1 April 2016 Page 1 of 10
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
A B C a B C D a B C D A
24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No. -
Symphonieorchester Des Bayerischen Rundfunks
SYMPHONIEORCHESTER DES BAYERISCHEN RUNDFUNKS 18 | 19 Donnerstag 9.5.2019 Freitag 10.5.2019 7. Abo A Philharmonie 20.00 – ca. 22.15 Uhr Samstag 11.5.2019 4. Abo S Philharmonie 19.00 – ca. 21.15 Uhr 18/19 DANIEL HARDING Leitung LEONIDAS KAVAKOS Violine Artist in Residence SYMPHONIEORCHESTER DES BAYERISCHEN RUNDFUNKS KONZERTEINFÜHRUNG Do./Fr., 9./10.5.2019 18.45 Uhr Sa., 11.5.2019 17.45 Uhr Moderation: Elgin Heuerding PRE-CONCERT nur Do./Fr., 9./10.5.2019 19.15 Uhr Projektleitung: Minas Borboudakis und Ivanna Ternay LIVE-ÜBERTRAGUNG IN SURROUND im Radioprogramm BR-KLASSIK Freitag, 10.5.2019 PausenZeichen: Elgin Heuerding im Gespräch mit Leonidas Kavakos und Daniel Harding ON DEMAND Das Konzert ist 30 Tage auf br-klassik.de abrufbar. PROGRAMM Alban Berg Konzert für Violine und Orchester »Dem Andenken eines Engels« • Andante – Allegretto (scherzando) • Allegro – Adagio Pause Gustav Mahler Symphonie Nr. 5 Erste Abteilung • 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt • 2. Stürmisch bewegt. Mit größter Vehemenz Zweite Abteilung • 3. Scherzo. Kräftig, nicht zu schnell Dritte Abteilung • 4. Adagietto. Sehr langsam • 5. Rondo-Finale. Allegro Zwölftonreihe, Volkslied und Choral Zu Alban Bergs Violinkonzert Monika Lichtenfeld Entstehungszeit Februar – 11. August 1935 in Bergs »Waldhaus« am Wörther See Widmung Für Louis Krasner Uraufführung 19. April 1936 in Barcelona mit dem Solisten Louis Krasner unter der Leitung von Hermann Scherchen Lebensdaten des Komponisten 9. Februar 1885 in Wien – 24. Dezember 1935 in Wien Alban Bergs Violinkonzert, heute eines der meistgespielten Solokonzerte des 20. Jahrhunderts und neben der Oper Wozzeck gewiss sein bekanntestes Werk, hat sich früh schon selbst bei Verächtern der Wiener Schule großer Wertschätzung erfreut. -
18 December 2020 Page 1 of 22
Radio 3 Listings for 12 – 18 December 2020 Page 1 of 22 SATURDAY 12 DECEMBER 2020 Wolfgang Kube (oboe), Andrew Joy (horn), Rainer Jurkiewicz (horn), Rhoda Patrick (bassoon), Bernhard Forck (director) SAT 01:00 Through the Night (m000q3cy) Renaud Capuçon and Andras Schiff 04:46 AM Clara Schumann (1819-1896) Violin sonatas by Debussy, Schumann and Franck recorded at 4 Pieces fugitives for piano, Op 15 the Verbier Festival. Catriona Young presents. Angela Cheng (piano) 01:01 AM 05:01 AM Claude Debussy (1862-1918) Jozef Elsner (1769-1854) Violin Sonata in G minor, L 140 Echo w leise (Overture) Renaud Capuçon (violin), Andras Schiff (piano) Polish Radio Symphony Orchestra, Andrzej Straszynski (conductor) 01:14 AM Robert Schumann (1810-1856) 05:07 AM Violin Sonata No 2 in D minor, Op 121 Vitazoslav Kubicka (1953-) Renaud Capuçon (violin), Andras Schiff (piano) Winter Stories from the Forest, op 251, symphonic suite Slovak Radio Symphony Orchestra, Adrian Kokos (conductor) 01:46 AM Cesar Franck (1822-1890) 05:21 AM Violin Sonata in A Ferruccio Busoni (1866-1924) Renaud Capuçon (violin), Andras Schiff (piano) Seven Elegies (No 2, All' Italia) Valerie Tryon (piano) 02:15 AM Wolfgang Amadeus Mozart (1756-1791) 05:29 AM Adagio, from 'Violin Sonata No 33 in E flat, K 481' (encore) Vitezslav Novak (1870-1949) Renaud Capuçon (violin), Andras Schiff (piano) V Tatrach (In the Tatra mountains) - symphonic poem (Op.26) BBC National Orchestra of Wales, Richard Hickox (conductor) 02:23 AM Sergey Prokofiev (1891-1953) 05:46 AM Symphony No 3 in C minor, Op 44 Igor Stravinsky (1882 - 1971) Royal Concertgebouw Orchestra, Riccardo Chailly (conductor) Concertino for string quartet Apollon Musagete Quartet 03:01 AM Dora Pejacevic (1885-1923) 05:53 AM Symphony No 1 in F sharp minor, Op 41 Thomas Kessler (b.1937) Croatian Radio and Television Symphony Orchestra, Mladen Lost Paradise Tarbuk (conductor) Camerata Variabile Basel 03:46 AM 06:08 AM John Browne (fl.1490) Bela Bartok (1881-1945), Arthur Willner (arranger) O Maria salvatoris mater (a 8) Romanian folk dances (Sz.56) arr. -
N E W S R E L E a S E
N E W S R E L E A S E CONTACT: Katherine Blodgett/The Philadelphia Orchestra Director of Public/Media Relations phone: 215.893.1939 e-mail: [email protected] FOR IMMEDIATE RELEASE DATE: December 19, 2008 THE PHILADELPHIA ORCHESTRAORCHESTRA,, WITH CHRISTOPH ESCHENBACHESCHENBACH CONDUCTING, TOURS EUROPE AND THE CANARY ISLANDS ThreeThree----weekweek tour includes visits to the Canary Islands, Spain, Portugal, Luxembourg, Hungary, and Austria ––– violinist Leonidas Kavakos joins tour as soloist (Philadelphia, December 19, 2008) – The Philadelphia Orchestra embarks on its 2009 Tour of Europe and the Canary Islands on January 26, 2009. Under the leadership of Christoph EschenbachEschenbach, the Orchestra visits nine cities in five countries making first visits to Santa Cruz de TenerifeTenerife, Las Palmas de Gran CanariaCanaria, LuxembourgLuxembourg, and BudapestBudapest. The three-week tour, which concludes February 14, also includes performances in BarcelonaBarcelona, LisbonLisbon, MadridMadrid, ValenciaValencia, and ViennaVienna. Violinist Leonidas Kavakos joins The Philadelphia Orchestra for eight of the tour’s concerts. ToToTourTo ur Repertoire and Artists On the 2009 tour, The Philadelphia Orchestra performs Prokofiev’s Fifth Symphony, Schubert’s Symphony in C major (“Great”), Pintscher’s Osiris , Bruckner’s Sixth Symphony, Schoenberg’s Chamber Symphony No. 1, and Beethoven’s Overture to Egmont . Guest soloist Leonidas Kavakos performs Bartók’s Violin Concerto No. 2 with the Orchestra on concerts in Santa Cruz de Tenerife, Las Palmas de Gran Canaria, and Luxembourg, and performs Sibelius’s Violin Concerto on concerts in Lisbon, Madrid, Valencia, Budapest, and Vienna. Conductor Christoph EschenbachEschenbach, music director of The Philadelphia Orchestra from 2003 to 2008, leads the 2009 Tour of Europe and the Canary Islands. -
Programmheft Zum Konzert Zum Konzert Mit Leonidas Kavakos Beim
SYMPHONIEORCHESTER DES BAYERISCHEN RUNDFUNKS 18 | 19 Donnerstag 1.11.2018 Freitag 2.11.2018 2. Abo A Philharmonie 20.00 – ca. 22.00 Uhr 18 / 19 MITWIRKENDE CRISTIAN MǍCELARU Leitung LEONIDAS KAVAKOS »Artist in Residence« Violine SYMPHONIEORCHESTER DES BAYERISCHEN RUNDFUNKS Aus gesundheitlichen Gründen musste Mariss Jansons seine Mitwirkung an den Konzerten im November 2018 in München leider absagen. Wir danken Cristian Mǎcelaru, dass er sich kurzfristig bereit erklärt hat, das Programm von dieser Woche unverändert zu übernehmen. KONZERTEINFÜHRUNG 18.45 Uhr Moderation: Katharina Hartl, Hanna Leichtle, Tizian Foag und Jan Baier, Studierende der Katholischen Universität Eichstätt-Ingolstadt Vorbereitung: Uta Sailer LIVE-ÜBERTRAGUNG IN SURROUND im Radioprogramm BR-KLASSIK Freitag, 2.11.2018 PausenZeichen: Fridemann Leipold im Gespräch mit Leonidas Kavakos VIDEO-LIVESTREAM auf br-klassik.de Freitag, 2.11.2018 ON DEMAND Das Konzert ist in Kürze auf br-klassik.de als Video und Audio abrufbar. PROGRAMM Dmitrij Schostakowitsch Konzert für Violine und Orchester Nr. 1 a-Moll, op. 77 • Nocturne. Moderato • Scherzo. Allegro • Passacaglia. Andante • Burlesque. Allegro con brio Pause Igor Strawinsky »Le sacre du printemps« Bilder aus dem heidnischen Russland in zwei Teilen • Erster Teil: Die Anbetung der Erde Introduktion – Die Vorboten des Frühlings. Tanz der jungen Mädchen – Spiel der Entführung – Frühlingsreigen – Spiele der feindlichen Stämme – Prozession des Weisen – Anbetung der Erde – Tanz der Erde • Zweiter Teil: Das Opfer Introduktion – Geheimnisvolle Kreise der jungen Mädchen – Verherrlichung der Auserwählten – Anrufung der Ahnen – Weihevolle Handlung der Ahnen – Opfertanz. Die Auserwählte Trauer und Groteske Zu Dmitrij Schostakowitschs Erstem Violinkonzert, op. 77 Vera Baur Entstehungszeit 1947/1948, beendet am 24. März 1948 Widmung David Oistrach Uraufführung 29. -
[email protected]
FOR IMMEDIATE RELEASE UPDATED October 13, 2016 September 16, 2016 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC BEGINS NEW SEASON OF YOUNG PEOPLE’S CONCERTS The Ages of Music: “Baroque” Saturday, October 22, 2016 The Mary and James G. Wallach Artist-in-Residence Leonidas Kavakos To Conduct and Perform Assistant Conductor Joshua Gersen To Conduct Philharmonic Vice President, Education, Theodore Wiprud To Host The 94th season of the New York Philharmonic Young People’s Concerts (YPCs) will begin on Saturday, October 22, 2016, at 2:00 p.m. with “Baroque,” the first program in this season’s series, The Ages of Music — each program exploring the sound, composers, and culture of the Baroque, Classical, Romantic, and Modern eras, respectively. The program will include the first movement of J.S. Bach’s Violin Concerto in D minor (reconstructed), BWV 1052, led and performed by The Mary and James G. Wallach Artist-in-Residence Leonidas Kavakos; Overture, Bourée, and Gigue from J.S. Bach’s Orchestral Suite No. 3 in D major; the third movement of J.S. Bach’s Brandenburg Concerto No. 3; G. Gabrieli’s Canzona per sonar No. 1, La spiritata, performed by Philharmonic Principal Trumpet Christopher Martin, trumpet player Ethan Bensdorf, hornist R. Allen Spanjer, and trombonist David Finlayson; and Handel’s “Da tempeste il legno infranto” from Giulio Cesare, with soprano Hyesang Park as soloist in her Philharmonic debut. Assistant Conductor Joshua Gersen will conduct the program, with the exception of J.S. Bach’s Violin Concerto in D minor; Vice President, Education, Theodore Wiprud will host the event, which will also feature dancers Thomas Baird and Quilan Arnold. -
Der Auftakt 1920-1938
Der Auftakt 1920-1938 The Prague music journal Der Auftakt [The upbeat. AUF. Subtitle: “Musikblätter für die tschechoslowakische Republik;” from volume seven, issue two “Moderne Musikblätter”]1 appeared from December 1920 to April 1938.2 According to Felix Adler (1876-1928), music critic for the Prague journal Bohemia and editor of the first eight issues of AUF,3 the journal was formed out of the Musiklehrerzeitung [Journal for music teachers] (1913-16, organ of the Deutscher Musikpädagogischer Verband [German association for music pedagogy] in Prague) and was to be a general music journal with a modern outlook and with a concern for the interests of music pedagogues.4 Under its next editor, Erich Steinhard, AUF soon developed into one of the leading German-language modern music journals of the time and became the center of Czech-German musical collaboration in the Czechoslovakian Republic between the wars.5 Adolf Weißmann, eminent music critic from Berlin, writes: “Among the journals that avoid all distortions of perspective, the Auftakt stands at the front. It has gained international importance through the weight of its varied contributions and the clarity of mind of its main editor.”6 The journal stopped publication without prior announcement in the middle of volume eighteen, likely a result of the growing influence of Nazi Germany.7 AUF was published at first by Johann Hoffmanns Witwe, Prague, then, starting with the third volume in 1923, by the Auftaktverlag, a direct venture of the Musikpädagogischer Verband.8 The journal was introduced as a bimonthly publication, but except for the first volume appearing in twenty issues from December 1920 to the end of 1921, all volumes contain twelve monthly issues, many of them combined into double issues.9 The issues are undated, but a line with the date for the “Redaktionsschluss” [copy deadline], separating the edited content from the 1 Subtitles as given on the first paginated page of every issue. -
Classical Music
2020– 21 2020– 2020–21 Music Classical Classical Music 1 2019– 20 2019– Classical Music 21 2020– 2020–21 Welcome to our 2020–21 Contents Classical Music season. Artists in the spotlight 3 We are committed to presenting a season unexpected sounds in unexpected places across Six incredible artists you’ll want to know better that connects audiences with the greatest the Culture Mile. We will also continue to take Deep dives 9 international artists and ensembles, as part steps to address the boundaries of historic Go beneath the surface of the music in these themed of a programme that crosses genres and imbalances in music, such as shining a spotlight days and festivals boundaries to break new ground. on 400 years of female composition in The Ghosts, gold-diggers, sorcerers and lovers 19 This year we will celebrate Thomas Adès’s Future is Female. Travel to mystical worlds and new frontiers in music’s 50th birthday with orchestras including the Together with our resident and associate ultimate dramatic form: opera London Symphony Orchestra, Britten Sinfonia, orchestras and ensembles – the London Los Angeles Philharmonic, The Cleveland Symphony Orchestra, BBC Symphony Awesome orchestras 27 Orchestra and Australian Chamber Orchestra Orchestra, Britten Sinfonia, Academy of Ancient Agile chamber ensembles and powerful symphonic juggernauts and conductors including Sir Simon Rattle, Music, Los Angeles Philharmonic and Australian Choral highlights 35 Gustavo Dudamel, Franz Welser-Möst and the Chamber Orchestra – we are looking forward Epic anthems and moving songs to stir the soul birthday boy himself. Joyce DiDonato will to another year of great music, great artists and return to the Barbican in the company of the great experiences. -
Einige Österreichische Flüchtlinge in Großbritannien
Einige österreichische Flüchtlinge in Großbritannien Von Reinhard Müller Die nachfolgende, in sechs Kategorien gegliederte Liste von etwa 2.000 österreichischen Flüchtlingen in Großbritannien betrifft den Emigrationszeitraum 1933 bis 1945. Aufgenommen wurden vor allem kreativ Tätige wie Künstler, Philosophen und Wissenschaftler. Dazu kommen Politiker, sofern sie wichtige Funktionen im österreichischen Exil innehatten. Bewusst wurden auch jene Emigranten aufgenommen, die nur eine gewisse Zeit in Großbritannien verweilten, um dann in das gewünschte Zielland - meist die U.S.A. - weiterzuwandern. Damit soll der Bedeutung Rechnung getragen werden, die Großbritannien als - meist erstem - Fluchtpunkt zukam. Außerdem wurden damit auch jene Flüchtlinge berücksichtigt, die von Großbritannien interniert und dann in ihrem Internierungsland - Kanada und Australien - blieben. Natürlich wurden aber auch solche Flüchtlinge aufgenommen, die ihre gesamte Emigrationszeit in Großbritannien verbrachten. Die Liste enthält vorwiegend Personen, die in den Grenzen des heutigen Österreich geboren wurden, sowie Monarchie-Österreicher, welche den überwiegenden Teil ihres Lebens in Österreich (in seinen heutigen Grenzen) verbrachten. Andere Monarchie-Österreicher finden sich nur in Auswahl. Dazu kommen noch Personen, die zwar nicht in Österreich geboren wurden, hier aber lange Zeit lebten oder wichtige Abschnitte ihres Lebens verbrachten. 1. Schriftsteller, Journalisten, Übersetzer und Verleger 2. Maler, Grafiker, Plastiker und Architekten 3. Komponisten, Musiker, -
CHAN 10094 BOOK.Qxd 23/4/07 10:41 Am Page 2
CHAN 10094 Front.qxd 23/4/07 10:40 am Page 1 CHAN 10094 CHANDOS CHAN 10094 BOOK.qxd 23/4/07 10:41 am Page 2 Dances from the Heart of Europe Nikos Skalkottas (1904–1949) Five Greek Dances 11:23 From 36 Greek Dances, Op. 11 1 1 Epirotikos (set I, No. 4). Moderato 1:42 2 2 Kretikos (set I, No. 2). Allegro moderato 1:57 3 3 Tsamikos (set I, No. 1). Allegro moderato 1:54 4 4 Arkadikos (set III, No.10). Moderato 3:40 Skalkottas Archives Athens Archives Skalkottas 5 5 Kleftikos (set III, No. 3). Allegro vivo 2:08 Joseph Haydn (1732–1809) Twelve German Dances, H.IX:12 8:32 6 I In G major • in G-Dur • en sol majeur 0:42 7 II In B flat major • in B-Dur • en si bémol majeur 0:34 8 III In G major • in G-Dur • en sol majeur 0:42 9 IV In C major • in C-Dur • en ut majeur – Trio 1:21 10 V In A major • in A-Dur • en la majeur 0:40 11 VI In D major • in D-Dur • en ré majeur 0:34 12 VII In G major • in G-Dur • en sol majeur 0:43 13 VIII In D major • in D-Dur • en ré majeur 0:31 14 IX In B flat major • in B-Dur • en si bémol majeur 0:42 Nikos Skalkottas 15 X In C major • in C-Dur • en ut majeur 0:38 16 XI In F major • in F-Dur • en fa majeur 0:32 17 XII In D major • in D-Dur • en ré majeur – Coda 0:47 3 CHAN 10094 BOOK.qxd 23/4/07 10:41 am Page 4 Béla Bartók (1881–1945) 36 12 [ ] 0:44 Romanian Folk Dances, bb 68 6:58 37 13 Tempo I 1:04 Arranged for string orchestra by Arthur Willner 38 14 [ ] 1:37 39 18 1 Jocul cu bâta˘ (Stick dance). -
Leonidas Kavakos Enrico Pace
Martedì 24 gennaio 2017, ore 20.30 10 SALA VERDI DEL CONSERVATORIO Leonidas Kavakos violino Enrico Pace pianoforte Janácˇek - Sonata per violino e pianoforte Schubert - Fantasia in do maggiore D 934 Messiaen - Thème et variations Beethoven - Sonata n. 10 in sol maggiore op. 96 Di turno Direttore artistico Franca Cella Paolo Arcà Lodovico Barassi 5 minuti prima di ascoltare: Gaia Varon Con il contributo e il patrocinio di Leosˇ Janácˇek (Hukvaldy 1854 - Ostrava 1928) Sonata per violino e pianoforte (ca. 19’) I. Con moto II. Ballada III. Allegretto IV. Adagio l Anno di composizione: 1914/15 (rev. 1916/22) l Prima esecuzione: Brno, 24 aprile 1922 Tra gli appunti della Sonata per violino, si trova la data dell’1 agosto segnata in rilievo da Janácˇek. La data si riferisce alla dichiarazione di guerra della Ger- mania alla Russia, che segnava allo stesso tempo l’inizio delle ostilità tra Russia e Impero austro-ungarico. Janácˇek era convinto che la soluzione ai problemi della nazione ceca e morava passasse per la distruzione dell’odiato oppressore austro-tedesco, quindi sperava ardentemente in una rapida vittoria delle for- ze russe, corse in soccorso dei fratelli slavi attaccati. Non tutti però erano di questo avviso, nemmeno tra i nazionalisti cechi, che speravano piuttosto in una sorta di autonomia all’interno dell’Impero sull’esempio di quella ottenuta dagli ungheresi con la riforma costituzionale del 1867. In questo clima eccitato dalle notizie provenienti dal fronte, ma tutto sommato non molto diverso dagli anni precedenti la Guerra, Janácˇek lavorava alla sua terza Sonata per violino, l’u- nica in effetti a raggiungere lo stadio definitivo di lavoro ufficiale e pubblicato.