A Community Treasure Summer 2018 Dear Friends, Patrons & Members

Total Page:16

File Type:pdf, Size:1020Kb

A Community Treasure Summer 2018 Dear Friends, Patrons & Members A Community Treasure Summer 2018 Dear Friends, Patrons & Members, Welcome to Summer 2018 at the Colonial! As usual our calendar is full of the balcony, we also launched our partnership with Point Entertainment to wonderful opportunities to get out of the sun and enjoy our healthfully air- add concerts and comedy to our popular film programming. conditioned theatres. By 2009 we had completed most of our strategic plan – but we soon realized Since this year marks the 60th anniversary of The Blob, we’ve prepared some that we ran out of space to continue our eclectic programming. Lucky for us wonderful surprises for Blobfest 2018, including great guests, fun films and the property at 225 Bridge Street became available and ACT purchased it in lots of shenanigans. Don’t miss out! 2011. And you know the rest of the story! It’s been a little over a year since we opened the new wing and we appreciate As the Colonial helped draw thousands of people to town with its unique pro- everyone’s enthusiasm and support for our campaign and expanded program- gramming many developers took note. Soon new restaurants and independent ming. As promised, there is more film, more live entertainment and more businesses opened their doors and invested in our business center. There’s no fun! We have also enjoyed hosting some of our favorite non-profits as they denying that the arts can be a major force in community revitalizations - and spread messages to the community through film and presentations. It is still ACT has proven that over the course of 20 years. not too late to support this expansion and all it has brought to the community through everything from donations to seat-naming opportunities! You continue to be a part of that resurgence every time you visit Phoenixville and enjoy the many great things it has to offer. On October 1, of 1999 the Association for the Colonial Theatre (ACT) re- opened the Colonial Theatre after much hard work, planning and fundraising. Many thanks from the board and staff of the Association for the Colonial As we approach our 20th year in business, we can all look back at the many Theatre! milestones and appreciate how far the Colonial – and Phoenixville - have come. Some of you may remember when the marquee was re-lit in 2002 or when those old seats were replaced in 2004. Around the time we reopened Blobfest 2017 Friday Night Run Out. Photo by BP Miller/ Chorus Photography. CLASSIC FILMS CINEMATIC TRENDSETTERS BAREFOOT IN THE PARK Jul 29 @ 1:30PM; Jul 30 @ 7:30PM FORBIDDEN PLANET Based on Neil Simon’s hit play, this lighthearted comedy finds Sun, Jul 1 @ 1:30PM; Mon, Jul 2 @ 7:30PM newlyweds Corie (Jane Fonda), a free spirit, and Paul Bratter (Robert When a crew of astronauts led by Com- Redford), an uptight lawyer, settling down in a rundown sixth-floor mander Adams (Leslie Nielsen) journeys to apartment in Greenwich Village. It doesn’t take long for their con- the planet Altair IV in search of the previ- trasting personalities to test their marriage – which may end before ous expedition, they encounter the three it’s really begun. Will they reconcile their differences in time? Find remaining inhabitants (Walter Pidgeon, out in this crowd-pleasing comedy! 1967. G. 106 min. Digital. Anne Francis and Robby the Robot) – and a mysterious invisible force that could EXOTIC LOCATIONS destroy them all! This groundbreaking sci-fi spectacle (inspired by Shakespeare’s The THUNDERBALL Tempest) is just as awe-inspiring and enter- Sun, Aug 5 @ 1:30PM; Mon, Aug 6 @ 7:30PM taining as any modern blockbuster. 1956. “Look out! Here comes the biggest Bond NR. 98 min. Digital. of all!” That’s what the poster proclaimed when Thunderball hit the screens. And there BULLITT was a lot of truth in that advertising! When Sun, Jul 8 @ 1:30PM; Mon, Jul 9 @ 7:30PM SPECTRE operative Emilio Largo steals 50th Anniversary Screening! two warheads from a NATO plane, it’s up to Steve McQueen dominates the screen in 007 (Sean Connery) to penetrate the villain’s the quintessential crime thriller. After a lair, retrieve the warheads and save the world mobster turned informant is murdered from destruction. Filled with exciting action before he can testify, San Francisco po- on land, sea and air, Thunderball – and its lice Lt. Frank Bullitt (McQueen) begins Tom Jones sung theme – is one of Bond’s best! 1965. NR. 130 min. to suspect that this particular mob hit Digital. may not be all that it seems. Forsaking studio sets for gritty locations, Bullitt NORTH BY NORTHWEST captures the realism of murder investi- Sun, Aug 12 @ 1:30PM; Mon, Aug 13 @ 7:30PM gations that was missing from previous police procedurals. And its Cary Grant’s fourth and final collaboration revolutionary car chase paved the way for all that followed! 1968. with Hitchcock is considered by many to PG. 113 min. Digital. be their absolute best. Filled with many memorable moments – most notably the crop-dusting sequence and the chase over GIGI the famous faces of Mount Rushmore – Sun, Jul 22 @ 1:30PM; Mon, Jul 23 @ 7:30PM this is a thrilling tale (and tongue-in-cheek 60th Anniversary Screening! Promiscuous spoof of spy movies), complete with Parisian playboy Gaston (Louis Jordan) mistaken identity, murder most foul, and dedicates his life to loving-and-leaving nick-of-time escapes. The terrific support- a string of mistresses while helping his ing cast includes Eva Marie Saint, James young friend Gigi (Leslie Caron) navi- Mason and Martin Landau. 1959. NR. 136 min. Digital. gate the world of high society. When the once platonic friends begin to experience NINOTCHKA the first pangs of romance, Gaston must Sun, Aug 19 @ 1:30PM; Mon, Aug 20 @ 7:30PM decide if he can ever choose commitment In her first big screen comedy, Greta Garbo portrays Nina Ivanovna over convenience. This marvelous Lerner "Ninotchka" Yakushov, a special envoy deployed by the Soviet Union to and Loewe musical is highlighted by such Paris to ensure the sale of royal jewels seized during the Russian Revolu- memorable numbers as The Night They Invented Champagne, Thank tion. Ninotchka’s mission is hampered by a charming Count (Melvyn Heaven for Little Girls and the title song. 1958. NR. 115 min. Digital. Douglas) who intends to intercept the jewels on behalf of their rightful owner, the Grand Duchess (Ina Claire). Will Ninotchka carry on with her mission? Or will the allure of the West and the Count change her mind? Except where noted, all classic films will screen on Sunday afternoons Find out in this hilarious romp from director Ernst Lubitsch (To Be or Not and Monday evenings from July until September. to Be) and Sunset Boulevard scribes Charles Brackett and Billy Wilder (Some Like It Hot). 1939. NR. 110 min. Digital. www.thecolonialtheatre.com | 610-917-1228 2 CLASSIC FILMS TO BE OR NOT TO BE SHANGHAI EXPRESS Sun, Aug 26 @ 1:30 PM - One Show Only! . Sun, Sep 30 @ 1:30PM When the Nazis invade Poland, the Mon, Oct 1 @ 7:30PM husband-and-wife founders (Jack Benny China. 1931. While the nation is and Caroler Lombard) of a Warsaw engulfed in civil war, a British Captain theatrical troupe find themselves cast in a (Donald Harvey) travelling to Shang- plot to prevent a list of resistance leaders hai discovers that a fellow passenger, from falling into enemy hands. Released the notorious courtesan Shanghai Lilly one month after Lombard’s tragic death, (Marlene Dietrich), is in fact his old this satirical farce caused quite a stir upon flame Magdalen. As the former lovers release but is now considered one of the reignite their spark, a real powder keg greatest comedies of all time. 1942. NR. is about to explode via the exploits of 99 min. 35mm. a cunning spy (Warner Oland) and his rebel forces. This pre-Code classic from director Josef von Sternberg was a huge (and controversial) hit that continues to pack a wallop with modern ALTER EGOS & ESPIONAGE audiences. 1932. NR. 80 min. Digital . THE GREAT DICTATOR Sun, Sep 2 @ 1:30PM; Mon, Sep 3 @ 7:30PM SUMMER SPECIALS Charlie Chaplin wrote, directed, produced, scored and starred in this revolutionary MEMBERS MYSTERY MOVIES! comedy/drama that follows the parallel Thu, Jun 28; Jul 26; Aug 23; Sep 27; Oct 18 stories of an amnesiac WWI hero/barber 8:00PM; Tickets: $5 (Chaplin) and a rising fascist dictator Take advantage of the wonderful weather Adenoid Hynkel (also Chaplin). After (and your membership) by joining fellow joining the rebellion, the barber, who bears members on the Colonial's rooftop deck for a a remarkable resemblance to the dictator, series of special outdoor screenings! What's soon finds himself in a position that could playing? That'll be a surpirse until showtime change the current state of affairs.1940. - but we can tell you that each title is a gem! NR.125 min. Digital. So bring your favorite camping chair and we'll supply the movies - and a few other THE LADY EVE treats! All Members-Only Tickets are $5. Sun, Sep 9 @ 1:30PM; Mon, Sep 10 @ 7:30PM Schedule and dates subject to change. Screwball comedy classic about a lovelorn millionaire (Henry Fonda), the con artist (Barbara Stanwyck) after his fortune, and the conflicting feelings that place both of FILM FESTIVAL them in a complicated scenario played out aboard a luxurious ocean liner. Selected for preservation in the United States National SUMMER SHORTS JEWISH FILM FESTIVAL Film Registry by the Library of Congress, Wed, Jul 11 thru Wed, Aug 29 @ 7:15 PM The Lady Eve is commonly listed as one of The Kehillah of Chester County presents Summer Shorts, an eight-session the greatest comedies – and films – of all film festival and discussion series of selected contemporary international time! 1941.
Recommended publications
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • HOLLYWOOD – the Big Five Production Distribution Exhibition
    HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927
    [Show full text]
  • 'Perry Mason' Lays Down the Law Anew On
    Visit Our Showroom To Find The Perfect Lift Bed For You! June 19 - 25, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 E A D T Y E A W A H P Y F A Z Your Key I J P E C L K S N Z R A E T C 2 x 3" ad To Buying R E Q I P L Y U G R P O U E Y Matthew Rhys stars P F L U J R H A E L Y N P L R and Selling! 2 x 3.5" ad F A R H O W E P L I T H G O W in “Perry Mason,” I F Y P N M A S E P Z X T J E premiering Sunday D E L L A Z R E S S E A M A G on HBO. Z P A R T R Y D L I G N S U S B F N Y H N E M H I O X L N N E R C H A L K D T J L N I A Y U R E L N X P S Y E Q G Y R F V T S R E D E M P T I O N H E E A Z P A V R J Z R W P E Y D M Y L U N L H Z O X A R Y S I A V E I F C I P W K R U V A H “Perry Mason” on HBO Bargain Box (Words in parentheses not in puzzle) Perry (Mason) (Matthew) Rhys (Great) Depression Place your classified Classified Merchandise Specials Solution on page 13 Della (Street) (Juliet) Rylance (Los) Angeles ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Paul (Drake) (Chris) Chalk Origins Midlothian Mirror and Ellis (Sister) Alice (Tatiana) Maslany (Private) Investigator County Trading1 Post! x 4" ad Deal Merchandise Word Search (E.B.) Jonathan (John) Lithgow Redemption Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 ‘Perry Mason’ lays down for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post and online at waxahachietx.com All specials are pre-paid.
    [Show full text]
  • Airplane! by Michael Schlesinger
    Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back.
    [Show full text]
  • Slapstick, Sex Og Screwball
    The Miracle o f Morgan’s Creek Slapstick, sex og screwball Preston Sturges’ guddommelige komedier A f Kenneth T. de Lorenzi “There’s a lot to be said for making people laugh (Joel McCrea i Sullivans Travels) Verdensmanden og komediegeniet kameraet. Havde Sturges ikke Lubitschs Preston Sturges (1898-1959) var sammen lette touch havde han til gengæld en evne med sit store forbillede, den sofistikerede til skrive de mest vanvittige dialoger og få komedies ophavsmand, Ernst Lubitsch, en dem leveret i et hæsblæsende tempo, der af de få instruktører, der blev lige så får hans film til at virke friske, udfordren- berømt som de glamourøse stjerner foran de og enormt morsomme den dag i dag. 45 Slapstick, sex og screwball I 1940 blev Preston Sturges Hollywoods sådan. Der skulle dog gå næsten et årti, første egentlige writer/director, da han førend hans bemærkelsesværdige talent endelig fik lov at stå bag indspilningen af endelig fik ham placeret på toppen af sit på det tidspunkt seks år gamle origi­ filmbyens fødekæde. nalmanuskript The Great McGinty 1930’erne var dog på ingen måde (Portræt af en bums). Allerede senere ufrugtbare for Preston Sturges. Hans pro­ samme år kom så Christmas in July blem var først og fremmest den uskrevne (Sommerjul - baseret på hans eget teater­ regel - et vaskeægte ’punkt 22’ - at ingen stykke A Cup of Coffee) og over de følgen­ ville tage chancen at lade en uerfaren de fire år ialt otte film - alle for instruktør instruere sin første film. Men, Paramount - og de blev næsten hver og én ud over de mange film han skrev med på, forrygende kunstneriske og kommercielle med og uden navns nævnelse, formåede hits: The Lady Eve (1941, En moderne han alligevel at bryde tidens princip som Eva), Sullivan’s Travels (1942, Med ti cent dikterede, at mange forfattere til hver en på lommen), The Palm Beach Story (1942, tid ville gøre et hvilket som helst m anu­ Flugten til Florida), The Miracle of skript bedre.
    [Show full text]
  • THE LADY EVE / 1941 (As Três Noites De Eva)
    CINEMATECA PORTUGUESA-MUSEU DO CINEMA DUPLOS E GÉMEOS 2 de outubro de 2020 THE LADY EVE / 1941 (As Três Noites de Eva) um filme de Preston Sturges Realização: Preston Sturges / Argumento: Preston Sturges, baseado num conto de Moncton Hoffe / Fotografia: Victor Milner / Direcção Artística: Hans Dreier e Ernst Fegté / Guarda- Roupa: Edith Head com a colaboração de Edna Shotwhell (mulheres) e Richard Bachler (homens), Música: Leo Shuken e Charles D. Bradshaw / Direcção Musical: Sigmond Krumgold / Som: Harry Lindgren e Dom Johnson / Montagem: Stuart Gilmore / Interpretação: Barbara Stanwyck (Jean-Eve), Henry Fonda (Charles Pike), Charles Coburn (“Coronel” Harrington), Eugene Pallette (Mr. Pike, o pai de Charles), William Demarest (Muggsy), Eric Blore (Sir Alfred McGleman Keith, também conhecido por “Pearly”), Melville Cooper (Gerald), Martha O’Driscoll (Martha), Janet Beecher (Mrs Pike), etc. Produção: Paul Jones para a Paramount / Produtor Executivo: William LeBaron / Cópia: 35mm, preto e branco, legendada em espanhol e electronicamente em português, 90 minutos / Estreia Mundial: Hollywood, 21 de Março de 1941 / Estreia em Portugal: Cinema Eden, a 28 de Novembro de 1941. Aviso: A cópia, proveniente do circuito comercial, tem “saltos” em algumas passagens de bobine. Pelo facto as nossas desculpas. _____________________________ Preston Sturges (1898-1959) tem sido um realizador de décadas pares décadas ímpares, ou seja tanto foi levado aos céus (um dos maiores cineasta americanos) como reduzido à mediania (“o sobrevalorizado Preston Sturges”). Sturges, com uma história pessoal bastante atípica entre as celebridades de Hollywood (família rica e “colunável”, educação em França, na Alemanha e na Suíça, inventor de um “bâton” à prova de beijos) assentou na capital do cinema apenas aos 35 anos, em 1933.
    [Show full text]
  • Film Streams Programming Calendar Film Streams Supporters Want To
    Film Streams Programming Calendar The Ruth Sokolof Theater . July – September 2013 v7.1 Devdas 2002 Bollywood and Beyond July 26 – October 3, 2013 Devdas 2002 3 Idiots 2009 Sholay 1975 Nishabd 2007 Om Shanti Om 2007 Jalsaghar Dilwale Dulhania (The Music Room) 1958 Le Jayenge 1995 Patang 2011 Omkara 2006 Monsoon Wedding 2001 Generously supported by Sam Walker. A comprehensive overview of India’s prolific film- “Curry Western” tradition through its unforgettable assortment of action, musi- making traditions would be impossible to offer in a cal, melodrama, and comedy—and you’ll find its influence in the more recent year, much less a season. Even a ten-film spotlight DEVDAS, with its grandiosity, opulence, music, and timeless story of tragedy. focused on classics from a given era of Bollywood— But we’ve gone beyond masala film to include PATANG, whose cinematogra- Mumbai-made, Hindi-language films—would phy blends the lines between documentary and fiction, and we’ve gone beyond leave glaring omissions. So for our Bollywood and Bollywood with the classic JALSAGHAR (THE MUSIC ROOM) by the master Beyond series, we’ve put together a small sampling Bengali filmmaker Satyajit Ray. What all of these films have in common is one of cinema that’s a bit like a masala—a mixture thing: They are captivating, beautifully rendered experiences whose sights and of spices that in Indian cinema refers to a genre sounds are truly intended to be experienced on the big screen. that combines conventions into a feast. You’ll find that mix in films like SHOLAY, which birthed the See reverse side for more information and dates.
    [Show full text]
  • Police, Camera, Action Leslie Nielsen As the (Relatively) Straight-Faced Detective Frank Drebin
    police, camera, action Leslie Nielsen as the (relatively) straight-faced Detective Frank Drebin 76 • Rolling Stone, July-August 2011 REWIND shows that missed the middle east Police Squad! How the adventures of Detective Frank Drebin survived a network’s wrath, and spawned one of comedy’s greatest franchises BY MATT ROSS he first ‘naked gun’ film and that much would pass them by if they If anything, Police Squad! was too regularly tops polls of the best weren’t glued to the screen from start to clever for its own good. The deadpan prin- comedy movies of all time. But finish. It was one of the strangest reasons cipal cast treated audiences with the ut- while the slapstick adventures for cancelling a show ever recorded. most respect, and credited them with Tof Detective Frank Drebin and his fellow Which is not to say that they didn’t have enough intelligence to be able to tell when cops have yielded some of the most en- a point. Look away for a moment, and many a joke was being made. The show was also during moments in cinematic history, the of the best gags that Police Squad! had to not shy about poking fun at itself. Char- movie (and its admittedly less successful offer were gone in a heartbeat. Whether it acters often, and repeatedly, broke the sequels) would never have existed without was the stock footage of the Roman Colos- fourth wall. Ed Williams, who played res- the short-lived ABC series Police Squad!, seum showing behind Drebin’s car as he ident scientist Ted Olsen, would let other which gave the filmmaking trio of Jim drove through Little Italy – he’d also drive characters walk through doorways, then Abrahams, David Zucker and Jerry Zuck- stroll around the edge of the set to meet er their first chance to experiment with up with them on the other side.
    [Show full text]
  • Breaking the Code of the Matrix; Or, Hacking Hollywood
    Matrix.mss-1 September 1, 2002 “Breaking the Code of The Matrix ; or, Hacking Hollywood to Liberate Film” William B. Warner© Amusing Ourselves to Death The human body is recumbent, eyes are shut, arms and legs are extended and limp, and this body is attached to an intricate technological apparatus. This image regularly recurs in the Wachowski brother’s 1999 film The Matrix : as when we see humanity arrayed in the numberless “pods” of the power plant; as when we see Neo’s muscles being rebuilt in the infirmary; when the crew members of the Nebuchadnezzar go into their chairs to receive the shunt that allows them to enter the Construct or the Matrix. At the film’s end, Neo’s success is marked by the moment when he awakens from his recumbent posture to kiss Trinity back. The recurrence of the image of the recumbent body gives it iconic force. But what does it mean? Within this film, the passivity of the recumbent body is a consequence of network architecture: in order to jack humans into the Matrix, the “neural interactive simulation” built by the machines to resemble the “world at the end of the 20 th century”, the dross of the human body is left elsewhere, suspended in the cells of the vast power plant constructed by the machines, or back on the rebel hovercraft, the Nebuchadnezzar. The crude cable line inserted into the brains of the human enables the machines to realize the dream of “total cinema”—a 3-D reality utterly absorbing to those receiving the Matrix data feed.[footnote re Barzin] The difference between these recumbent bodies and the film viewers who sit in darkened theaters to enjoy The Matrix is one of degree; these bodies may be a figure for viewers subject to the all absorbing 24/7 entertainment system being dreamed by the media moguls.
    [Show full text]
  • Barbara Stanwyck Movies: a Treasure Trove
    Life & Times Barbara Stanwyck movies: a treasure trove Barbara Stanwyck movies are all over careers. When hers eclipsed his, he fell into 50 years old. In the recent retrospective of alcoholism and wife beating. Later, their her films at the BFI Southbank season, half story became the plot of a movie, A Star were over 80 years old. Yet what stands out is Born. from this body of work is how modern the Her co-stars were a roll call of stars on films are, not in their plots or settings but the rise including Clark Gable (Night Nurse), in the characters she played and how she John Wayne (Baby Face), Kirk Douglas played them. (The Strange Love of Martha Ivers), Burt Stanwyck was never meek, decorative, Lancaster (Sorry, Wrong Number), Henry or incidental to the plot. Whether a young Fonda (The Mad Miss Manton), James woman sleeping her way to the top in Baby Mason, Cyd Charisse, and Ava Gardner (East Face (in 1933, before the Hays code), a Side, West Side), Humphrey Bogart (The preacher in Capra’s The Miracle Woman, or Two Mrs. Carrolls), David Niven (The Other an eroticised missionary’s wife in The Bitter Love), Marilyn Monroe (Clash by Night), and Tea of General Yen, she chose a range even Elvis Presley (Roustabout). She had of parts in which strong-minded women more regular partners in Gary Cooper (Meet made a difference to how the story turned John Doe, Ball of Fire), William Holden out. In her 82 films she had top billing in all (Golden Boy, Executive Suite), Joel McCrea (The Great Man’s Lady, Banjo on my Knee), but three.
    [Show full text]
  • Forbidden Planet Was Nomi- Nated for an Oscar® (Special Effects) and Is Presented in Cinemascope with Color by Deluxe
    Alex Film Society presents FORBIDDEN Saturday, July 7, 2007 PLANEt 2 pm & 8 pm Metro-Goldwyn-Mayer (1956) Forbidden Planet was nomi- nated for an Oscar® (special effects) and is presented in CinemaScope with Color by DeLuxe. Print Courtesy of Warner Bros Distributing. Short Subjects: Jumpin’ Jupiter (1955) Warner Bros Merrie Melodies with Porky Pig Warner-Pathé Newsreel Highlights of 1956 Alex Film Society P O Box 4807 Glendale, CA 91222 www.AlexFilmSociety.org ©2007 AFS FORBIDDEN PLANEt Directed by ..................................Fred McLeod Wilcox Color – 1956 – 98 minutes CinemaScope Produced by ................................Nicholas Nayfack Metro-Goldwyn-Mayer Story by ........................................Irving Block & Allen Adler Print Courtesy of Warner Bros Based on William Shakespeare’s “The Tempest” Screenplay by .............................Cyril Hume CAST CREW Walter Pidgeon ......................................Dr. Edward Morbius Cinematographer ............................. George J. Folsey Anne Francis ..........................................Altaira Morbius Editor................................................... Ferris Webster Leslie Nielsen .........................................Commander John J. Adams Production Designers ..................... Irving Block* Warren Stevens .....................................Lt. ‘Doc’ Ostrow Mentor Huebner* Jack Kelly .................................................Lt. Jerry Farman Art Directors ...................................... Cedric Gibbons & Arthur Lonergan Richard
    [Show full text]
  • The Littlest Hobo: Our German Shepherd Guardian Angel TV Star
    UNCORRECTED PROOF — NOT FOR SALE This proof may not be quoted for publication Contents INTRODUCTION SECTION ONE: HOBOS: Which Haunting Hobo Myths Are Real, Which Are Imagined? SECTION TWO: BEAVERS: What’s True and What’s a Dam Lie? (Sorry.) SECTION THREE: HIP HOP: Is Any of These Scenarios Legit? SECTION FOUR: WEIRDOS: Which of These Were Actually Canadian Prime Ministers? BONUS ROUND: MASCOTS: Which of These Creations Were Brought to Fruition? Introduction Is Canada even real? assertions that Santa lives here. It’s a question that is being In an age of Wiki, Google asked with increasing frequency Maps, and #factcheck, how could as those outside our borders the very existence of Canada be become aware of our water- questioned? And yet, how could proof, see-through, mythically a nation built on beaver pelts maple-scented currency and our exist in the same realm as, say, improbably hot prime minister’s Belgium or Niger? In May 2015, the National perfect sense to the common Post (one of three national pa- observer, few would debate its pers located in Canada) ran an existence. article entitled Experts Agree: This book invites you to Canada Is a Real Country. On look past our past and see that the other hand, an ongoing Canada is no longer solely the argument at debate.org address- icons in which we once saw our- es the question, “If you die in selves. Fragments of Canada can Canada, do you die in real life?” be represented by lighthouses, Currently, 79 percent of re- totem poles, and inukshuks, but spondents say “no.” Canada is at its realest in the At first glance, the cultural minutia of our shared memories touchpoints covered in this and culture.
    [Show full text]