha de Correa Morales, Elina, 1861-1942. Grosvenor, Elsie May, 1878-1964. Harllee, Ella Fullmore, 1916?-1983. Harrison, Marguerite, 1879?-1967. Haviland, Virginia, 1911- Hobart, Alice Tisdale, 1882-1967. Society of Woman Geographers Records 2 Ingersoll, Marion Crary, 1880-1972. Jaques, Florence Page, 1890-1972. Kroeber, Theodora. Landon, Margaret, 1903-1993. Lane, Rose Wilder, 1886-1968. Leakey, Mary D. (Mary Douglas), 1913-1996. Lee, Muna, 1895?-1970. Lowther, Florence de L. (Florence de Loiselle), 1884-1970. Mead, Margaret, 1901-1978. Mills, Mary Lee, 1912- Morse, Reba Forbes, -1982. Murray, Margaret Alice. Niles, Blair. Noble, Ruth Crosby, 1897- Nourse, Mary A. (Mary Augusta), 1880-1971. Olds, Elizabeth Fagg. Peary, Marie Ahnighito, 1893-1978. Peck, Annie S. (Annie Smith), 1850-1935. Roosevelt, Eleanor, 1884-1962. Sen, Gertrude Emerson, -1982. Shelby, Gertrude Mathews, 1881-1937. Smith, Helen B. (Helen Belle) Story, Isabelle F. (Isabelle Florence), 1888-1970. Strong, Helen M. (Helen Mabel), 1890-1973. Tee-Van, Helen Damrosch, 1893-1976. Uhrbrock, Mildred G. Van Deman, Esther Boise, 1862-1937. Vander Pyl, Mary Chamberlain, 1888-1979. Wright, Irene Aloha, 1879-1972. Organizations Society of Woman Geographers. Subjects Adventure and adventurers. Environmentalists. Ethnologists. Presidents' spouses--United States. Public health personnel. Women air pilots. Women anthropologists. Women archaeologists. Women archivists. Women artists. Women explorers. Women geographers--Societies, etc. Women geographers. Women historians. Women journalists. Women legislators. Women librarians. Women novelists. Women photographers. Society of Woman Geographers Records 3 Administrative Information Provenance Part I of the records of the Society of Woman Geographers were given to the Library of Congress in 1988 by the society. Part II was given in 2001. Processing History Part I of the records of the Society of Woman Geographers was processed in 1990. Part II was processed and the register revised in 2003. Additional Guides Part I of the collection is described in Library of Congress Acquisitions: Manuscript Division, 1988, pp. 43-46. Copyright Status The status of copyright in the unpublished writings of the Society of Woman Geographers is governed by the Copyright Law of the United States (Title 17, U.S.C.). Access and Restrictions The records of the Society of Woman Geographer are open to research. Researchers are advised to contact the Manuscript Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use. Preferred Citation Researchers wishing to cite this collection should include the following information: Roman numeral designating the Part followed by a colon and container number, Society of Woman Geographers Records, Manuscript Division, Library of Congress, Washington, D.C. Scope and Content Note The Society of Woman Geographers (SWG) was founded in 1925 by four friends -- Gertrude Emerson Sen, Marguerite Harrison, Blair Niles, and Gertrude Mathews Shelby -- to bring together women actively interested in geography, world exploration, anthropology, and allied disciplines. Analogous to the Explorers Club, which did not admit women until 1981, the SWG provided a forum for its members to exchange knowledge, recognize excellence, and offer mutual encouragement. Chapters were organized in New York and Washington, now the group's headquarters, and later in Chicago, San Francisco, Los Angeles, Florida, and New England. At-large and corresponding members have resided throughout the United States and in more than fifty countries around the world. Membership in SWG is gained by election following a process of nomination and evaluation. Active members are those who have conducted research and fieldwork, are recognized authorities in their disciplines, and have contributed to the world's knowledge through their publications, films, photographs, or artistic works. Associate members are similarly well- traveled women whose interests and activities are compatible with those of active members, but who do not fulfill all requirements of active membership. More than one thousand women have become members since the SWG's inception. United by their common interest in geography, SWG members have pursued widely divergent careers. Many members have been primarily known as geographers (Edna Fay Campbell, Elina González Acha de Correa Morales, Elsie May Grosvenor, Helen B. Smith, Helen M. Strong), or have worked in the closely related fields of anthropology and ethnology (Mabel Cook Cole, Frances Densmore, Theodora Kroeber, Mary D. Leakey, Margaret Mead). Many others, however, have been explorers, mountain climbers, and big-game hunters (Delia J. Akeley, Mary Hastings Bradley, Muriel Agnes Eleanora Talbot Brown, Sally Clark, Hettie Dyhrenfurth, Marie Ahnighito Peary, Annie Peck) or environmentalists (Rachel Carson, Marjorie Stoneman Douglas). SWG's members have also included aviators (Louise Arner Boyd, Amelia Earhart); artists (Berta N. Briggs, Sally Clark, Lucille Sinclair Douglass); archaeologists (Margaret Alice Murray, Esther Boise Van Deman); novelists (Bettina Peter Lum Crowe, Alice Tisdale Hobart, Margaret Landon); journalists, photographers, and Society of Woman Geographers Records 4 broadcasters (Ruby A. Black, Margaret Bourke-White, Dickey Chapelle, May Craig, Laura Gilpin, Ella Fullmore Harllee, Rose Wilder Lane); specialists in public health medicine and family planning (Marion Crary Ingersoll, Mary Lee Mills); librarians and archivists (Virginia Haviland, Irene Aloha Wright); and historian Mary Ritter Beard, First Lady Eleanor Roosevelt, and member of Congress Frances Payne Bingham Bolton. Both Part I (1910-1987) and Part II (1927-1998) of the SWG records consist of inactive membership files. Each part is arranged alphabetically by name of member. The files typically contain original nomination/application forms; correspondence pertaining to membership status, dues, and current activities; printed material, newspaper articles, obituary notices and memorial tributes; and occasionally photographs. Each year members were asked to complete a summary of their research activities, travel, and fieldwork for publication in the society's bulletin. These sheets, sometimes supplemented by curriculum vitae, document the activities and accomplishments of lesser-known women. Conversely, since some of the society's more illustrious members, such as Amelia Earhart, Eleanor Roosevelt, Rachel Carson, Pearl S. Buck, and Margaret Mead, tended to be "more...honored member[s] than...particularly contributing one[s] -- except through reflected glory," (1) their files generally contain only routine material. No file for SWG founding member Blair Niles is present in the collection. The SWG's emphasis on "personal association and interchange of ideas among members rather than on organizational activities" (2) suggests that the most significant records are the membership files. Administrative files and financial records have not been retained by the society, but much information about the organization's founding and operations can be gleaned from the files of members who served on the executive council or as officers of one of the regional chapters. Especially
Recommended publications
  • SMITHSONIAN INSTITUTION Music of the Indians of British Columbia by FRANCES DENSMORE
    SMITHSONIAN INSTITUTION Bureau of American Ethnology Bulletin 136 Anthropological Papers, No. 27 Music of the Indians of British Columbia By FRANCES DENSMORE FOREWORD Many tribes and locations are represented in the present work, differing from the writer's former books,^ which have generally con- sidered the music of only one tribe. This material from widely sep- arated regions was available at Chilliwack, British Columbia, during the season of hop-picking, the Indians being employed in the fields. The work was made possible by the courtesy of Canadian officials. Grateful acknowledgment is made to Dr. Duncan Campbell Scott, Deputy Superintendent General, Department of Indian Affairs at Ot- tawa, who provided a letter of credential, and to Mr. C. C. Perry, In- dian agent at Vancouver, and Indian Commissioner A. O. N. Daunt, Indian agent at New Westminster, who extended assistance and co- operation. Acknowledgment is also made of the courtesy of Walter Withers, corporal (later sergeant). Royal Canadian Mounted Police, who acted as escort between Chilliwack and the hop camp, and as- sisted the work in many ways. Courtesies were also extended by municipal officers in Chilliwack and by the executive office of the Columbia Hop Co., in whose camp the work was conducted. This is the writer's first musical work in Canada and the results are important as a basis of comparison between the songs of Canad- ian Indians and those of Indians residing in the United States. On this trip the writer had the helpful companionship of her sis- ter, Margaret Densmore. iSee bibliography (Densmore, 1910, 1913, 1918, 1922, 1923, 1926, 1928, 1929, 1929 a, 1929 b, 1932, 1932 a, 1936, 1937, 1938, 1939, 1942).
    [Show full text]
  • A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore
    Butler University Digital Commons @ Butler University Graduate Thesis Collection Graduate Scholarship 5-1999 A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore Stephanie B. Thorne Butler University Follow this and additional works at: https://digitalcommons.butler.edu/grtheses Part of the Anthropology Commons, and the Music Commons Recommended Citation Thorne, Stephanie B., "A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore" (1999). Graduate Thesis Collection. 253. https://digitalcommons.butler.edu/grtheses/253 This Thesis is brought to you for free and open access by the Graduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Graduate Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. -- CERTIFICATE FORM Name of Candidate: Stephanie B. Thome Oral Examination Date: ___W=e",dn",e",s",d""aYz."",J",un",-e"--"2"-3,~1,,,,9 ,,,,9,,,9,---________ COmmUtteeChaUpe~on: __~D~r~.~P~enn~y~D~Urun~~i~c~k ______________________ Committee Members: Dr. Sue Kenyon, Dr. Tim Brimmer, Dr. Wayne Wentzel, Mr. Henry Leck Thesis Title: A Cultural View of Music Therapy: Music and Beliefs of Teton Shamans, with Reference to the Work of Frances Densmore Thesis approved in final fonn: """"" Date: ____________:::::~ _________ Major professor: __----'D"'r"' . ..!.P-"e"'nn"'y.L...!.D"'im!!.!!.m""'ic"'k~ ___________________________ II • A CULTURAL VIEW OF MUSIC THERAPY: MUSIC AND BELIEFS OF TETON SIOUX SHAMANS, WITH REFERENCE TO THE WORK OF FRANCES DENSMORE by Stephanie B.
    [Show full text]
  • Creating a Roadmap for the Future of Music at the Smithsonian
    Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................
    [Show full text]
  • Frances Densmore Papers MS.557
    http://oac.cdlib.org/findaid/ark:/13030/c8z31xn9 No online items Finding Aid to the Frances Densmore Papers MS.557 Finding aid prepared by Glenna Schroeder, Anna Liza Posas Autry National Center, Braun Research Library 234 Museum Drive Los Angeles, CA, 90065-5030 323-221-2164 [email protected] 2012 Finding Aid to the Frances MS.557 1 Densmore Papers MS.557 Title: Frances Densmore Papers Identifier/Call Number: MS.557 Contributing Institution: Autry National Center, Braun Research Library Language of Material: English Physical Description: 0.75 Linear feet(2 boxes) Date (bulk): Bulk, 1907-1957 Date (inclusive): 1899-1961 Abstract: Frances Densmore was an American ethnographer and ethnomusicologist born in 1867 in Red Wing, Minnesota. She wrote more than 20 books and 100 articles. She also made more than 2,000 wax cylinder recordings of Native music, including recordings for the Smithsonian Institution, Bureau of American Ethnology (BAE) in 1907. Densmore died on June 5, 1957 at the age of 90. The Francis Densmore Papers consist of manuscripts, correspondence, newspaper clippings, and ephemera from 1899-1961. The bulk of the material was created from 1907-1957. creator: Bunche, Ralph J. (Ralph Johnson), 1904-1971. creator: Densmore, Frances, 1867-1957 creator: Hewett, Edgar L. (Edgar Lee), 1865-1946 creator: Hodge, Frederick Webb, 1864-1956 creator: James, George Wharton, 1858-1923 creator: Mead, Margaret, 1901-1978 creator: Roosevelt, Eleanor, 1884-1962. Preferred citation Frances Densmore Papers, 1899-1961, Braun Research Library Collection, Autry National Center, Los Angeles; MS.557; [folder number] [folder title][date]. Restriction note Correspondence in Folder 10 not to be copied or cited per donor agreement.
    [Show full text]
  • DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings
    DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings Selected from the Archive of Folk Culture. INSTITUTION Library of Congress, Washington, DC. Motion Picture, Broadcasting, and Recorded Sound Div. PUB DATE 89 NOTE 59p. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS American Indians; Audiodisks; Audiotape Cassettes; *Folk Culture; Foreign Countries; Music; *Songs IDENTIFIERS Bahamas; Black Folk Music; Brazil; *Folk Music; *Folktales; Mexico; Morocco; Puerto Rico; Venezuela ABSTRACT This catalog of sound recordings covers the broad range of folk music and folk tales in the United States, Central and South America, the Caribbean, and Morocco. Among the recordings in the catalog are recordings of Afro-Bahain religious songs from Brazil, songs and ballads of the anthracite miners (Pennsylvania), Anglo-American ballads, songs of the Sioux, songs of labor and livelihood, and animal tales told in the Gullah dialect (Georgia). A total of 83 items are offered for sale and information on current sound formats and availability is included. (PPB) Reproductions supplied by EMS are the best that can be made from the original document. SELECTED FROM THE ARCHIVE OF FOLK CULTURE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION LIBRARY OF CONGRESS WASHINGTON. D.C. 20540 U S DEPARTMENT OF EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERICI hisdocument has been reproduced as received from the person or organization originating it C Minor changes have been made to improve reproduction duality Pointsof view or opinions stated in thisdccu- ment do not necessarily represent officral OERI motion or policy AM.
    [Show full text]
  • Sound Recordings
    UC Santa Barbara UC Santa Barbara Previously Published Works Title Sound Recordings Permalink https://escholarship.org/uc/item/56f745rc ISBN 9780470657225 Author Novak, DE Publication Date 2018 License https://creativecommons.org/licenses/by-nc-sa/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Trim Size: 170mm x 244mm Callan wbiea1336.tex V1 - 09/16/2017 3:01 P.M. Page 1 ❦ Sound Recordings DAVID NOVAK University of California, Santa Barbara, United States Sound recordings have played an important role in anthropological research, both as tools of feldwork and data collection and as objects and contexts of ethnographic work on music, language, and cultural mediations of technology and environment. Te pro- cess of sound recording introduced new techniques and materials that revolutionized anthropological studies of language, music, and culture, while, as objects of techno- logical production and consumption, their media circulations have been analyzed as intrinsic to modern cultural formation and global social imaginaries. Te emergence of anthropology as a scholarly discipline coincided with the develop- ment of mechanical technologies for the preservation and reproduction of sound, fol- lowing soon afer the invention of the Edison cylinder phonograph in 1877. Te phono- graph made it possible for early ethnographers to capture and analyze the sounds of speech and ritual performance in Native America, beginning with the Passamaquoddy and Zuni songs and stories recorded in 1890 on wax cylinders by Jesse Walter Fewkes, and soon afer by Frances Densmore and Alice Cunningham Fletcher. While oral histo- rians, linguists, and musicologists regularly used the phonograph to collect and analyze the texts of threatened languages and musics in a preservationist mode, they did not typically preserve sound recordings themselves; in stark contrast to the archival stan- ❦ dards that would emerge later, most of them destroyed or reused cylinders immediately ❦ afer having transcribed their contents.
    [Show full text]
  • Frances Densmore Photographs of July 4 Observances at Standing Rock Reservation, 1912
    Frances Densmore photographs of July 4 observances at Standing Rock Reservation, 1912 Sarah Ganderup 2014 January 27 National Anthropological Archives Museum Support Center 4210 Silver Hill Road Suitland 20746 [email protected] http://www.anthropology.si.edu/naa/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Local Call Number(s)....................................................................................................... 2 Scope and Contents note................................................................................................ 2 Biographical/Historical note.............................................................................................. 2 Bibliography...................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Frances Densmore photographs of July 4 observances at Standing Rock Reservation NAA.PhotoLot.81L Collection Overview Repository: National Anthropological Archives Title: Frances Densmore photographs of July 4 observances at Standing Rock Reservation Identifier: NAA.PhotoLot.81L Date: 1912 Extent: 9 Prints (silver gelatin) 7 Negatives (nitrate) Creator: Densmore, Frances, 1867-1957 Language: Undetermined
    [Show full text]
  • Native American Elements in Piano Repertoire by the Indianist And
    NATIVE AMERICAN ELEMENTS IN PIANO REPERTOIRE BY THE INDIANIST AND PRESENT-DAY NATIVE AMERICAN COMPOSERS Lisa Cheryl Thomas, B.M.E., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2010 APPROVED: Adam Wodnicki, Major Professor Steven Friedson, Minor Professor Joseph Banowetz, Committee Member Jesse Eschbach, Chair of the Division of Keyboard Studies Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Michael Monticino, Dean of the Robert B. Toulouse School of Graduate Studies Thomas, Lisa Cheryl. Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers. Doctor of Musical Arts (Performance), May 2010, 78 pp., 25 musical examples, 6 illustrations, references, 66 titles. My paper defines and analyzes the use of Native American elements in classical piano repertoire that has been composed based on Native American tribal melodies, rhythms, and motifs. First, a historical background and survey of scholarly transcriptions of many tribal melodies, in chapter 1, explains the interest generated in American indigenous music by music scholars and composers. Chapter 2 defines and illustrates prominent Native American musical elements. Chapter 3 outlines the timing of seven factors that led to the beginning of a truly American concert idiom, music based on its own indigenous folk material. Chapter 4 analyzes examples of Native American inspired piano repertoire by the “Indianist” composers between 1890-1920 and other composers known primarily as “mainstream” composers. Chapter 5 proves that the interest in Native American elements as compositional material did not die out with the end of the “Indianist” movement around 1920, but has enjoyed a new creative activity in the area called “Classical Native” by current day Native American composers.
    [Show full text]
  • News of the National Anthropological Archives
    History of Anthropology Newsletter Volume 4 Issue 1 1977 Article 3 January 1977 News of the National Anthropological Archives James Glenn Follow this and additional works at: https://repository.upenn.edu/han Part of the Anthropology Commons, and the History of Science, Technology, and Medicine Commons Recommended Citation Glenn, James (1977) "News of the National Anthropological Archives," History of Anthropology Newsletter: Vol. 4 : Iss. 1 , Article 3. Available at: https://repository.upenn.edu/han/vol4/iss1/3 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/han/vol4/iss1/3 For more information, please contact [email protected]. 3 SOURCES FOR THE HISTORY OF ANTHROPOLOGY NEWS OF THE NATIONAL ANTHROPOLOGICAL ARCHIVES James Glenn Smithsonian Institution Last December the Smithsonian Institution's National Anthro- pological Archives began a long-term project to arrange, describe, and pub- lish on microfilm its extensive collection of papers of John P. Harrington. An ethnologist and linguist with the Bureau of American Ethnology from 1915 to 1945, Harrington amassed over two hundred cubic feet of field notes and other material relating to Indians of all parts of the United States. He is best remembered for his work among California tribes. His material is difficult to describe briefly, for it ranges from verb paradigms to copies of several versions of Boscana's Chinigchinich, and the nature and quantity of data vary considerably from tribe to tribe. Many researchers have marveled at Harrington's dedicated efforts to record as much as he could of fading cultures, but they have often been especially delighted by stray facts contained in faithfully recorded digressions of his own or his informants.
    [Show full text]
  • News from the Library of Congress
    NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2012 The News from the Library of Congress this year includes reports from the major Library units concerned with music and sound recording materials: Music Division, National Audio-Visual Conservation Center/Packard Campus, the American Folklife Center, and the Policy and Standards Division. Reports from other Library units which may contain concerns of importance to the music library community (e.g., Copyright Office, Preservation Directorate, Technology Policy Directorate) may be found in the ALA Midwinter report on the Library’s website: http://www.loc.gov/ala/mw-2012-update.html MUSIC DIVISION………………………………………P. 1 PACKARD CAMPUS FOR AUDIO-VISUAL CONSERVATION, RECORDED SOUND SECTION…………………………………….P. 11 AMERICAN FOLKLIFE CENTER………………….P. 15 POLICY AND STANDARDS DIVISION, ACQUISITIONS & BIBLIOGRAPHIC ACCESS DIRECTORATE…….P. 27 MUSIC DIVISION --Reported by Sue Vita, Joe Bartl, Dan Boomhower, Denise Gallo, Mark Horowitz, Karen Lund, Anne McLean, and Steve Yusko This fiscal year, the Music Division’s first priority was to improve access to its vast collection of more than 20 million items, including scores, libretti, manuscripts, photographs, personal papers, instruments, and memorabilia. This was accomplished on a number of fronts: by processing and creating online finding aids for special collections; by creating new and improved existing bibliographic records; by digitizing items from collections and putting them online; and by publicizing the collections through the Performing Arts Encyclopedia, public programs, orientations, professional meetings, and social media. We 1 made significant progress on the Collections Analysis Project, which will result in improved physical and intellectual control over all of Music’s holdings.
    [Show full text]
  • VOICE, RACE, and NATION in US MUSIC, 1890-1924 by Scott A
    VOX AMERICANA: VOICE, RACE, AND NATION IN U.S. MUSIC, 1890-1924 by Scott A. Carter A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music) at the UNIVERSITY OF WISCONSIN-MADISON 2014 Date of final oral examination: 05/15/2014 This dissertation is approved by the following members of the Final Oral Committee Ronald M. Radano, Professor, School of Music Jerome Camal, Assistant Professor, Anthropology Susan C. Cook, Professor, School of Music R. Anderson Sutton, Professor, School of Pacific and Asian Studies, University of Hawaii at Manoa Amanda Weidman, Associate Professor, Anthropology, Bryn Mawr College i For Katie ii The more I hear, the less I know. — "Music is a Better Noise," Essential Logic iii Table of Contents Acknowledgements v List of Figures ix A Note on Transcriptions and Direct Quotations x Chapter One 1 Introduction Chapter Two 28 Anthropology, Vocal Science, and the Ordering of World Song Chapter Three 73 Forging a Sound Citizenry: Voice Culture and the Embodiment of the Nation Chapter Four 122 Bert Williams's Vocal Challenge Chapter Five 167 The Vocal Economy of Vernon Dalhart Epilogue 205 Bibliography 211 iv v Acknowledgements Like any major project, my dissertation has benefitted from the insights, critiques, and generous advice of friends and colleagues. I want to begin my acknowledgements by thanking the community of scholars in the School of Music at UW-Madison for creating programs that challenge students to produce scholarship of the highest caliber while allowing them the freedom to pursue avenues of innovative musical inquiry. I am particularly grateful for the interdisciplinary approach to scholarship afforded by the department, which allowed me to seek out and work with scholars in anthropology, history, communication arts, and Afro-American studies.
    [Show full text]
  • John P. Harrington Papers 1907-1959
    THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME FOUR A GUIDE TO THE FIELD NOTES: NATIVE AMERICAN HISTORY, LANGUAGE, AND CULTURE OF THE SOUTHWEST EDITED BY Elaine L. Mills and AnnJ Brickfield KRAUS INTER ATIONAL PUBLICATIONS A Division of Kraus-Thomson Organization Limited THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME FOUR A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of the Southwest Prepared in the National AnthropologicalArchives Department ofAnthropology National Museum ofNatural History Washington, D.C. THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME FOUR A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of the Southwest EDITED BY Elaine L. Mills and AnnJ. Brickfield KRAUS INTERNATIONAL PUBLICATIONS A Division of Kraus-Thomson Organization Limited White Plains, N.Y. © Copyright The Smithsonian Institution 1986 All rights reserved. No part ofthis work covered by the copyright hereon may be reproduced or used in anyform or by any means-graphic, electronic, or mechanical, including photocopying, recording or taping, information storage and retrieval systems-without written permission ofthe publisher. First Printing Printed in the United Str.:tes of America The paper in this publication meets the minimum Contents requirements of American National Standard for Information Science- Permanence of Papers for Printed Library Materials, ANSI Z39.48-1984. INTRODUCTION N / Vll Library ofCongress Cataloging-in-Publication Data Scope and Content ofthis Publication IV / vn (Revised for vol. 4) History ofthe Papers and the Microfilm Edition IV / vnl Harrington, John Peabody. The papers ofJohn Peabody Harrington in the Editorial Procedures IV / X Smithsonian Institution, 1907-1957.
    [Show full text]