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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
'Perry Mason' Lays Down the Law Anew On
Visit Our Showroom To Find The Perfect Lift Bed For You! June 19 - 25, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 E A D T Y E A W A H P Y F A Z Your Key I J P E C L K S N Z R A E T C 2 x 3" ad To Buying R E Q I P L Y U G R P O U E Y Matthew Rhys stars P F L U J R H A E L Y N P L R and Selling! 2 x 3.5" ad F A R H O W E P L I T H G O W in “Perry Mason,” I F Y P N M A S E P Z X T J E premiering Sunday D E L L A Z R E S S E A M A G on HBO. Z P A R T R Y D L I G N S U S B F N Y H N E M H I O X L N N E R C H A L K D T J L N I A Y U R E L N X P S Y E Q G Y R F V T S R E D E M P T I O N H E E A Z P A V R J Z R W P E Y D M Y L U N L H Z O X A R Y S I A V E I F C I P W K R U V A H “Perry Mason” on HBO Bargain Box (Words in parentheses not in puzzle) Perry (Mason) (Matthew) Rhys (Great) Depression Place your classified Classified Merchandise Specials Solution on page 13 Della (Street) (Juliet) Rylance (Los) Angeles ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Paul (Drake) (Chris) Chalk Origins Midlothian Mirror and Ellis (Sister) Alice (Tatiana) Maslany (Private) Investigator County Trading1 Post! x 4" ad Deal Merchandise Word Search (E.B.) Jonathan (John) Lithgow Redemption Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 ‘Perry Mason’ lays down for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post and online at waxahachietx.com All specials are pre-paid. -
Packet of Curricular Materials
May 12, 2000 Dear Colleagues: I am one of this year’s Midwest Faculty Fellows with the Regional Worlds Program. This spring Richard Guzman, a Midwest Faculty Fellow from North Central College, and I have been involved in organizing the pedagogy session that will be part of the upcoming Regional Worlds Capstone Conference, “Mobile Geographies, Plural Histories.” The session is entitled, “New Paradigms in Area Studies Teaching,” and will be held on Saturday, May 20th from 10:00 am – 12:00 noon at the Franke Institute of the Humanities, Regenstein Library. Discussions about pedagogy have been a very important dimension of the Regional Worlds Program and our session next Saturday provides an opportunity to involve participants from this year’s program, “Diasporas, Minorities and Counter Geographies,” as well as participants from the three previous programs, “South Asia 1996-97,” “Latin America 1997-98,” and “East Asia 1998- 1999.” In planning this session we wanted to address tandem goals. First, we wanted to look at some of the specific curricular initiatives that emerged as a direct result of faculty participation in Regional Worlds. David Moore (International Studies, Macalester College], Arjun Guneratne (Anthropology, Macalester College], Jerome Levi (Sociology and Anthropology, Carleton College), Kathleen Ryor (Art History, Carleton College], and Nandini Bhattacharya (English, Valparaiso University] have kindly agreed to share syllabi of courses they developed or revised as a result of their participation in the Program. In addition, I asked them to provide us with some information contextualizing the courses in terms of Regional Worlds and/or their particular institutional frameworks. The syllabi and statements are attached. -
No Twister, No Text
University of South Carolina Scholar Commons February 2012 2-28-2012 The aiD ly Gamecock, TUESDAY, FEBRUARY 28, 2012 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2012_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, FEBRUARY 28, 2012" (2012). February. 2. https://scholarcommons.sc.edu/gamecock_2012_feb/2 This Newspaper is brought to you by the 2012 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, FEBRUARY 28, 2012 VOL. 108, NO. 34 ● SINCE 1908 USC prepares for federal cuts Carolina Cab sees University spends $280k USC spent $260,000. now, he asks them “to make increased ridership for national lobbying In recent years, the face of strategic cuts, rather than basic, that lobbying has also changed, across-the-board cuts,” he said. High demand leaves some Thad Moore according to Steven Beckham, Regardless, he expects that [email protected] the university’s director of departments throughout the students without ride home federal relations. government will see smaller USC slashed its spending on As politicians and the public budgets, and that will affect Kathryn Kranjc lobbying the federal government focus increasingly on shrinking USC. [email protected] during the Great Recession , but the federal budget, Beckham “I think everyone’s going to The Carolina Cab program may be a step up since 2009 those levels have and the Podesta Group, a have to be prepared for cuts in from the rarely-used Cocky’s Caravan service, more than doubled, according high-profi le Washington, D.C. -
De Draagbare Wikipedia Van Het Schrijven – Verhaal
DE DRAAGBARE WIKIPEDIA VAN HET SCHRIJVEN VERHAAL BRON: WIKIPEDIA SAMENGESTELD DOOR PETER KAPTEIN 1 Gebruik, verspreiding en verantwoording: Dit boek mag zonder kosten of restricties: Naar eigen inzicht en via alle mogelijke middelen gekopieerd en verspreid worden naar iedereen die daar belangstelling in heeft Gebruikt worden als materiaal voor workshops en lessen Uitgeprint worden op papier Dit boek (en het materiaal in dit boek) is gratis door mij (de samensteller) ter beschikking gesteld voor jou (de lezer en gebruiker) en niet bestemd voor verkoop door derden. Licentie: Creative Commons Naamsvermelding / Gelijk Delen. De meeste bronnen van de gebruikte tekst zijn artikelen van Wikipedia, met uitzondering van de inleiding, het hoofdstuk Redigeren en Keuze van vertelstem. Deze informatie kon niet op Wikipedia gevonden worden en is van eigen hand. Engels In een aantal gevallen is de Nederlandse tekst te kort of non-specifiek en heb ik gekozen voor de Engelse variant. Mag dat zomaar met Wikipedia artikelen? Ja. WikiPedia gebruikt de Creative Commons Naamsvermelding / Gelijk Delen. Dit houdt in dat het is toegestaan om: Het werk te delen Het werk te bewerken Onder de volgende voorwaarden: Naamsvermelding (in dit geval: Wikipedia) Gelijk Delen (verspreid onder dezelfde licentie als Wikipedia) Link naar de licentie: http://creativecommons.org/licenses/by-sa/3.0/deed.nl Versie: Mei 2014, Peter Kaptein 2 INHOUDSOPGAVE INLEIDING 12 KRITIEK EN VERHAALANALYSE 16 Literaire stromingen 17 Romantiek 19 Classicisme 21 Realisme 24 Naturalisme 25 -
Airplane! by Michael Schlesinger
Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back. -
Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de. -
Film Streams Programming Calendar the Ruth Sokolof Theater
Film Streams Programming Calendar The Ruth Sokolof Theater . July – September 2010 v4.1 El violin 2005 New Program! Local Filmmakers Showcase August 6 – 12, 2010 The Program (14 films, 120 mins): Azure Ray - We are Mice (Dir. Nik Fackler); F Word Pizza (Dir. Max Mentzer); Fantasia in Clay (NET); Hump (Dir. Lindsay Trapnell); Illusions (Dir. Jorge Gomez); One Good Turn (Dir. Ryle Smith); Paper Dolls (Dir. Allison Smoler); Pioneers (Dir. Charles Fairbanks); Recalling Trinity (Dir. Tim Guthrie); Sink or Swim (Dir. The Animutts: Rebecca Hermann, Peggy Reinecke, Tom Sain); The Bedroom Wall (Dir. Tony Costello); Valentine, Nebraska (Dir. Patrick Geske); Vanity (Dir. Josh France); Wrestling with My Father (Dir. Charles Fairbanks) We take pride in showing films from around the world and throughout the makers you’ll see, but the remarkable work being history of film, but there’s always something to be said for the here and now. produced in our region overall. Join us opening And that’s what this new program is all about. Led by an independent jury night for a special screening and premiere party of local artists and film enthusiasts, our first Local Filmmakers Showcase with the filmmakers, or any day that week to expe- was curated with two specific goals in mind: to present an entertaining, ar- rience the Showcase in its entirety. tistically interesting program for audiences while celebrating and providing Film Streams’ First Local Filmmakers Showcase is area filmmakers with an opportunity for a full theatrical run. It’s worth noting: curated by jurors Sara Adkisson Joyner, Jody and This is not a festival. -
Looking at Popular Muslim Films Through the Lens of Genre
Rupkatha Journal on Interdisciplinary Studies in Humanities, Vol. IX, No. 1, 2017 0975-2935 DOI: https://dx.doi.org/10.21659/rupkatha.v9n1.17 Full Text: http://rupkatha.com/V9/n1/v9n117.pdf Is Islamicate a Genre? Looking at Popular Muslim Films through the Lens of Genre Asmita Das Department of Film Studies, Jadavpur University, Kolkata. ORCID: 0000-0002-7307-5818. Email: [email protected] Received February 25, 2017; Revised April 9, 2017; Accepted April 10, 2017; Published May 7, 2017. Abstract This essay engages with genre as a theory and how it can be used as a framework to determine whether Islamicate or the Muslim films can be called a genre by themselves, simply by their engagement with and representation of the Muslim culture or practice. This has been done drawing upon the influence of Hollywood in genre theory and arguments surrounding the feasibility / possibility of categorizing Hindi cinema in similar terms. The essay engages with films representing Muslim culture, and how they feed into the audience’s desires to be offered a window into another world (whether it is the past or the inner world behind the purdah). It will conclude by trying to ascertain whether the Islamicate films fall outside the categories of melodrama (which is the most prominent and an umbrella genre that is represented in Indian cinema) and forms a genre by itself or does the Islamicate form a sub-category within melodrama. Keywords: genre, Muslim socials, socials, Islamicate films, Hindi cinema, melodrama. 1. Introduction The close association between genre and popular culture (in this case cinema) ensured generic categories (structured by mass demands) to develop within cinema for its influence as a popular art. -
Police, Camera, Action Leslie Nielsen As the (Relatively) Straight-Faced Detective Frank Drebin
police, camera, action Leslie Nielsen as the (relatively) straight-faced Detective Frank Drebin 76 • Rolling Stone, July-August 2011 REWIND shows that missed the middle east Police Squad! How the adventures of Detective Frank Drebin survived a network’s wrath, and spawned one of comedy’s greatest franchises BY MATT ROSS he first ‘naked gun’ film and that much would pass them by if they If anything, Police Squad! was too regularly tops polls of the best weren’t glued to the screen from start to clever for its own good. The deadpan prin- comedy movies of all time. But finish. It was one of the strangest reasons cipal cast treated audiences with the ut- while the slapstick adventures for cancelling a show ever recorded. most respect, and credited them with Tof Detective Frank Drebin and his fellow Which is not to say that they didn’t have enough intelligence to be able to tell when cops have yielded some of the most en- a point. Look away for a moment, and many a joke was being made. The show was also during moments in cinematic history, the of the best gags that Police Squad! had to not shy about poking fun at itself. Char- movie (and its admittedly less successful offer were gone in a heartbeat. Whether it acters often, and repeatedly, broke the sequels) would never have existed without was the stock footage of the Roman Colos- fourth wall. Ed Williams, who played res- the short-lived ABC series Police Squad!, seum showing behind Drebin’s car as he ident scientist Ted Olsen, would let other which gave the filmmaking trio of Jim drove through Little Italy – he’d also drive characters walk through doorways, then Abrahams, David Zucker and Jerry Zuck- stroll around the edge of the set to meet er their first chance to experiment with up with them on the other side. -
Tv Land Premieres 1974 Comedy Classic, Young Frankenstein on November 2
Contacts: Mitchell Squires Vanessa Reyes-Smith TV Land TV Land 212/846-7356 310/752-8081 [email protected] [email protected] TV LAND PREMIERES 1974 COMEDY CLASSIC, YOUNG FRANKENSTEIN ON NOVEMBER 2 TVLAND.COM TO OFFER TICKET SWEEPSTAKES AND FEATURE INTERVIEWS WITH MEL BROOKS AND CAST NETWORK CELEBRATES PREMIERE OF MEL BROOKS’ NEW BROADWAY MUSICAL, YOUNG FRANKENSTEIN New York, NY, October 29, 2007 – TV Land is celebrating the Broadway opening of Mel Brooks’ new musical Young Frankenstein with a series of events on-air, online and off-air. TVLand.com, the network’s revamped website, is offering a trip to New York City to see the highly anticipated production and will feature original interviews with the Broadway cast including Megan Mullally, Andrea Martin and more. TV Land will also show the network premiere of the original 1974 comedic masterpiece, Young Frankenstein. Viewers have been logging on to TVLand.com since October 19 to enter the Young Frankenstein Sweepstakes. One lucky winner and their guest will be flown round-trip to NYC to attend Young Frankenstein on Broadway, hotel accommodations for 2 nights and $500 spending cash. Starting November 1, TVLand.com will also feature interviews with the cast of the musical including, Megan Mullally (Elizabeth), Sutton Foster (Inga), Shuler Hensley (The Monster), Andrea Martin (Frau Blucher), Fred Applegate (Kemp) and Christopher Fitzgerald (Igor) as well as highlights from the show. -more- Page 2: Young Frankenstein “We are thrilled to support the Broadway production of Young Frankenstein with our multi-platform offerings,” stated Larry W. Jones, President of TV Land. -
Sundays & Wednesdays
SUNDAYS & WEDNESDAYS CHECK THEATRE FOR SHOWTIMES SEPTEMBER 23 & 26 SEPTEMBER 30 & OCTOBER 3 OCTOBER 7 & 10 LABYRINTH (1986) YOUNG FRANKENSTEIN (1974) HALLOWEEN (1978) Muppets creator Jim Henson directed this musical Gene Wilder is Dr. Frederick Frankenstein (“That’s Director John Carpenter’s ORIGINAL 1970’s classic! fantasy about a teenage girl (Jennifer Connelly) who FRONKensteen!”), struggling with the legacy of his The night HE (villain Michael Myers) came home, 15 must enter the mythical world of the Labyrinth to infamous mad-scientist grandfather in this classic years after committing a grisly murder…and just in time rescue her kidnapped baby brother. Henson’s puppets comedy from Mel Brooks. The stellar supporting cast for Halloween. This is the movie that inspired a whole are amazing, but it was the casting of David Bowie as includes Marty Feldman as Igor (“It’s pronounced series of horror pictures featuring teenagers in peril, the Goblin King that made this an iconic 80’s movie. Eye-gor”), Madeline Kahn, Peter Boyle, Terri Garr and it remains one of the most successful independent Bowie’s five original songs include “Magic Dance,” (“Roll, roll, roll in ze hay,”) and Cloris Leachman as movies ever made. Jamie Lee Curtis, in her film debut, which he performs with a gaggle of goblin puppets. the late baron’s mysterious housekeeper Frau Blucher. plays a babysitter who is stalked by Myers. (“You can’t (“You remind me of a babe…”) Rated PG (“Yes, yes, say it…he vas my boyfriend!”) Rated PG kill the boogeyman.”) Rated R OCTOBER 14 & 17 OCTOBER 21 & 24 OCTOBER 28 & 31 (HALLOWEEN) REAR WINDOW (1954) BEETLEJUICE (1988) THE SHINING (1980) One of the best from director Alfred Hitchcock, the “It’s showtime!” Michael Keaton stars as Beetlejuice Celebrate Halloween with Stanley Kubrick’s classic “master of suspense.” James Stewart, confined to his (“the ghost with the most, babe”) in this supernatural thriller, based on Stephen King’s novel.