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The Texas Observer DEC. 13, 1963
The Texas Observer DEC. 13, 1963 A Journal of Free Voices A Window to The South 25c Who Was Lee Harvey Oswald? Dallas Much has been written about Lee Harvey Oswald, 24, of New Orleans, Fort Worth, and, for a time, the Soviet Union, but I have learned the most about him as he was on November 22 in Dallas from two long interviews here, one with a man who had an argument with him less than a month before that day and one with a man who knew him as well as anyone who has spoken up. His mother, too, has had a part of her say, but she is determined to sell her story; she did not know him well at the end; and he had moved beyond her influence. His brothers kept then ovvr: cywnsel. His wife has yet to talk to reporters, other than a Life team who did not report much from her. And he is dead now. The argument occurred at a meeting of the Dallas chapter of the American Civil Liberties Union at Selectman Hall on the S.M.U. campus Oct. 25. Michael Paine, Os- wald's only close acquaintance, as far as is known, during the last months of his life, had brought him as a guest. The program for the evening was built around a showing of a film developing the theme that a Washington state legislator had been defeated by right'-'wing attacks based on previous communist-type associa- tions of the legislator's wife. The discussion was running along the theme that liberals should oppose witch-hunts, but with scru- pulous methods. -
Dallas Striptease 1946-1960 A
FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 A Thesis by KELLY CLAYTON Submitted to the Graduate School of Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 A Thesis by KELLY CLAYTON Approved by: Advisor: Jessica Brannon-Wranosky Committee: Sharon Kowalsky Andrew Baker Head of Department: Sharon Kowalsky Dean of the College: William Kuracina Dean of the Graduate School: Matthew A. Wood iii Copyright © 2019 Kelly Clayton iv ABSTRACT FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 Kelly Clayton, MA Texas A&M University-Commerce, 2019 Advisor: Jessica Brannon-Wranosky PhD The entertainment landscape of post-World War II Dallas, Texas included striptease in different types of venues. Travelling and local striptease acts performed at the city’s annual fair and in several nightclubs in the city. In the late 1940s, the fair featured striptease as the headlining act, and one of the city’s newspapers, the Dallas Morning News, described the dancers as the most popular attraction of the largest fair in the United States. Further, the newspaper reporting congratulated the men who ran the fair for providing Texans with these popular entertainment options. The dancers who performed at the fair also showcased their talents at area nightclubs to mixed gender audiences. Dallas welcomed striptease as an acceptable form of entertainment. However, in the early 1950s, the tone and tenor of the striptease coverage changed. The State Fair of Texas executives decried striptease as “soiled” and low-class. Dancers performed in nightclubs, but the newspaper began to report on one particular entertainer, Candy Barr, and her many tangles with law enforcement. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
DALLAS + ARCHITECTURE + CULTURE Winter 2018 Vol. 35 No. 1
DALLAS + ARCHITECTURE + CULTURE Winter 2018 Vol. 35 No. 1 strip COLUMNS // aiadallas.org 1 ARCHITECTURAL LIGHTING IS COMPLICATED NOW. Our professional lighting consultants know the latest in lighting and can make it simple for you. P LIGHTS R FANTASTIC O P LIGHTS R FANTASTIC O LIGHTSFANTASTICPRO.COM P 2525 E. STATE HWY. 121LIGHTS • BLDG. B, SUITE 200 • LEWISVILLE,R TX 75056 • 469.568.1111 FANTASTIC O 2 COLUMNS // aiadallas.org P LIGHTS R FANTASTIC O AIA Dallas Columns Winter 2018 + Vol. 35, No. 1 strip “Doing more with less” seems to be a mantra for the 21st Century. Design work, however, doesn’t need to be either prudish or garish to be smart. Are we slowly stripping away history, meaning, and character in our community? STRIP EXPLORATION 14 The Evolution of Place What does “character” refer to when describing Dallas architecture? 18 Fixing “Strip-urbia” Are the commercial byproducts of sprawl outdated? 22 At Our Wit’s End Can a sense of humor in strip malls be the recipe for success? 28 A Strip of Pavement that Changed Texas Forever How did our nation’s first highway system transform the Dallas–Fort Worth metroplex? 33 The Politics of Stripping Should public art be stripped of its historic and political meaning? Cover Illustration: Frances Yllana COLUMNS // aiadallas.org 1 Prairie View A&M University Agriculture & Business Multipurpose Building architect Overland Partners, San Antonio general contractor Linbeck, Houston Building Connections In Brick masonry contractor Camarata Masonry Systems, Houston At Prairie View A&M University’s historical gathering “We worked with Prairie View place, a clock tower now marks a center of academic A&M to design a central campus as well as social convergence. -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
Two Gentlemen of Verona
39th Season • 378th Production SEGERSTROM STAGE / FEBRUARY 21 THROUGH MARCH 30, 2003 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents TWO GENTLEMEN OF VERONA by WILLIAM SHAKESPEARE Scenic Design Costume Design Lighting Design DARCY SCANLIN JOYCE KIM LEE GEOFF KORF Composer/Sound Design Vocal Consultant Production Manager Stage Manager ARAM ARSLANIAN URSULA MEYER JEFF GIFFORD *SCOTT HARRISON Directed by MARK RUCKER Honorary Producers HASKELL & WHITE, LLP Two Gentlemen of Verona • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Valentine ................................................................................. *Gregory Crane Proteus .......................................................................................... *Scott Soren Speed, a servant to Valentine ............................................. *Daniel T. Parker Julia, beloved of Proteus ................................................... *Jennifer Elise Cox Lucetta, waiting woman to Julia ...................................... *Rachel Dara Wolfe Antonio, father to Proteus .............................................................. *Don Took Panthino, a servant to Antonio .............................................. *Hal Landon Jr. Silvia, beloved of Valentine ....................................................... *Nealy Glenn Launce, a servant to Proteus .................................................... *Travis Vaden Thurio, a rival to Valentine .................................................. *Guilford -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Off Campus Students Question Safety October Is Alcohol Awareness Month
•-" --NEWS- -SPORTS^ Sorfiestudents^questioh • The Red Foxes were. whether the food quality blanked for the second has gone up in the hew- game in a! row on Satur lcx>kMaristdininghall, day, falling 31-0 to Pg-3 Duquesne, pg. 16 THE CIRCLE the student newspaper of N|arist College VOLUME #53 ISSUE #2 HTTP://WWW.ACADEMIC.MARIST.EDV/C1RCLE SEPTEMBER 23, 1999 Off campus students question safety byJAIMETOMEO thorities must be published for who were mugged walking back Asst. News Editor the past three calendar years. to Marist at night: It is enough Mother always said to go ev During the 1998 school year to make students ask the ques erywhere with a buddy and look there were three reported bur tion, "Am 1 really safe off-cam both ways before crossing the glaries reported and one weap pus?" street to be safe. ons possession. This is a de It is a question all students Under the federal law entitled cline from the two proceeding should take into consideration "Student Right to Know and school years. • before walking past the new Campus Security Act", statis Yet students still hear repeated black metal fence. Unfortunately tics regarding certain crimes re stories of the student who was for many, becoming a statistic of ported to campus security au dragged by a cab and of people ...please see CRIME, pg. 4 Circle photo/Megan Williams Multiple crimes have occured near the Palace Diner recently. Parents to take jawexthe cahipus . arpund;-carnpus,~and .various r byKATEREILLY sporting events, there is also the '"; ' Staff Writer opportunity for parents and The sight of students clean students to take a boat cruise ing^ their rooms.for the past on the Hudson River. -
Striptease, Tourism and Reform in Postwar New Orleans
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-15-2012 “Respectably Dull”: Striptease, Tourism and Reform in Postwar New Orleans Lauren E. Milner University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Social History Commons Recommended Citation Milner, Lauren E., "“Respectably Dull”: Striptease, Tourism and Reform in Postwar New Orleans" (2012). University of New Orleans Theses and Dissertations. 1601. https://scholarworks.uno.edu/td/1601 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. “Respectably Dull”: Striptease, Tourism and Reform in Postwar New Orleans A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History Public History Concentration by Lauren Elizabeth Milner B.A. University of Mary Washington, 2010 December, 2012 Copyright 2012, Lauren Elizabeth Milner ii Acknowledgments I would like to extend my sincere gratitude and thanks to my advisor, Dr. -
“The List” -- Prime-Time Television Shows Niceole Has Watched. (Rules
“The List” -- Prime-time television shows Niceole has watched. (Rules: watched at least one full episode of a drama, comedy, or reality show, including reruns that aired in syndication.) 1. 1st & 10 2. The 100 3. 12 Monkeys 4. 2 Broke Girls 5. 20/20 6. 21 Jump Street 7. 227 8. 24 9. 240-Robert 10. 30 Rock 11. 3rd Rock from the Sun 12. The 4400 13. 48 Hours/48 Hours Mystery 14. 666 Park Avenue 15. 60 Minutes 16. 7th Heaven 17. 8 Simple Rules 18. 9 to 5 19. 90210 (new) 20. A to Z 21. A Gifted Man 22. A Year in the Life 23. A-Team 24. About a Boy 25. Absolutely Fabulous 26. According to Jim 27. Adam-12 28. The Addams Family 29. Adventures of Brisco County Jr. 30. Adventures of Ozzie and Harriet 31. The Affair 32. The After 33. Agent Carter 34. Agent X 35. Agents of S.H.I.E.L.D. 36. Airwolf 37. Alcatraz 38. Alf 39. Alfred Hitchcock Presents 40. Alice 41. All American Girl 42. All in the Family 43. Allegiance 44. Ally McBeal 45. Almost Human 46. Almost Perfect 47. The Amazing Race 48. Amazing Stories 49. Amen 50. American Crime 51. American Crime Story: People vs. OJ Simpson 52. American Dad 53. American Horror Story 54. American Inventor 55. American Odyssey 56. The Americans 57. America's Funniest Home Videos 58. America’s Got Talent 59. America's Most Wanted 60. America's Next Top Model 61. The Andy Griffith Show 62. Angie 63. -
Greetings from Tucson a Postcard History of the Old Pueblo
Greetings From Tucson A Postcard History of the Old Pueblo By Michelle B. Graye TABLE OF CONTENTS ©2004 Michelle B. Graye All Rights Reserved No part of this of this book may be reproduced, stored in a retrieval system, or transmit- Acknowledgments ........................................................................iv ted by any means without the written permission of the author. Introduction ..................................................................................v First edition 10 9 8 7 6 5 4 3 2 1 ISBN: 0-9760173-0-X One Wish You Were Here ....................................................................1 Printed in the United States of America EBSCO Media Two Get Your Forty Winks Here ..........................................................9 Three You Can Always Go Downtown ................................................18 Four Build it and They Will Come ......................................................26 Five Yee-Haw! Cowboys & Indians....................................................38 Six Nature Calls ................................................................................50 BG M Seven Michelle B. Graye School Days: University of Arizona ..........................................60 P.O. Box 1844 Tucson, AZ 85702 Eight Tourist Trappings ........................................................................65 Cover design and scanning services by Daniel H. Caldwell Copy editing by Shelby Meyer Index by Michelle B. Graye Bibliography ................................................................................79 -
On Women, Gender, and Feminism
WOMEN’S STUDIES LIBRARIAN NEW BOOKS ON WOMEN, GENDER, AND FEMINISM Number 53 Fall 2008 University of Wisconsin System NEW BOOKS ON WOMEN, GENDER, & FEMINISM No. 53, Fall 2008 CONTENTS Scope Statement .................. 1 Reference/ Bibliography . 61 Anthropology...................... 1 Religion/ Spirituality . 63 Art/ Architecture/ Photography . 2 Science/ Mathematics/ Technology . 67 Biography ........................ 5 Sexuality ........................ 68 Economics/ Business/ Work . 11 Sociology/ Social Issues . 69 Education ....................... 14 Sports & Recreation . 76 Film/ Theater..................... 15 Women’s Movement/ General Women's Studies . 77 Health/ Medicine/ Biology . 17 Periodicals ...................... 79 History.......................... 21 Indexes Humor.......................... 28 Authors, Editors, & Translators . 80 Language/ Linguistics . 29 Subjects....................... 99 Law ............................ 29 Citation Abbreviations . 127 Lesbian Studies .................. 31 Lesbian, Gay, Bisexual, Transgender, Intersex, & Queer Studies . 32 New Books on Women, Gender, & Feminism is published by Literature Phyllis Holman Weisbard, Women's Studies Librarian for the University of Wisconsin System, 430 Memorial Library, 728 Drama ........................ 35 State Street, Madison, WI 53706. Phone: (608) 263-5754. Fiction ........................ 37 Email: wiswsl @library.wisc.edu. Editor: Linda Fain. Compilers: Elzbieta Beck, Amy Dachenbach, JoAnne Lehman, Heather History & Criticism . 38 Shimon, Phyllis Holman