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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Paying Attention to Public Readers of Canadian Literature
PAYING ATTENTION TO PUBLIC READERS OF CANADIAN LITERATURE: POPULAR GENRE SYSTEMS, PUBLICS, AND CANONS by KATHRYN GRAFTON BA, The University of British Columbia, 1992 MPhil, University of Stirling, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2010 © Kathryn Grafton, 2010 ABSTRACT Paying Attention to Public Readers of Canadian Literature examines contemporary moments when Canadian literature has been canonized in the context of popular reading programs. I investigate the canonical agency of public readers who participate in these programs: readers acting in a non-professional capacity who speak and write publicly about their reading experiences. I argue that contemporary popular canons are discursive spaces whose constitution depends upon public readers. My work resists the common critique that these reading programs and their canons produce a mass of readers who read the same work at the same time in the same way. To demonstrate that public readers are canon-makers, I offer a genre approach to contemporary canons that draws upon literary and new rhetorical genre theory. I contend in Chapter One that canons are discursive spaces comprised of public literary texts and public texts about literature, including those produced by readers. I study the intertextual dynamics of canons through Michael Warner’s theory of publics and Anne Freadman’s concept of “uptake.” Canons arise from genre systems that are constituted to respond to exigencies readily recognized by many readers, motivating some to participate. I argue that public readers’ agency lies in the contingent ways they select and interpret a literary work while taking up and instantiating a canonizing genre. -
BACKBENCHERS So in Election Here’S to You, Mr
Twitter matters American political satirist Stephen Colbert, host of his and even more SPEAKER smash show The Colbert Report, BACKBENCHERS so in Election Here’s to you, Mr. Milliken. poked fun at Canadian House Speaker Peter politics last week. p. 2 Former NDP MP Wendy Lill Campaign 2011. p. 2 Milliken left the House of is the writer behind CBC Commons with a little Radio’s Backbenchers. more dignity. p. 8 COLBERT Heard on the Hill p. 2 TWITTER TWENTY-SECOND YEAR, NO. 1082 CANADA’S POLITICS AND GOVERNMENT NEWSWEEKLY MONDAY, APRIL 4, 2011 $4.00 Tories running ELECTION CAMPAIGN 2011 Lobbyists ‘pissed’ leaner war room, Prime Minister Stephen Harper on the hustings they can’t work on focused on election campaign, winning majority This campaign’s say it’s against their This election campaign’s war room Charter rights has 75 to 90 staffers, with the vast majority handling logistics of about one man Lobbying Commissioner Karen the Prime Minister’s tour. Shepherd tells lobbyists that working on a political By KRISTEN SHANE and how he’s run campaign advances private The Conservatives are running interests of public office holder. a leaner war room and a national campaign made up mostly of cam- the government By BEA VONGDOUANGCHANH paign veterans, some in new roles, whose goal is to persuade Canadi- Lobbyists are “frustrated” they ans to re-elect a “solid, stable Con- can’t work on the federal elec- servative government” to continue It’s a Harperendum, a tion campaign but vow to speak Canada’s economic recovery or risk out against a regulation that they a coalition government headed by national verdict on this think could be an unconstitutional Liberal Leader Michael Ignatieff. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Death, Animals, and Ethics in David Bergen's the Time in Between
Document generated on 09/26/2021 1 p.m. Studies in Canadian Literature / Études en littérature canadienne Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins Volume 38, Number 1, 2013 URI: https://id.erudit.org/iderudit/scl38_1art013 See table of contents Publisher(s) The University of New Brunswick ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Mullins, K. (2013). Death, Animals, and Ethics in David Bergen’s The Time in Between. Studies in Canadian Literature / Études en littérature canadienne, 38(1), 248–266. All rights reserved, ©2013 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins eath is a dominating presence in David Bergen’s Giller Prize-winning novel The Time in Between (2005). Although Charles Boatman’s suicide lies at the centre of the narrative, Dthe novel — and Charles himself — is also haunted by other deaths: the death of Charles’s ex-wife, Sara, the deaths of innocents in Vietnam, and the deaths of animals. It rotates around various absences and, as is frequently the case in Bergen’s fiction, highlights individual suffering and alienation within the family unit1: Charles returns to Vietnam in the hope of ascribing meaning to the “great field of nothing” that he has experienced since the war (38), while two of his children, Ada and Jon, travel to Vietnam to search for their missing father only to discover he has committed suicide. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
Bukowski Agency Backlist Highlights
the bukowski agency backlist highlights 2010 www.thebukowskiagency.com CONTENTS Anita Rau Badami . 2 Judy Fong Bates . 4 Alan Bradley . 6 Catherine Bush . 8 Abigail Carter . 9 Wayson Choy . 10 Austin Clarke . 12 George Elliott Clarke . 14 Anthony De Sa . 15 John Doyle . 16 Liam Durcan . 17 Anosh Irani . 18 Rebecca Eckler . 20 Paul Glennon . 21 Ryan Knighton . 22 Lori Lansens . 24 Sidura Ludwig . 26 Pearl Luke . 27 Annabel Lyon . 28 D .J . McIntosh . 30 Leila Nadir . 31 Shafiq Qaadri . 32 Adria Vasil . 32 Eden Robinson . 33 Kerri Sakamoto . 34 Sandra Sabatini . 36 Cathryn Tobin . 37 Cathleen With . 38 CLIENTS . 39 CO-AGENTS . 40 Anita RAu BadamI Can You Hear the Nightbird Call? Can You Hear the Nightbird Call? traces the epic trajectory of a tale of terrorism through time and space 95,000 words hardcover / Finished books available RIGHTS SOLD Canada: Knopf, September 2006 Italy: Marsilio, Spring 2008 France: Éditions Philippe Rey, India: Penguin, January 2007 March 2007 Australia: Scribe, March 2007 Holland: De Geus, Spring 2008 • Longlisted for the 2008 IMPAC Dublin Literary Award • Shortlisted for the Ontario Library Association 2007 Evergreen Awards The Hero’s Walk The Hero’s Walk traces the terrain of family and forgiveness through the lives of an exuberant cast of characters bewildered by the rapid pace of change in today’s India 368 pages hardcover / Finished books available RIGHTS SOLD US: Algonquin, 2001 Canada: Knopf, 2000 US: Paperback: Ballantine Greece: Kastaniotis Editions UK: Bloomsbury, 2002 Poland: Wydawnictwo Dialog France: -
Oneworld Readers' Guide
Oneworld Readers’ Guide The Orenda Joseph Boyden 1640s, The New World In the remote winter landscape a brutal massacre and the kidnapping of a young Iroquois girl violently re-ignites a deep rift between two tribes. The girl’s captor, Bird, is one of the Huron Nation’s great warriors and statesmen. Years have passed since the murder of his family, and yet they are never far from his mind. In the girl, Snow Falls, he recognizes the ghost of his lost daughter, but as he fights for her heart and allegiance, small battles erupt into bigger wars as both tribes face a new, more dangerous threat from afar. Travelling with the Huron is Christophe, a charismatic missionary who has found his calling among the tribe and devotes himself to learning and understanding their customs and language. An emissary from distant lands, he brings much more than his faith to this new world, with its natural beauty and riches. As these three souls dance with each other through intricately woven acts of duplicity, their social, political and spiritual worlds collide - and a new nation rises from a world in flux. About the Author Joseph Boyden’s first novel, Three Day Road, was selected for the Today Show Book Club, and it won the Rogers Writers’ Trust Fiction Prize, the Amazon.ca/Books in Canada First Novel Award, as well as numerous others. His second novel, Through Black Spruce, was awarded the Scotiabank Giller Prize and named the Canadian Booksellers Association Book of the Year; it also earned him the CBA’s Author of the Year Award. -
Fall 2013 / Winter 2014 Titles
INFLUENTIAL THINKERS INNOVATIVE IDEAS GRANTA PAYBACK THE WAYFINDERS RACE AGAINST TIME BECOMING HUMAN Margaret Atwood Wade Davis Stephen Lewis Jean Vanier Trade paperback / $18.95 Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $19.95 ANANSIANANSIANANSI 978-0-88784-810-0 978-0-88784-842-1 978-0-88784-753-0 978-0-88784-809-4 PORTOBELLO e-book / $16.95 e-book / $16.95 e-book / $16.95 e-book / $16.95 978-0-88784-872-8 978-0-88784-969-5 978-0-88784-875-9 978-0-88784-845-2 A SHORT HISTORY THE TRUTH ABOUT THE UNIVERSE THE EDUCATED OF PROGRESS STORIES WITHIN IMAGINATION FALL 2013 / Ronald Wright Thomas King Neil Turok Northrop Frye Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $14.95 978-0-88784-706-6 978-0-88784-696-0 978-1-77089-015-2 978-0-88784-598-7 e-book / $16.95 e-book / $16.95 e-book / $16.95 e-book / $14.95 WINTER 2014 978-0-88784-843-8 978-0-88784-895-7 978-1-77089-225-5 978-0-88784-881-0 ANANSI PUBLISHES VERY GOOD BOOKS WWW.HOUSEOFANANSI.COM Anansi_F13_cover.indd 1-2 13-05-15 11:51 AM HOUSE OF ANANSI FALL 2013 / WINTER 2014 TITLES SCOTT GRIFFIN Chair NONFICTION ... 1 SARAH MACLACHLAN President & Publisher FICTION ... 17 ALLAN IBARRA VP Finance ASTORIA (SHORT FICTION) ... 23 MATT WILLIAMS VP Publishing Operations ARACHNIDE (FRENCH TRANSLATION) ... 29 JANIE YOON Senior Editor, Nonfiction ANANSI INTERNATIONAL ... 35 JANICE ZAWERBNY Senior Editor, Canadian Fiction SPIDERLINE .. -
Celebrating Reading. Advocating Literacy. Sunday, September 24
Sunday, September 24, 2017 | 11AM–6PM Harbourfront Centre FREE ADMISSION Celebrating Reading. Advocating Literacy. thewordonthestreet.ca Today a reader, tomorrow a leader. Words change worlds. Reading educates and inspires kids to build a better future. Webcom is honoured to be a part of this transformative experience by providing our community with the highest quality printed books. Table of Contents 1 HOW TO USE THIS BEHIND THE CURTAIN 2 PROGRAM WORDS OF WELCOME 3 Review the Festival at a Glance LETTERS OF GREETING 4–5 on pages 8–13, or go directly to FESTIVAL PARTNERS 6–7 the venue descriptions FESTIVAL AT A GLANCE 8–13 ASL Programming 14 MORE festival FUN 15 LiteracY comes ALIVE 16 OFFICIAL BOOKSELLERS 17 AMAZON.CA BESTSELLERS STAGE 20–24 AUTHOR CRUISES 26–30 CANADIAN MAGAZINES STAGE 32–36 COOKS ‘N’ books stage 38–40 GREAT BOOKS MARQUEE 42–49 Indigenous voices 50–55 Learning station 56–57 SCULPTING NEW READS 58–59 TEEN SPIRIT stage 61–66 TFO Franco STAGE | Franco SCÈNE TFO 70–75 TORONTO BOOK AWARDS TENT 78–80 TORONTO STAR TENT 82–83 VIBRANT VOICES OF ONTARIO TENT 84–90 ACX WORDSHOP MARQUEE 92–94 EXHIBITOR LISTINGS 96–98 EXHIBITOR SPECIAL LISTINGS 99–101 THANKS to OUR donors 103 FESTIVAL MAP 104 The Word On The Street Toronto: (416) 504-7241 | [email protected] Cover Illustration by Julie Flett. Program Design by Kent Robinson. 2 Behind the curtain A NATIONAL, Annual Celebration The word on The sTreeT is a free public festival that celebrates the written word and champions literacy through an annual outdoor book and periodical fair. -
Time Structures and the Healing Aesthetic of Joseph Boyden's Three Day Road
Time Structures and the Healing Aesthetic of Joseph Boyden’s Three Day Road Neta Gordon ore than three-quarters of the way through Three Day Road, a novel portraying the fictional experiences of two Cree men fighting for Canada during the Great War, the historicalM figure Francis Pegahmagabow, an Ojibwe soldier known for his success as a World War One sniper, finally makes an appearance. Rumours of Pegahmagabow’s feats have reached Boyden’s protagonist, Xavier Bird, and his best friend, Elijah Whiskeyjack; Elijah in particu- lar is keen to compare exploits with “Peggy,” especially to weigh his own kills against those of the infamous “Indian,” rumoured to be “the best hunter of us all” (187).1 An important objective of this encounter between fictional and historical figures is to emphasize an extratextual function of Three Day Road, which Boyden explicitly delineates in his acknowledgements: “I wish to honour the Native soldiers who fought in the Great War, and in all wars in which they so overwhelmingly vol- unteered. Your bravery and skill do not go unnoticed” (353). Boyden’s use here of a helping verb phrase of negation — “do not” — draws special attention to the main part of the predicate “go unnoticed,” and thus reveals the irony of his claim; the scene featuring Peggy proposes that Aboriginal soldiers were not at all “honoured” for their service in the Great War, and that this service in fact went quite aggressively “unnoticed.” As Boyden himself admits in a recent interview with Herb Wyile, “I think my acknowledgements were more wishful thinking than anything” (222). -
Read Ebook {PDF EPUB} No Relation by Terry Fallis ISBN 13: 9780771036163
Read Ebook {PDF EPUB} No Relation by Terry Fallis ISBN 13: 9780771036163. In his fourth novel, winner of the 2011 Canada Reads competition and "CanLit's crowned king of chuckles" ( Telegraph-Journal ) Terry Fallis's sharp, funny wit takes readers into the world of identity, inheritance, and belonging, begging the question: What's in a name? This is the story of a young copywriter in New York City. He's worked at the same agency for fifteen years, and with a recent promotion under his belt, life is good. Then, one morning this copywriter finds himself unceremoniously fired from his job, and after he catches his live-in girlfriend moving out of their apartment a couple hours later, he's also single. Believe it or not, these aren't the biggest problems in this copywriter's life. There's something bigger, something that has been haunting him his whole life, something that he'll never be able to shake. Meet Earnest Hemmingway. What's in a name? Well, if you share your moniker with the likes of some of the most revered, infamous, and sometimes dreaded names in history, plenty. This is Earnest's lifelong plight, but something more recent is on his plate: His father is pressuring him to come home and play an active role in running the family clothing business. And as a complex familial battle plays out, Earnest's inherited name leads him in unexpected directions. Wry, clever, and utterly engaging, No Relation is Terry Fallis at the top of his form. "synopsis" may belong to another edition of this title.