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Dissertation First Pages
Dissertation in Music Performance by Joachim C. Angster A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Performance) in the University of Michigan 2020 Dissertation Committee: Assistant Professor Caroline Coade, Co-Chair Professor David Halen, Co-Chair Professor Colleen Conway Associate Professor Max Dimoff Professor Daniel Herwitz Joachim C. Angster [email protected] ORCID iD: 0000-0002-2563-2819 © Joachim C. Angster 2020 ACKNOWLEDGEMENTS I would like to express my gratitude to members of my Doctoral Committee and to my teacher Professor Caroline Coade in particular, for making me a better musician. I also would like to give special thanks to my collaborators Arianna Dotto, Meridian Prall, Ji-Hyang Gwak, Taylor Flowers, and Nathaniel Pierce. Finally, I am grateful for the continuous support of my parents, and for the invaluable help of Anna Herklotz and Gabriele Dotto. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS ii ABSTRACT iv FIRST DISSERTATION RECITAL: Program 1 Program Notes 2 SECOND DISSERTATION RECITAL: Program 18 Program Notes 19 THIRD DISSERTATION RECITAL: Program 27 Program Notes 28 BIBLIOGRAPHY 40 iii ABSTRACT This dissertation pertains to three viola recitals, which were respectively performed on 2 October 2019, 20 January 2020, and 9 March 2020. Each recital program embraced a specific theme involving little-performed works as well as staples from the viola repertoire, and covered a wide range of different musical styles. The first recital, performed with violinist Arianna Dotto, focused on violin and viola duo repertoire. Two pieces in the Classical and early Romantic styles by W. A. Mozart and L. -
Xamsecly943541z Ç
Catalogo 2018 Confezione: special 2 LP BRIL 90008 Confezione: Jewel Box 1 CD BRIL 95388 Medio Prezzo Medio Prezzo Distribuzione Italiana 07/03/2017 Distribuzione Italiana 01/12/2017 Genere: Classica da camera Genere: Classica da camera Ç|xAMSECLy900087z Ç|xAMSECLy953885z JOHANN SEBASTIAN BACH JOHN ADAMS Variazioni Goldberg BWV 988 Piano Music - Opere per pianoforte China Gates, Phrygian Gates, American Berserk, Hallelujah Junction PIETER-JAN BELDER cv JEROEN VAN VEEN pf "Il minimalismo, ma non come lo conoscete”, così il Guardian ha descritto la musica di John Adams. Attivo in quasi tutti i generi musicali, dall’opera alle colonne sonore, dal jazz Confezione: long box 2 LP BRIL 90007 Medio Prezzo alla musica da camera, la sua apertura e il suo stile originale ha catturato il pubblico in Distribuzione Italiana 15/12/2015 tutto il mondo, superando i confini della musica classica rigorosa. Anche nelle sue opere Genere: Classica da camera per pianoforte, il compositore statunitense utilizza un 'ampia varietà di tecniche e stili, come disponibile anche ci mostra il pioniere della musica minimalista Jeroen van Veen assecondato dalla moglie 2 CD BRIL 95129 Ç|xAMSECLy900070z Sandra van Veen al secondo pianoforte. Durata: 57:48 Confezione: Jewel Box 1 CD BRIL 94047 YANN TIERSEN Medio Prezzo Pour Amélie, Goodbye Lenin (musica per Distribuzione Italiana 01/01/2005 pianoforte) Genere: Classica Strum.Solistica Ç|xAMSECLy940472z Parte A: Pour Amélie, Parte B: Goodbye Lenin JEROEN VAN VEEN pf ISAAC ALBENIZ Opere per chitarra Confezione: long box 1 LP BRIL 90006 Alto Prezzo Distribuzione Italiana 15/12/2015 Genere: Classica Orchestrale GIUSEPPE FEOLA ch disponibile anche 1 CD BRIL 94637 Ç|xAMSECLy900063z Isaac Albeniz, assieme a de Falla e Granados, è considerato non solo uno dei più grandi compositori spagnoli, ma uno dei padri fondatori della musica moderna spagnola. -
Scherzo Noviembre 2013.Indd
REVISTA DE MÚSICA Año XXVIII - Nº 290 - Noviembre 2013 - 7 € DOSIER Benjamin Britten ENCUENTROS Jonas Dvorák a los 50 Año XXVIII - Nº 290 Noviembre 2013 Kaufmann ACTUALIDAD Alfred Brendel DISCOS Réquiem alemán de Brahms nueva revista digital y tienda online Acaba de nacer El arte de la fuga, nueva revista digital y tienda online, dedicada a cubrir el mundo de la música clásica internacional desde una perspectiva española, con colaboradores de primer nivel que ofrecen reseñas y noticias diarias. Además, y en asociación con El arte de la fuga, en breve comenzará su andadura La Quinta de Mahler, una tienda física ubicada en el centro de la ciudad de Madrid, a pocos pasos de la Puerta del Sol, el Teatro Real y la Plaza Mayor. 5 oficina & almacén: Timoteo Padrós, 31 | 28200 San Lorenzo de El Escorial | España información & pedidos: tel. (+34) 91 896 1480 | [email protected] www.elartedelafuga.com 290-Pliego 1_207-pliego 1 22/10/13 14:59 Página 1 AÑO XXVIII - Nº 290 - Noviembre 2013 - 7 € 2 OPINIÓN Introducción y allegro Juan Lucas 72 CON NOMBRE Donde habita el recuerdo PROPIO Juan Antonio Llorente 75 6 Alfred Brendel La narrativa, inspiración Christian Springer operística Santiago Martín Bermúdez 78 8 AGENDA La música audiovisual David Rodríguez Cerdán 84 14 ACTUALIDAD NACIONAL ENCUENTROS 30 ACTUALIDAD Jonas Kaufmann INTERNACIONAL Rafael Banús Irusta 88 40 ENTREVISTA EDUCACIÓN Anne-Sophie Mutter Joan-Albert Serra 92 Benjamín G. Rosado 44 Discos del mes JAZZ Pablo Sanz 93 45 SCHERZO DISCOS Sumario LA GUÍA 94 71 DOSIER CONTRAPUNTO Norman -
JAN 2015 Sponsored by Time Warner Inc
2015 Winter/Spring Season JAN 2015 Sponsored by Time Warner Inc. Larry Poons, Untitled, 2009, acrylic on canvas, 68”x85” Published by: Season Sponsor: BAM 2015 Winter/Spring Season #MariinskyBAM Brooklyn Academy of Music The Mariinsky Theatre Alan H. Fishman, Valery Gergiev, Chairman of the Board General and Artistic Director, State Academic Mariinsky Theatre William I. Campbell, Frederick Iseman, Vice Chairman of the Board Chairman, Mariinsky Foundation of America Adam E. Max, Donald M. Kendall, Vice Chairman of the Board Chairman Emeritus Karen Brooks Hopkins, Michael D. White, President Vice Chairman Joseph V. Melillo, Executive Producer BAM and the Mariinsky Theatre present The Enchanted Wanderer Season Sponsor: By Rodion Shchedrin Directed by Alexei Stepanyuk BAM engagement made possible by: Mariinsky Opera Musical direction by Valery Gergiev Conducted by Valery Gergiev Leadership support for the Mariinsky Residency at BAM provided by Frederick Iseman BAM Howard Gilman Opera House Jan 14 at 7:30pm VTB Bank is the Principal Partner of the Mariinsky Theatre. Sberbank and Yoko Nagae Ceschina are Principal Sponsors. Running time: one hour and 35 minutes, no intermission Support for the Signature Artists Series Libretto by the composer after the novel by provided by the Howard Gilman Foundation Nikolai Leskov, The Enchanted Wanderer Leadership support for opera at BAM provided by: Set design by Alexander Orlov Aashish & Dinyar Devitre Costume design by Irina Cherednikova Stavros Niarchos Foundation Lighting design by Yevgeny Ganzburg Major support for the Mariinsky Residency at BAM Choreography by Dmitry Korneyev provided by Renova Endowment funding has been provided by Performed in Russian with English titles The Andrew W. -
Edison Denisov Contemporary Music Studies
Edison Denisov Contemporary Music Studies A series of books edited by Peter Nelson and Nigel Osborne, University of Edinburgh, UK Volume 1 Charles Koechlin (1867–1950): His Life and Works Robert Orledge Volume 2 Pierre Boulez—A World of Harmony Lev Koblyakov Volume 3 Bruno Maderna Raymond Fearn Volume 4 What’s the Matter with Today’s Experimental Music? Organized Sound Too Rarely Heard Leigh Landy Additional volumes in preparation: Stefan Wolpe Austin Clarkson Italian Opera Music and Theatre Since 1945 Raymond Fearn The Other Webern Christopher Hailey Volume 5 Linguistics and Semiotics in Music Raymond Monelle Volume 6 Music Myth and Nature François-Bernard Mache Volume 7 The Tone Clock Peter Schat Volume 8 Edison Denisov Yuri Kholopov and Valeria Tsenova Volume 9 Hanns Eisler David Blake Cage and the Human Tightrope David Revill Soviet Film Music: A Historical Perspective Tatyana Yegorova This book is part of a series. The publisher will accept continuation orders which may be cancelled at any time and which provide for automatic billing and shipping of each title in the series upon publication. Please write for details. Edison Denisov by Yuri Kholopov and Valeria Tsenova Moscow Conservatoire Translated from the Russian by Romela Kohanovskaya harwood academic publishers Australia • Austria • Belgium • China • France • Germany • India Japan • Malaysia • Netherlands • Russia • Singapore • Switzerland Thailand • United Kingdom • United States Copyright © 1995 by Harwood Academic Publishers GmbH. All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, without permission in writing from the publisher. -
TOCC0164DIGIBKLT.Pdf
VISSARION SHEBALIN: ORCHESTRAL MUSIC, VOLUME TWO by Paul Conway Vissarion Shebalin was one of the foremost composers and teachers in the Soviet Union. Dmitri Shostakovich held him in the highest esteem, keeping a portrait of his slightly older friend and colleague hanging on his wall and writing this heartfelt obituary: ‘Shebalin was an outstanding man. His kindness, honesty and absolute adherence to principle always amazed me. His enormous talent and great mastery immediately earned him burning love and authority with friends and the musical community’.1 Recent recordings have rekindled interest in the works of this key figure in mid-twentieth-century Soviet music. Vissarion Yakovlevich Shebalin was born in Omsk, the capital of Siberia, on 11 June 1902. His parents, both teachers, were utterly devoted to music. When he was eight years old, he began to learn the piano. By the age of ten he was a student in the piano class of the Omsk Division of the Russian Musical Society. Here, he developed a love of composition. In 1919 he completed his studies at middle school and entered the Institute of Agriculture – the only local university at that time. When a music college opened in Omsk in 1921, Shebalin joined immediately, studying theory and composition with Mikhail Nevitov, a former pupil of Reinhold Glière. In 1923 he was accepted into Nikolai Myaskovsky’s composition class at the Moscow Conservatoire. His first pieces, consisting of some romances and a string quartet, received favourable reviews in the press. Weekly evening concerts organised by the Association of Contemporary Music introduced him to the music of Bartók, Hindemith, Prokofiev, Schoenberg, Stravinsky and Webern. -
C K’NAY C (To Her) C (Poem by A
K ney C k’NAY C (To Her) C (poem by A. Belïy [(A.) BAY-lee] set to music by Sergei Rachmaninoff [sehr-GAYEE rahk-MAH-nyih-nuff]) Kaan C JindÍich z Albestç Kàan C YINND-rshihk z’AHL-bess-too KAHAHN C (known also as Heinrich Kàan-Albest [H¦N-rihh KAHAHN-AHL-besst]) Kabaivanska C Raina Kabaivanska C rah-EE-nah kah-bahih-WAHN-skuh C (known also as Raina Yakimova [yah-KEE-muh-vuh] Kabaivanska) Kabalevsky C Dmitri Kabalevsky C d’MEE-tree kah-bah-LYEFF-skee C (known also as Dmitri Borisovich Kabalevsky [d’MEE-tree bah-REE-suh-vihch kah-bah-LYEFF-skee]) C (the first name is also transliterated as Dmitry) Kabasta C Oswald Kabasta C AWSS-vahlt kah-BAHSS-tah Kabelac C Miloslav Kabelá C MIH-law-slahf KAH-beh-lahahsh Kabos C Ilona Kabós C IH-law-nuh KAH-bohohsh Kacinskas C Jerome Ka inskas C juh-ROHM kah-CHINN-skuss C (known also as Jeronimas Ka inskas [yeh-raw-NEE-mahss kah-CHEEN-skahss]) Kaddish for terezin C Kaddish for Terezin C kahd-DIHSH (for) TEH-reh-zinn C (a Holocaust Requiem [{REH-kôôee-umm} REH-kôôih-emm] by Ronald Senator [RAH-nulld SEH-nuh-tur]) C (Kaddish is a Jewish mourner’s prayer, and Terezin is a Czechoslovakian town converted to a concentration camp by the Nazis during World War II, where more than 15,000 Jewish children perished) Kade C Otto Kade C AWT-toh KAH-duh Kadesh urchatz C Kadesh Ur'chatz C kah-DEHSH o-HAHTSS C (Bless and Wash — a prayer song) Kadosa C Pál Kadosa C PAHAHL KAH-daw-shah Kadosh sanctus C Kadosh, Sanctus C kah-DAWSH, SAHNGK-tawss C (section of the Holocaust Reqiem — Kaddish for Terezin [kahd-DIHSH (for) TEH-reh-zinn] -
Musikgeschichte in Mittel- Und Osteuropa
Musikgeschichte in Mittel- und Osteuropa Musikgeschichte in Mittel- und Osteuropa Mitteilungen der internationalen Arbeitsgemeinschaft an der Universität Leipzig Heft 16 in Zusammenarbeit mit den Mitgliedern der internationalen Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig herausgegeben von Helmut Loos und Eberhard Möller † Redaktion: Klaus-Peter Koch Gudrun Schröder Verlag Leipzig 2015 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Für die erteilten Abbildungsgenehmigungen wird ausdrücklich gedankt. Autoren und Verlag haben sich bemüht, sämtliche Rechteinhaber der Bilder ausfindig zu machen. Sollte dies an einer Stelle nicht gelungen sein, bitten die Herausgeber um Mitteilung. Berechtigte Ansprüche werden selbstverständlich im Rahmen der üblichen Vereinbarungen abgegolten. © 2015 Gudrun Schröder Verlag, Leipzig Kooperation: Rhytmos, ul. Grochmalickiego 35/1, 61-606 Poznań, Polen Satz: Linus Hartmann Printed in Poland. ISBN 978-3-926196-72-9 Inhalt Vorwort . vi Ol’ga Bentsch Einige Beiträge zur Geschichte der ukrainischen Musikfolklore . 1 Julian Heigel Überlegungen zur musikhistorischen Aufarbeitung der DDR-Ära am Beispiel des Deutschen Verlags für Musik ............... 8 Jakym Horak und Severyn Tykhyy Die Musikbibliothek von Volodymyr Sadovs’kyj . 18 Ulyana Hrab Myroslav Antonovyč und seine wissenschaftliche Biografie . 87 Maria Kachmar Musical Structure of Byzantine Monodic Church Chants: from Sign to Principle . 96 Klaus-Peter Koch Die böhmischen Mozart-Enthusiasten in Franz Xaver Niemetscheks Mozart-Biografie von 1798 . 107 Helmut Loos „. dass in unserm Breslau wahrlich nicht die Armut an ernst stre- benden Musikmenschen herrscht“. Berichte über das Breslauer Musikleben in der Leipziger Musikzeit- schrift Signale für die musikalische Welt . -
Ç|Xamsecly900087z2 LP BRIL 90008 Ç|Xamsecly900070z2 LP BRIL 90007 Ç|Xamsecly900063z1 LP BRIL 90006 Ç|Xamsecly943541z1 CD
Catalogo 2019 Confezione: special 2 LP BRIL 90008 Confezione: Jewel Box 4 CD BRIL 95161 Medio Prezzo Economico Distribuzione Italiana 07/03/2017 Distribuzione Italiana 15/12/2015 Genere: Classica da camera Genere: Classica da camera Ç|xAMSECLy900087z Ç|xAMSECLy951614z JOHANN SEBASTIAN BACH DOMENICO ALBERTI Variazioni Goldberg BWV 988 Opere per tastiera (integrale) - Complete keyboard Music Sonate e Toccate PIETER-JAN BELDER cv MANUEL TOMADIN org Durata: 46:30 Confezione: long box 2 LP BRIL 90007 Confezione: Jewel Box 1 CD BRIL 9294 Medio Prezzo Medio Prezzo Distribuzione Italiana 15/12/2015 Distribuzione Italiana 27/11/2012 Genere: Classica da camera Genere: Classica da camera disponibile anche 2 CD BRIL 95129 Ç|xAMSECLy900070z Ç|xAMTDGPy929424z YANN TIERSEN GIOVANNI ALBINI Pour Amélie, Goodbye Lenin (musica per Musica ciclica pianoforte) Parte A: Pour Amélie, Parte B: Goodbye Lenin Corale n.4, Una teoria della prossimità, Corali n.27 e n.41, Estatica, Quartetto JEROEN VAN VEEN pf per archi n.5, Quartetto per archi n.6 'Solo per grado congiunto'; Quartetto per archi n.7 'Corale' FABIO MUREDDU vc Confezione: long box 1 LP BRIL 90006 Alto Prezzo Davide Alogna, violino; Giorgio Mirto, chitarra; Duo Bonfanti; Quartetto Indaco; Distribuzione Italiana 15/12/2015 Le Cameriste Ambrosiane, Dario Garegnani Genere: Classica Orchestrale Durata: 36:52 disponibile anche Confezione: Jewel Box 1 CD BRIL 95072 Medio Prezzo 1 CD BRIL 94637 Ç|xAMSECLy900063z Distribuzione Italiana 09/10/2014 ANTONIO VIVALDI Genere: Musica Sacra Le Quattro Stagioni (trascr.per flauto dolce e Ç|xAMSECLy950723z archi di E.Bosgraaf) GIOVANNI ALBINI Musica Sacra ERIK BOSGRAAF rec Ensemble Cordevento Durata: 66:45 Pange lingua per coro (2014); Missa Prima per coro (2012); Testamento Confezione: Jewel Box 1 CD BRIL 94354 Medio Prezzo Spirituale per quartetto di fiati (2013); Preghiera per trio di flauti dolci (2014) Distribuzione Italiana 23/08/2012 INGRID PUSTIJANAC Dir. -
An Examination of Vissarion Shebalin's Concertino for Horn Op
An Examination of Vissarion Shebalin’s Concertino for Horn Op. 14, No. 2 By Sally Elaine Podrebarac, BA, MM A Document In Horn Performance Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Performance (Horn) Approved Christopher M. Smith Co-Chairperson of the Committee Lisa Rogers Co-Chairperson of the Committee James T. Decker Accepted Mark Sheridan Dean of the Graduate School May 2018 Copyright 2018, Sally Elaine Podrebarac Texas Tech University, Sally Elaine Podrebarac, May 2018 ACKNOWLEDGEMENTS I would like to show my gratitude to Professor Christopher M. Smith for his support throughout my doctoral degree. I would like to thank all those whose assistance proved to be a milestone in the accomplishment of this document, including Dr. Lisa Rogers and Professor James Decker. Special thanks to Dr. Nataliya Sukhina for her diligent help with pronunciations and knowledge pertaining to Russia. Special thanks to Professor Rachel Mazzucco for her supervision of the performance practice analysis of this document. Finally, I would like to thank Jason Davis, my fiancé, for his unwavering support. i Texas Tech University, Sally Elaine Podrebarac, May 2018 TABLE OF CONTENTS Acknowledgments. i Abstract. iv List of Figures. v List of Examples. v Chapter I. Overview. 1 Justification for the Study. 2 Limitations of the Study. 2 Review of Related Literature. 3 II. Brief Biographical Sketch. 5 Personal Life. 5 Nikolay Myaskovsky. 6 Dmitri Shostakovich. 9 Teaching. 10 RAPM and ACM. 12 (Russian Association of Proletarian Musicians and Association for Contemporary Music) Formalism and Social Realism. -
Sources of Inspiration in Selected Piano Works By
SOURCES OF INSPIRATION IN SELECTED PIANO WORKS BY SERGEI SLONIMSKY D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts in the Graduate School of The Ohio State University By Yulia Kozlova, B.M., M.A. ****** The Ohio State University 2005 Document Committee: Approved by: Professor Steven M. Glaser, Adviser Dr. Kenneth T. Williams _________________________ Dr. R. J. David Frego Adviser Graduate Program in Music ABSTRACT Sergei Slonimsky is an important composer, without whom Russian music would be incomplete and less controversial. It is not easy to find composers who, with the same success, utilize virtually every existing classical and modern music genre in their compositions. His output covers opera, symphony, ballet, oratorio, and sonata. He is the author of numerous chamber compositions, music for folk instruments, and teaching pieces for children. His vividly imaginative compositions show a brilliant composer’s mastery. Slonimsky draws on many historical eras and cultural epochs: Antiquity, Middle Ages and Renaissance, Baroque, Classicism, and Romanticism. His music consists of a variety of images that contain an abundance of artistic information. However, most of Sergei Slonimsky’s works are unpublished and rarely performed in the United States. Included in the document is a biographical background of the composer as well as a description of his compositional style and accomplishments. The document will focus on the composer’s piano works and the extra-musical stimuli that inspired these compositions. The main emphasis of investigation will be related to the works inspired by music’s sister arts – painting and sculpture (the suite Three Graces and Passing-by Beauty). -
A Performers Guide to the Music of Edison Denisov
A Performers Guide to the Music of Edison Denisov: Understanding the Interpretive Implications of his Musical Language in Sonata for Alto Saxophone and Piano, Deux Pièces, and Sonata for Alto Saxophone and Cello A DMA Document submitted to the Division of Graduate Studies and Research of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS In the Performance Studies Division of the College-Conservatory of Music 13 November 2013 by Michael VanPelt M01441617 409 Probasco St. Apt.1 Cincinnati, OH 45220 B.M., University of Cincinnati College Conservatory of Music, 2004 M.M., Bowling Green State University, 2007 ____________________________ Advisor—James Bunte ____________________________ Reader—David Berry ____________________________ Reader—Rick VanMatre Abstract This document presents analyses and interpretive guides for the Sonata for Alto Saxophone and Piano, Deux Pièces, and the Sonata for Alto Saxophone and Cello, three saxophone works by Edison Denisov, exploring formal design and serial techniques. Denisov occupies an important position in the history of the saxophone. He promoted awareness of extended techniques and serial language through his Sonata for Alto Saxophone and Piano, a landmark work for the instrument. While most saxophonists realize that this work is serial, and many can even identify the row, by itself this information provides little aid to the interpreter. This document is intended to help illuminate the essential elements of Denisov’s musical language, particularly its serial aspects, so that the performer can better understand it and achieve a more satisfactory and meaningful interpretation of his works. ii iii Contents Abstract ........................................................................................................................................... ii Notation..........................................................................................................................................