Auditorium Building (Adler and Sullivan)

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Auditorium Building (Adler and Sullivan)

“Chicago’s Auditorium was not only a public hall, but also a comprehensive system of economic, social, and artistic production—a cultural engine—that would house, support, and inspire.” AUDITORIUM BUILDING (ADLER AND SULLIVAN) By: Alex Ramsay, Kara Emery, Justyna Johnson, and Brandon Richman Justyna ARCHITECTURE IN THE XIX CENTURY Palladian and allied classical forms 'Federal style' harmony, dignity Greek revival (Robert Mills) 'romantic classicism' Trinity Church Richard Robert Mills proposed design for Washington Monument Upjohn 1839-1846 New Gothic (Richard Upjohn) York Romanesque (Henry H, Richardson) Renaissance Revival (McKim, Mead and White) Residential design by McKim, Mead and White Justyna NEW DESIGN VISIONS Vernacular building – A. Taylor (balloon frame) Organic theory (Emerson): “architecture... ought to express its practical function as well as the inspiration that leads to the creation of beauty” (Condit, p. 9) Functionalist theory (H. Greenough): the form of the building should reveal its function Inbound Freight House of the Illinois Central Railroad “the union of science, technology, and art... [revealed] itself in the structural-utilitarian- aesthetic unity of the best Chicago buildings.” (Condit, p. 12) Justyna ADLER AND SULLIVAN Louis Sullivan, born in Boston in 1856 Dankmar Adler, born in Germany in 1844 Studied architecture in France Experienced, successful architect when Known for his ability to design joined Adler frescoing for public interiors Hired Sullivan in 1880 Became full partner of Adler in 1883 Justyna ADLER AND SULLIVAN Sullivan took charge of design, while Adler concentrated on the business aspects of the office and engineering They were mainly building residences, commercial loft buildings and remodeling residences Frank Lloyd Wright worked with Adler and Sullivan in their offices Row House designed by Frank Lloyd Wright Albert Sullivan House Justyna PERMANENT OPERA HOUSE 1885 Ferdinand Peck organized the Chicago Opera Festival Peck formed the Chicago Auditorium Association, collected about three million dollars and devoted it to the erection of the permanent opera house Inter-State Industrial Exposition Building Justyna THE BEGINNING December 22, 1886 Adler & Sullivan appointed by the Auditorium Association (Ferdinand Peck – founder) to design a building that would house the civic opera theatre, a hotel and offices After a few proposals the building was designed to be 10 story-high with a 7-story tower projecting from the building Justyna DESIGN AND PURPOSE To support an opera company with income from rent First few designs too complex Adler & Sullivan's Auditorium Adler & Sullivan's Auditorium Building, first proposal Building, revised proposal Justyna DESIGN AND PURPOSE Echoing Richardson's design for Marshall Field & Company Wholesale Building Roman arches, granite columns and the Building finished in 1890 dressed limestone create a “decidedly architectonic and modern appearance” (Nickel, p. 82) Auditorium Building Marshall Field & Company Building.

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Chicago from 1871-1893 Is the Focus of This Lecture
Chicago from 1871-1893 is the focus of this lecture. [19 Nov 2013 - abridged in part from the course Perspectives on the Evolution of Structures which introduces the principles of Structural Art and the lecture Root, Khan, and the Rise of the Skyscraper (Chicago). A lecture based in part on David Billington’s Princeton course and by scholarship from B. Schafer on Chicago. Carl Condit’s work on Chicago history and Daniel Hoffman’s books on Root provide the most important sources for this work. Also Leslie’s recent work on Chicago has become an important source. Significant new notes and themes have been added to this version after new reading in 2013] [24 Feb 2014, added Sullivan in for the Perspectives course version of this lecture, added more signposts etc. w.r.t to what the students need and some active exercises.] image: http://www.richard- seaman.com/USA/Cities/Chicago/Landmarks/index.ht ml Chicago today demonstrates the allure and power of the skyscraper, and here on these very same blocks is where the skyscraper was born. image: 7-33 chicago fire ruins_150dpi.jpg, replaced with same picture from wikimedia commons 2013 Here we see the result of the great Chicago fire of 1871, shown from corner of Dearborn and Monroe Streets. This is the most obvious social condition to give birth to the skyscraper, but other forces were at work too. Social conditions in Chicago were unique in 1871. Of course the fire destroyed the CBD. The CBD is unique being hemmed in by the Lakes and the railroads.
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Look to the rock from which you were hewn Vol. 35, No. 3, Summer 2011 chicago jewish historical societ y chicago jewish history Sunday, September 18 – Save the Date! CJHS Open Meeting Features Talk on New Book “The Complete Architecture of Adler & Sullivan” The Chicago Jewish Historical Society welcomes architect Ward Miller, Executive Director of the Richard Nickel Committee, as guest speaker at our next open meeting, Sunday, September 18, 2011, 2:00 p.m., in Room 320-26 of Roosevelt University, Auditorium Building, 430 South Michigan Avenue. A social hour with kosher refreshments will follow the program. The subject of the talk is the book, The Complete Architecture of Adler & Sullivan , by Richard Nickel and Ward Miller Chicago Stock Exchange. Dankmar Aaron Siskind with John Vinci and Ward Miller. This Adler & Louis Sullivan, architects. 1894. Demolished 1972. magnificent work includes 815 photographs. It is the Photograph by Richard Nickel, who product of a monumental project begun in 1952. Mr. Miller will focus on died in an accident while documenting Dankmar Adler and his connection to the Chicago Jewish community. the demolition. Cover illustration: There are nearby parking lots and garages and convenient public The Complete Architecture of transportation via CTA bus and train. For further information, please Adler & Sullivan. e-mail: [email protected] or phone our office: (312) 663-5634. Election of Members to the Society Board of Directors The program will be preceded by a brief business meeting which will include the re-election of six current members to the Board of Directors and the election of one new member.
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Jewish History Book
Look (o che eock [.eo'': a^rhich Uoa .tteee }'e.un DI'J..J ft ''r tJ-9t* tvrr;r FORMERLYSOCIETY NEWS cbrcocoft Je(rlrsl.) l.lrstctnrcol soclc)tJ volumexiii. no.3,April, 1990 Adler:The Rabbi's Son Who ReprintingUnderway Designedthe AuditoriumTheatre On LandmarkLocal Fame of Partner Sullivan Unjustly Overshadows JewishHistory Book Ac'hieyementof Loc'alArchitectural Genius Lavish 850-PageVolume by WilliamO. Petersen By MeitesDue Out in Fall he life and work of DankmarAdler was an interestin the back of eprintingby the Societyof a long unavailableclassic local my mind for a numberof yearsthrough my involvement of Jewish with the history is currently under way. Auditorium. It wasa passionof mine which startedyears ago, due accordingto PresidenrWalter Roth. to my havingbeen broughtup in a family whereevery performance of By fall. it is expectedthal Tlrc operabrought a latercomment from my grandmotherand mother:"If it Histo,- of the Jeu'sof Chitugo. a volumi- had only beenin the Auditorium!"A flood of reminiscencewould then nous.lavishly illustrated and surprisingll, follou endingwith the time thatMorher and her close high schoolfriend completehistory of the ChicagoJewish HesterWentworth climbed to theirfifty-cent gallery seats to seeand hear communityduring its firsreighty years will Mary Gardenas Melisande. be generail)avriluble for rhelirsr lime in In my schoolyears I thoughtI would be an architectuntil I real- half a century.Members of theSociety will izedthat drawing,calculus and analyticalgeometry had eludedme. Yet I be permittedto buycopies at a discount. princely spentthe then sumof five dollarsI hadwon asan academicprize (|u t?d oI pugt 2 on thefirsl bookto comeout on LouisSullivan-Hugh Morrison'sLo,ls Sulliyan.Prophet oJ h4oJtrtt Arthitedure.
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Fhe MUSEUM of MODERN ART H WEST 53RD STREET, NEW YORK 19, N
7ff fHE MUSEUM OF MODERN ART H WEST 53RD STREET, NEW YORK 19, N. Y. TgUEPHONE: CIRCLE 8.8000 48521-34 FOE RELEASE MAY 26, 1948 EXHIBITION OF THE ARCHITECTURAL MASTERPIECES OF LOUIS SULLIVAN photographic enlargements of masterpieces of Louis Sullivan (1856-1924) will be shown from May 26 to July 25 by the Department of Architecture of the Museum of Modern Art, 11 We.et 53rd St., in the architectural gallery on the first floor. The pictures, approximately 48" x 60", represent Sullivan's greatest buildings. They have been selected from the historical collection of the Department of Architecture and are as follows; I-, Auditorium Building Tower, Chicago, Illinois, 1887-89, with Dankmar Adler 2. Wainwright Building, St. Louis, Missouri, 1890-91, with Dankmar Adler. 3. Guaranty Building, Buffalo, New York, 1894-95, with Dankmar Adler. 4. Gage Building, Chicago, Illinois, 1898-9Q 5. Carson Pirie Scott Store, Chicago, Illinois, 1903-04. 6. McVicker1 s Theatre, Chicago, 111., proscenium wing, and boxes, 1890- 91, with Dankmar Adler 7. Tomb of Martin Ryerson, Graceland Cemetery, Chicago, Illinois, 1689, with Dankmar Adler. Mr. Philip Johnson, Consultant to the Department of Architecture, has commented on the work of Louis Sullivan as follows: "The three great names in the history of American architecture are Hrnry Hobson Richardson, Louis Sullivan and Frank Lloyd Wright. In- today1 s concern with contemporary building the important work of Rich ardson and Sullivan is too often dismissed as old-fashioned, or is completely forgotten. These men are the pioneers of the modern move ment, and their contributions should be understood as an exciting and necessary part of the development of the architecture that we fcnow and admire today.
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