Jewish History Book

Total Page:16

File Type:pdf, Size:1020Kb

Jewish History Book Look (o che eock [.eo'': a^rhich Uoa .tteee }'e.un DI'J..J ft ''r tJ-9t* tvrr;r FORMERLYSOCIETY NEWS cbrcocoft Je(rlrsl.) l.lrstctnrcol soclc)tJ volumexiii. no.3,April, 1990 Adler:The Rabbi's Son Who ReprintingUnderway Designedthe AuditoriumTheatre On LandmarkLocal Fame of Partner Sullivan Unjustly Overshadows JewishHistory Book Ac'hieyementof Loc'alArchitectural Genius Lavish 850-PageVolume by WilliamO. Petersen By MeitesDue Out in Fall he life and work of DankmarAdler was an interestin the back of eprintingby the Societyof a long unavailableclassic local my mind for a numberof yearsthrough my involvement of Jewish with the history is currently under way. Auditorium. It wasa passionof mine which startedyears ago, due accordingto PresidenrWalter Roth. to my havingbeen broughtup in a family whereevery performance of By fall. it is expectedthal Tlrc operabrought a latercomment from my grandmotherand mother:"If it Histo,- of the Jeu'sof Chitugo. a volumi- had only beenin the Auditorium!"A flood of reminiscencewould then nous.lavishly illustrated and surprisingll, follou endingwith the time thatMorher and her close high schoolfriend completehistory of the ChicagoJewish HesterWentworth climbed to theirfifty-cent gallery seats to seeand hear communityduring its firsreighty years will Mary Gardenas Melisande. be generail)avriluble for rhelirsr lime in In my schoolyears I thoughtI would be an architectuntil I real- half a century.Members of theSociety will izedthat drawing,calculus and analyticalgeometry had eludedme. Yet I be permittedto buycopies at a discount. princely spentthe then sumof five dollarsI hadwon asan academicprize (|u t?d oI pugt 2 on thefirsl bookto comeout on LouisSullivan-Hugh Morrison'sLo,ls Sulliyan.Prophet oJ h4oJtrtt Arthitedure. Morrison-and every wriler on DankmarAdler, distinguishedson Sullivansince that time paidrribute to Adler for his engineeringand busi- of a distinguishedfather, has been cast in the nessability and then promptly left him behind. shadow by his more famous and more fasci- nating partner.Louis Sullivan. Yet, as lhis Christian-.1ev'ish Relationships among Immigrants arlicleclearly proves. lhe archilecluralgenius However,when I startedon Adler,another phase of my boyhood of Adler was basic to all of Sullivan's major openedup: the Chicagoof my grandparentsand great-grandparentswho achievementsand was patently evident when emigratedfrom Germanyafter the 1848revolutions. As I went through Adler worked on his own. Adler's life as a the Adler papersthere appeared the namesI wasbrought up with-very son, soldier, husband,father and Jew are also of inleresrro much a part of the liberal and philanthropicgroup in which the Adler srudenlsof localJewish history. Both his career and his life are treated family and the Schmidtfamily (to which I belong)parricipated. in this Rabbi article by Chicago Artorney William 0. Emil G. Hirsch spokeboth at DankmarAdler's and my great-grand- Petersen.like its subject a member of an old father'sfunerals. I havebeen told by WalterRoth that my grandfatherwas Chicagofamily. The arricleis an amplifica- a pupil at the schoolof Adler'sfather, Rabbi Liebman Adler. (Walter also tion of the addressgiven by Mr. Petersenat reportedthat Grandfatherliked the schoolbecause he was given both the the March CJHS meetins. (r nuc4 o Dakc4 of someK.A.M. membersin the Union TheInterwoven Web cause.In 1861,there had come 1o the pulpit oi K.A.M. a forcelulpersonality and great Of JewishHistory or or. RubbiLiebman Adler. Born in a smalltown in Germanyin I {l12, he had Se e mi ngl y Sepa rate Event.s emigratedto Detroit in lli54. alreadya prominentscholar. His new rabbinical posr- Relate to Each Other tion at K.A.M. enabledhim lo deliverpas- sionatepatriotic sermons, abolitionist in appropriatepages otherwise devoted to a he currentexhibit. "A HouseDivid- nature,which are containedin a publica- narrativehistory of Jews in Chicago.a ed."at theChicago Historical Soci- tion. Fitc A.Lr'eii?J to the K.A.M.. Rabbi recordol Jewishpanicrpation in thevarious ety is a splendidpresentation of the Adler'soldest son enlistedin the Union arts,professions and businesses.and the U.S.years before and during the Civil War Army at lhe age o[ eighteenand fought in historiesof Jewishcommunal institutions The exhibit concentratesupon the issueof many battles of the war before being includingindividual congregations. clubs slavery.and. contrary to somehistonans. woundedat lhe Baltle of Chickamauga. and charities.Remarkably in a book pub- takesthe position that the abolition of slav- The presidentof K.A.M. at this lishedover sirty-five yelrs ago.a norice- ery was the dominantcause of the Civil lime, AbrahamKohn, was alsoa staunch ably largepercentage of the biographiesarc War.There are many originaldocuments abolitionisland supporterof Lincoln.He of women.There is also an index of names and artifactson display.Chicago, of course, wa\ appoinledCiry Clerk of Chicagoin and organizations. wasthe home of SenatorStephen Douglas; 1860and is well-rememberedby Civil War No expensewas sparedin the andit washere that the Republicansnomi- buffs becauseof the satinAmerican flag preparationof the original printing. and natedLincoln as their nomineefor presi. containingin Hebrew letterinBverses 4 there are severalinsened plates-some in dent in 1860,meeting in a largewooden through 9 from the first chapterof Joshua full color -and speciallydesigned large building locatedat Lake and Market (now which he sent to Lincoln in 1861just artistic initial lettersat the start of each WackerDrive) Streetsand known as the beforeLincoln left his home in Springfield cnapter. Wigwam. to go to Washington.Kohn's daughterlater The exhibitmakes no mentionof maniedRabbi Adler's oldest son. As you New Price Kept Low ChicagoJews who were activein the aboli- may havesurmised, the oldestson of Rabbi The currentprinting, a full-sized tionistcause prior to and during the war Adler, the Civil War hero and husbandof facsimileedition, will not be quite so lavish akhoughthere were many.The only men- the daughterof the presidentof K.A.M., but will be well-producedwith a heavy tion of a Jewishinvolvement in the enrire was DankmarAdler, who would go on to paperbackcover so that it can be sold at a exhibit comesin a displaycase near the end b€comethe renownedarchitect and the sub- reasonableprice to our membersand at a in a programlisting Chicago organizations ject of our March 4 programat lhe Audito- higher,yet still modest,price to the general that participatedin the paradethat accom- rium Theater.Such as always are rhe inter- public. paniedLincoln's body after it had arrived twiningsof historyand our people. Although the book naturallypays by train from Washingtonon its way to WalterRoth major attentionto the achievementsof Cer- Springfieldfor burial. The two listed orga- Presideirt man-bomJews and their familiesduring the nizationsare the "HebrewCaha Ubecut earlyyears, careful attention was paid to the Clrarrllri' (sic) and the HebrewBenevolent Association.(The actualnames of these Repri]ltingundelwayif:;' ffi ,n[Tfi:,i'J:T',xrH: organizationswere the Cheva Kaddisha &ntnu?drt'om pag? I of themare included. Meites himself was a Uhikkur Cholin and the Hebrew Benevo- The monumentalvolume, edited Russian-bomprinting executive who pub- lent Society.)The funeral march took the by Hyman L. Meites and publishedby an lished fie Lau.ndale Press, The Jeu'ish marchersfrom the railroadstation west on earlierversion of the Societyknown as the Re.ord and, later. The Chitago .leu,ish Lake Streetto LasalleStreet and thento JewishHistorical Society of Illinois,was Chronicle.He wasactive in the JewishPeo- the Court Housesquare at RandolphStreet. printedin an elaborale,limited edirionand ples Instituteand Zionist circles. His asso- The two ChicagoJewish fratemal has been impossibleto find, even in used ciateeditor was David E. Hirsch,son of panicipated organizationsthat in the funer- bookstores,for decades.Occasionally a RabbiEmil G. Hirschof SinaiCongrega- al march originatedin true Civil War fash- copy surfacesin the usedbook marketand tion. ion: one representeda schism from the isquickly sold for hundredsof dollars. other The membersof the HebrewBenevo- The history,an oversizednine-by- Gift Made Printing Possible lent Societywere of the samegroup that twelve-inchvolume of some850 double- The republicationof the history createdK.A.M., the first Chicagosyna- columnedpages, contains literally thou- uas madepossible by a generousdonation gogue,lhen also known as the Bayerische sandsof brief biographiesof individual from the Meites family and particularly Shul.The othergroup, mainly [Bavarian] ChicagoJews, usually illustrated with a from Thomas and Jerry Meites, following of Prussianextraction, had secededfrom photoand listingimmediate family mem- in the traditionof their grandfatherby con- the Societyand would laterform another bersby name. tributing to rhediffusion of ChicagoJewish synagogue. historyto newel generalions. Unfortunately,the exhibit orga- Original Printing Lavish Detailsconceming the actualpub- nizersdid not includein their storythe role The biographiesare insertedin lication date,the cost of copiesto members 2 and proceduresfor placing orders will be oversawits initial expansionon a national As usual,the brunchwill also fea- announcedat a later date.The Societyhas basis.See "How ChicagoansStarted the ture a brief annualmeeting at which mem- arrangedfor the Wellington Publishing Hillel Foundations,"in SocietyNer.r,s, bers will be electedto the Societyboard of
Recommended publications
  • Chicago from 1871-1893 Is the Focus of This Lecture
    Chicago from 1871-1893 is the focus of this lecture. [19 Nov 2013 - abridged in part from the course Perspectives on the Evolution of Structures which introduces the principles of Structural Art and the lecture Root, Khan, and the Rise of the Skyscraper (Chicago). A lecture based in part on David Billington’s Princeton course and by scholarship from B. Schafer on Chicago. Carl Condit’s work on Chicago history and Daniel Hoffman’s books on Root provide the most important sources for this work. Also Leslie’s recent work on Chicago has become an important source. Significant new notes and themes have been added to this version after new reading in 2013] [24 Feb 2014, added Sullivan in for the Perspectives course version of this lecture, added more signposts etc. w.r.t to what the students need and some active exercises.] image: http://www.richard- seaman.com/USA/Cities/Chicago/Landmarks/index.ht ml Chicago today demonstrates the allure and power of the skyscraper, and here on these very same blocks is where the skyscraper was born. image: 7-33 chicago fire ruins_150dpi.jpg, replaced with same picture from wikimedia commons 2013 Here we see the result of the great Chicago fire of 1871, shown from corner of Dearborn and Monroe Streets. This is the most obvious social condition to give birth to the skyscraper, but other forces were at work too. Social conditions in Chicago were unique in 1871. Of course the fire destroyed the CBD. The CBD is unique being hemmed in by the Lakes and the railroads.
    [Show full text]
  • OLMSTED TRACT; Torrance, California 2011 – 2013 SURVEY of HISTORIC RESOURCES
    OLMSTED TRACT; Torrance, California 2011 – 2013 SURVEY OF HISTORIC RESOURCES II. HISTORIC CONTEXT STATEMENT A. Torrance and Garden City Movement: The plan for the original City of Torrance, known as the Olmsted Tract, owes its origins to a movement that begin in England in the late 19th Century. Sir Ebenezer Howard published his manifesto “Garden Cities of To-morrow" in 1898 where he describes a utopian city in which man lives harmoniously together with the rest of nature. The London suburbs of Letchworth Garden City and Welwyn Garden City were the first built examples of garden city planning and became a model for urban planners in America. In 1899 Ebenezer founded the Garden City Association to promote his idea for the Garden City ‘in which all the advantages of the most energetic town life would be secured in perfect combination with all the beauty and delight of the country.” His notions about the integration of nature with town planning had profound influence on the design of cities and the modern suburb in the 20th Century. Examples of Garden City Plans in America include: Forest Hills Gardens, New York (by Fredrick Law Olmsted Jr.); Radburn, New Jersey; Shaker Heights, Ohio; Baldwin Hills Village, in Los Angeles, California and Greenbelt, Maryland. Fredrick Law Olmsted is considered to be the father of the landscape architecture profession in America. He had two sons that inherited his legacy and firm. They practiced as the Olmsted Brothers of Brookline Massachusetts. Fredrick Law Olmsted Junior was a founding member of The National Planning Institute of America and was its President from 1910 to 1919.
    [Show full text]
  • QUES in ARCH HIST I Jump to Today Questions in Architectural History 1
    [email protected] - QUES IN ARCH HIST I Jump to Today Questions in Architectural History 1 Faculty: Zeynep Çelik Alexander, Reinhold Martin, Mabel O. Wilson Teaching Fellows: Oskar Arnorsson, Benedict Clouette, Eva Schreiner Thurs 11am-1pm Fall 2016 This two-semester introductory course is organized around selected questions and problems that have, over the course of the past two centuries, helped to define architecture’s modernity. The course treats the history of architectural modernity as a contested, geographically and culturally uncertain category, for which periodization is both necessary and contingent. The fall semester begins with the apotheosis of the European Enlightenment and the early phases of the industrial revolution in the late eighteenth century. From there, it proceeds in a rough chronology through the “long” nineteenth century. Developments in Europe and North America are situated in relation to worldwide processes including trade, imperialism, nationalism, and industrialization. Sequentially, the course considers specific questions and problems that form around differences that are also connections, antitheses that are also interdependencies, and conflicts that are also alliances. The resulting tensions animated architectural discourse and practice throughout the period, and continue to shape our present. Each week, objects, ideas, and events will move in and out of the European and North American frame, with a strong emphasis on relational thinking and contextualization. This includes a historical, relational understanding of architecture itself. Although the Western tradition had recognized diverse building practices as “architecture” for some time, an understanding of architecture as an academic discipline and as a profession, which still prevails today, was only institutionalized in the European nineteenth century.
    [Show full text]
  • The Auditorium Theatre Celebrates 50Th Anniversary of Their Grand Re
    10/12/2017 Auditorium Theatre One-Night-Only Performance Honoring the Theatre's Past, Present, Future View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 5, 2017 THE AUDITORIUM THEATRE CELEBRATES 50th ANNIVERSARY OF THEIR GRAND RE-OPENING WITH ONE-NIGHT-ONLY PERFORMANCE FEATURING PREMIER DANCERS FROM TOP COMPANIES AROUND THE WORLD THE EVENING INCLUDES PERFORMANCES BY DANCERS FROM ALVIN AILEY AMERICAN DANCE THEATER, AMERICAN BALLET THEATRE, DUTCH NATIONAL BALLET, THE JOFFREY BALLET, NEW YORK CITY BALLET, THE WASHINGTON BALLET, AND FINALISTS FROM YOUTH AMERICA GRAND PRIX A Golden Celebration of Dance – November 12, 2017 On November 12, 2017, the Auditorium Theatre, The Theatre for the People, commemorates the 50th anniversary of its grand re-opening with A Golden Celebration of Dance, a one-night-only mixed repertory program featuring dancers from the world’s premier dance companies: Alvin Ailey American Dance Theater, American Ballet Theatre, Dutch National Ballet, Eifman Ballet of St. Petersburg, Hubbard Street Dance Chicago, The Joffrey Ballet, MOMIX, New York City Ballet, Parsons Dance, The Suzanne Farrell Ballet, and The Washington http://tracking.wordfly.com/view/?sid=NjUzXzQ4NTRfMjc3ODA2XzY5NTk&l=4d2b8dea-61af-e711-8416-e41f1345a486&utm_source=wordfly&utm_me… 1/5 10/12/2017 Auditorium Theatre Ballet. In addition, the evening will feature special performances by finalists from the Youth America Grand Prix, the next generation of great dancers. In 1941, the Auditorium Theatre closed its doors to the public in the wake of the Great Depression. Aside from when it was used as a servicemen’s center during World War II, the theatre sat unused and in disrepair, until a 7-year-long fundraising campaign – led by Beatrice Spachner and the Auditorium Theatre Council – covered the costs of theatre renovation, culminating with a grand re-opening on October 31, 1967.
    [Show full text]
  • Journal of the American Institute of ARCH Itecr·S
    Journal of The American Institute of ARCH ITEcr·s PETEil HARRISON November, 1946 Fellowship Honors in The A.I.A. Examinations in Paris-I Architectural Immunity Honoring Louis Sullivan An Editorial by J. Frazer Smith The Dismal Fate of Christopher Renfrew What and Why Is an Industrial Designer? 3Sc PUBLISHED MONTHLY AT THE OCTAGON, WASHINGTON, D. C. UNiVERSITY OF ILLINOJS SMALL HOM ES COUNCIL MUMFORD ~O U SE "JOURNAL OF THE AMERICAN INSTITUTE OF ARCHITECTS NOVEMBER, 1946 VoL. VI, No. 5 Contents Fellowship Honors in The Ameri- Architectural Immunity 225 can Institute of Architects .... 195 By Daniel Paul Higgins By Edgar I. Williams, F.A.I.A. News of the Chapters and Other Honors . 199 Organizations . 228 Examinations in Paris-I .... 200 The Producers' Council. 231 By Huger Elliott The Dismal Fate of Christopher Architects Read and Write: Renfrew . 206 By Robert W. Schmertz "Organic Architecture" . 232 By William G. Purcell Honoring Louis Sullivan By Charles D. Maginnis, Advertising for Architects. 233 F.A.I.A. 208 By 0. H. Murray By William W. Wurster . 209 A Displaced Architect without Chapters of The A.I.A. 213 Documents . 233 By ]. Frazer Smith By Pian Drimmalen What and Why Is an Industrial News of the Educational Field. 234 Designer?. 217 By Philip McConnell The Editor's Asides . 236 ILLUSTRATIONS Tablet marking birth site of Louis H. Sullivan in Boston .. 211 Fur Shop in the Jay Jacob Store, Seattle, Wash .......... 212 George W. Stoddard and Associates, architects Remodeled Country House of Col. Henry W . Anderson, Dinwiddie Co., Va. 221 Duncan Lee, architect Do you know this building? ......
    [Show full text]
  • The Nightmare Before Christmas
    Featuring the Chicago Philharmonic View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: July 17, 2018 DISNEY IN CONCERT: TIM BURTON’S THE NIGHTMARE BEFORE CHRISTMAS COMES TO THE AUDITORIUM THEATRE ON OCTOBER 31 TICKETS ON SALE JULY 27 AT NOON COMMEMORATING THE 25th ANNIVERSARY OF THE CLASSIC FILM Chicago Philharmonic Performs Danny Elfman’s Renowned Score Live to Film Disney in Concert: Tim Burton’s The Nightmare Before Christmas – October 31, 2018 (Chicago, IL) – Jack Skellington and the residents of Halloween Town pay a visit to Chicago on October 31, 2018, when Disney in Concert: Tim Burton’s The Nightmare Before Christmas comes to the Auditorium Theatre. Tickets go on sale Friday, July 27 at noon and will be available online at AuditoriumTheatre.org, by phone at 312.341.2300, or in person at the Auditorium Theatre Box Office (50 E Congress Pkwy). Tickets start at $30. Tickets are also on sale now as part of the Auditorium's American Music Series subscription and for groups of 10 or more people. The Halloween screening commemorates the 25th anniversary of Tim Burton's stop-motion masterpiece and features the Chicago Philharmonic performing Danny Elfman's beloved score. Attendees are encouraged to dress in costume and celebrate Halloween in the Auditorium Theatre lobby. "We are beyond thrilled to celebrate the 25th anniversary of this classic film on our historic stage with the acclaimed musicians of the Chicago Philharmonic, right on Halloween!" says C.J.
    [Show full text]
  • Faith Reforming
    Reforming Faith by Design Frank Furness’ Architecture and Spiritual Pluralism among Philadelphia’s Jews and Unitarians Matthew F. Singer Philadelphia never saw anything like it. The strange structure took shape between 1868 and 1871 on the southeast corner of North Broad and Mount Vernon streets, in the middle of a developing residential neighborhood for a newly rising upper middle class. With it came a rather alien addition to the city’s skyline: a boldly striped onion dome capping an octagonal Moorish-style minaret that flared outward as it rose skyward. Moorish horseshoe arches crowned three front entrances. The massive central At North Broad and Mount Vernon streets, Rodeph Shalom’s first purpose-built temple—de- doorway was topped with a steep gable signed by Frank Furness—announced the growing presence and aspirations of the newly developed neighborhood’s prospering German Jewish community. beneath a Gothic rose window that, in HISTORICAL SOCIETY OF PENNSYLVANIA turn, sat within another Moorish horse- shoe. Composed of alternating bands of phia. In a city of red-brick rowhouses built full Jewish emancipation and equality and yellow and red sandstone, the arches’ halo- primarily in neoclassical styles, Rodeph sparked new spasms of anti-Semitism. like tops appeared to radiate from central Shalom’s new temple mixed Islamic, Pedestrians gazing upon Rodeph disks incised with abstracted floral shapes. Byzantine and Gothic elements. Shalom may have wondered whether their Buttresses shored the sides of the building, Founded in 1795 as the first Ashkenazi wandering minds conjured an appari- which stood tall and vertical like a Gothic (Central and Eastern European) Jewish tion from a faraway time and place.
    [Show full text]
  • Christie's to Auction Architectural Elements Of
    For Immediate Release May 8, 2009 Contact: Milena Sales 212.636.2680 [email protected] CHRISTIE’S TO AUCTION ARCHITECTURAL ELEMENTS OF THE DANKMAR ADLER & LOUIS SULLIVAN’S CHICAGO STOCK EXCHANGE BUILDING IN EXCEPTIONAL SALE THIS JUNE 20th Century Decorative Art & Design June 2, 2009 New York – Christie’s New York’s Spring 20th Century Decorative Art & Design sale takes place June 2 and will provide an exciting array of engaging and appealing works from all the major movements of the 20th century, exemplifying the most creative and captivating designs that spanned the century. A separate release is available. A highlight of this sale is the superb group of 7 lots featuring architectural elements from Dankmar Adler and Louis Sullivan’s Chicago Stock Exchange Building. Jeni Sandberg, Christie's Specialist, 20th Century Decorative Art & Design says, “Christie’s prides itself on bringing works of historical importance and cultural relevance to the international art market. We are therefore delighted to offer these remarkable lots, which were designed by Louis Sullivan, one the great creative geniuses of American Architectural history, in our upcoming 20th Century Decorative Art and Design Sale June 2, 2009.” Louis Sullivan and the Chicago Stock Exchange Building Widely acknowledged as one of the 20th century’s most important and influential American architects, Louis Sullivan is considered by many as “the father of modern architecture.” Espousing the influential notion that “form ever follows function,’ Sullivan redefined the architectural mindset of subsequent generations. Despite this seemingly stark dictum, Sullivan is perhaps best known for his use of lush ornament. Natural forms were abstracted and multiplied into until recognizable only as swirling linear elements.
    [Show full text]
  • Ate9 Dance Company (With Glenn
    Featuring Ate9 Dance Company, Deeply Rooted Dance Theater, View in browser and Visceral Dance Chicago 50 E Congress Pkwy (50 E Ida B. Wells Dr) Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 10, 2018 ATE9 DANCE COMPANY (WITH GLENN KOTCHE OF WILCO), DEEPLY ROOTED DANCE THEATER, AND VISCERAL DANCE CHICAGO PERFORM AT THE AUDITORIUM THEATRE AS PART OF THE “MADE IN CHICAGO” 312 DANCE SERIES ON NOVEMBER 16 AN EVENING OF INNOVATIVE CONTEMPORARY DANCE Ate9 Dance Company/Deeply Rooted Dance Theater/Visceral Dance Chicago on November 16, 2018 (CHICAGO, IL) – On Friday, November 16, three groundbreaking contemporary dance companies perform on the Auditorium Theatre’s landmark stage in the “Made in Chicago” 312 Dance Series. The evening features Ate9 Dance Company, performing the work calling glenn with live music from Chicago-based percussionist Glenn Kotche (Wilco); Deeply Rooted Dance Theater, performing Kevin Iega Jeff’s Church of Nations, Kevin Iega Jeff and Gary Abbott’s Heaven, and Nicole Clarke-Springer’s Until Lambs Become Lions; and Visceral Dance Chicago, performing company founder Nick Pupillo’s Soft Spoken. “We are thrilled to feature these three innovative companies as we open our 2018-19 ‘Made in Chicago’ 312 Dance Series,” says Rachel Freund, Interim Chief Executive Officer of the Auditorium Theatre. “This evening will highlight the creativity of these distinct companies and showcase the breadth of contemporary dance styles that we present on our historic stage.” The Los Angeles-based Ate9 Dance Company makes its Auditorium Theatre debut with calling glenn (2017), created by company founder and artistic director Danielle Agami in collaboration with Chicagoan Glenn Kotche.
    [Show full text]
  • Architectural Styles/Types
    Architectural Findings Summary of Architectural Trends 1940‐70 National architectural trends are evident within the survey area. The breakdown of mid‐20th‐ century styles and building types in the Architectural Findings section gives more detail about the Dayton metropolitan area’s built environment and its place within national architectural developments. In American Architecture: An Illustrated Encyclopedia, Cyril Harris defines Modern architecture as “A loosely applied term, used since the late 19th century, for buildings, in any of number of styles, in which emphasis in design is placed on functionalism, rationalism, and up‐to‐date methods of construction; in contrast with architectural styles based on historical precedents and traditional ways of building. Often includes Art Deco, Art Moderne, Bauhaus, Contemporary style, International Style, Organic architecture, and Streamline Moderne.” (Harris 217) The debate over traditional styles versus those without historic precedent had been occurring within the architectural community since the late 19th century when Louis Sullivan declared that form should follow function and Frank Lloyd Wright argued for a purely American expression of design that eschewed European influence. In 1940, as America was about to enter the middle decades of the 20th century, architects battled over the merits of traditional versus modern design. Both the traditional Period Revival, or conservative styles, and the early 20th‐century Modern styles lingered into the 1940s. Period revival styles, popular for decades, could still be found on commercial, governmental, institutional, and residential buildings. Among these styles were the Colonial Revival and its multiple variations, the Tudor Revival, and the Neo‐Classical Revival. As the century progressed, the Colonial Revival in particular would remain popular, used as ornament for Cape Cod and Ranch houses, apartment buildings, and commercial buildings.
    [Show full text]
  • Muse2016v50p75-89.Pdf (4.825Mb)
    Fallen Angel A Case Study in Architectural Ornamentation w. arthur mehrhoff According to the late anthropologist James Deetz, we can decode cultural meanings from the past most fully by studying “small things often overlooked and even forgotten.”1 While architectural historians often train their scholarly lenses on landmark buildings and structures, vernacular objects such as doorways, gravestones, and even discarded architectural orna- ments offer students of culture a kind of intellectual “mortar” that can help them fit larger structures to- gether into a conceptual whole.2 The Museum of Art and Archaeology’s winged terracotta figure, a splendid example of architectural ornament and a survivor of urban redevelopment, was one of a series of similar figures that originally graced the elaborate frieze of the 1898 twelve-story Title Guaranty Building, one of the earliest tall office buildings in downtown St. Louis. The building, known at its construction as the Lincoln Trust Building, was destroyed in 1983. The Fallen Angel The figure stands facing to the front with arms crossed at her waist (Fig. 1 and back cover).3 Constructed in three parts–base and lower part of a plinth, upper half of plinth, and upper body–she Fig. 1. Architectural winged figure in high relief, 1898, terra- cotta. H. 2.140 m. From the Title Guaranty Building (originally the Lincoln Trust Building), St. Louis, Missouri. Museum of Art and Archaeology, University of Missouri (84.109a–c), gift of Mr. and Mrs. Mark A. Turken and Mr. and Mrs. Paul L. Miller, Jr. Photo: Jeffrey Wilcox. 75 FALLEN ANGEL Fig. 2.
    [Show full text]
  • Twyla Tharp 50 Anniversary Tour
    FOR IMMEDIATE RELEASE Jill Evans La Penna August 27, 2015 James Juliano SHOUT Marketing & Media Relations [email protected][email protected] (312) 533-9119 • (773) 852-0506 THE AUDITORIUM THEATRE PROUDLY PRESENTS TWYLA THARP’S 50TH ANNIVERSARY TOUR IN CHICAGO, NOVEMBER 5 – 8 Two New Works Commissioned by the Auditorium Theatre and Ravinia Festival Along With The Joyce Theater, The Kennedy Center, TITAS/AT&T Performing Arts Center and the Wallis Anneberg Center for the Performing Arts are the Centerpiece of the National Celebration of Tharp’s 50th Anniversary. CHICAGO, IL — The Auditorium Theatre of Roosevelt University presents Twyla Tharp – 50th Anniversary Tour including two Chicago premieres, “Preludes and Fugues” and “Yowzie” November 5 – 8, at the historic Auditorium Theatre, 50 E. Congress Parkway. In a momentous co-commission with Ravinia Festival, as well as four other dance presenters in four other cities, the Auditorium is thrilled to present these two new works by world-renowned choreographer Twyla Tharp. The performance schedule is Thursday, Nov. 5 – Saturday, Nov. 7 at 7:30 p.m. and Sunday, Nov. 8 at 2 p.m. Tickets are priced $33 - $103 and are available online at AuditoriumTheatre.org by calling (312) 341-2300 or in-person at the Auditorium Theatre’s Box Office, 50 E. Congress Parkway. Subscriptions for the Auditorium Theatre’s 2015 - 2016 season and discounted tickets for groups of 10 or more are also on sale. For more information visit AuditoriumTheatre.org. “We are proud to be a part of the national celebration of Twyla Tharp and her 50th Anniversary Tour, not only as a presenter but also as a co-commissioner of these two premieres.
    [Show full text]