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The Plays of Girish Karnad and Vijay Tendulkar

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The plays of Girish Karnad and Vijay Tendulkar: A comparative study The plays of Girish Karnad and Vijay Tendulkar: A comparative study, Vijay Tendulkar, Girish Karnad, Oxford University Press, Priya Tendulkar, Creative Books, Prestige Books, New Delhi, Stanford Encyclopedia of Philosophy, Language in India, Pencraft Publication, Dodiya Jaydipsinh, Tutun Mukherjee, Sterling Publication, Ghashiram Kotwal, Pencraft International, Magde, V. M., Mahesh Dattani, Mahasweta Devi, National Book Trust, Atlantic Publishers and Distributors, Rajpal Publication, Jaydipsinh Dodiya, Indian English Literature, Sanskrit Sansthan, Tughlaq, Madge, V. M., Delhi, Indian Literature, Ancient Indian, Pencraft Internationals Antifragile: how to live in a world we don't understand, Enzyme kinetics: behavior and analysis of rapid equilibrium and steady state enzyme systems, The oral in the written: A literature between two cultures, AN EARTH PERSPECTIVE FOR COVENANTAL LIVING, Veg Talk Wins Gold at Punahou, Helicopter rotor dynamics by finite element time approximation, White civility and Aboriginal law/epistemology, Cooking as identity work, White civility and Aboriginal law/epistemology, Unknown quantity: Joyce's words, Course Title Course Code INGL 3012 Bibliography Primary Sources: Karnad, Girish. Tughlaq. Delhi: Oxford University Press, 1986. …. The Fire and the Rain, Delhi: Oxford University Press, 1988. …. Naga Mandala : Play with a Cobra, Oxford University press, 1990. …. Tale Danda. New Delhi: Ravi Dayal Publishers, 1993. …. Introduction to Three Plays: Naga-Mandala, Hayvadana, Tughlaq. Delhi: Oxford University Press, 1998. …. Collected Plays: Tughlaq, Hayavadana, Bali: The Sacrifice, Naga- Mandala Vol. 1. Oxford University Press, 2005. …. Collected Plays: Taledanda, the Fire and the Rain, the Dreams of Tipu Sultan, Flowers and Images: Two Dramatic Monologues: Flowers : Broken Images, Vol. 2. Oxford University Press, 2005. …. Wedding Album, New Delhi: Ravi Dayal Publication, 2009. …. ―Introduction to Three Plays: Naga-Mandala, Hayavadana, Tughlaq,‖ The Plays of Girish Karnad: Critical Perspectives. Dodiya Jaydipsinh (ed) New Delhi: Prestige Books. 2009. Tendulkar, Vijay. Kamala. Mumbai: Mauj Prakashan Gruha. 1978. --------- . Kanyadaan, Pune: Neelkanth Prakashan, 1980. -------- . Ghasiram Kotwal, tr. Jayant Karve and Eleanor Zelliot. Calcutta: Seagull Books, 1999. --------. Five Plays, tr. Priya Adarkar. Mumbai, Chennai: Oxford University Press. 1995. ------- . Sakharam Binder. Tr. Shanta Sahane and Kumud Mehta. New Delhi: Hind Pocket Books, 1973. 228 -------- . Silence! The Court is in Session, trans. Priya Adakar, Oxford University Press: 1978. ……. Kanyadaan in Collected Plays in Translation. Samik Bandopadhyay (ed) New Delhi: Oxford University Press, 2003. Secondary Sources: Allardyce, Nicoll, British Drama, A Historical Survey From the Beginning to the Present Time. London: C. Harrap and Company. Ltd., 1945. Anantha Murthy, U. R. ―Introduction,‖ Tughlaq. Girish Karnad. Delhi: Oxford University Press, 1986. Argade, Ranjana. ―Drama as a Medium of Resistance in Bhartendu,‖ Discourse of Resistance in the Colonial Period. Avadhesh Kumar Singh (ed). New Delhi: Creative Books, 2005. Aurobindo. The Future of Poetry. Pondicherry: Sri Aurobindo Ashram, 1953. Bandopadhyay, Samik (ed.) Vijay Tendulkar: Collected Plays in Translation. Mumbai: Oxford University Press. 2003. Banerjee, Arundhati. Introduction. Five Plays. Vijay Tendulkar. Mumbai: Oxford University Press, 1998. Bhise, Manoj. ―A Dialogue on Ghashiram Kotwal,‖ Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. Madge, V. M. (ed). Delhi: Pencraft Internationals, 2009. Bhalla, Neela. ―Ghashiram Kotwal: Text and Sub-text,‖ Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. Madge, V. M. (ed). Delhi: Pencraft International, 2009. Bhatta, Krishna S. ―Kailasam‘s English Plays‖, Perspectives on Indian Drama in English. M. K. Naik and Mokashi S. Punekar (eds). Madras: Oxford University Press, 1977. 229 Bhise, Manoj. ―A Dialogue on Ghashiram Kotwal,‖ Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. Madge, V. M. (ed). Delhi: Pencraft Internationals, 2009. Bronislaw, Malinowsky. ―Myth in Primitive Tradition,‖ The Modern Tradition. Ellsman and Fiedeuon, Jr. (eds) New York: Oxford University Press, 1968. Chandran, S. Subhash. ―Bali: The Sacrifice and Dionysian Life Assertion,‖ Girish Karnad’s Plays: Performance and Critical Perspectives, Tutun Mukherjee (ed). New Delhi: Pencraft Internationals, 2006. Chaudhary, Indranath. ―Indian Literature After modernism. The Commonwealth Review.5.1 (1993-94) Das, Vina Noble. ―Experiment and Innovation in Modern Indian Drama: The Plays of Mohan Rakesh, Badal Sirkar, Vijay Tendulkar and Girish Karnad,‖ The Plays of Girish Karnad. Dodiya, Jaydipsinh (ed). New Delhi: Prestige Books, 2009. Dhanavel, P. The Indian Imagination of Girish Karnad: Essays on Hayavadana. New Delhi: Prestige Books, 2000. Dharan, N. S. The plays of Vijay Tendulkar. New Delhi: Creative Books, 1999. …… ―The Vultures (Gidhade): A Drama of Domestic Violence,‖ The Plays of Vijay Tendulkar. New Delhi: Creative Books, 1999. …. ―Salient Structural Features of Silence! The Court is in Session,‖ Magde, V. M.(ed) Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. New Delhi: Pencraft Publication, 2009. Dubbe, P. D. ―The Theme of Flesh Trade in Vijay Tendulkar‘s Kamala,‖ Commonwealth Review 5.1 (1993-94). Fletcher, Robert Huntington. ―A History of English Literature‖. Boston: Oxford University Press, 1916. Gilbert, Helen. Postcolonial Plays: an Anthology, London: Routledge, 2001. Gokhale, Shanta. ―Tendulkar on his Own Terms,‖ Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. V. M. Magde (ed). New Delhi: Pencraft Publication, 2009. Gomez, Christine. ―Karnad‘s Tughlaq as an Alienated Protagonist,‖ Dodiya Jaydipsinh (ed) New Delhi: Prestige Books. 2009. 230 Gosavi, Nutan. ―Kanyadaan: An Expose of Political Progressives‖, Magde, V. M.(ed) Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. New Delhi: Pencraft Publication, 2009. Hazel E. Barnes. Cited in A. S. Phand. Essay on Comparative Literature. New Delhi: Sterling Publisher, 1984. Hiriyanna, M. Art Experience. New Delhi: Indira Gandhi National Centre for the Arts, 1978. Iyengar, Abhishek ―History of Theatre in India” Libre Magazine. February, 2008. (http://www.libremagazine.com/) Iyengar, K. R. S. ―Indian Writings in English‖ New Delhi: Sterling Publication, 1997, first addition 1962. Jayalakshmi, P. ―Politics of Power: A Gender and Caste in The Fire and the Rain‖, Tutun Mukherjee. New Delhi: Pencraft Internationals, 2006. Joshipura, Pranav. ―Hayvadana and the Interminable Quest for Perfection,‖ The Plays of Girish Karnad. Dodiya J. (ed) New Delhi: Prestige Books, 2009. Kalb Jonathan, ―Theater Review; An Indian Father Courage, Using and Losing Women,‖ The New York Times. November, 2004. Kothari, Rita. Post-scripting Narratives: A study of Girish Karnad. New Delhi: Atlantic Publishers, 1999. K. Radhai, Treatment of Reality, Fantasy and Myth in the Plays of Girish Karnad. (unpublished thesis) Coimbatore, January 2006, source: http://www.getacoder.com/users/geethaizone/portfolio/thesis/thesis_1 4808.pdf (last accessed January 2013) Kumar Nand, Myths in the Plays of Girish Karnad and Indian English Drama. Jaipur: Sarup & Sons, 2003 Lemon, Lee T. A Glossary for the Study of English. Delhi: Oxford University Press, 1992. Madge, V. M. (ed) ―Sakharam Binder: An Unwitting Deconstruction,‖ Vijay Tendulkar’s Plays: An Anthology of Recent Criticism. New Delhi: Pencraft Publication, 2009. Manchi, Sarat. Vijay Tendulkar's Ghasiram Kotwal: a Reader's Companion. Asia Book Club, 2003. 231 Mhangore, G. S. Tendulkar as a Playwright: A Brief Introduction. 2008 @ http://www.englishcyberliterature.net/back2.pdf. ( last access January 2013) Muni, Bharat. Natyashashtra: A Treatise on Ancient Indian Dramaturgy and Historinics. Sukumba Sanskrit Sansthan, 1984. Naik, M. K. A History of Indian English Literature. New Delhi: Sahitya Akademi, 1982. Naikar, Basavaraj (ed). ―Tughlaq as an Experimenter,‖ Indian English Literature. Delhi: Atlantic Publishers and Distributors. 2002. Nimsarkar, P. D. Women in Girish Karnad’s Plays: A Critical Perspective. New Delhi: Creative Books, 2004. Ojha, Dasharath. Aaj ka Hindi Natak. New Delhi: Rajpal Publication, 1984. Raha, Kironmoy. Bengali Theatre. New Delhi: National Book Trust. 1978. Ramamoorthy, P. ―He That Playth the Sultan: A Study of Tughlaq,‖ The Plays of Girish Karnad. Jaydipsinh Dodiya (ed). New Delhi: Prestige Books, 2009. Saini, Alpana. ―The Construction of Contemporary Indian Subjectivity in the Selected Plays of Vijay Tendulkar, Girish Karnad and Mahesh Dattani,‖ (unpublished thesis, 2010) Source: http://shodhganga.inflibnet.ac.in/bitstream/10603/2092/6/06_abstract.pdf. (last access January, 2013). Sarat Babu, M. ―The Resque Triangle in Tughlaq,‖ The Plays of Girish Karnad. Dodiya, Jaydipsinh (ed) New Delhi: Prestige Books, 2009. Satchidanandan, K. Authors, Texts, Issues: Essays on Indian Literature. Delhi: Pencraft International, 2003) Sharma, Hemant (ed). Bharatendy Samagra. Varanasi: Hindi Pracharani Publication, 2000. Simpson, David L. ―Comedy and Tragedy‖. Cited in: http://condor.depaul.edu/dsimpson/tlove/comic-tragic.html (last accessed January, 2013. Singh, Krishna. ―Postcolonial Subalternization in the Plays of Girish Karnad,‖ The Criterion: An International Journal in English, vol. II. Issue I, 2007. 232 S. Kalidas and Rehmat Merchant, ―Renaissance Man,‖ India Today. 2009. Surendran
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  • A Comparative Study of Power Politics and Violence in Plays of Girish Karnad and Vijay Tendulkar

    A Comparative Study of Power Politics and Violence in Plays of Girish Karnad and Vijay Tendulkar

    International Journal for Research in Engineering Application & Management (IJREAM) ISSN : 2454-9150 Vol-05, Issue-05, Aug 2019 A comparative study of power politics and Violence in plays of Girish Karnad and Vijay Tendulkar 1S. Soundararajan, 2L.Thivya, 3S. Hariprasath, 4S.Nithya, 5B.Krithika 1,2,3,4,5Assitant professor, Kalaingnar Karunanithi Institute of Technology, Coimbatore, India, [email protected], [email protected], [email protected], [email protected], [email protected] Abstract - The present study is a modest attempt to deal with the plays of Girish Karnad and Vijay Tendulkar especially the themes and techniques in them. The contemporary Indian playwright’s like Vijay Tendulkar and Girish Karnad have played a significant role in the development of Indian drama. These are the torch-bearers of this genre. They have made bold innovations and experiments and have dealt with the themes related to the present social scenario, in an effort to bring about social change and a social cultural revolution to make the people aware of the need to renew the social structure and march towards a better social system. the plays of Girish Karnad and Vijay Tendulkar reveals that sex, struggle and zest for political power, violence and the instinct of selfishness are the major themes or the core areas of the selected plays. Keywords – Power Politics, Vijay Tendulkar, Girish Karnad, Development, Indian Drama. I. INTRODUCTION Phadnavis and Ghashiram Kotwal in his play Ghashiram Kotwal in order to explain how the political persons like The plays have been selected on the notion of uniformity. Nanas use Ghashirams like pawns and heave them gone Six outstanding plays of Girish Karnad, based on history, when their intention is over.
  • Takes Pleasure in Inviting You To

    Takes Pleasure in Inviting You To

    Nalanda Celebrates 50th Golden Jubilee Year 2015 takes pleasure in inviting you to NALANDA - BHARATA MUNI SAMMAN - 2014 SAMAROHA and Premier of Latest Dance Production PRITHIVEE AANANDINEE at: Ravindra Natya Mandir, Prabhadevi, Mumbai on: Sunday, the 18th January, 2015 at: 6.30 p.m. NALANDA'S BHARATA MUNI SAMMAN Dedicated to the preservation and propagation of Indian dance in particular and Indian culture in general from its founding in 1966 Nalanda Dance Research Centre has unswervingly trodden on its chosen path with single minded determination. Nalanda has always upheld the pricelessness of all that is India and her great ancient culture which consists of the various performing arts, visual arts, the mother of all languages Sanskrit and Sanskritic studies , the religio- philosophical thought and other co-related facets. Being a highly recognized research centre, Nalanda recognizes and appreciates all those endeavours that probe deep into the all encompassing cultural phenomena of this great country. Very naturally these endeavours come from most dedicated individuals who not only delve into this vast ocean that is Indian culture but also have the intellectual calibre to unravel, re-interpret and re-invent this knowledge and wisdom to conform with their own times. From 2011 Nalanda has initiated a process of honouring such individuals who have acquired iconic status. By honouring them Nalanda is honouring India on behalf of all Indians. Hence the annual NALANDA - BHARATA MUNI SAMMAN Recipients for 2014 in alphabetical order Sangeet Martand Pandit Jasraj's (Music) Shri. Mahesh Elkuchwar (Theatre) Rajkumar Singhajit Singh (Dance) Sangeet Martand Pandit Jasraj San g eet M ar t an d Pan d it Jas raj 's achievements are beyond compare more so because vocal music is the most intimate and direct medium according to India's musical treatise and tradition.