The Leading Ladies

Total Page:16

File Type:pdf, Size:1020Kb

The Leading Ladies HOLLYWOODHOLLYWOOD REMEMBERSREMEMBERS HOLLYWOODHOLLYWOOD REMEMBERSREMEMBERS THETHE LEADINGLEADING MENMEN THETHE LEADINGLEADING LADIESLADIES PHONE: 818-760-1500 FAX: 818-760-1532 PASSPORT INTERNATIONAL PRODUCTIONS HOLLYWOODHOLLYWOOD REMEMBERSREMEMBERS THE LEADING MEN THE LEADING LADIES (65 HALF HOUR EPISODES) (65 HALF HOUR EPISODES) hey were tough, rugged, handsome, and yes, assport presents 65 half hour long episodes that sometimes vulnerable. The Leading Men of take an affectionate look at the most glamorous THollywood! Each program is a study of their Pwomen in Hollywood; starting with those sultry film careers, as well as an insight into their personal females of the Roaring Twenties up to the seductive lives through newly discovered footage that spotlights women the 90’s. Each episode is dedicated exclusively those loveable rogues as they lived out all our fantasies. to the life of one star. Starting with those sultry Men admired them, women fell madly in love with females of the Roaring Twenties up to the seductive them and all were to feel the impact of their lasting women of the 90’s. Each program in the series bring you a fascinating study into the life of the stars; not presence that would touch our lives forever. only the beauty and the glamour, but the turmoil and They have all lived life larger than the Silver Screen; the heartache. These Legends of the Silver Screen their lusty appetites for women, the adventures and will come to life as we gaze upon some rare footage yes, even their mischief was legendary. Some of and photos that will not only give you more insight them were the Bad Boys of Hollywood, some of into the lives of these incredible stars, but will also them, Gentlemen of Hollywood --- some comical --- send you reminiscing over some of Hollywood’s some dramatic. But, their common bond...they were greatest triumphs. “Its the stuff dreams are made of” and are, the Superstars of Hollywood! VIVIEN LEIGH CLARK GABLE RONALD REAGAN AVA GARDNER JACK NICHOLSON GREGORY PECK GRETA GARBO JOAN COLLINS MARLON BRANDO GENE KELLY GRACE KELLY ANGELA LANSBURY SAMMY DAVIS JR. DEAN MARTIN INGRID BERGMAN AUDREY HEPBURN HUMPHREY BOGART CHARLTON HESTON RITA HAYWORTH BETTY GRABLE CARY GRANT WILLIAM HOLDEN ELIZABETH TAYLOR SHIRLEY MACLAINE STEVE MCQUEEN ROBERT WAGNER MARILYN MONROE JANE RUSSELL PAUL NEWMAN RICHARD BURTON JUDY GARLAND DORIS DAY CLINT EASTWOOD JACK LEMMON JANE FONDA KIM NOVAK GARY COOPER YUL BRYNNER LAUREN BACALL JOANNE WOODWARD ROBERT MITCHUM ALAN LADD MARLENE DIETRICH LANA TURNER SEAN CONNERY TONY CURTIS SOPHIA LOREN NATALIE WOOD MONTGOMERY CLIFT JOHN TRAVOLTA BRIGETTE BARDOT JAMES STEWART LEE MARVIN KATHERINE HEPBURN DEBORAH KERR JOHN WAYNE GLENN FORD JEAN HARLOW JULIE ANDREWS JAMES DEAN ORSON WELLES JOAN CRAWFORD BARBARA STANWYCK FRANK SINATRA BURT REYNOLDS LEE REMICK JAYNE MANSFIELD ROBERT REDFORD JAMES GARNER ANN-MARGARET MICHELLE PFEIFFER WARREN BEATTY ELVIS PRESLEY RAQUEL WELCH ZSA ZSA GABOR JAMES CAGNEY TYRONE POWER CATHERINE DENEUVE VERONICA LAKE SPENCER TRACY ROBERT DE NIRO ERROL FLYNN RICHARD WIDMARK CANDICE BERGEN JACQUELINE BISSET BURT LANCASTER JOSEPH COTTON JULIE CHRISTIE ANGIE DICKINSON KIRK DOUGLAS ROD STEIGER DEBBIE REYNOLDS GINA LOLLOBRIGIDA FRED ASTAIRE JOHN GARFIELD GINGER ROGERS MAE WEST ROCK HUDSON BOB HOPE SHELLY WINTERS KIM BASSINGER CHARLES BRONSON TOM HANKS JENNIFER JONES KATHLEEN TURNER JEAN SIMMONS HENRY FONDA MEL GIBSON ESTHER WILLIAMS SYLVESTER STALLONE JANET LEIGH ANTHONY QUINN DONNA REED LAURENCE OLIVIER LESLIE NIELSEN FAYE DUNAWAY SUSAN HAYWARD Passport International Productions, Inc. 10520 Magnolia Blvd. North Hollywood, CA 91601 Phone: 818-760-1500 Fax: 818-760-1532.
Recommended publications
  • The Rough Guide to Naples & the Amalfi Coast
    HEK=> =K?:;I J>;HEK=>=K?:;je CVeaZh i]Z6bVaÒ8dVhi D7FB;IJ>;7C7B<?9E7IJ 7ZcZkZcid BdcYgV\dcZ 8{ejV HVc<^dg\^d 8VhZgiV HVciÉ6\ViV YZaHVcc^d YZ^<di^ HVciVBVg^V 8{ejVKiZgZ 8VhiZaKdaijgcd 8VhVaY^ Eg^cX^eZ 6g^Zcod / AV\dY^EVig^V BVg^\a^Vcd 6kZaa^cd 9WfeZ_Y^_de CdaV 8jbV CVeaZh AV\dY^;jhVgd Edoojda^ BiKZhjk^jh BZgXVidHVcHZkZg^cd EgX^YV :gXdaVcd Fecf[__ >hX]^V EdbeZ^ >hX]^V IdggZ6ccjco^ViV 8VhiZaaVbbVgZY^HiVW^V 7Vnd[CVeaZh GVkZaad HdggZcid Edh^iVcd HVaZgcd 6bVa[^ 8{eg^ <ja[d[HVaZgcd 6cVX{eg^ 8{eg^ CVeaZh I]Z8Vbe^;aZ\gZ^ Hdji]d[CVeaZh I]Z6bVa[^8dVhi I]Z^haVcYh LN Cdgi]d[CVeaZh FW[ijkc About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections, and you should be able to find whatever you need in one of them. The introductory colour section is designed to give you a feel for Naples and the Amalfi Coast, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The guide chapters cover the region in depth, each starting with a highlights panel, introduction and a map to help you plan your route. Contexts fills you in on history, books and film while individual colour sections introduce Neapolitan cuisine and performance. Language gives you an extensive menu reader and enough Italian to get by. 9 781843 537144 ISBN 978-1-84353-714-4 The book concludes with all the small print, including details of how to send in updates and corrections, and a comprehensive index.
    [Show full text]
  • Michael Zinberg Is a Director, Writer and Producer of Prime-Time Television Dramas, Comedies and Movies
    MICHAEL ALLAN ZINBERG SUMMER 2014 Michael Zinberg is a Director, Writer and Producer of prime-time television dramas, comedies and movies. Moving to Los Angeles in the summer of 1968, he began his award-winning career as an usher at CBS-Television City, and as a writer and production assistant. He soon became Associate Producer of NICHOLS, starring James Garner. He then joined the Mary Tyler Moore (MTM) Company (72), where he wrote, produced and directed The Bob Newhart Show (Six Seasons) and worked on MTM’s other series, including the Mary Tyler Moore Show. From MTM he took his first turn at NBC as VP Program Development (79-81), bringing Hill Street Blues, and Cheers to air. Later, as President NBC-P (93-95), he supervised Homicide, JAG and all NBC Late Night programming. His time at the Network gave him unique insight as a Writer and Creator-Producer, but he always saw himself primarily a Director. His Directing career includes shows in every format, many of which he wrote and produced. Among them, Newhart, WKRP in Cincinnati, Family Ties, Taxi, The Yellow Rose, Til I Kissed Ya (MOW), Cold Steel & Neon, The Practice, Everybody Loves Raymond, Midnight Caller, Gilmore Girls, NCIS, LOST, Rizzoli & Isles, Private Practice, The Unit, Lie To Me, NCIS New Orleans, The Michael Fox Show, The Blacklist and The Good Wife. He received the Directors Guild of America Award for Outstanding Directing in Television Drama for the Viet Nam Trilogy of QUANTUM LEAP, a series he also Executive Produced. A four time Emmy nominee, he received The Lifetime Achievement Award from The Caucus of Writers, Producers and Directors.
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Sexo, Amor Y Cine Por Salvador Sainz Introducción
    Sexo, amor y cine por Salvador Sainz Introducción: En la última secuencia de El dormilón (The Sleeper, 1973), Woody Allen, desengañado por la evolución polí tica de una hipotética sociedad futura, le decí a escéptico a Diane Keaton: “Yo sólo creo en el sexo y en la muerte” . Evidentemente la desconcertante evolución social y polí tica de la última década del siglo XX parecen confirmar tal aseveración. Todos los principios é ticos del filósofo alemá n Hegel (1770-1831) que a lo largo de un siglo engendraron movimientos tan dispares como el anarquismo libertario, el comunismo autoritario y el fascismo se han desmoronado como un juego de naipes dejando un importante vací o ideológico que ha sumido en el estupor colectivo a nuestra desorientada generación. Si el siglo XIX fue el siglo de las esperanzas el XX ha sido el de los desengaños. Las creencias má s firmes y má s sólidas se han hundido en su propia rigidez. Por otra parte la serie interminable de crisis económica, polí tica y social de nuestra civilización parece no tener fin. Ante tanta decepción sólo dos principios han permanecido inalterables: el amor y la muerte. Eros y Tá natos, los polos opuestos de un mundo cada vez má s neurótico y vací o. De Tánatos tenemos sobrados ejemplos a cada cual má s siniestro: odio, intolerancia, guerras civiles, nacionalismo exacerbado, xenofobia, racismo, conservadurismo a ultranza, intransigencia, fanatismo… El Sé ptimo Arte ha captado esa evolución social con unas pelí culas cada vez má s violentas, con espectaculares efectos especiales que no nos dejan perder detalle de los aspectos má s sombrí os de nuestro entorno.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Debbie Reynolds & Singin' in the Rain at WHBF 2013
    Meet Legendary Actress, Comedienne, Singer, and Dancer And Join Us for a Very Special Park Stage Screening of Singin' in the Rain to Celebrate Reynolds' New Memoir, Unsinkable Including a Park Stage In-Conversation at 5:30 p.m., Book Soup In-Booth Signing at 6:15 p.m., followed by an Open-to the-Public Park Stage Screening at 7:00 p.m. For more information on schedule and start times, please visit WHBF.org for updates. About Debbie Reynolds and Unsinkable The definitive memoir by legendary actress and performer Debbie Reynolds—an entertaining and moving story of enduring friendships and unbreakable family bonds, of hitting bottom and rising to the top again—that offers a unique and deeply personal perspective on Hollywood and its elite, from the glory days of MGM to the present. In the closing pages of her 1988 autobiography Debbie: My Life , Debbie Reynolds wrote about finding her "brave, loyal, and loving" new husband. After two broken marriages, this third, she believed, was her lucky charm. But within a few years, Debbie discovered that he had betrayed her emotionally and financially, nearly destroying her life. Today, she writes, "When I read the optimistic ending of my last memoir now, I can't believe how naive I was when I wrote it. In Unsinkable, I look back at the many years since then, and share my memories of a film career that took me from the Miss Burbank Contest of 1948 to the work I did in 2012. To paraphrase Bette Davis: Fasten your seatbelts, I've had a bumpy ride." Unsinkable shines a spotlight on the resilient woman whose talent and passion for her work have endured for more than six decades.
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Ava Advocate Membership Please Donate! Follow Usfollow Us
    Ava Advocate Membership The Ava Advocate membership program is designed to help finance the continued operation of the Ava Gardner Museum. With quarterly email newsletters to members, the museum will share information about events and new exhibits, as well as facts about the actress, her life, career, and loves. For a small annual fee, you can help us continue to preserve and share the Ava Gardner Collection for years to come. Become an Ava Advocate today and receive free admission for 12 months as well as 15% off gift shop purchases! Call the museum or go online to purchase your membership. Individual $36.00 Couple $45.00 F amily $60.00 Please Donate! As a non-profit museum, it’s only with the support of Ava’s fans that we can continue to honor and share her legacy. Please call us or donate online: ava-gardner-museum. myshopify.com/products/donations Follow Us Facebook: AvaGardner Twitter: @AvaMuseum Instagram: AvaGardnerOfficial The Ava Gardner Museum is Ava Gardner Museum 325 E. Market Street located in Historic Downtown Smithfield, NC 27577 Smithfield, just one mile Tel: 919-934-5830 [email protected] Smithfield, NC - I-95, Exit 95 from I-95, Exit 95. www.avagardner.org www.avagardner.org New exhibits, special events, and guest speakers are presented throughout Visit the Museum the year, giving Helpful Information Ava Gardner was born on December 24, visitors reasons to • Groups: If you have a group of 10 or more 1922, just seven miles east of Smithfield in a return again and transportation, the museum will provide a crossroads community called Grabtown.
    [Show full text]
  • 'Perry Mason' Lays Down the Law Anew On
    Visit Our Showroom To Find The Perfect Lift Bed For You! June 19 - 25, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 E A D T Y E A W A H P Y F A Z Your Key I J P E C L K S N Z R A E T C 2 x 3" ad To Buying R E Q I P L Y U G R P O U E Y Matthew Rhys stars P F L U J R H A E L Y N P L R and Selling! 2 x 3.5" ad F A R H O W E P L I T H G O W in “Perry Mason,” I F Y P N M A S E P Z X T J E premiering Sunday D E L L A Z R E S S E A M A G on HBO. Z P A R T R Y D L I G N S U S B F N Y H N E M H I O X L N N E R C H A L K D T J L N I A Y U R E L N X P S Y E Q G Y R F V T S R E D E M P T I O N H E E A Z P A V R J Z R W P E Y D M Y L U N L H Z O X A R Y S I A V E I F C I P W K R U V A H “Perry Mason” on HBO Bargain Box (Words in parentheses not in puzzle) Perry (Mason) (Matthew) Rhys (Great) Depression Place your classified Classified Merchandise Specials Solution on page 13 Della (Street) (Juliet) Rylance (Los) Angeles ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Paul (Drake) (Chris) Chalk Origins Midlothian Mirror and Ellis (Sister) Alice (Tatiana) Maslany (Private) Investigator County Trading1 Post! x 4" ad Deal Merchandise Word Search (E.B.) Jonathan (John) Lithgow Redemption Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 ‘Perry Mason’ lays down for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post and online at waxahachietx.com All specials are pre-paid.
    [Show full text]
  • Ava Gardner – a Star of the Silver Screen
    Ava Gardner – a Star of the Silver Screen Presented by William Markham Her Early Life Born 24 December 1922 Ava Lavinia Gardner in Grabtown, North Carolina Youngest of 7 children Lived on a Tobacco farm then a boarding house Money tight – not “Dirt Poor” At 18, her photo caught attention of MGM Earlier films one line bits or little better First notable film, The Killers, 1946 Photo that got Ava discovered Cover of Time Magazine 1951 Bit parts before she was famous 1941 Fancy Answers Girl at recital 1942 We do it because Girl at party 1943 Du Barry was a lady Perfume Girl 1944 Music for Millions Musician Some of her famous movies 1946 1951 1952 1953 1954 1959 1963 1964 1974 Marriages Mickey Rooney 1942 to 1943 Artie Shaw 1945 to 1946 Frank Sinatra 1951 to 1957 Some of her other romances Howard Hughes Robert Taylor George C Scott Robert Mitchum George C Scott Other Films Robert Taylor Robert Mitchum Lori Martin – National Velvet What Ava said about some actors: “The trouble was Frank and I were too much alike. My sister said that I was Frank in drag”. Frank Sinatra “Till death do us part would have been a whole lot sooner if we had tied the knot”. Howard Hughes “Bogie hated learning lines. He knew every trick in the book to mess up a scene and get a retake if he felt a scene was not going his way”. Humphrey Bogart “When he was loaded, he was terrifying. He would beat the hell out of me and have no idea the next morning what he had done”.
    [Show full text]
  • Airplane! by Michael Schlesinger
    Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back.
    [Show full text]
  • FCC MOVES AGAINST MANAGEMENT PAYOLA: First
    2 DECEMBER 19, 1960 CBS -NBC arguments were buttressed by facts & figures on 1960's "Great Debate" series under one- shot suspension of Sec. 315 for Presidential & Vice Presidential candidates this year only. And Goldenson contributed ABC data supporting other networks' case. No candidates in history were seen & heard by more people than in 4 swift joint Kennedy -Nixon broadcast appearances-and the industry's performance demonstrated that there's no good reason why can- didates for all offices shouldn't enjoy similar advantages, said Stanton & Sarnoff. Sec. 315 repeal would be thrifty for politicians, too, Stanton & Sarnoff pointed out. Stanton estimated that the CBS TV & radio networks alone spent $1,425,000 on programs presenting Presidential & Vice Presi- dential candidates this year-expense which the parties were spared. Sarnoff said NBC-produced political programs cost $1,686,000-which was 66% more than the parties spent for paid NBC telecasts. Goldenson said ABC dropped $250,000 on "Great Debate" series alone. Sarnoff presented his network's case in person. CBS Washington vp Edmund C. Bunker was stand- in for Stanton, whose statement was read while he was at President-elect Kennedy's home for 45-min. talk on subjects ranging from TV debates to USIA. Goldenson submitted statement for hearing record. "You may be assured that great attention will be given to Sec. 315," Committee Chmn. Davis (D -Tenn.) said after hearing statements by Stanton & Sarnoff. But neither he nor any other Committee mem- bers appeared overwhelmed by arguments that equal -time protections for candidates should be removed entirely.
    [Show full text]