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Scherzo Noviembre 2013.Indd REVISTA DE MÚSICA Año XXVIII - Nº 290 - Noviembre 2013 - 7 € DOSIER Benjamin Britten ENCUENTROS Jonas Dvorák a los 50 Año XXVIII - Nº 290 Noviembre 2013 Kaufmann ACTUALIDAD Alfred Brendel DISCOS Réquiem alemán de Brahms nueva revista digital y tienda online Acaba de nacer El arte de la fuga, nueva revista digital y tienda online, dedicada a cubrir el mundo de la música clásica internacional desde una perspectiva española, con colaboradores de primer nivel que ofrecen reseñas y noticias diarias. Además, y en asociación con El arte de la fuga, en breve comenzará su andadura La Quinta de Mahler, una tienda física ubicada en el centro de la ciudad de Madrid, a pocos pasos de la Puerta del Sol, el Teatro Real y la Plaza Mayor. 5 oficina & almacén: Timoteo Padrós, 31 | 28200 San Lorenzo de El Escorial | España información & pedidos: tel. (+34) 91 896 1480 | [email protected] www.elartedelafuga.com 290-Pliego 1_207-pliego 1 22/10/13 14:59 Página 1 AÑO XXVIII - Nº 290 - Noviembre 2013 - 7 € 2 OPINIÓN Introducción y allegro Juan Lucas 72 CON NOMBRE Donde habita el recuerdo PROPIO Juan Antonio Llorente 75 6 Alfred Brendel La narrativa, inspiración Christian Springer operística Santiago Martín Bermúdez 78 8 AGENDA La música audiovisual David Rodríguez Cerdán 84 14 ACTUALIDAD NACIONAL ENCUENTROS 30 ACTUALIDAD Jonas Kaufmann INTERNACIONAL Rafael Banús Irusta 88 40 ENTREVISTA EDUCACIÓN Anne-Sophie Mutter Joan-Albert Serra 92 Benjamín G. Rosado 44 Discos del mes JAZZ Pablo Sanz 93 45 SCHERZO DISCOS Sumario LA GUÍA 94 71 DOSIER CONTRAPUNTO Norman Lebrecht 96 Benjamin Britten 1913-2013 Colaboran en este número: Julio Andrade Malde, Enrique Banús Irusta, Rafael Banús Irusta, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, Patrick Dillon, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Manuel García Franco, Fernando Herrero, Clauspeter Koscielny, Antonio Lasierra, Norman Lebrecht, Juan Antonio Llorente, Juan Lucas, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Blas Matamoro, Erna Metdepenninghen, Andrés Moreno Mengíbar, Antonio Muñoz Molina, Josep Pascual, Enrique Pérez Adrián, Guillermo Pérez de Juan, Paul Korenhof, Javier Pérez Senz, Paolo Petazzi, Pablo del Pozo, Francisco Ramos, Elisa Rapado Jambrina, Arturo Reverter, Pablo L. Rodríguez, David Rodríguez Cerdán, Barbara Röder, Benjamín G. Rosado, Pablo Sanz, Aurelio M. Seco, Joan-Albert Serra, Bruno Serrou, Franco Soda, Christian Springer, José Luis Téllez, Eduardo Torrico, Jesús Trujillo Sevilla, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. Vayón, José Luis Vidal, Reinmar Wagner. PRECIO SUSCRIPCIÓN: Esta revista ha recibido una ayuda a la edición del Ministerio de por un año (11 Números) Educación, Cultura y Deporte Esta revista es miembro de ARCE, Asociación de Revistas Culturales de España, y de CEDRO, Centro Español de Derechos Reprográficos. España (incluido Canarias) 70 €. Europa: 105 €. SCHERZO es una publicación de carácter plural y, desde el año 2012, EE.UU y Canadá 120 €. cuenta con la colaboración de la Fundación BBVA, manteniendo su Méjico, América Central Con la colaboración de: carácter de revista no adscrita a ningún organismo público ni privado. y del Sur 125 €. La dirección respeta la libertad de expresión de sus colaboradores. Los textos firmados son de exclusiva responsabilidad de los firmantes, no siendo por tanto opinión oficial de la revista. 1 290-Pliego 1_207-pliego 1 22/10/13 14:59 Página 2 O P I N I ó N EDITORIAL POR LA BOCA MUERE EL PEZ n una intervención tan poco afortunada como, lamentablemente, de costumbre en estos asuntos, el Ministro de Hacienda, Cristóbal Monto- ro, ha manifestado que los problemas del cine español también tienen que ver con su calidad, a su entender, mala. Así, pues, en la imparable Esustitución de la política por la economía, nuestro Ministro de Hacienda — eso que somos o éramos todos— decide meterse no ya a crítico cinemato- gráfico sino a experto en las relaciones entre cultura y sociedad, volver a esa táctica que consiste en hacer calar en la opinión pública que los que viven de la cultura —de esa que unos quieren sólo para el que se la pueda pagar y otros gratis total— o son vagos por naturaleza o practican el clientelismo político o ignoran que el común de los mortales vive de las reglas, supre- mas, de un mercado implacable. El problema es confundir qué es ese mer- cado con quienes lo forman a su pesar; pensar que se puede dividir a los ciudadanos entre los que pueden tener un acceso a los bienes culturales —a los que son cultura de verdad, no a tantas cosas que no corresponden a su definición más exigente— y los que no; ignorar, en suma, como vemos y leemos, que la cultura —es decir esa educación que hace a los ciudadanos más libres y a su patria más amable— es de todos, surge de todos y entre todos, razonable y razonadamente, ha de mantenerse. OPINIÓN Con aire bastante menos triunfante, el Secretario de Estado de Cultura, José María Lassalle, señalaba en el Congreso de los Diputados defendiendo los presupuestos de su departamento, que “la falta de apoyo a la cultura es una condena para los ciudadanos” y reflejaba su pesar reconociendo, en un alarde de sorprendente sinceridad en un político respecto a la realidad de su función, que le había tocado “gestionar el peor de los mundos posibles” — aquí, ciertamente, exageraba, pues los hay mucho peores que el nuestro. Lassalle habló igualmente de la cultura como seña de identidad y como excelente escaparate universal para un país que —eso lo decimos nos- otros— ha perdido prestigio y presencia en ese punto. La actuación en el Congreso del Secretario de Estado causaba una curiosa sensación de perple- jidad, pues resultaba ser la suma de un mártir y un esclavo, de alguien obli- gado a hacer lo que no quería hacer pero que a pesar de todo lo hace. Tal vez hubiera sido más útil anunciar que lo dejaba, que el sueño de los héro- es no es precisamente el de inmolarse en el altar de los recortes y que, en definitiva, no vale la pena pasar a la historia por haber contribuido a empo- brecer la cultura propia. En todo caso, hay que felicitar a Lassalle por su sin- ceridad para con el ciudadano y desearle que ésta no le sea tomada como defecto por quienes creen que la política es justamente lo contrario, por los que piensan que la música en las escuelas es una pérdida de tiempo no pro- ductiva, que la lectura de los clásicos no tiene interés porque están obsole- tos o que visitar un museo no contribuye a una formación eficaz, tal como hubo de escucharse en el debate sobre la LOMCE. Se trata, bien parece, de restar importancia a lo considerado ideológica y económicamente como superfluo, a esa parte de la educación aceptada como prácticamente inútil, a todo aquello, en suma, que no contribuya a desarrollar lo que llaman capacidades instrumentales, entre las que, natural- mente, no parecen estar ni la cultura en general ni la música en particular. Una cultura a la que se culpa de sus propios males y de los ajenos, una cul- tura no siempre bien gestionada, claro que no, pero en la que, como en todo, hay empresas que merecen sobrevivir, que son activas en la búsqueda de soluciones a su propia crisis. Por si no tuviéramos bastante, el Fondo Monetario Internacional decía a principios del pasado mes que aún hay mar- gen para aumentar el IVA en España. Se supone que en la parte que le toca a la cultura alguien considerará que ya es suficiente ese duro 21%. Mientras, el privilegiado sector editorial —para el que una subida del 4% actual acre- centaría aún más la crisis que otros viven ya de pleno— se muere de miedo por lo que pueda pasar. 2 290-Pliego 1_207-pliego 1 22/10/13 14:59 Página 3 O P I N I ó N La música extremada MÚSICA POR DENTRO Diseño de portada Argonauta Foto portada: Tina Tahir Edita: SCHERZO EDITORIAL S.L. C/Cartagena, 10. 1º C 28028 MADRID Teléfono: 913 567 622 FAX: 917 261 864 Internet: www.scherzo.es E mail: Redacción: [email protected] Administración: [email protected] Presidente: Santiago Martín Bermúdez IRIS AZQUINEZER Joana E. Sendra REVISTA DE MÚSICA o hay mejor guía para la apre- he asistido con otras diez o doce per- Director: Luis Suñén ciación de un arte que la sonas a un curso de apreciación musi- explicación del que lo conoce cal impartido por la violonchelista Iris Redactor Jefe: Enrique Martínez Miura desde dentro, el que sabe Azquinezer, y centrado en las seis sui- Edición: Arantza Quintanilla Ncómo se hace, cuál es el proceso o el tes de Bach. El espacio ya era invita- Maquetación: Iván Pascual armazón que hay detrás del resultado dor, con la sugestión de lugar de tra- final, que es lo único que ve el obser- bajo para el que serviría originalmen- Secciones vador, por muy atento y muy apasiona- te, un almacén o un taller de artesano. Discos: Luis Suñén do que sea. El crítico, incluso el más Bajo la bóveda de ladrillo, visto y oído honrado, el más lúcido, deriva siempre de tan cerca, el violonchelo revelaba Educación: Pedro Sarmiento y Joan-Albert Serra hacia la interpretación, que linda tantas al máximo su rotunda presencia mate- Jazz: Pablo Sanz veces con lo arbitrario y lo traído por rial, casi humana, de voz humana y de Libros: Enrique Martínez Miura los pelos. El que sabe cómo se hacen cuerpo humano, de peso y roce y res- las cosas es consciente de hasta qué piración. Y como no hay música que Consejo de Dirección: Manuel García Franco, Santiago Martín Bermúdez, Barbara McShane, punto los procesos materiales determi- sea tan terrenal y tan espiritual al mis- Enrique Pérez Adrián, Pablo Queipo de Llano nan el resultado, y cuál es el origen mo tiempo como las suites de Bach Ocaña, Arturo Reverter preciso de un cierto efecto.
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