Burlesque: Exotic Dancers of the 50S & 60S PDF Book
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The Texas Observer DEC. 13, 1963
The Texas Observer DEC. 13, 1963 A Journal of Free Voices A Window to The South 25c Who Was Lee Harvey Oswald? Dallas Much has been written about Lee Harvey Oswald, 24, of New Orleans, Fort Worth, and, for a time, the Soviet Union, but I have learned the most about him as he was on November 22 in Dallas from two long interviews here, one with a man who had an argument with him less than a month before that day and one with a man who knew him as well as anyone who has spoken up. His mother, too, has had a part of her say, but she is determined to sell her story; she did not know him well at the end; and he had moved beyond her influence. His brothers kept then ovvr: cywnsel. His wife has yet to talk to reporters, other than a Life team who did not report much from her. And he is dead now. The argument occurred at a meeting of the Dallas chapter of the American Civil Liberties Union at Selectman Hall on the S.M.U. campus Oct. 25. Michael Paine, Os- wald's only close acquaintance, as far as is known, during the last months of his life, had brought him as a guest. The program for the evening was built around a showing of a film developing the theme that a Washington state legislator had been defeated by right'-'wing attacks based on previous communist-type associa- tions of the legislator's wife. The discussion was running along the theme that liberals should oppose witch-hunts, but with scru- pulous methods. -
Dallas Striptease 1946-1960 A
FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 A Thesis by KELLY CLAYTON Submitted to the Graduate School of Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 A Thesis by KELLY CLAYTON Approved by: Advisor: Jessica Brannon-Wranosky Committee: Sharon Kowalsky Andrew Baker Head of Department: Sharon Kowalsky Dean of the College: William Kuracina Dean of the Graduate School: Matthew A. Wood iii Copyright © 2019 Kelly Clayton iv ABSTRACT FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 Kelly Clayton, MA Texas A&M University-Commerce, 2019 Advisor: Jessica Brannon-Wranosky PhD The entertainment landscape of post-World War II Dallas, Texas included striptease in different types of venues. Travelling and local striptease acts performed at the city’s annual fair and in several nightclubs in the city. In the late 1940s, the fair featured striptease as the headlining act, and one of the city’s newspapers, the Dallas Morning News, described the dancers as the most popular attraction of the largest fair in the United States. Further, the newspaper reporting congratulated the men who ran the fair for providing Texans with these popular entertainment options. The dancers who performed at the fair also showcased their talents at area nightclubs to mixed gender audiences. Dallas welcomed striptease as an acceptable form of entertainment. However, in the early 1950s, the tone and tenor of the striptease coverage changed. The State Fair of Texas executives decried striptease as “soiled” and low-class. Dancers performed in nightclubs, but the newspaper began to report on one particular entertainer, Candy Barr, and her many tangles with law enforcement. -
DALLAS + ARCHITECTURE + CULTURE Winter 2018 Vol. 35 No. 1
DALLAS + ARCHITECTURE + CULTURE Winter 2018 Vol. 35 No. 1 strip COLUMNS // aiadallas.org 1 ARCHITECTURAL LIGHTING IS COMPLICATED NOW. Our professional lighting consultants know the latest in lighting and can make it simple for you. P LIGHTS R FANTASTIC O P LIGHTS R FANTASTIC O LIGHTSFANTASTICPRO.COM P 2525 E. STATE HWY. 121LIGHTS • BLDG. B, SUITE 200 • LEWISVILLE,R TX 75056 • 469.568.1111 FANTASTIC O 2 COLUMNS // aiadallas.org P LIGHTS R FANTASTIC O AIA Dallas Columns Winter 2018 + Vol. 35, No. 1 strip “Doing more with less” seems to be a mantra for the 21st Century. Design work, however, doesn’t need to be either prudish or garish to be smart. Are we slowly stripping away history, meaning, and character in our community? STRIP EXPLORATION 14 The Evolution of Place What does “character” refer to when describing Dallas architecture? 18 Fixing “Strip-urbia” Are the commercial byproducts of sprawl outdated? 22 At Our Wit’s End Can a sense of humor in strip malls be the recipe for success? 28 A Strip of Pavement that Changed Texas Forever How did our nation’s first highway system transform the Dallas–Fort Worth metroplex? 33 The Politics of Stripping Should public art be stripped of its historic and political meaning? Cover Illustration: Frances Yllana COLUMNS // aiadallas.org 1 Prairie View A&M University Agriculture & Business Multipurpose Building architect Overland Partners, San Antonio general contractor Linbeck, Houston Building Connections In Brick masonry contractor Camarata Masonry Systems, Houston At Prairie View A&M University’s historical gathering “We worked with Prairie View place, a clock tower now marks a center of academic A&M to design a central campus as well as social convergence. -
New Exhibit Revives Spirit of Legendary Old Howard Theatre
Boston’s Neighborhood Museum New Exhibit Revives Spirit of Legendary Old Howard Theatre FOR IMMEDIATE RELEASE: September 10, 2019 Boston, MA—On Tuesday, September 24, The West End Museum premieres a new exhibit, “The Old Howard Theatre,” in celebration of Boston’s oldest and best-loved playhouse, which stood in the heart of Boston’s Scollay Square just steps from the old West End. The Howard’s origin, glory days, and ultimate demise are recounted through photographs, artifacts, and graphic panels. The show reception takes place on Thursday, October 17 from 6:30 to 8:00 p.m. Concurrent programs—a film screening, an author talk and an evening of burlesque music—complement the show, which runs through February 15, 2020. The exhibit and reception are free; concurrent programs require admission for non-Museum members. (Media note: Find reception and program details on the following pages, download hi-res show images here.) “Scollay Square and the Old Howard will always be connected to the history of the West End,” said Duane Lucia, the Museum’s executive director and exhibit curator. “By the 1950s, the Old Howard had become synonymous with vice and ‘burly,’ and like the West End, a symbol of a bygone Boston deemed by the powers that be as incompatible with the vision of the ‘New Boston’ and urban renewal.” Once a tabernacle for a doomsday sect, the building became a playhouse in 1845 only to burn down a few months later. Funds from a local brewery financed the construction of a new Gothic-like building, which opened its doors in October 1846. -
Blue Star Museums Press Release
[email protected] (888) 661-6465 FOR IMMEDIATE RELEASE BURLESQUE HALL OF FAME TO PARTICIPATE IN BLUE STAR MUSEUMS Museum offering free admission to active military and their family members this summer [Las Vegas, NV – May 9, 2019] The Burlesque Hall of Fame will join museums nationwide in participating in the tenth summer of Blue Star Museums, a program which provides free admission to our nation’s active-duty military personnel and their families this summer. The 2019 program will begin Saturday, May 18, 2019, Armed Forces Day, and end on Monday, September 2, 2019, Labor Day. More information about Blue Star Museums and a list of participating museums can be found at arts.gov/bluestarmuseums. Blue Star Museums is an initiative of the National Endowment for the Arts in collaboration with Blue Star Families, the Department of Defense, and more than 2,000 museums nationwide. First Lady of the United States Melania Trump and Second Lady of the United States Karen Pence are honorary co-chairs of Blue Star Museums 2019. “The burlesque world has always had a special relationship with the US military,” says Executive Director Dustin M. Wax. “Burlesque performers like Gypsy Rose Lee, Ann Corio, Mae West, and Sherry Britton travelled the world with the USO, posed for pinups, led book drives for overseas service members, and of course entertained troops in theaters and clubs around the country. We are proud to continue that special relationship and to share that history with today’s generation of men and women serving in the armed forces.” “The Defense Department congratulates Blue Star Families and the National Endowment for the Arts on reaching an incredible milestone: ten years of service to the military community though Blue Star Museums,” said A.T. -
S:\Pew Drafts\Aug Nii for # Check.Wpd
NEWS Release 1615 L Street, N.W., Suite 700 Washington, D.C. 20036 Tel (202) 419-4350 Fax (202) 419-4399 FOR RELEASE: THURSDAY, AUGUST 17, 2006 2:00 PM Strong Support for Israel – No Surge in Terror Concerns or Boost for Bush AMERICAN ATTITUDES HOLD STEADY IN FACE OF FOREIGN CRISES Also Inside... • Public sympathy for Israel increases • Lebanon news draws large audience • Republican divisions over Iraq • More aware of Gibson than Lieberman, Couric FOR FURTHER INFORMATION CONTACT: Andrew Kohut, Director Carroll Doherty and Michael Dimock, Associate Directors Scott Keeter, Director of Survey Research Pew Research Center for The People & The Press 202/419-4350 http://www.people-press.org Strong Support for Israel – No Surge in Terror Concerns or Boost for Bush AMERICAN ATTITUDES HOLD STEADY IN FACE OF FOREIGN CRISES The public is paying a great deal of attention to major overseas events – the reported terrorist plot against U.S. trans-Atlantic jet liners, the war in Lebanon, as well as the ongoing violence in Iraq. However, there is little indication that these dramatic stories have materially changed public attitudes. Worries about another terrorist attack have not surged. The public continues to express high levels of support for Israel, even as a sizable minority views Israel as mostly responsible for the civilian casualties arising from the fighting. And while more Americans say the U.S. is losing ground in preventing a civil Major Events, war in Iraq, basic attitudes about the conflict are largely Modest Impact unchanged. Following ‘very closely’... Top foreign stories % The strong focus on news from abroad is having little Airline terror plot 54 Iraq war 41 impact on the public’s political opinions. -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
Rose La Rose and the Re-Ownership of American Burlesque, 1935-1972
TAUGHT IT TO THE TRADE: ROSE LA ROSE AND THE RE-OWNERSHIP OF AMERICAN BURLESQUE, 1935-1972 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Wellman Graduate Program in Theatre The Ohio State University 2015 Dissertation Committee: Jennifer Schlueter, Advisor Beth Kattelman Joy Reilly Copyright by Elizabeth Wellman 2015 ABSTRACT Declaring burlesque dead has been a habit of the twentieth century. Robert C. Allen quoted an 1890s letter from the first burlesque star of the American stage, Lydia Thompson in Horrible Prettiness: Burlesque and American Culture (1991): “[B]urlesque as she knew it ‘has been retired for a time,’ its glories now ‘merely memories of the stage.’”1 In 1931, Bernard Sobel opined in Burleycue: An Underground History of Burlesque Days, “Alas! You will never get a chance to see one of the real burlesque shows again. They are gone forever…”2 In 1938, The Billboard published an editorial that began, “On every hand the cry is ‘Burlesque is dead.’”3 In fact, burlesque had been declared dead so often that editorials began popping up insisting it could be revived, as Joe Schoenfeld’s 1943 op-ed in Variety did: “[It] may be in a state of putrefaction, but it is a lusty and kicking decomposition.”4 It is this “lusty and kicking decomposition” which characterizes the published history of burlesque. Since its modern inception in the late nineteenth century, American burlesque has both been framed and framed itself within this narrative of degeneration. -
Behind the Burly Q
BEHIND THE BURLY Q A film by Leslie Zemeckis HDCAM SR, 98 minutes, 2010 First Run Features 630 Ninth Avenue, Suite 1213 New York, NY 10036 [email protected] (212) 243-0600 PRAISE FOR BEHIND THE BURLY Q “Utterly entertaining Behind the Burly Q is a painstakingly researched love letter to the women and men who once made up the community of burlesque performers…its treasure trove of vintage photographs and performance footage is enough to make historians and fans of classic erotica swoon…insightful, fascinating.” –Ernest Hardy, The Village Voice CRITICS’ PICK! “Intriguing…fans of theatrical history are well advised to check it out” -New York Magazine “Charming, entertaining…a delight!” –Manohla Dargis, Behind the Burly Q “Provides a privileged front-row seat to sample several of the form's most memorable practitioners… stories run from raunchy to touching to funny to flat-out incredible.” –Ronnie Scheib, Variety “Affectionate and engaging…wonderful vintage footage, a fascinating glimpse into a corner of American history.” –New York Daily News “Fascinatingly strips away at the myths surrounding the most popular American entertainment form of the first half of the 20th century.” –Michael Musto, The Sundance Channel “Quickly paced, absorbing.” –Kyle Smith, The New York Post “History done right: informative, entertaining, funny and finally rather moving…jam-packed with juicy detail, and most of that jam is tasty indeed.”-James van Maanen, Trustmovies “Delightful, engaging…A veritable who's who of the grande dames of the burlesque stage…for -
APRIL MARCH from the Vehicle the Public Has Picked a Bear Mascot and Pronounced Logo for Bevill State Community Col- Lege
INSIDE TODAY: Nearing 100 days, Trump says his presidency is ‘different’ / A12 APRIL 25, 2017 JASPER, ALABAMA — TUESDAY — WWW.MOUNTAINEAGLE.COM 75 CENTS BEVILL STATE BRIEFS County cleanup considered a success COMMUNITY COLLEGE Jasper man By ED HOWELL weekend. The efforts were held in coordination dies in crash Daily Mountain Eagle with the 2017 Don’t Drop It On Alabama A single-vehicle Statewide Spring Cleanup Cleanups held Saturday across Walker “We had sign-up locations at each and we had A beary accident early Mon- County were successful, and the participating a lot of people to come out and help,” she said. day morning communities are talking of holding a similar ef- Fire departments and constables were in- claimed the life of a fort this fall. volved at all three locations, Dickerson said, Walker County Revenue Auditor Robbie Dick- while the Walker County Sheriff’s Department big Bevill Jasper man. erson, who helped coordinate the effort, said patrolled to make sure all the volunteers were Jeffrey R. Murry, Monday she was impressed with the citizen in- safe while they picked up roadside trash. 36, died when the volvement in Cordova, Parrish and Oakman, as 2003 Pontiac Grand those communities announced efforts for the See CLEANUP, A5 contest Am he was driving left the roadway Vote underway to help name and overturned. college’s new bear mascot Murry, who was By ED HOWELL not using a seat Daily Mountain Eagle belt, was ejected APRIL MARCH from the vehicle The public has picked a bear mascot and pronounced logo for Bevill State Community Col- lege. -
The Untitled Black Burlesque History Project
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Winter 1-5-2017 The Untitled Black Burlesque History Project Sekiya Dorsett How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/243 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 12-20-2017 The Untitled Black Burlesque History Project Sekiya Dorsett CUNY Hunter College The Untitled Black Burlesque History Project by Sekiya Dorsett Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Integrated Media Arts, Hunter College The City University of New York Fall 2017 Thesis Sponsor: Dec 20, 2017 Date Signature Tami Gold Dec 20, 2017 Date Signature of Second Reader Rachel Stevens Dec 20, 2017 Date Signature of Third Reader Ricardo Miranda 2 Abstract The Untitled Black Burlesque History Project is a character driven short documentary featuring Chicava Honeychild, a neo-burlesque1 dancer who is unearthing a hidden Black burlesque history. As Chicava searches for her “stripper grandmas,” she mentors a new generation of burlesque performers who are of women of color. Chicava Honeychild first meeting with Black burlesque Jean Idelle is interwoven with the burlesque journey of Henrietta, Chicava Honeychild’s burlesque student. As Henrietta is honing her burlesque craft in preparation for her first performance, we learn about Jean’s dynamic life as a burlesque dancer in the 1940s and 1950s. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.