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The Plays of Girish Karnad and Vijay Tendulkar

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The Plays of Girish Karnad and Vijay Tendulkar The plays of Girish Karnad and Vijay Tendulkar: A comparative study The plays of Girish Karnad and Vijay Tendulkar: A comparative study, Vijay Tendulkar, Girish Karnad, Oxford University Press, Priya Tendulkar, Creative Books, Prestige Books, New Delhi, Stanford Encyclopedia of Philosophy, Language in India, Pencraft Publication, Dodiya Jaydipsinh, Tutun Mukherjee, Sterling Publication, Ghashiram Kotwal, Pencraft International, Magde, V. M., Mahesh Dattani, Mahasweta Devi, National Book Trust, Atlantic Publishers and Distributors, Rajpal Publication, Jaydipsinh Dodiya, Indian English Literature, Sanskrit Sansthan, Tughlaq, Madge, V. M., Delhi, Indian Literature, Ancient Indian, Pencraft Internationals Antifragile: how to live in a world we don't understand, Enzyme kinetics: behavior and analysis of rapid equilibrium and steady state enzyme systems, The oral in the written: A literature between two cultures, AN EARTH PERSPECTIVE FOR COVENANTAL LIVING, Veg Talk Wins Gold at Punahou, Helicopter rotor dynamics by finite element time approximation, White civility and Aboriginal law/epistemology, Cooking as identity work, White civility and Aboriginal law/epistemology, Unknown quantity: Joyce's words, Course Title Course Code INGL 3012 Bibliography Primary Sources: Karnad, Girish. Tughlaq. Delhi: Oxford University Press, 1986. …. The Fire and the Rain, Delhi: Oxford University Press, 1988. …. Naga Mandala : Play with a Cobra, Oxford University press, 1990. …. Tale Danda. New Delhi: Ravi Dayal Publishers, 1993. …. Introduction to Three Plays: Naga-Mandala, Hayvadana, Tughlaq. Delhi: Oxford University Press, 1998. …. Collected Plays: Tughlaq, Hayavadana, Bali: The Sacrifice, Naga- Mandala Vol. 1. Oxford University Press, 2005. …. Collected Plays: Taledanda, the Fire and the Rain, the Dreams of Tipu Sultan, Flowers and Images: Two Dramatic Monologues: Flowers : Broken Images, Vol. 2. Oxford University Press, 2005. …. Wedding Album, New Delhi: Ravi Dayal Publication, 2009. …. ―Introduction to Three Plays: Naga-Mandala, Hayavadana, Tughlaq,‖ The Plays of Girish Karnad: Critical Perspectives. Dodiya Jaydipsinh (ed) New Delhi: Prestige Books. 2009. Tendulkar, Vijay. Kamala. Mumbai: Mauj Prakashan Gruha. 1978. --------- . Kanyadaan, Pune: Neelkanth Prakashan, 1980. -------- . Ghasiram Kotwal, tr. Jayant Karve and Eleanor Zelliot. Calcutta: Seagull Books, 1999. --------. Five Plays, tr. Priya Adarkar. Mumbai, Chennai: Oxford University Press. 1995. ------- . Sakharam Binder. Tr. Shanta Sahane and Kumud Mehta. New Delhi: Hind Pocket Books, 1973. 228 -------- . Silence! The Court is in Session, trans. Priya Adakar, Oxford University Press: 1978. ……. Kanyadaan in Collected Plays in Translation. Samik Bandopadhyay (ed) New Delhi: Oxford University Press, 2003. Secondary Sources: Allardyce, Nicoll, British Drama, A Historical Survey From the Beginning to the Present Time. London: C. Harrap and Company. Ltd., 1945. Anantha Murthy, U. R. ―Introduction,‖ Tughlaq. Girish Karnad. Delhi: Oxford University Press, 1986. Argade, Ranjana. ―Drama as a Medium of Resistance in Bhartendu,‖ Discourse of Resistance in the Colonial Period. Avadhesh Kumar Singh (ed). New Delhi: Creative Books, 2005. Aurobindo. The Future of Poetry. Pondicherry: Sri Aurobindo Ashram, 1953. Bandopadhyay, Samik (ed.) Vijay Tendulkar: Collected Plays in Translation. Mumbai: Oxford University Press. 2003. Banerjee, Arundhati. Introduction. Five Plays. Vijay Tendulkar. Mumbai: Oxford University Press, 1998. Bhise, Manoj. ―A Dialogue on Ghashiram Kotwal,‖ Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. Madge, V. M. (ed). Delhi: Pencraft Internationals, 2009. Bhalla, Neela. ―Ghashiram Kotwal: Text and Sub-text,‖ Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. Madge, V. M. (ed). Delhi: Pencraft International, 2009. Bhatta, Krishna S. ―Kailasam‘s English Plays‖, Perspectives on Indian Drama in English. M. K. Naik and Mokashi S. Punekar (eds). Madras: Oxford University Press, 1977. 229 Bhise, Manoj. ―A Dialogue on Ghashiram Kotwal,‖ Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. Madge, V. M. (ed). Delhi: Pencraft Internationals, 2009. Bronislaw, Malinowsky. ―Myth in Primitive Tradition,‖ The Modern Tradition. Ellsman and Fiedeuon, Jr. (eds) New York: Oxford University Press, 1968. Chandran, S. Subhash. ―Bali: The Sacrifice and Dionysian Life Assertion,‖ Girish Karnad’s Plays: Performance and Critical Perspectives, Tutun Mukherjee (ed). New Delhi: Pencraft Internationals, 2006. Chaudhary, Indranath. ―Indian Literature After modernism. The Commonwealth Review.5.1 (1993-94) Das, Vina Noble. ―Experiment and Innovation in Modern Indian Drama: The Plays of Mohan Rakesh, Badal Sirkar, Vijay Tendulkar and Girish Karnad,‖ The Plays of Girish Karnad. Dodiya, Jaydipsinh (ed). New Delhi: Prestige Books, 2009. Dhanavel, P. The Indian Imagination of Girish Karnad: Essays on Hayavadana. New Delhi: Prestige Books, 2000. Dharan, N. S. The plays of Vijay Tendulkar. New Delhi: Creative Books, 1999. …… ―The Vultures (Gidhade): A Drama of Domestic Violence,‖ The Plays of Vijay Tendulkar. New Delhi: Creative Books, 1999. …. ―Salient Structural Features of Silence! The Court is in Session,‖ Magde, V. M.(ed) Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. New Delhi: Pencraft Publication, 2009. Dubbe, P. D. ―The Theme of Flesh Trade in Vijay Tendulkar‘s Kamala,‖ Commonwealth Review 5.1 (1993-94). Fletcher, Robert Huntington. ―A History of English Literature‖. Boston: Oxford University Press, 1916. Gilbert, Helen. Postcolonial Plays: an Anthology, London: Routledge, 2001. Gokhale, Shanta. ―Tendulkar on his Own Terms,‖ Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. V. M. Magde (ed). New Delhi: Pencraft Publication, 2009. Gomez, Christine. ―Karnad‘s Tughlaq as an Alienated Protagonist,‖ Dodiya Jaydipsinh (ed) New Delhi: Prestige Books. 2009. 230 Gosavi, Nutan. ―Kanyadaan: An Expose of Political Progressives‖, Magde, V. M.(ed) Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. New Delhi: Pencraft Publication, 2009. Hazel E. Barnes. Cited in A. S. Phand. Essay on Comparative Literature. New Delhi: Sterling Publisher, 1984. Hiriyanna, M. Art Experience. New Delhi: Indira Gandhi National Centre for the Arts, 1978. Iyengar, Abhishek ―History of Theatre in India” Libre Magazine. February, 2008. (http://www.libremagazine.com/) Iyengar, K. R. S. ―Indian Writings in English‖ New Delhi: Sterling Publication, 1997, first addition 1962. Jayalakshmi, P. ―Politics of Power: A Gender and Caste in The Fire and the Rain‖, Tutun Mukherjee. New Delhi: Pencraft Internationals, 2006. Joshipura, Pranav. ―Hayvadana and the Interminable Quest for Perfection,‖ The Plays of Girish Karnad. Dodiya J. (ed) New Delhi: Prestige Books, 2009. Kalb Jonathan, ―Theater Review; An Indian Father Courage, Using and Losing Women,‖ The New York Times. November, 2004. Kothari, Rita. Post-scripting Narratives: A study of Girish Karnad. New Delhi: Atlantic Publishers, 1999. K. Radhai, Treatment of Reality, Fantasy and Myth in the Plays of Girish Karnad. (unpublished thesis) Coimbatore, January 2006, source: http://www.getacoder.com/users/geethaizone/portfolio/thesis/thesis_1 4808.pdf (last accessed January 2013) Kumar Nand, Myths in the Plays of Girish Karnad and Indian English Drama. Jaipur: Sarup & Sons, 2003 Lemon, Lee T. A Glossary for the Study of English. Delhi: Oxford University Press, 1992. Madge, V. M. (ed) ―Sakharam Binder: An Unwitting Deconstruction,‖ Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. New Delhi: Pencraft Publication, 2009. Manchi, Sarat. Vijay Tendulkar's Ghasiram Kotwal: a Reader's Companion. Asia Book Club, 2003. 231 Mhangore, G. S. Tendulkar as a Playwright: A Brief Introduction. 2008 @ http://www.englishcyberliterature.net/back2.pdf. ( last access January 2013) Muni, Bharat. Natyashashtra: A Treatise on Ancient Indian Dramaturgy and Historinics. Sukumba Sanskrit Sansthan, 1984. Naik, M. K. A History of Indian English Literature. New Delhi: Sahitya Akademi, 1982. Naikar, Basavaraj (ed). ―Tughlaq as an Experimenter,‖ Indian English Literature. Delhi: Atlantic Publishers and Distributors. 2002. Nimsarkar, P. D. Women in Girish Karnad’s Plays: A Critical Perspective. New Delhi: Creative Books, 2004. Ojha, Dasharath. Aaj ka Hindi Natak. New Delhi: Rajpal Publication, 1984. Raha, Kironmoy. Bengali Theatre. New Delhi: National Book Trust. 1978. Ramamoorthy, P. ―He That Playth the Sultan: A Study of Tughlaq,‖ The Plays of Girish Karnad. Jaydipsinh Dodiya (ed). New Delhi: Prestige Books, 2009. Saini, Alpana. ―The Construction of Contemporary Indian Subjectivity in the Selected Plays of Vijay Tendulkar, Girish Karnad and Mahesh Dattani,‖ (unpublished thesis, 2010) Source: http://shodhganga.inflibnet.ac.in/bitstream/10603/2092/6/06_abstract.pdf. (last access January, 2013). Sarat Babu, M. ―The Resque Triangle in Tughlaq,‖ The Plays of Girish Karnad. Dodiya, Jaydipsinh (ed) New Delhi: Prestige Books, 2009. Satchidanandan, K. Authors, Texts, Issues: Essays on Indian Literature. Delhi: Pencraft International, 2003) Sharma, Hemant (ed). Bharatendy Samagra. Varanasi: Hindi Pracharani Publication, 2000. Simpson, David L. ―Comedy and Tragedy‖. Cited in: http://condor.depaul.edu/dsimpson/tlove/comic-tragic.html (last accessed January, 2013. Singh, Krishna. ―Postcolonial Subalternization in the Plays of Girish Karnad,‖ The Criterion: An International Journal in English, vol. II. Issue I, 2007. 232 S. Kalidas and Rehmat Merchant, ―Renaissance Man,‖ India Today. 2009. Surendran
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