Union Budget 2020: Why It's Two Steps Forward, One-And-A-Half Backwards | Outlook India Magazine
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Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
B.Ed.(2018-20) Entrance Test Applicant List
B.Ed.(2018-20) Entrance Test Applicant List Roll No Control No Applicant Name Father's Name Mother's Name 110001 1569042 ABHISHEK PAREEK SATYANARYAN PAREEK KAMLA DEVI 110002 1571398 ADESH TARA CHAND SONU DEVI 110003 1554730 AHMED RAJJA AZIZ KHAN KHATOON BANO 110004 1569189 AJAY KUMAR BIDAWAT POORAN MAL VERMA KAMALA DEVI 110005 1570864 AJEET SINGH RAJPUT KARAN SINGH SAJJAN KANVAR 110006 1571567 ALKA PAREEK SATYANARAYAN PAREEK KAMLA DEVI 110007 1558749 ALTAF HUSSAIN RANGREZ BARKAT ALI RANGREZ SALMA BEGUM 110008 1561722 AMAR CHAND CHOUDHARY TEJ MAL CHOUDHARY AEJI DEVI 110009 1568780 AMAR SINGH MEENA DEV KARAN MEENA PREM DEVI MEENA 110010 1561623 AMIR KHAN SHEKH AZAD KHAN SHEKH AMNA BANU 110011 1560318 ANAND BHATI CHANDRA RAM BHATI BHANWARI DEVI 110012 1569720 ANANT GAUR BHANWAR LAL GAUR CHANDRBHAGA GAUR 110013 1565806 ANIL KUMAR BABU LAL SUKHI DEVI 110014 1562052 ANIL KUMAR MEENA SOHAN LAL MEENA KAMLA DEVI MEENA 110015 1560320 ANISH KUMAR MEENA SHAITAN SINGH MEENA BHURI DEVI 110016 1554436 ANITA GUSAR BANSHI LAL GUSAR SUSHEELA DEVI GUSAR 110017 1562644 ANITA KANWAR PANWAR SHAMBHU SINGH PANWAR SHYAM KANWAR 110018 1576651 ANITA KUMARI CHHITAR LAL MEENA RAMKURI DEVI 110019 1563111 ANITA KUMARI BAMBHI RAMESHWAR BAMBHI MEERA DEVI 110020 1571136 ANITA KUMARI KHIRIYA BAJARANG DAN KHIRIYA UMMED KANWER 110021 1551935 ANJALI TAILOR KANHAIYA LAL TAILOR RATAN DEVI 110022 1568949 ANJALI YADAV RAJENDRA YADAV SUSHILA DEVI 110023 1575296 ANJANA BAIRVA MUNNA LAL BAIRVA GYARSI DEVI 110024 1576445 ANJU DEVI NOLARAM KAMALA DEVI 110025 1564539 ANJU KUMARI MEENA -
DEFAULTER PART-A.Xlsx
The following lists of Dentists whose names have been removed from the Maharashtra State Dental Register under sub-section (2) of section 39 of the Dentists Act,1948, on 1st April 2017 for committing default payment of Retention fee before the due date are published in accordance with sub section (5) of section 41 of the Dentists Act, 1948. Part-A Sr. No. Name Reg.No. Remarks 1 VARIFDAR CAPTION NARIMAN RUSTAMJI A-2 2 MAZUMDAR MADHUSNDAN CHUNILAL A-3 3 MAEHANT HARIKRISHAN DHANAMDAS A-5 4 GINWALS MINO SORABJI NUSSAWANJEE A-9 5 VACHHA PHEROX BYRAMJI A-10 6 MADAN BALBIR SINGH A-12 7 NARIMAN HOSHANG JEHANGIV A-14 8 MASANI BEHRAM FRAMRORE A-19 9 JAWLE NARENDEA BHAWANRAO A-20 10 DINSHAW KAVINA ERAEH A-21 11 BHARUCHA COOVER PHIRORE A-22 12 AGARWAL VITHAL DEOLAL A-23 13 AURORA HARISH CHANDAR A-27 14 COLACO ISABEL FAUSTIN A-28 15 HALDIPWR VASANTRAO SHAMRAO A-33 16 EEKIEL RUTH JACOB A-39 17 DEODHAR ACHYUT SITARAM A-43 18 DESIAI BHAGWENTRAI GULABSHAWEAR A-44 19 CHAVHAN SADASHIV GOPAL A-48 20 MISTRI JEHANGIR DADABHAI A-50 21 MEHTA SUKHAL ABHECHAND A-52 22 DEODHAR PRABHA ACHYUT A-58 23 DHANBHOORA MANECK JEHANGIRSHA A-59 24 GINWALLA JEHMI MINO SORABJI A-61 25 SOONAWALA HOMI ARDESHIR A-63 26 SIGUEIRA CAPTION WALTER JOSEPH A-65 27 BHANICHA DHANJISHAH PHERIZWSHAW A-66 28 DESHMUKH VASANT RAMKRISHAN A-70 29 PATIL SONAL CHANDHAKNT A-72 30 JAGOS JASSI BYARANSHAW A-74 31 PAHLAJANI SUMATI MUKHAND A-76 32 FERANANDAS RUPHAEL PHILIP A-77 33 MATHIAS JOHNNY JOHN BAPTIST A-78 34 JOSHI PANDMANG WASUDEVAO A-82 35 DCOSTA HENNY SERTORIO A-86 36 JHAKUR ARVIND BHAKHANDRA -
APL Details Unclaimed Unpaid Interim Dividend F.Y. 2019-2020
ALEMBIC PHARMACEUTICALS LIMITED STATEMENT OF UNCLAIMED/UNPAID INTERIM DIVIDEND FOR THE YEAR 2019‐20 AS ON 6TH APRIL, 2020 (I.E. DATE OF TRANSFER TO UNPAID DIVIDEND ACCOUNT) NAME ADDRESS AMOUNT OF UNPAID DIVIDEND (RS.) MUKESH SHUKLA LIC CBO‐3 KA SAMNE, DR. MAJAM GALI, BHAGAT 200.00 COLONEY, JABALPUR, 0 HAMEED A P . ALUMPARAMBIL HOUSE, P O KURANHIYOOR, VIA 900.00 CHAVAKKAD, TRICHUR, 0 RAJESH BHAGWATI JHAVERI 30 B AMITA 2ND FLOOR, JAYBHARAT SOCIETY 3RD ROAD, 750.00 KHAR WEST MUMBAI 400521, , 0 NALINI NATARAJAN FLAT NO‐1 ANANT APTS, 124/4B NEAR FILM INSTITUTE, 1000.00 ERANDAWANE PUNE 410004, , 0 ANURADHA SEN C K SEN ROAD, AGARPARA, 24 PGS (N) 743177, , 0 900.00 SWAPAN CHAKRABORTY M/S MODERN SALES AGENCY, 65A CENTRAL RD P O 900.00 NONACHANDANPUKUR, BANACKPUR 743102, , 0 PULAK KUMAR BHOWMICK 95 HARISHABHA ROAD, P O NONACHANDANPUKUR, 900.00 BARRACKPUR 743102, , 0 JOJI MATHEW SACHIN MEDICALS, I C O JUNCTION, PERUNNA P O, 1000.00 CHANGANACHERRY, KERALA, 100000 MAHESH KUMAR GUPTA 4902/88, DARYA GANJ, , NEW DELHI, 110002 250.00 M P SINGH UJJWAL LTD SHASHI BUILDING, 4/18 ASAF ALI ROAD, NEW 900.00 DELHI 110002, NEW DELHI, 110002 KOTA UMA SARMA D‐II/53 KAKA NAGAR, NEW DELHI INDIA 110003, , NEW 500.00 DELHI, 110003 MITHUN SECURITIES PVT LTD 1224/5 1ST FLOOR SUCHET CHAMBS, NAIWALA BANK 50.00 STREET, KAROL BAGH, NEW DELHI, 110005 ATUL GUPTA K‐2,GROUND FLOOR, MODEL TOWN, DELHI, DELHI, 1000.00 110009 BHAGRANI B‐521 SUDERSHAN PARK, MOTI NAGAR, NEW DELHI 1350.00 110015, NEW DELHI, 110015 VENIRAM J SHARMA G 15/1 NO 8 RAVI BROS, NR MOTHER DAIRY, MALVIYA 50.00 -
Of Sixth Edition
BAYAAZ OF SIXTH EDITION All these nohay are available on: www.youtube.com/OldNohay (Links included with the text of each Nauha) Request to recite Surah-e-Fatiha for: Asghar Mirza Changezi (ibne Mirza Mumtaz Hussain) Noor Jehan Begum (binte Syed Wirasat Ali Rizvi) Agha Meher Qasim Qizalbash (ibne Agha Mumtaz Hussain) Naveed Banoo, Saeed Banoo & Fahmeed Banoo (binte Raza Haider Rizvi) All the Shayar E Ahlebait and Nauhakhwans who have passed away And All Momineen and Mominaat English Transliteration of Contents 1. Janab Aale Raza .................................................................................. 13 1.1. Pukari laash pe Zehra mere Hussain Hussain ....................................................13 1.2. Salaam Khak-na shi no n-pa .......................................................................................13 2. Janab Afsar Lucknowi Sahib ............................................................... 15 2.1. Raat aadhi aa gayi ai Jaan e Madar ghar mein aao .........................................15 3. Janab Ahsan Tabatabai Sahib ............................................................. 16 3.1. Karbala aaye thay Shah, Dunia se jaane ke liye ................................................16 4. Janab Ali Raza Baqri Sahib ................................................................. 17 4.1. Asghar Huñ Maiñ Asghar .........................................................................................17 5. Mohtarma Akthar Sahiba .................................................................... 18 5.1. -
Bollywood Films
Libraries BOLLYWOOD FILMS The Media and Reserve Library, located in the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. Aankhen DVD-5195 Johny Mera Naam DVD-5025 Amar Akbar Anthony DVD-5078 Junglee DVD-5079 Anand DVD-5044 Lagaan DVD-5073 Aradhana DVD-5033 Love is Life DVD-5158 Baiju Bawra DVD-5387 Madhumati DVD-5171 Bandit Queen DVD-5032 Maine Pyarkiya DVD-5071 Bobby DVD-5176 Marigold DVD-4925 Brave Heart Will Take the Bride DVD-5128 Meaning (Arth) DVD-5035 Bride and Prejudice DVD-4561 Mother India DVD-5072 C.I.D. DVD-5023 Mughal-E-Azam DVD-5040 Chupke Chupke DVD-5152 Naya Daur DVD-5211 Dark Brandon DVD-3176 Om Shanti Om DVD-5088 Deewaar DVD-5174 Paint it Saffron DVD-5046 Destroyed in Love DVD-6845 Pakeezah DVD-5156 Devdas DVD-5167 Parinda DVD-5111 Do Bigha Zamin DVD-5172 Pather Panchali DVD-8571 Garam Hawa DVD-5022 Patiala House DVD-6470 Goddess of Satisfaction DVD-5113 Pyaasa DVD-5041 Guide DVD-5168 Rangeela DVD-8587 Gunga Jumna DVD-5047 Roja DVD-5112 Happiness and Tears DVD-5124 Role DVD-5281 Hare Rama Hare Krishna DVD-5153 Saawariya DVD-3704 Heart is Crazy DVD-2695 Sahib Bibi Aur Ghulam DVD-5077 9/5/2017 Satya DVD-4720 DVD-5038 Say You Love Me DVD-5056 Shakespeare Wallah DVD-6476 Sholay DVD-5103 Shree 420 DVD-5155 Silsila DVD-5045 Taal DVD-5175 Tramp (Awara) DVD-5169 Trishul DVD-5092 Two Eyes, Twelve Hands DVD-5102 Umrao Jaan DVD-5090 Upkar DVD-5365 Veer Zaara DVD-5129 Villain DVD-5034 Waqt DVD-5324 What am I to You! DVD-5024 Yaadon Ki Baaraat DVD-5076 You Don't Get to Live Life Twice DVD-7132 Total Titles: 65 Page 2 9/5/2017. -
Annual Return [Pursuant to Sub-Section(1) of Section 92 of the Companies Act, 2013 and Sub-Rule (1) of Rule 11Of the Companies (Management And
FORM NO. MGT-7 Annual Return [Pursuant to sub-Section(1) of section 92 of the Companies Act, 2013 and sub-rule (1) of rule 11of the Companies (Management and Administration) Rules, 2014] Form language English Hindi Refer the instruction kit for filing the form. I. REGISTRATION AND OTHER DETAILS (i) * Corporate Identification Number (CIN) of the company Pre-fill Global Location Number (GLN) of the company * Permanent Account Number (PAN) of the company (ii) (a) Name of the company (b) Registered office address (c) *e-mail ID of the company (d) *Telephone number with STD code (e) Website (iii) Date of Incorporation (iv) Type of the Company Category of the Company Sub-category of the Company (v) Whether company is having share capital Yes No (vi) *Whether shares listed on recognized Stock Exchange(s) Yes No Page 1 of 16 (a) Details of stock exchanges where shares are listed S. No. Stock Exchange Name Code 1 2 (b) CIN of the Registrar and Transfer Agent Pre-fill Name of the Registrar and Transfer Agent Registered office address of the Registrar and Transfer Agents (vii) *Financial year From date 01/04/2020 (DD/MM/YYYY) To date 31/03/2021 (DD/MM/YYYY) (viii) *Whether Annual general meeting (AGM) held Yes No (a) If yes, date of AGM (b) Due date of AGM 30/09/2021 (c) Whether any extension for AGM granted Yes No II. PRINCIPAL BUSINESS ACTIVITIES OF THE COMPANY *Number of business activities 1 S.No Main Description of Main Activity group Business Description of Business Activity % of turnover Activity Activity of the group code Code company C C11 III. -
1St Filmfare Awards 1953
FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963..................................................................................................... -
NANA PATEKAR: the Versatile Actor
BOLLYWOOD NANA PATEKAR: The versatile actor ollywood’s versatile actor Nana ‘Parinda’. He was awarded the Filmfare Best Filmfare Award and the Star Screen Awards Patekar has completed 20 years of Supporting Actor Award for the role. He also in the best actor category. B acting and has already proved his won the Filmfare Best Villain Award in 1992 Patekar has experimented with his roles mettle in the Hindi film industry. His recent for ‘Angaar’. when it comes to films. He has done the release was Goutam Ghose’s ‘Yatra’, a film His well-acclaimed role in the movie ‘Ab occasional villain role, but has also played a about a creator’s journey. It could be seen as Tak Chappan’ (2005) in which he plays a hero in most of his films. He played a truant, a metaphor of the fairly prolific director’s police officer whose main task is to rid the gambling son in ‘Krantiveer’ (1994), a wife own journey across the oscillating oceans of streets of underworld dons, earned Nana beater in ‘Agnisakshi’ (1996), a deaf and the motion picture. rave reviews. In 1994 he won the National dumb father in ‘Khamoshi: The Musical’ “After a long time I’ve done a role I’m Film Award for Best Actor for his perform- (1996) and a schizophrenic in ‘Wajood’ happy about with ‘Yatra’. I loved working with ance in ‘Krantiveer’ (1994). He also won the (1998). Ghose. I worked with Rekha and Ghose for At times during his career, it was noted the first time. For many years I kept abusing that he was an epitome of the “angry young and accusing Ghose of not working with me man” role and that he was well suited for in ‘Antarjali Yatra’,” Nana said. -
Master World Cinema Spreadsheet No Id#'S
WORLD CINEMA TITLE LANGUAGE LOCATION 24 Hours of Love Arabic Farmington Community Library Abouna (Our Father) Arabic West Bloomfield Public Library Addict Arabic West Bloomfield Public Library Adrift on the Nile Arabic Baldwin Public Library Adrift on the Nile Arabic Farmington Community Library Adrift on the Nile Arabic West Bloomfield Public Library Africano Arabic West Bloomfield Public Library Afrita Hanem Arabic Rochester Hills Public Library Ala Bab Al Wazeer Arabic Rochester Hills Public Library Alexandria Again and Forever Arabic West Bloomfield Public Library Alexandria…Why? Arabic West Bloomfield Public Library Ali Zaoua Arabic West Bloomfield Public Library Asker Fel-Moasker Arabic Rochester Hills Public Library Away from Land Arabic Baldwin Public Library Bab El-Oued City Arabic Farmington Community Library Bad Guys Arabic Farmington Community Library Beach Bum Arabic Baldwin Public Library Best of Times Arabic Farmington Community Library Boy of Baghdad Arabic Farmington Community Library Checkpoint Arabic Baldwin Public Library Checkpoint Arabic Rochester Hills Public Library Citizen, a Dectective, and a Thief Arabic Baldwin Public Library Closed doors Arabic Rochester Hills Public Library Color of Olives Arabic West Bloomfield Public Library Cool Man Arabic West Bloomfield Public Library Dananeer Arabic Farmington Community Library Daresalam Arabic Farmington Community Library Date with the Unknown Arabic West Bloomfield Public Library Daughter of Keltoum Arabic Baldwin Public Library Days & nights Arabic Farmington Community -
Middlebrow Cinema
3 MUMBAI MIDDLEBROW Ways of thinking about the middle ground in Hindi cinema Rachel Dwyer The word ‘middlebrow’, associated with Victorian phrenology and cultural snobbery, is usually a derogatory term and may not seem useful as a way of understanding Hindi cinema, now usually known as Bollywood (Rajadhyaksha 2003; Vasudevan 2010). However, the social and economic changes of the last twenty-five years, which are producing India’s growing new middle classes, a social group whose culture is closely linked to the cultural phenomenon of Bollywood (Dwyer 2000; 2014a), suggest that the term may usefully be deployed to look at the often ignored middle ground of Hindi cinema, which lies somewhere between the highbrow art cinema and lowbrow masala (‘spicy’, entertainment) films (Dwyer 2011a). I suggest that the term can be used for a certain type of contemporary Hindi cinema which can be traced back several decades, in parallel with the changes that have affected India’s middle classes. Defining the middlebrow In academic discourse, commentators have turned to Pierre Bourdieu’s concept of ‘culture moyenne’ (outlined, for example, in his study of photography), to describe the middlebrow as a cultural category that is imitative of legitimate, high cul- ture, and makes art accessible in a popular form (Bourdieu 1996; 1999, 323). Beth Driscoll’s study of middlebrow literature over the twenty-first century offers eight features of the category: middle-class, reverential, commercial, feminized, medi- ated, recreational, emotional and earnest (2014, 3). Sally Faulkner, on the other hand, defines middlebrow cinema as combining high production values, subject matter that is serious but not challenging and cultural references that are presented in an accessible form (2013, 8). -
Language of Motivational Songs in Hindi Films: an Analytical Study
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Language of motivational songs in Hindi Films: An analytical study Adarsh Kumar Ph.D Scholar Department of Journalism & Mass Communication Manipal University, Jaipur Assistant Professor, School of Journalism & Mass Communication Noida International University Dr. Rayaz Hassan Associate Professor& Head of Department Department of Journalism & Mass Communication Manipal University, Jaipur Abstract This paper reflects the study of those songs from Hindi films which motivate. The motivation is caused through lyrics. The lyrics of the song the song can be a self-representation of the mood of the person. It may be sad, happy, romantic, rock, traditional, devotional but it all depends on the mood of a person and the way the listener tries to grab message from it. A song which motivates one may not motivate the other. It depends on our perspective. Motivation changes our mood and the effect can be for a short term period as well as for a long term period. The mood then decides the way we take over our next task. A good motivational music or song can be create a motivating soothness to our ears, mind, heart and soul. All this can be found from different film industries that our prevailing in the world from years. Volume XII, Issue V, 2020 Page No: 1893 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Keywords: Hindi film songs, motivational, positivity, happiness, language, mood, taste Introduction: The universe has many traditions and practices and every tradition has its self type of melody tastes.