Narodne Pjesme
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Folk,Narodne,Starogradske Karaoke
060/3471 - 575 061/30 - 560 - 30 [email protected] Списак Folk-narodnih-starogradskih караока на матрицама : 1. Aj berem grožđe – Zorica Brunclik 66.Ja stalno pijem – Đani 124.Nijedne usne se ne ljube same – Džej 184.Sliku tvoju ljubim - Toma Zdravković 2.Aj po gradini (bv) -Čeda Marković 67.Jedan, dva – Džej 125.Nikad nikom nisam reko – Medeni 185.Snijeg pade – Narodna 3.Aj pa pukni zoro – Montevideo 68.Jesen u mom sokaku – Tozovac mesec 186.Splavovi – Novica Zdravković 4.Al nema nas – Nikola Rokvić 69.Još ovu noć – Šaban Šaulić 126.Nikada više -Radmila Manojlović 187.Srce gori jer te voli – S. Armenulić 5.Anonimna – Slobodan Vasić 70.Još uvek slutim -Milan Stanković 127.Niko ne mora da sluša- N. Vojvodić 188.Srce je moje violina – Lepa Lukić 6.Avlije,avlije – Zorica Brunclik 71.Jovano, Jovanke – Makedonska 128.Nikom nije žao kao meni – Džej 189.Srce od silikona -Darko Lazic 7.Beli zora – Marinko Rokvić 72.Kad bi znali kako mi je – Miloš Bojanić 129.Niška banja – Narodna 190.Stani dušo da te ispratim – Ilda 8.Bez tebe je gorko vino - Duško Kuliš 73.Kad ja pođoh aman -Safet Isović 130.Nikom nije žao kao meni – Džej Šaulić 9.Bež Milane -Viki Miljković 74.Kad te ne volim -Katarina Živković 131.Niška banja – Narodna 191.Stani mome da zaigraš – 10.Biljana – Aca Matić 75.Kafana je moja sudbina – Toma 132.Nosim tugu ko okove – G. Božinovska Makedonska 11.Blago meni -Ana Bekuta Zdravković 133.Osvemu mi pričaj ti -Milan Topalović 192.Sto ću čaša polomiti - Crni 12.Blagujno Dejče – Cune Gojković 76.Kako ti je kako živiš – Šaban & Zorica 134.Obeležena – Viki Miljković 193.Sve moje njeno je – Sanja Đorđević 13.Bolje ona nego ja – R. -
Mr Aleksandra Paladin
MR ALEKSANDRA PALADIN DOKTORSKA DISERTACIJA BEOGRAD 2016 UNIVERZITET UMETNOSTI U BEOGRADU FAKULTET DRAMSKIH UMETNOSTI POZORIŠTA, FILMA, RADIJA I TELEVIZIJE FUNKCIONALNA ULOGA MUZIKE I MUZIČKE PRODUKCIJE U OČUVANJU NACIONALNE KULTURE DOKTORSKA DISERTACIJA Mentorka: red. prof. dr Mirjana Nikolić Kandidat: mr Aleksandra Paladin Beograd, 2016. Mojim roditeljima, koji su me uvek podržavali, podsticali i verovali u mene . FUNKCIONALNA ULOGA MUZIKE I MUZI ČKE PRODUKCIJE U O ČUVANJU NACIONALNE KULTURE REZIME Predmet rada i istraživanja koje je u osnovi ove doktorske disertacije temelji se u kontekstualnom sagledavanju uloge muzike u očuvanju i promociji nacionalne kulture, a kroz povezivanje delatnosti i delovanja javnog medijskog servisa – RTS i njegove Muzi čke produkcije kao organizaciono-produkcione jedinice kojoj je primarno poveren zadatak sa navedenom misijom. Obzirom da je predmet rada je kompleksan, diskurs prou čavanja je fokusiran na programe Radio Beograda - Prvi program, Drugi program, Tre ći program, Beograd 202 i muzi čki program Stereorama, kao i na Zvu čni arhiv. U obradi ovako definisanog predmeta rada, koriš ćeno je nekoliko teorijskih diskursa, po čev od teorija javnog servisa, kojima se definišu specifi čnosti modela medijskih ustanova kojima je poverena uloga da budu promoteri i zaštitnici interesa javnosti; potom teorije nacije i nacionalnog identiteta, ali i sociološko-kulturološke teorije, koje ukazuju na potrebu kulturološkog definisanja nacionalne kulture. Okosnicu rada činila je pretpostavka, koja je velikim delom i kvalitetno potvr đena, da su muzi čki sadržaji koji su producirani u okvirima Muzi čke produkcije RTS, i koja se plasira kroz programe javnog servisa, jedno od najzna čajnijih programskih sredstava putem koga se reprezentuje nacionalna kultura. Pomenuto implicira da izborom i realizacijom, snimanjem, prenosima i arhiviranjem muzi čkih sadržaja, osnivanjem i razvojem umetni čkih ansambala, javni radiodifuzni servis ostvaruje svoju osnovnu funkciju i opravdava zadatke koje su mu povereni od strane javnosti i društva. -
Scotti Poesie.Qxd
in.folio.asterios 12 Giacomo Scotti I figli del vento Asterios Editore Trieste Prima edizione: aprile 2004 © Asterios Editore srl via Pigafetta, 1 - 34148 Trieste tel. 040811286 - fax 040825455 e-mail: [email protected] I diritti di memorizzazione elettronica, di riproduzione e di adattamento tota - le o parziale con qualsiasi mezzo (compresi i microfilm e le copie fotostati - che) sono riservati. Stampato in Italia ISBN: 88-86969-55-4 La storia, la diaspora, la vita dei Romi, gli uomini color del rame. Con un’antologia della loro poesia orale. Vi accingete a leggere un libro “ibrido”, diviso in due parti. La prima, suddivisa a sua volta in quattro capitoli, comincia con una mini-antologia di miti e leggende dei Romi. Questi testi, con la loro provocazione fantastica, favoriscono l’approccio con il mondo tzigano, rivelando al tempo stesso significati cul - turali profondi e connessioni con la cultura degli altri popoli. Negli altri tre capitoli il lettore compierà un rapidissimo viaggio attraverso la storia dei Romi, il loro patrimonio culturale e gli aspetti peculiari della loro vita. La seconda parte presenta una consistente antologia della poesia orale dei Romi, la prima del genere ad essere pubblicata in lingua italiana. In realtà, l’intera prima parte del volume è una presentazione che intende preparare il lettore alla comprensio - ne e al godimento della poesia dei Romi. Indice Prima parte Leggende e favole. Un po’ di storia. La cultura Leggende e favole L’origine di Dio e della vita................................................. -
Various Stand Up, People (Gypsy Pop Songs from Tito's Yugoslavia 1964-1980) Mp3, Flac, Wma
Various Stand Up, People (Gypsy Pop Songs From Tito's Yugoslavia 1964-1980) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Folk, World, & Country Album: Stand Up, People (Gypsy Pop Songs From Tito's Yugoslavia 1964-1980) Country: Germany Released: 2013 Style: Gypsy Jazz MP3 version RAR size: 1891 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1661 mb Rating: 4.8 Votes: 401 Other Formats: MP1 VQF AC3 AHX FLAC DXD DMF Tracklist A1 –Muharem Serbezovski Ramajana 4:29 A2 –Šaban Bajramović Kada Zvona Zvone 3:18 A3 –Hajra Sučurija* Miro Ostišao As Zenom Kao Turist 2:58 A4 –Esma Redžepova Durdevan, Durdevan 2:51 A5 –Duet Durić-Runjaić* Amen Sama But Roma 2:14 B1 –Muharem Serbezovski Ramu, Ramu 3:20 B2 –Usnija Redžepova Selime Ternie 3:05 B3 –Šaban Bajramović Džemila 3:06 B4 –Esma Redžepova Pesma Šeher Sarajevu 5:28 C1 –Bedrije Misin Mo Vogi Dukalla 2:46 C2 –Trajko Ajdarević Tahir Mangala 3:22 C3 –Nehat Gaši Našti Tadav Ki Šutka Tedikav 2:36 C4 –Ava Selimi Ah Bre Devla 3:11 C5 –Selime Bajrami Gilava Amare Romenge 3:23 D1 –Esma Redžepova Abre Babi Sokerdzan 3:42 D2 –Šaban Bajramović Umirem, Umirem 2:42 D3 –Nehat Gaši Alo Dive Me Romja Te Mukav 2:55 D4 –Medo Čun Žanino Kolo 4:42 D5 –Ansambl Montenegro Djelem, Djelem 2:39 Companies, etc. Licensed To – Asphalt Tango Records GmbH Copyright (c) – Vlax Records Ltd. Mastered At – The Carvery Credits Design – Venetia Thorneycroft Liner Notes [Translated From Romani] – SH Liner Notes [Translated From Serbian] – Mirko Perović Mastered By [Restoration & Mastering] – Frank Merritt Research, Liner Notes, Compiled By – Nathaniel Morris , Philip Knox Transferred By [Vinyl Transfers] – Milan Milovanović Notes Gatefold sleeve with liner notes in CD-Booklet. -
Domaće Pesme
SPISAK KARAOKE PESAMA Domaće pesme Sanja - Sindy 064 / 11 55 735 www.facebook.com/SindyKaraoke www.sindykaraoke.com [email protected] DOMAĆE PESME SINDY KARAOKE Sanja 064/11-55-735 najveći izbor domaćih i stranih karaoke pesama (engleskih, italijanskih, francuskih, španskih, ruskih) IZVOĐAČ PESMA IZVOĐAČ PESMA 187 Nikada nećeš znati Aleksandra Radović Ako nikada Aca i Mira Vrati nam se, druže Aleksandra Radović Čuvaj moje srce * Aca Ilić Lepe oči zelene Aleksandra Radović Jesam te pustila Aca Lukas Bele ruže Aleksandra Radović Još danas Aca Lukas Burbon Aleksandra Radović Kao so u moru Aca Lukas Čaše moje polomljene Aleksandra Radović Karta za jug Aca Lukas Dijabolik Aleksandra Radović Nisi moj Aca Lukas Hiljadu puta Aleksandra Radović Zažmuri Aca Lukas Imate li dušu tamburaši Aleksandra Ristanović Dočekaj me sa osmehom Aca Lukas Ista kao ja Alen Islamović Ispod kaputa Aca Lukas Ja živim sam Alen Slavica Dao sam ti dušu Aca Lukas Jagnje moje Alen Vitasović Bura Aca Lukas Koma Alisa Sanja Aca Lukas Kuda idu ljudi kao ja Alka i Džej Da si sada tu Aca Lukas Lična karta Alka i Stavros Zrak, zemlja, zrak Aca Lukas Na žalost Alka i Vuco Kad bi opet Aca Lukas Ne pitaj Alka Vuica Bolje bi ti bilo Aca Lukas Nešto protiv bolova Alka Vuica Ej, šta mi radiš Aca Lukas Niko jedan, dva i tri Alka Vuica Kriva Aca Lukas Otrov sipala Alka Vuica Laži me Aca Lukas Pao sam na dno Alka Vuica Nek’ ti jutro miriše na mene Aca Lukas Pesma od bola Alka Vuica Od kad te nema Aca Lukas Poljem se širi miris tamjana Alka Vuica Profesionalka Aca Lukas Pustinja -
Kafana Singers: Popular Music, Gender and Subjectivity in the Cultural Space of Socialist Yugoslavia
Nar. umjet. 47/1, 2010, pp. 141161, A. Hofman, Kafana Singers: Popular Music, Gender Original scienti c paper Received: Dec. 31, 2009 Accepted: March 5, 2010 UDK 78.036 POP:316](497.1)"195/196"(091) 78.036 POP:39](497.1)"195/196"(091) ANA HOFMAN Department for Interdisciplinary Research in Humanities, SRC SASA, Ljubljana KAFANA SINGERS: POPULAR MUSIC, GENDER AND SUBJECTIVITY IN THE CULTURAL SPACE OF SOCIALIST YUGOSLAVIA This article explores the phenomenon of kafana singers in the light of the of cial socialist discourses on popular music and gender during the late 1950s and 1960s in the former Yugoslavia. It seeks to understand how/did the process of estradization along with the socialist gender policy in uence the shift in (self)representation of the female performers in the public realm. By focusing on the dynamic of controversial discourses on folk female singers, the article aims to show how the changes in the of cial discourse helped their profession to become an important resource of their subject actualizations, implicated in the creation of a new sense of social agency. As controversial musical personas, kafana singers personal and professional lives show nuanced interplay between socialist culture policy and its representational strategies. Key words: kafana singers, popular music, socialist culture policy, estradization, gender politics Petar Lukoviþ, a journalist, writes about the folk singer Lepa Lukiþ in his book Bolja prolost: prizori iz muziĀkog ivota Jugoslavije 19401989 [A Better Past: Scenes from Yugoslav Music Life 19401989], making the following observation: In the future feminist debates, Lepa Lukiþ will occupy a special place: before her, women in estrada were more or less objecti ed, primarily treated like disreputable persons. -
„Muzički Ukus Mladih U Sarajevu“
ODSJEK SOCIOLOGIJA „MUZIČKI UKUS MLADIH U SARAJEVU“ -magistarski rad- Kandidat Mentor Amina Memišević Doc. dr. Sarina Bakić Broj indexa: 323 Sarajevo, maj 2020 Sadržaj I Uvod ............................................................................................................................................. 5 II Teorijsko – metodološki okvir istraživanja ................................................................................. 6 1. Problem istraživanja ............................................................................................................... 6 2. Predmet istraživanja ............................................................................................................... 6 3. Teorijska osnova istraživanja ................................................................................................. 6 4. Ciljevi istraživanja .................................................................................................................. 7 4.1. Znanstveni (spoznajni) ciljevi istraživanja ....................................................................... 7 4.2. Društveni (pragmatički) ciljevi istraživanja ..................................................................... 7 5. Sistem hipoteza ........................................................................................................................ 7 5.1. Generalna hipoteza........................................................................................................... 7 5.2. Pomoćne (popratne) hipoteze .......................................................................................... -
The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1. -
Disillusioned Serbians Head for China's Promised Land
Serbians now live and work in China, mostly in large cities like Beijing andShanghai(pictured). cities like inlarge inChina,mostly andwork live Serbians now 1,000 thataround andsomeSerbianmedia suggest by manyexpats offered Unofficial numbers +381 11 4030 306 114030 +381 Belgrade in Concern Sparks Boom Estate Real Page 7 Issue No. No. Issue [email protected] 260 Friday, October 12 - Thursday, October 25,2018 October 12-Thursday, October Friday, Photo: Pixabay/shanghaibowen Photo: Skilled, adventurous young Serbians young adventurous Skilled, China – lured by the attractive wages wages attractive the by –lured China enough money for a decent life? She She life? adecent for money enough earning of incapable she was herself: adds. she reality,” of colour the got BIRN. told Education, Physical and Sports of ulty Fac Belgrade’s a MAfrom holds who Sparovic, didn’t,” they –but world real the change glasses would rose-tinted my thought and inlove Ifell then But out. tryit to abroad going Serbia and emigrate. to plan her about forget her made almost things These two liked. A Ivana Ivana Sparovic soon started questioning questioning soonstarted Sparovic glasses the –but remained “The love leaving about thought long “I had PROMISED LAND PROMISED SERBIANS HEAD HEAD SERBIANS NIKOLIC are increasingly going to work in in towork going increasingly are place apretty just than more Ljubljana: Page 10 offered in Asia’s economic giant. economic Asia’s in offered DISILLUSIONED love and had a job she ajobshe had and love in madly was She thing. every had she vinced con was Ana Sparovic 26-year-old point, t one FOR CHINA’S CHINA’S FOR - - - BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE for China. -
Contemporary Nostalgia
Contemporary Nostalgia Edited by Niklas Salmose Printed Edition of the Special Issue Published in Humanities www.mdpi.com/journal/humanities Contemporary Nostalgia Contemporary Nostalgia Special Issue Editor Niklas Salmose MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Niklas Salmose Linnaeus University Sweden Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Humanities (ISSN 2076-0787) from 2018 to 2019 (available at: https://www.mdpi.com/journal/ humanities/special issues/Contemporary Nostalgia). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-556-0 (Pbk) ISBN 978-3-03921-557-7 (PDF) Cover image courtesy of Wikimedia user jarekt. Retrieved from https://commons.wikimedia.org/ wiki/File:Cass Scenic Railroad State Park - Shay 11 - 05.jpg. c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Special Issue Editor ...................................... vii Niklas Salmose Nostalgia Makes Us All Tick: A Special Issue on Contemporary Nostalgia Reprinted from: Humanities 2019, 8, 144, doi:10.3390/h8030144 ................... -
The Death of Serbian Music by Bogdan Cikic
REGIONALNI CENTAR ZA TALENTE VRANJE ---------------------------------------------------------------------------- THE DEATH OF SERBIAN MUSIC SMRT SRPSKE MUZIKE Author: BOGDAN ČIKI Ć, III/1, Gimnazija ,,Stevan Jakovljevi ć’’ Mentor: BILJANA PIPOVI Ć, English teacher Vlasotince 2014. Content Abstract ..................................................................................................... 3 Introduction ............................................................................................... 4 Pre-romanticism ....................................................................................... 4-5 Romanticism ............................................................................................. 5-7 Post romanticism ...................................................................................... 7-8 Serbian music in the second half of 20 th century .................................... 9-14 An Interview with a teacher of music, Mr. Igor Ran ñelovi ć ................. 14-15 Conclusion ................................................................................................ 16 Appendix .................................................................................................. 16 Literature .................................................................................................. 16 THE DEATH OF SERBIAN MUSIC SMRT SRPSKE MUZIKE Author: BOGDAN ČIKI Ć, III/1, Gimnazija ,,Stevan Jakovljevi ć’’ Mentor: BILJANA PIPOVI Ć, English teacher ABSTRACT With this essay, I want to present music styles -
Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus
Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus: Ferus Mustafov, Macedonian Wedding Soul Cooking", and "Gaida Orchestra: Bagpipe Music from the Rhodope Mountains" Lynn Maners Pima Community College/University of Arizona "Bosnia: Echoes of an Endangered World" Music Track eight returns to the sevdalinka form for a and Chant of the Bosnian Muslims." Smithsonian lovely unaccompanied performance of "II' je vedro, Folkways CD SF 40407 il' oblacno" ("Is it clear or cloudy?") This CD is an excellent compilation of the musical Tracks nine through eleven represent the Muslim performance, both religious and vernacular of the religious experience in Bosnia and Herzegovina. Muslim population of Bosnia and Herzegovina. Track nine is the ezan, or call to prayer, while tracks Using both commercial sources and field recordings ten and eleven are chanted excerpts from zikrs, or (from 1984-5), Ted Levin and Ankica Petrovic (the Sufi religious rites, in Bosnian dervish orders. latter formerly of the University of Sarajevo's Music Faculty) illustrate a variety of Bosnian musical The final selections on this CD, tracks twelve through forms, both urban and rural. Field recordings (1989- fourteen return us once again to that musical form 90) by Mirjana Lausevic, (currently a graduate most associated with Bosnia and Herzegovina, the student at Wesleyan), also appear in this collection. sevdalinka. Track twelve, "Saraieveski Pocetak/Sarhos Aljo", is a remnant of an older urban Tracks one and two are sevdalinkas, or love songs, style in which the singer is accompanied on saz, a and represent an urban Muslim musical style, based larger version of the more rural oriented sargija.