University of Leeds Classification of Books English
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3. Terence Rattigan- First Success and After
DIPLOMARBEIT Titel der Diplomarbeit „In and out of the limelight- Terence Rattigan revisited“ Verfasserin Covi Corinna angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 30. Jänner 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: 343 Diplomstudium Anglistik und Amerikanistik UniStG Betreuer: Ao. Univ.-Prof. Dr. Rudolf Weiss Table of contents 1. Introduction……………………………………………………....p.4 2. The History of the Well-Made Play…………………………......p.5 A) French Precursors.....................................................................p.6 B) The British Well-Made Play...................................................p.10 a) Tom Robertson and the 1870s...........................................................p.10 b) The “Renaissance of British Drama”...............................................p.11 i. Arthur Wing Pinero (1855-1934) and Henry Arthur Jones (1851- 1929)- The precursors of the “New Drama”..............................p.12 ii. Oscar Wilde (1854-1900)..............................................................p.15 c) 1900- 1930 “The Triumph of the New Drama”...............................p.17 i. Harley Granville-Barker (1877-1946)………………................p.18 ii. William Somerset Maugham (1874-1965)..................................p.18 iii. Noel Coward (1899-1973)............................................................p.20 3. Terence Rattigan- first success and after...................................p.21 A) French Without Tears (1936)...................................................p.22 -
Wolverhampton City Council OPEN INFORMATION ITEM
Agenda Item No: 14 Wolverhampton City Council OPEN INFORMATION ITEM Committee / Panel PLANNING COMMITTEE Date 31-OCT-2006 Originating Service Group(s) REGENERATION AND ENVIRONMENT Contact Officer(s)/ STEPHEN ALEXANDER (Head of Development Control) Telephone Number(s) (01902) 555610 Title/Subject Matter APPLICATIONS DETERMINED UNDER OFFICER DELEGATION, WITHDRAWN, ETC. The attached Schedule comprises planning and other application that have been determined by authorised officers under delegated powers given by Committee, those applications that have been determined following previous resolutions of Planning Committee, or have been withdrawn by the applicant, or determined in other ways, as details. Each application is accompanied by the name of the planning officer dealing with it in case you need to contact them. The Case Officers and their telephone numbers are Wolverhampton (01902): Major applications Minor/Other Applications Stephen Alexander 555610 (Head of DC) Alan Murphy 555623 (Acting Assistant Head of DC) Ian Holiday 555630 (Senior Planning Officer) Alan Gough 555648 (Senior Planning Officer - Commercial) Mizzy Marshall 551133 Martyn Gregory 551125 (Planning Officer) (Senior Planning Officer - Residential) Ken Harrop (Planning Officer) 555649 Ragbir Sahota (Planning Officer) 555616 Mark Elliot (Planning Officer) 555632 Jenny Davies (Planning Officer) 555608 Tracey Homfray (Planning Officer) 555641 Mindy Cheema (Planning Officer) 551360 Rob Hussey (Planning Officer) 551130 Nussarat Malik (Planning Officer) 551132 Philip Walker (Planning -
Walks in Jefferies-Land 1912
Walks in Jefferies-Land 1912 Kate Tryon The RICHARD JEFFERIES SOCIETY (Registered Charity No. 1042838) was founded in 1950 to promote appreciation and study of the writings of Richard Jefferies (1848-1887). Website http://richardjefferiessociety.co.uk email [email protected] 01793 783040 The Kate Tryon manuscript In 2010, the Richard Jefferies Society published Kate Tryon’s memoir of her first visit to Jefferies’ Land in 1910. [Adventures in the Vale of the White Horse: Jefferies Land, Petton Books.] It was discovered that the author and artist had started work on another manuscript in 1912 entitled “Walks in Jefferies-Land”. However, this type-script was incomplete and designed to illustrate the places that Mrs Tryon had visited and portrayed in her oil-paintings using Jefferies’ own words. There are many pencilled-in additions to this type-script in Kate Tryon’s own hand- writing and selected words are underlined in red crayon. Page 13 is left blank, albeit that the writer does not come across as a superstitious person. The Jefferies’ quotes used are not word-perfect; neither is her spelling nor are her facts always correct. There is a handwritten note on the last page that reads: “This is supposed to be about half the book. – K.T.” The Richard Jefferies Society has edited the “Walks”, correcting obvious errors but not the use of American spelling in the main text. References for quotes have been added along with appropriate foot-notes. The Richard Jefferies Society is grateful to Kate Schneider (Kate Tryon’s grand- daughter) for allowing the manuscripts to be published and thanks Stan Hickerton and Jean Saunders for editing the booklet. -
The World's Best Poetry, Volume IX: of Tragedy: of Humour
Title: The World's Best Poetry, Volume IX: Of Tragedy: of Humour Author: Various Contributor: Francis Barton Gummere Editor: Bliss Carman Release Date: July 15, 2013 [EBook #43223] Language: English _THE WORLD'S_ _BEST POETRY_ _I Home: Friendship_ _VI Fancy: Sentiment_ _II Love_ _VII Descriptive: Narrative_ _III Sorrow and Consolation_ _VIII National Spirit_ _IV The Higher Life_ _IX Tragedy: Humor_ _V Nature_ _X Poetical Quotations_ _THE WORLD'S BEST POETRY_ _IN TEN VOLUMES, ILLUSTRATED_ _Editor-in-Chief BLISS CARMAN_ _Associate Editors_ _John Vance Cheney Charles G. D. Roberts_ _Charles F. Richardson Francis H. Stoddard_ _Managing Editor: John R. Howard_ [Illustration] _JOHN D. MORRIS AND COMPANY PHILADELPHIA_ COPYRIGHT, 1904, BY JOHN D. MORRIS & COMPANY [Illustration: JOHANN WOLFGANG VON GOETHE. _Photogravure after portrait by Stieler._] _The World's Best Poetry_ _Vol. IX_ _Of TRAGEDY:_ _of HUMOR_ _THE OLD CASE OF_ _POETRY_ _IN A NEW COURT_ _By_ _FRANCIS A. GUMMERE_ [Illustration] _JOHN D. MORRIS AND COMPANY_ _PHILADELPHIA_ COPYRIGHT, 1904, BY John D. Morris & Company NOTICE OF COPYRIGHTS. I. American poems in this volume within the legal protection of copyright are used by the courteous permission of the owners,--either the publishers named in the following list or the authors or their representatives in the subsequent one,--who reserve all their rights. So far as practicable, permission has been secured, also for poems out of copyright. PUBLISHERS OF THE WORLD'S BEST POETRY. 1904. The BOBBS-MERRILL COMPANY, Indianapolis.--F. L. STANTON: "Plantation Ditty." The CENTURY CO., New York.--_I. Russell_: "De Fust Banjo," "Nebuchadnezzar." Messrs. HARPER & BROTHERS, New York.--_W. A. -
Sir Henry Newbolt 1862-1938 ©Wiltshire OPC Project/Linda
Sir Henry Newbolt 1862-1938 Sir Henry Newbolt was born In Bilston, Staffordshire on 6th June 1862, the son of Rev. Henry Francis & Emily Newbolt. He was just four years old when his father died. At the age of 10 Henry was sent to a boarding school in Lincolnshire, from where he won a scholarship to Clifton College. He later went to Corpus Christi College, Oxford and began a legal career, practising at the Chancery Bar from 1887 to 1889. He was a lawyer, novelist, and playwright and wrote many poems. His most famous work was Vitai Lampada. He was employed by the Government during WWI to serve on the War Propaganda Bureau to encourage the public to support the war. He subsequently became Controller of Telecommunications at the Foreign Office. His poems about the war include "The War Films", printed on the leader page of The Times on 14 October 1916, which seeks to temper the shock effect on cinema audiences of footage of the Battle of the Somme. He also wrote a paper in 1921 for the government, which established the foundation for modern English studies and professionalised the forms of teaching English literature. Sir Henry Newbolt lived for many years at Netherhampton House with his wife Margaret. His granddaughter Jill Furse married Rex Whistler’s brother Laurence. He was knighted in 1915. Newbolt died at his home in Campden Hill, Kensington, London, on 19 April 1938, aged 75. A blue plaque there commemorates his residency. He is buried in the churchyard of St Mary's church on an island in the lake on the Orchardleigh Estate of the Duckworth family in Somerset. -
The Work of the Little Theatres
TABLE OF CONTENTS PART THREE PAGE Dramatic Contests.144 I. Play Tournaments.144 1. Little Theatre Groups .... 149 Conditions Eavoring the Rise of Tournaments.150 How Expenses Are Met . -153 Qualifications of Competing Groups 156 Arranging the Tournament Pro¬ gram 157 Setting the Tournament Stage 160 Persons Who J udge . 163 Methods of Judging . 164 The Prizes . 167 Social Features . 170 2. College Dramatic Societies 172 3. High School Clubs and Classes 174 Florida University Extension Con¬ tests .... 175 Southern College, Lakeland, Florida 178 Northeast Missouri State Teachers College.179 New York University . .179 Williams School, Ithaca, New York 179 University of North Dakota . .180 Pawtucket High School . .180 4. Miscellaneous Non-Dramatic Asso¬ ciations .181 New York Community Dramatics Contests.181 New Jersey Federation of Women’s Clubs.185 Dramatic Work Suitable for Chil¬ dren .187 4 TABLE OF CONTENTS PAGE II. Play-Writing Contests . 188 1. Little Theatre Groups . 189 2. Universities and Colleges . I9I 3. Miscellaneous Groups . • 194 PART FOUR Selected Bibliography for Amateur Workers IN THE Drama.196 General.196 Production.197 Stagecraft: Settings, Lighting, and so forth . 199 Costuming.201 Make-up.203 Acting.204 Playwriting.205 Puppetry and Pantomime.205 School Dramatics. 207 Religious Dramatics.208 Addresses OF Publishers.210 Index OF Authors.214 5 LIST OF TABLES PAGE 1. Distribution of 789 Little Theatre Groups Listed in the Billboard of the Drama Magazine from October, 1925 through May, 1929, by Type of Organization . 22 2. Distribution by States of 1,000 Little Theatre Groups Listed in the Billboard from October, 1925 through June, 1931.25 3. -
The Contributions of James F. Neill to the Development of the Modern Ameri Can Theatrical Stock Company
This dissertation has been 65—1234 microfilmed exactly as received ZUCCHERO, William Henry, 1930- THE CONTRIBUTIONS OF JAMES F. NEILL TO THE DEVELOPMENT OF THE MODERN AMERI CAN THEATRICAL STOCK COMPANY. The Ohio State University, Ph.D., 1964 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan Copyright by William Henry Zucchero 1965 THE CONTRIBUTIONS OF JAMES F. NEILL TO THE DEVELOPMENT OF THE MODERN AMERICAN THEATRICAL STOCK COMPANY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By William Henry Zucchero, B.S., M.A. * * * * * $ The Ohio State University 1964 Approved by PLEASE NOTE: Plates are not original copy. Some are blurred and indistinct. Filmed as received. UNIVERSITY MICROFILMS, INC. PREFACE Appreciation is extended to the individuals, named below, for the aid each has given in the research, prepara tion, and execution of this study. The gathering of pertinent information on James F. Neill, his family, and his early life, was made possible through the efforts of Mrs. Eugene A. Stanley of the Georgia Historical Society, Mr. C. Robert Jones (Director, the Little Theatre of Savannah, Inc.), Miss Margaret Godley of the Savannah Public Library, Mr. Frank Rossiter (columnist, The Savannah Morning News). Mrs. Gae Decker (Savannah Chamber of Commerce), Mr. W. M. Crane (University of Georgia Alumni Association), Mr. Don Williams (member of Sigma Alpha Epsilon— Neill’s college fraternity), and Mr. Alfred Kent Mordecai of Savannah, Georgia. For basic research on the operation of the Neill company, and information on stock companies, in general, aid was provided by Mrs. -
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and His Children: a Literary Biography Yolanda J. Gonz
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and his Children: A Literary Biography Yolanda J. Gonzalez, Ph.D. Chairperson: Stephen Prickett, Ph.D. The children of Samuel Taylor Coleridge, Hartley, Derwent, and Sara, have received limited scholarly attention, though all were important nineteenth century figures. Lack of scholarly attention on them can be blamed on their father, who has so overshadowed his children that their value has been relegated to what they can reveal about him, the literary genius. Scholars who have studied the children for these purposes all assume familial ties justify their basic premise, that Coleridge can be understood by examining the children he raised. But in this case, the assumption is false; Coleridge had little interaction with his children overall, and the task of raising them was left to their mother, Sara, her sister Edith, and Edith’s husband, Robert Southey. While studies of S. T. C.’s children that seek to provide information about him are fruitless, more productive scholarly work can be done examining the lives and contributions of Hartley, Derwent, and Sara to their age. This dissertation is a starting point for reinvestigating Coleridge’s children and analyzes their life and work. Taken out from under the shadow of Samuel Taylor Coleridge, we find that Hartley was not doomed to be a “child of romanticism” as a result of his father’s experimental approach to his education; rather, he chose this persona for himself. Conversely, Derwent is the black sheep of the family and consciously chooses not to undertake the family profession, writing poetry. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Edward George Earle Bulwer
EDWARD GEORGE EARLE “IT WAS A DARK AND STORMY NIGHT” BULWER-LYTTON, 1ST BARON LYTTON EDWARD BULWER-LYTTON “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Edward Bulwer-Lytton HDT WHAT? INDEX EDWARD BULWER-LYTTON EDWARD BULWER-LYTTON 1803 May 25, Wednesday: Edward George Earle Bulwer-Lytton, 1st baron Lytton was born in London to General William Earle Bulwer of Heydon Hall and Wood Dalling, Norfolk and Elizabeth Barbara Lytton, daughter of Richard Warburton Lytton of Knebworth, Hertfordshire. (His name as assigned at birth was Edward George Earle Bulwer.) The Reverend William Emerson, pastor of the 1st Church of Boston, attended the Election Day sermon of another reverend and then dined with the governor of Massachusetts. When he returned to his parsonage he was informed of the women’s business of that day: his wife Ruth Haskins Emerson had been giving birth in Boston and the apparently healthy infant had been a manchild. The baby would be christened Ralph, after a remote uncle, and Waldo, after a family into which the Emerson family had married in the 17th century.1 (That family had been so named because it had originated with some Waldensians who had become London merchants — but in the current religious preoccupations of the Emerson family there was no trace remaining of the tradition of that Waldensianism.) WALDENSES WALDO EMERSON WALDO’S RELATIVES NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT 1. Great-Great-Grandmother Rebecca Waldo of Chelmsford (born in 1662, married Edward Emerson of Newbury, died 1752); Great-Great-Great Grandfather Deacon Cornelius Waldo (born circa 1624, died January 3?, 1700 in Chelmsford) HDT WHAT? INDEX EDWARD BULWER-LYTTON EDWARD BULWER-LYTTON 1807 Edward George Earle Bulwer’s father died while he was four years of age, and the family relocated to London. -
Cooper's Hill to Windsor-Forest
RICE UNIVERSITY MYTHIC PEACE AND PLENTY: COOPER’S HILL TO WIWDBOR-FOKEBT by Clifford Earl Ramsey, III A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DECREE OF MASTER OF ARTS Houston, Texas June, 1961 CONTENTS FOREWORD 1 ONE —THE MYTHICAL CONCEPTION OF HISTORY . 1 TWO —POEMS OF PEACE AND PLENTY FROM COOPER1 S HILL TO WINDSOR-FOREST ................ 8 THREE—AFTER WINDSOR-FOREST. .46 NOTES .56 BIBLIOGRAPHY 66 FOREWORD This study is an Investigation of a sub-species of seventeenth and eighteenth century English poetry — a group of poems that I believe constitutes a "tradition" in the literature of the period* In this essay I call these works Poems of Peace and Plenty, and 1 attempt to charac¬ terize the Peace and Plenty tradition by describing its es¬ sential elements* X am more concerned vrith "content" than "form," so my analysis will focus for the most part on themes and motifs. Although I will describe an apparently uniform pattern, almost no individual poem conforms completely to the somewhat idealized configuration which I have extrapo¬ lated. Nor can all the poems I use for evidence or illus¬ tration be called Poems of Peace and Plenty. Of the too poems 1 have chosen as the terminal points of this study, Cooper^ Hill is only inchoately a poem of Peace and Plenty, but Windsor-Forest on the other hand is possibly the one work which most fully conforms to the Peace and Plenty pat¬ tern. For this reason these two poems, though arbitrarily selected, mark off rather meaningful limits for an analysis of this type of poetry. -
LUCRETIUS -- the Nature of Things Trans
REDUX EDITION* LUCRETIUS The Nature of Things Translated and with Notes by A. E. STALLINGS Introduction by RICHARD JENKYNS PENGUIN BOOKS * See the release notes for details LINE NUMBERING: The lines of the poem are numbered by tens, with the exception of line II.1021 which was marked instead of line II.1020 (unclear whether intended or by error) and the lines I.690 and I.1100 which were skipped altogether. The line numbering follows the 1947 Latin edition of Cyril Bailey and not this English translation (confusing but helpful when referencing other translations/commentaries). As stated in the "Note on the Text and Translation", the author joined together and restructured lines for the needs of this translation. Consequently, the number of actual lines between adjacent multiples of ten (or "decades") are often a couple of lines less or more than the ten of the referenced Latin edition. As far as line references in the notes are concerned, they are with maybe a few exceptions in alignment with the numbering of their closest multiple of ten. MISSING SECTIONS: As mentioned in the "Note on the Text and Translation", missing sections (or "lacunae") of which there are a few, are denoted with three dots and/or an explanation enclosed in square brackets. LINE STRUCTURE: The structure of the translation is rhymed couplets, meaning that you'll mostly (though not exclusively) have consecutive pairs of rhymed lines throughout the entire poem. The poem itself is broken up with occasional standard line breaks, as one would expect, but also with a more peculiar feature that might best be described as indented line breaks.