SCHEDULE of EXHIBITIONS and EVENTS July, August, September 2017
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California” of the Richard B
The original documents are located in Box 19, folder “State Campaign Information - California” of the Richard B. Cheney Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 19 of the Richard B. Cheney Files at the Gerald R. Ford Presidential Library - - THE WHITE HOUSE WASHINGTON September 3, 1975 MEMORANDUM FOR: FROM: JERRY H. The LA TIMES .reported the latest field poll in its edition today. The poll shows Reagan losing ground to President Ford in a statewide preference poll of GOP voters. Ford Reagan May 30% 39% August 45% 38% Other candidates such as Baker, Richardson, Percy, Connally, were included in this poll. In a direct head to head poll, the President had 54% and Reagan 45% of those polled. Reagan had a 1% point lead among conservatives and the President had a substantial margin with those classifying themselves as liberal or moderate Republicans. THE PRES I DENT liAS SEEN ••••• l President Ford Committee Main Office: 1116 Wilshire Blvd., Los Angeles, California 90017 • Phone: (213) 482-5180 Northern Office: 2619 Fox Plaza, San Francisco, California 94102 • Phone: (415) 863-7660 State Chainnan: SAN JOSE CENTER 3379 Stevens Creek Blvd. -
Galka Scheyer: Eine Jüdische Kunsthändlerin (Braunschweig, 26-28 Nov 19)
Galka Scheyer: eine jüdische Kunsthändlerin (Braunschweig, 26-28 Nov 19) Braunschweig, 26.–28.11.2019 Eingabeschluss: 30.04.2019 Katrin Keßler, Bet Tfila - Forschungsstelle für jüdische Architektur in Europa [English below] Die Malerin, Kunsthändlerin und –sammlerin Galka Scheyer, geboren 1889 als Emilie Esther Schey- er, stammte aus einer Braunschweiger Unternehmerfamilie, der die seinerzeit größte Konservenfa- brik der Stadt gehörte. Für ein jüdisches Mädchen aus gutbürgerlichem Haus ist ihre Biographie überraschend. Ihr Weg führte sie bis in die USA, wo sie seit 1924 lebte und 1945 in Hollywood starb. Eine allgemeine Bekanntschaft erlangte sie nicht, wohl aber die „Blaue Vier“, die sie gemein- sam mit vier anerkannten Künstlern des Weimarer Bauhauses gründete: Paul Klee, Wassily Kand- insky, Lyonel Feininger und Alexej von Jawlensky. Anfangs hatte Emilie Scheyer eigene künstlerische Ambitionen. Im Alter von 16 Jahren hatte sie Deutschland verlassen, um in England, Frankreich, Belgien und der Schweiz Malerei, Bildhauerei und Musik zu studieren. In der Schweiz lernte sie 1916 Jawlensky kennen und beschloss, nicht mehr selbst künstlerisch tätig zu sein, sondern ihre Energie der Vermittlung und dem Verkauf sei- ner Werke zu widmen. Mit der Gründung der Künstlergruppe „Blaue Vier“ im Jahre 1924 wurde sie zur offiziellen Kunsthändlerin der „vier blauen Könige“, wie sie selbst „ihre“ Künstler nannte. Sie organisierte zahlreiche Ausstellungen und Lichtbildvorträge, unternahm Reisen durch Europa, die USA und Asien. Mit einer internationalen Tagung wollen die Bet Tfila – Forschungsstelle für jüdische Architektur und das Städtische Museum Braunschweig in Kooperation mit der Stadt Braunschweig diese bedeutende Tochter der Stadt in den Blickpunkt nehmen. Trotz der großen Bedeutung der von ihr vertretenen Künstler in der Kunstgeschichte des frühen 20. -
Maven of Modernism: Galka Scheyer in California April 7–Sept
October 2016 Media Contacts: Leslie C. Denk | [email protected] | (626) 844-6941 Emma Jacobson-Sive | [email protected] | (323) 842-2064 Maven of Modernism: Galka Scheyer in California April 7–Sept. 25, 2017 Pasadena, CA—The Norton Simon Museum presents Maven of Modernism: Galka Scheyer in California, an exhibition that delves into the life of Galka Scheyer, the enterprising dealer responsible for the art phenomenon the “Blue Four”—Lyonel Feininger, Alexei Jawlensky, Paul Klee and Wassily Kandinsky. In California, through the troubling decades of the Great Depression and the Second World War, German- born Scheyer (1889–1945) single-handedly cultivated a taste for their brand of European modernism by arranging exhibitions, lectures and publications on their work, and negotiating sales on their behalf. Maven of Modernism presents exceptional examples from Scheyer’s personal collection by the Blue Four artists, as well as works by artists including Alexander Archipenko, László Moholy-Nagy, Pablo Picasso Head in Profile, 1919 Emil Nolde (German, 1867-1956) and Diego Rivera, which was given to the Pasadena Art Institute in the Watercolor and India ink on tan wove paper 14-1/2 x 11-1/8 in. (36.8 x 28.3 cm) Norton Simon Museum, The Blue Four Galka Scheyer Collection early 1950s. All together, these works and related ephemera tell the © Nolde Stiftung Seebüll, Germany fascinating story of this trailblazing impresario, who helped shape California’s reputation as a burgeoning center for modern art. Galka Scheyer was born Emilie Esther Scheyer in Braunschweig, Germany, in 1889, to a middle-class Jewish family. -
Kunsthändler Und -Sammler Art Dealers and Collectors
Kunsthändler und -sammler Art dealers and collectors Die Eigentümergeschichte der Kunstwerke aus dem Bestand des Museum Berggruen bildet das Leitmotiv der Ausstellung. Die Namen derer, die mit e history of ownership of the artworks from the collection of the Museum den Werken in Berührung kamen oder deren Eigentum sie waren, lesen sich Berggruen is the leitmotif of the exhibition. e names of those who came wie ein „Who is Who“ der Kunstwelt der ersten Häle des 20. Jahrhunderts: into contact with the works or who owned them read like a "Who's Who" of Kunsthändler wie Alfred Flechtheim, Paul Rosenberg, Daniel-Henry Kahn- the art world of the rst half of the 20th century: Art dealers such as Alfred weiler oder Karl Buchholz, die Klee-Enthusiastin Galka Scheyer sowie die Flechtheim, Paul Rosenberg, Daniel-Henry Kahnweiler or Karl Buchholz, Sammler Alphonse Kann, Douglas Cooper und Marie-Laure Comtesse the Klee-enthusiast Galka Scheyer as well as the art collectors Alphonse de Noailles. Kann, Douglas Cooper and Marie-Laure Comtesse de Noailles. Die Kunstwerke rufen damit nicht nur ihre Besitzer und Eigentümer in e artworks do not only remind us of their owners and proprietors, whose Erinnerung, deren Lebensgeschichte in historische Ereignisse eingebettet biographies is embedded in historical events. eir provenances also express ist. Ihre Provenienzen drücken auch die Vielfalt der emen aus, welche die the variety of themes that shape the history of 20th century art: the popula- Geschichte von Kunst im 20. Jahrhunderts prägen: die Popularisierung der risation of Modernism, the development of the international art market, the Moderne, die Entwicklung des internationalen Kunstmarktes, die Emigra- emigration of art dealers and collectors and the translocation of artworks, tion von Kunsthändlern und Sammlern und die Translokation von Kunst- the art policy and the art looting of the National Socialists between 1933 werken, die Kunstpolitik und der Kunstraub der Nationalsozialisten and 1945. -
Paul Klee, 1879-1940 : a Retrospective Exhibition
-— ' 1" I F" -pr,- jpp«_p —^ i / P 1^ j 1 11 111 1 I f^^^r J M • •^^ | Digitized by the Internet Archive in 2011 with funding from Solomon R. Guggenheim Museum Library and Archives http://www.archive.org/details/paulklee1879klee PAUL KLEE 1879 1940 A RETROSPECTIVE EXHIBITION ORGANIZED BY THE SOLOMON R. GUGGENHEIM MUSEUM IN COLLABORATION WITH THE IMSADENA ART MUSEUM 67-19740 © 1967, The Solomon R. Guggenheim Foundation, New York Library of Congress Card Catalogue Number: Printed in the United States of America PARTICIPATING IIVSTITITIOWS PASADENA ART MUSEUM SAN FRANCISCO MUSEUM OF ART COLUMBUS GALLERY OF FINE ARTS CLEVELAND MUSEUM OF ART WILLIAM ROCKHILL NELSON GALLERY OF ART, KANSAS CITY BALTIMORE MUSEUM OF ART WASHINGTON UNIVERSITY, GALLERY OF ART. ST. LOUIS PHILADELPHIA MUSEUM OF ART Paul Klee stated in 1902: "I want to do something very modest, to work out by myself a tiny formal motif, one that my pencil will be able to encompass without any technique..."'. Gradually he intensified his formal and expressive range, proceeding from the tested to the experimental, toward an ever deepening human awareness. Because of his intensive concentration upon each new beginning, categories fall by the wayside and efforts to divide Klee's work into stable groupings remain unconvincing. Even styl- istic continuities are elusive and not easily discernible. There is nothing in the develop- ment of his art that resembles, for example. Kandinsky's or Mondrian s evolution from a representational toward a non-objective mode. Nor is it possible to speak of "periods" in the sense in which this term has assumed validity with Picasso. -
Laudatio Given by Patsy Aldana, Jury President, Hans Christian Andersen Award 2016 at HCA Award Ceremony, August 2016, Auckland, New Zealand
Laudatio given by Patsy Aldana, Jury President, Hans Christian Andersen Award 2016 at HCA Award Ceremony, August 2016, Auckland, New Zealand It was an honour to chair this remarkable group of jurors from all over the world. They came from such diverse professional backgrounds and from very different countries and cultures. Yet the meetings and discussions were extremely harmonious and the process of selection remarkably consensual. The jurors in alphabetical order by country: Lola Rubio Argentina an editor and librarian Dolores Prades Brazil a publisher and reading expert Wu Qing China professor of English literature Kirsten Bystrup Denmark a children’s librarian Yasmine Motawy Egypt a professor of children’s literature Shoreh Yousefi Iran a pre-school educator and editor Andrej Ilc Slovenia a publisher of adult and children’s books Reina Duarte Spain a children’s publisher Susan Stan USA a professor of children’s literature Maria Beatriz Medina Venezuela the director of the Banco del Libro and a professor The first criteria for the selection of the shortlist and the winners was the artistic excellence of the writing and of the art. The jurors were also interested in seeing how the creators had evolved in the course of their careers and whether they had been willing to take creative risks. It was also deemed very important that the books produced by the authors and illustrators be of significance—that important things were at stake in their work. And finally, did their books speak to children? Were these creators people whose books could be read by children all over the world, be accessible and meaningful to them, and enrich their lives and understanding? Illustrators The shortlist is: Germany: Rotraut Susanne Berner Iran: Pejman Rahimizadeh Italy: Alessandro Sanna Korea: Suzy Lee Netherlands: Marit Törnqvist And the winner of the 2016 Hans Christian Andersen Award for Illustration is: Rotraut Susanne Berner from Germany Berner’s work is at all times recognisably hers, while simultaneously being intensely responsive to the demands of the text. -
Dormant Foreign Affairs Preemption and Von Saher V
Minnesota Journal of Law & Inequality Volume 28 Issue 2 Article 6 December 2010 Dormant Foreign Affairs Preemption and Von Saher v. Norton Simon Museum: Complicating the Just and Fair Solution To Holocaust-Era Art Claims Mikka Gee Conway Follow this and additional works at: https://lawandinequality.org/ Recommended Citation Mikka G. Conway, Dormant Foreign Affairs Preemption and Von Saher v. Norton Simon Museum: Complicating the Just and Fair Solution To Holocaust-Era Art Claims, 28(2) LAW & INEQ. 373 (2010). Available at: https://scholarship.law.umn.edu/lawineq/vol28/iss2/6 Minnesota Journal of Law & Inequality is published by the University of Minnesota Libraries Publishing. Dormant Foreign Affairs Preemption and Von Saher v. Norton Simon Museum: Complicating the "Just and Fair Solution" to Holocaust-Era Art Claims Mikka Gee Conwayt Introduction In Von Saher v. Norton Simon Museum,' the Court of Appeals for the Ninth Circuit struck down a California law extending the statute of limitations for Holocaust-era art restitution claims against museums. 2 It affirmed the district court's holding that the statute was preempted by the federal foreign relations power, reversed the determination that the claim was time-barred under the regular California statute of limitations for stolen property, and remanded the case.3 The decision prolongs a dispute between the sole heir of a prominent Jewish art dealer in Amsterdam whose collection was seized by Nazi agents in 1940, and the California museum that later purchased two paintings from that collection. 4 Von Saher seems to be a straightforward application of a line of Ninth Circuit and Supreme Court precedent preempting state action that intrudes on the federal province of foreign relations.5 But, viewed in light of this precedent and its particular facts, Von Saher is a flawed decision that highlights problems with the rarely invoked and constitutionally infirm doctrine of dormant foreign affairs t. -
Japanese Children's Books 2020 JBBY's Recommendations for Young Readers Throughout the World
JAPANESE BOARD ON BOOKS FOR YOUNG PEOPLE Japanese 2020 Children's Books 2020 Cover illustration Japanese Children's Books Chiki KIKUCHI Born in 1975 in Hokkaido. After working at a design Contents firm, he decided at age 33 to become a picture book artist. His book Shironeko kuroneko (White ● Book Selection Team ................................................................................................2 Cat, Black Cat; Gakken Plus) won a Golden Apple ● About JBBY and this Catalog ................................................................................ 3 at the 2013 Biennial of Illustrations Bratislava (BIB), and his book Momiji no tegami (Maple Leaf Letter; ● Recent Japanese Children's Books Recommended by JBBY ......................4 Komine Shoten) won a plaque at the 2019 BIB. His ● The Hans Christian Andersen Award other works include Boku da yo, boku da yo (It’s Me, Five winners and 12 nominees from Japan It’s Me; Rironsha), Chikiban nyaa (Chiki Bang Meow; ........................................................20 Gakken Plus), Pa-o-po no uta (Pa-o-po Song; Kosei ● Japanese Books Selected for the IBBY Honour List ...................................22 Shuppan), Tora no ko Torata (Torata the Tiger Cub; Children’s Literature as a Part of Japan’s Publishing Statistics ....................... Shogakukan), and Shiro to kuro (White and Black; ● Essay: 24 Kodansha). ● Recent Translations into Japanese Recommended by JBBY ....................26 JBBY Book Selection and Review Team The JBBY Book Selection and Review Team collaboratively chose the titles listed in this publication. The name in parentheses after each book description is the last name of the team member who wrote the description. Yasuko DOI Director and senior researcher at the International Insti- Yukiko HIROMATSU tute for Children’s Literature (IICLO). Besides researching Picture book author, critic, and curator. -
Supreme Court of the United States
No. ____ In the Supreme Court of the United States NORTON SIMON MUSEUM OF ART AT PASADENA AND NORTON SIMON ART FOUNDATION, Petitioners, V. MAREI VON SAHER, Respondent. ON PETITION FOR A WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT PETITION FOR A WRIT OF CERTIORARI RONALD L. OLSON GREGORY G. GARRE LUIS LI Counsel of Record FRED A. ROWLEY, JR. MAUREEN E. MAHONEY ERIC P. TUTTLE NICOLE RIES FOX MUNGER, TOLLES & OLSON LLP LATHAM & WATKINS LLP 355 South Grand Avenue 555 11th Street, NW 35th Floor Suite 1000 Los Angeles, CA 90071 Washington, DC 20004 (213) 683-9100 (202) 637-2207 [email protected] [email protected] Counsel for Petitioners QUESTION PRESENTED This Court has emphasized that courts should “proceed ‘with the circumspection appropriate when … adjudicating issues inevitably entangled in the conduct of our international relations,’” and has declined to “second-guess” the Executive’s views on foreign policy matters. Munaf v. Geren, 553 U.S. 674, 689, 702 (2008) (quoting Romero v. International Terminal Operating Co., 358 U.S. 354, 383 (1959)). This case involves an action brought under California law to recover paintings that were forcibly purchased by the Nazis in the Netherlands during World War II, recovered by U.S. forces, and returned to the Dutch government under the United States’ external restitution policy. In 2011, the Solicitor General filed an amicus brief in this case—joined by the State Department Legal Advisor—stating the Executive’s views on U.S. foreign policy concerning claims to Nazi-looted artworks recovered by U.S. -
(Roy Halston Frowick) (1932-1990) by Shaun Cole
Halston (Roy Halston Frowick) (1932-1990) by Shaun Cole Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com The first international fashion superstar, Halston was a master of cut, detail, and finish. He dressed and befriended some of America's most glamorous women. Jackie Kennedy Onassis, Elizabeth Taylor, Babe Paley, Barbara Walters, Lauren Bacall, Bianca Jagger, and Liza Minnelli were just some of the women who wore Halston. Roy Halston Frowick was born on April 23, 1932 in Des Moines, Iowa, the second son of a Norwegian- American accountant with a passion for inventing. Roy developed an interest in sewing from his mother. As an adolescent he began creating hats and embellishing outfits for his mother and sister. Roy graduated from high school in 1950 then attended Indiana University for one semester. After the family moved to Chicago in 1952, he enrolled in a night course at the Chicago Art Institute and worked as a window dresser. Frowick's first big break came when the Chicago Daily News ran a brief story on his fashionable hats. In 1957 he opened his first shop, the Boulevard Salon, on Michigan Avenue. It was at this point that he began to use his middle name as his professional moniker. With the help of a lover twenty-five years his senior, celebrity hair stylist André Basil, Halston further developed his career by moving to New York later in 1957. Basil introduced Halston to milliner Lilly Daché, who offered him a job. Within a year he had been named co-designer at Daché, become the new best friend of several fashion editors and publishers, and left Daché's studio to become head milliner for department store Bergdorf Goodman. -
UC Irvine UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Exhibiting Cultural Objects from Asia in the Norton Simon Museum: The Orientalization of the Asian Art Galleries Permalink https://escholarship.org/uc/item/1kk859nm Author Nguyen, Jenny Hong Mai Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Exhibiting Cultural Objects from Asia in the Norton Simon Museum: The Orientalization of the Asian Art Galleries submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in Art History by Jenny Hong Mai Nguyen Thesis Committee: Professor Margaret M. Miles, Chair Associate Professor Roberta Wue Assistant Professor Aglaya Glebova 2017 © 2017 Jenny Hong Mai Nguyen DEDICATION I dedicate this thesis to Anna Kryczka, who was my first TA at UCI, my role model and the person who took the time to meet me at LACMA to get coffee and inspired me to write this paper. ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv ABSTRACT OF THE THESIS v Introduction 1 Orientalism and Panethnicity 2 The Art-Culture System 8 Norton Simon: Asian Art Collection 12 Architecture: Pan-Asian Temple 19 The Stairwell 20 Galleries 22 Labels 24 The Garden 34 Conclusions 38 Bibliography 42 iii ACKNOWLEDGMENTS I would first like to thank my thesis advisor Professor Margaret M. Miles, who took on the challenge of being my advisor and whose expertise, understanding, and patience, enabled me to write this thesis. I would also like to thank my committee Associate Professor Roberta Wue and Assistant Professor Aglaya Glebova. -
2020 Korean Books for Young Readers
2020 Korean Books for Young Readers Korean Board on Books for Young People (IBBY Korea) About Contents KBBY and this Catalog KBBY(Korean Board on Books for Young People) was founded in 1995 7 Korean Nominees for the Hans Christian Andersen Awards 4 as the Korea national section of the International Board on Books for Young People (IBBY). Korean Nominations for the IBBY Honour List 2020 12 To fulfill IBBY’s mission, KBBY works as a network of professionals from both home and abroad, collecting and sharing information on Korean Nominations for BIB 2019 14 children’s and juvenile literature. KBBY also works in close partnership with the other national sections of IBBY to contribute to promoting Korean Nominations for Silent Books 2019 22 cross-cultural exchange in children’s literature. Recent Picture Books Recommended by KBBY Since 2017 25 KBBY organizes international book exhibitions in collaboration with library networks, in efforts to share with the Korean audience the in- formation on global books generated through the awards and activ- Recent Chapter Books and Novels Recommended by KBBY Since 2017 37 ities of IBBY. Moreover, KBBY is committed to providing information on outstanding Korean children’s and juvenile literature with readers Recent Non-fiction Recommended by KBBY Since 2017 50 across the world. This catalog presents the Korean nominees of the Hans Christian An- dersen Awards, who have made a lasting impact on children’s litera- ture not only at home but also to the world at large. Also included is a collection of the Korean children’s books recommended by the book selection committee of KBBY: Korean nominations for the IBBY Honour List, BIB, Silent Books; recent picutre books, chapter books & novels, and non-finction books.