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Preservings $10.00 No
-being the Magazine/Journal of the Hanover Steinbach Historical Society Inc. Preservings $10.00 No. 16, June, 2000 “A people who have not the pride to record their own history will not long have the virtues to make their history worth recording; and no people who are indifferent to their past need hope to make their future great.” — Jan Gleysteen Happy Birthday - West Reserve - 1875-2000 125 Years Old Congratulations to our neighbours in the West descendants of the Old Kolony (OK) congrega- Gemeinde by Aeltester Johann Wiebe (1837- Reserve, Altona Winkler area, as they are cel- tions of Manitoba, and indeed across Canada, 1905), Rosengart, W. R., Manitoba, in 1875. By ebrating their 125th anniversary this summer. the U. S.A., and Latin American, on the occasion 1900 the OK community in Altona Winkler was We particularly congratulate the members and of the 125th anniversary of the founding of their considered one of the wealthiest in Manitoba. We wish them well and anticipate that many residents of Hanover Steinbach will want to “cross the river” to take part in various of the anniversary events planned for the West Reserve over the summer. We welcome the readers to another feast of historical writing. Editor D. Plett Q.C. Inside This Issue Feature stories .............................. 3-48 President’s Report ............................ 49 Editorial ...................................... 50-57 Letters ........................................ 58-62 Sketch of the central Old Kolony (OK) village of Reinland, West Reserve, founded in 1875. The drawing by W. T. Smedley dates to the early 1880s and was published in Picturesque Canada. The windmill News ....................................... -
HNA April 2016 Cover.Indd
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 33, No. 1 April 2016 Anthony van Dyck, Portrait of a Woman, ca. 1640. Oil on canvas, Speed Art Museum, Louisville (Kentucky); Museum Purchase, Preston Pope Satterwhite Fund Exhibited in Van Dyck: The Anatomy of Portraiture, The Frick Collection, New York, March 2 – June 5, 2016. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President – Amy Golahny (2013-2017) Lycoming College Williamsport PA 17701 Vice-President – Paul Crenshaw (2013-2017) Providence College Department of Art History 1 Cummingham Square Providence RI 02918-0001 Treasurer – David Levine Southern Connecticut State University 501 Crescent Street New Haven CT 06515 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Board Members Contents Stephanie Dickey (2013-2017) Arthur DiFuria (2016-2020) President's Message .............................................................. 1 Walter Melion (2014-2018) Obituary ................................................................................. 1 Alexandra Onuf (2016-2020) HNA News ............................................................................2 Bret Rothstein (2016-2020) Gero Seelig (2014-2018) Personalia .............................................................................. -
Art and Power in the Reign of Catherine the Great: the State Portraits
Art and Power in the Reign of Catherine the Great: The State Portraits Erin McBurney Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Erin McBurney !All rights reserved ABSTRACT Art and Power in the Reign of Catherine the Great: The State Portraits Erin McBurney This dissertation examines the relationship between art and power in the reign of Catherine II of Russia (1762-1796). It considers Catherine’s state portraits as historical texts that revealed symbolic manifestations of autocratic power, underscoring the close relationship between aesthetics and politics during the reign of Russia’s longest serving female ruler. The Russian empress actively exploited the portrait medium in order to transcend the limitations of her gender, assert legitimacy and display herself as an exemplar of absolute monarchy. The resulting symbolic representation was protean and adaptive, and it provided Catherine with a means to negotiate the anomaly of female rule and the ambiguity of her Petrine inheritance. In the reign of Catherine the Great, the state portraits functioned as an alternate form of political discourse. TABLE OF CONTENTS List of Illustrations…………………………………………………..ii-v Introduction………………………………………………………...1-33 I. Ennui and Solitude……………………………………………...34-105 II. Seizing the Stage of Power…………………………………….106-139 III. Minerva Ascendant……………………………………………..140-212 IV. “Victorieuse et Legislatrice”…………………………………...213-279 V. Picturing the Greek Project…………………………………...280-340 VI. The Judgment of History…………………………………....…341-393 Conclusion……………………………………………………….394-397 Bibliography……………………………………………………,..398-426 i McBurney Art and Power List of Illustrations Figure 1. Godfrey Kneller, Peter I of Russia, 1698 2. -
Trading Paintings and Painters' Materials 1550–1800
Trading Paintings and Painters’ Materials 1550–1800 CATS Proceedings, IV, 2018 Edited by Anne Haack Christensen and Angela Jager TRADING PAINTINGS AND PAINTERS’ MATERIALS 1550–1800 TRADING PAINTINGS AND PAINTERS’ MATERIALS 1550–1800 CATS Proceedings, IV, 2018 Edited by Anne Haack Christensen and Angela Jager Archetype Publications www.archetype.co.uk in association with First published 2019 by Archetype Publications Ltd in association with CATS, Copenhagen Archetype Publications Ltd c/o International Academic Projects 1 Birdcage Walk London SW1H 9JJ www.archetype.co.uk © 2019 CATS, Copenhagen The Centre for Art Technological Studies and Conservation (CATS) was made possible by a substantial donation by the Villum Foundation and the Velux Foundation, and is a collaborative research venture between the National Gallery of Denmark (SMK), the National Museum of Denmark (NMD) and the School of Conservation (SoC) at the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation.. ISBN: 978-1-909492-71-4 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher would be pleased to rectify any omissions in future reprints. Front cover illustration: François Brunel the Younger (attributed to), The Confiscation of the Contents of a Painter’s Studio, c.1590? (photo © Mauritshuis, The Hague). -
Annual Report 2010
National Gallery of Art 2010 NATIONAL GALLERY OF ART 2010 ANNuAL REpORT [ 1 ] ART & EDuCATION Vincent J. Buonanno BOARD OF TRuSTEES COMMITTEE W. Russell G. Byers Jr. (as of 30 September 2010) Victoria P. Sant Melvin S. Cohen † Chairman Leo A. Daly III Earl A. Powell III Robert W. Duemling Frederick W. Beinecke Barney A. Ebsworth Mitchell P. Rales Doris Fisher Sharon P. Rockefeller Aaron I. Fleischman John Wilmerding Juliet C. Folger Marina K. French FINANCE COMMITTEE Norma Lee Funger Mitchell P. Rales Lenore Greenberg Chairman Rose Ellen Greene Timothy F. Geithner Frederic C. Hamilton Secretary of the Treasury Richard C. Hedreen Frederick W. Beinecke Teresa F. Heinz John Wilmerding Victoria P. Sant Sharon P. Rockefeller Chairman President Helen Henderson Victoria P. Sant Benjamin R. Jacobs John Wilmerding Sheila C. Johnson Betsy K. Karel A uDIT COMMITTEE Mark J. Kington Frederick W. Beinecke Robert L. Kirk Chairman Jo Carole Lauder Timothy F. Geithner Secretary of the Treasury Leonard A. Lauder Mitchell P. Rales Robert B. Menschel Harvey S. Shipley Miller Sharon P. Rockefeller Frederick W. Beinecke Mitchell P. Rales Victoria P. Sant John G. Pappajohn John Wilmerding Sally E. Pingree Diana C. Prince TR uSTEES EMERITI Robert M. Rosenthal David M. Rubenstein Robert F. Erburu Andrew M. Saul John C. Fontaine B. Francis Saul II Julian Ganz, Jr. Thomas A. Saunders III Alexander M. Laughlin Fern M. Schad David O. Maxwell Albert H. Small Ruth Carter Stevenson Michelle Smith Sharon P. Rockefeller John G. Roberts Jr. Benjamin F. Stapleton EXEC uTIVE OFFICERS Chief Justice of the Luther M. Stovall United States Victoria P. -
Handel BROCKES-PASSION Academy of Ancient Music
haNdEL BROCKES-PASSION AcAdemy of Ancient music RichaRd EgaRR Choir of AAM ElizAbEth WAtts robErt MurrAy Cody QuAttlEbAuM GWilyM boWEn tiM MEAd ruby huGhEs niCky spEnCE rAChAEl lloyd MorGAn pEArsE georg Friedrich händel BROCKES-PASSION hWV 48 der für die sünde der Welt gemartete und sterbende Jesus aus den vier Evangelisten in gebundener rede vorgestellt |1 georg Friedrich händel BROCKES-PASSION hWV 48 der für die sünde der Welt gemartete und sterbende Jesus aus den vier Evangelisten in gebundener rede vorgestellt |1 george Frideric handel BROCKES-PASSION hWV 48 Jesus who was martyred and died for the sins of the world, presented in verse out of the four Evangelists detail from an original artwork “sands to shore” by Emma safe, created live in response to the Academy of Ancient Music’s performance of handel’s Brockes-Passion, Good friday, 2019; [103.] Chorale: the Christian Church, Mein’ Sünd’ mich werden kränken sehr Charcoal oil and watercolour on prepared ground, 34 X 48cm, 2019 |3 george Frideric handel BROCKES-PASSION hWV 48 Jesus who was martyred and died for the sins of the world, presented in verse out of the four Evangelists detail from an original artwork “sands to shore” by Emma safe, created live in response to the Academy of Ancient Music’s performance of handel’s Brockes-Passion, Good friday, 2019; [103.] Chorale: the Christian Church, Mein’ Sünd’ mich werden kränken sehr Charcoal oil and watercolour on prepared ground, 34 X 48cm, 2019 |3 ACADEMY OF ANCIENT MUSIC Richard Egarr 4| |5 ACADEMY OF ANCIENT MUSIC Richard Egarr 4| |5 hamburg Relations courier: 31 (20 os) March, 1719 künfftige Woche wird man ein vortreffliches geistliches oratorium in dem dom auff dem reventher nachmittag um 4 uhr präcise, und zwar Montags des hn. -
Trading Paintings and Painters' Materials 1550–1800
Trading Paintings and Painters’ Materials 1550–1800 CATS Proceedings, IV, 2018 Edited by Anne Haack Christensen and Angela Jager TRADING PAINTINGS AND PAINTERS’ MATERIALS 1550–1800 TRADING PAINTINGS AND PAINTERS’ MATERIALS 1550–1800 CATS Proceedings, IV, 2018 Edited by Anne Haack Christensen and Angela Jager Archetype Publications www.archetype.co.uk in association with First published 2019 by Archetype Publications Ltd in association with CATS, Copenhagen Archetype Publications Ltd c/o International Academic Projects 1 Birdcage Walk London SW1H 9JJ www.archetype.co.uk © 2019 CATS, Copenhagen The Centre for Art Technological Studies and Conservation (CATS) was made possible by a substantial donation by the Villum Foundation and the Velux Foundation, and is a collaborative research venture between the National Gallery of Denmark (SMK), the National Museum of Denmark (NMD) and the School of Conservation (SoC) at the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation.. ISBN: 978-1-909492-71-4 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher would be pleased to rectify any omissions in future reprints. Front cover illustration: François Brunel the Younger (attributed to), The Confiscation of the Contents of a Painter’s Studio, c.1590? (photo © Mauritshuis, The Hague). -
From Salviati to Calder LE CLAIRE KUNST 2014 32 NO
32 2014 LE CLAIRE KUNST CALDER TO [email protected] · WWW.LECLAIRE-KUNST.DE FROM SALVIATI FROM SALVIATI NO. 32 W O R K S O N P A P E R Francesco de’ Rossi, il Salviati, Alexander the Great depositing the Works of Homer in the Tomb of Achilles, no. 1 (detail) Egon Schiele, Portrait of August Lederer; no. 28 (detail) FROM SALVIATI TO CALDER New Acquisitions: Drawings,Watercolours and Pastels 32 ELBCHAUSSEE 386 · 22609 HAMBURG · GERMANY · PHONE: +49 (0)40 881 0646 · FAX: +49 (0)40 880 4612 [email protected] · WWW.LECLAIRE-KUNST.DE Alessandra Casti Karoline von Kügelgen Gerhard Kehlenbeck Thomas and Gianna le Claire All Quiet on the Western Front brought the novelist Erich Maria Remarque (1898-1970) worldwide success. It is less well known that he was a distinguished and dynamic collector of art. He was one of those great collectors uninterested in the investment side of art who lived with and for his art. The collection formed an important part of his Weltanschauung as well as playing a role in his daily life. He saw art as a timeless expression of civilization and of its accomplishments, and as an enduring expression of humanist values.1 Remarque’s single-minded commitment to collecting was based on the high level of critical judgment fundamental to any collector’s objectives. The current art market as dominated by today’s auction houses increasingly represents the more speculative side of collecting and this cannot be ignored. However, we continue to support the traditional approach to collecting. -
Kvinder I Danmarkshistorien
Historiens demokratisering– Kvinder i Danmarkshistorien Anne Heide Mogensen Studienummer: 20 15 33 39 Aalborg Universitet Historiestudiet, 10. semester Specialevejleder: Poul Duedahl Afleveringsdato: 2. juni 2020 Antal anslag: 191.617 Anne Heide Mogensen Speciale – Historiens demokratisering 02/06/2020 Studienummer: 20 15 33 39 Aalborg Universitet Vejleder: Poul Duedahl Forord Jeg er vokset op i en familie med stærke og selvstændige kvinder, men jeg har aldrig fundet deres plads i den historieundervisning jeg har modtaget – et sted, hvor de passede ind og hvor deres historier blev fortalt. Gennem arbejdet med dette speciale har jeg fået håb for, at de i fremtiden ikke længere er glemte og gemte. Det kommer ikke til at ske fra den ene dag til den anden, men tiden er med kvinders historie og vi har målet for øje! Jeg vil gerne sige tak til min vejleder, Poul Duedahl, for god og kyndig vejledning gennem hele processen. Også en stor tak til historikerne Dorthe Chakravarty og Gry Jexen for at stille op til interview og give mig et indblik i deres arbejde med kvinders historie. // Anne Heide Mogensen Side 1 af 123 Anne Heide Mogensen Speciale – Historiens demokratisering 02/06/2020 Studienummer: 20 15 33 39 Aalborg Universitet Vejleder: Poul Duedahl Abstract In this thesis I set out to examine how Danish historians in the years between 2010-2020 convey Danish women´s history, which channels they use and what potential the combination of historians and social media have. I use Lasswells´ communication model as the method throughout and frame for the thesis since it´s a communication model that considers all parts of a communication situation. -
November 2013 Newsletter
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 30, No. 2 November 2013 Michiel Coxcie, Saint Cecilia. Museo Nacional del Prado, Madrid In the exhibition Michiel Coxcie. De Vlaamse Rafael. Museum M, Leuven, October 31, 2013 – February 23, 2014. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President – Amy Golahny (2013-2017) Lycoming College Williamsport PA 17701 Vice-President – Paul Crenshaw (2013-2017) Providence College Department of Art History 1 Cummingham Square Providence RI 02918-0001 Treasurer – Dawn Odell Lewis and Clark College 0615 SW Palatine Hill Road Portland OR 97219-7899 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents Board Members President's Message .............................................................. 1 Lloyd DeWitt (2012-2016) Stephanie Dickey (2013-2017) HNA News ............................................................................1 Martha Hollander (2012-2016) Personalia ............................................................................... 2 Henry Luttikhuizen (2009 and 2010-2014) Exhibitions ............................................................................ 3 Shelley Perlove (2008-2009 and 2010-2014) Museum News ..................................................................... -
A History of Painting
iiSii A HISTORY OF PAINTING A HISTORY OF PAINTING BY HALDANE MACFALL WITH A PREFACE BY FRANK BRANGWYN *Tr/?e Renaissance (Edition or THE HISTORY OF PAINTING LIMITED TO ONE THOUSAND NUMBERED COPIES. OF WHICH THIS IS NUMBER : XVI HOLBEIN 1497- 1543 GERMAN SCHOOL OF AUGSBURG "CHRISTINA, DUCHESS OF MILAN'* (National Gallery) Christina, Princess of Denmark (1521-1590), at the age of thirteen married Francesco, Duke of Milan, and in 1535 was left a widow. On the death of Jane Seymour in October 1537, the young widow seems to have been regarded as a suitable bride for Henry VIII., as Holbein, who was then English Court- painter, made a sketch of her in Brussels on March 12, 1538. Three years later she married Francis, Duke of Lorraine, who died in 1545. The picture bears the inscription, which appears to be of rather later date "Christina daughter to Christierne K. of Denark Duches of Lorrayne and hered. Dutches of Milan." Painted in oil on three vertical panels. 5 ft. 10 in. h. x 2 ft. 8 in. w. (i778xo'8i3). Purchased by the National Gallery in June 1909 for ;!f 72, 000. A HISTORY OF PAINTING BY HALDANE MAGFALL WITH A PREFACE BY FRANK BRANGWYN IN EIGHT VOLUMES. ILLUSTRATED WITH TWO HUNDRED PLATES IN COLOUR VOL. IV THE RENAISSANCE IN THE NORTH; AND THE FLEMISH GENIUS DANA ESTES AND GO. BOSTON — Art T -^ -V M/6A. /foo FOREWORD Thus far we have followed the birth and fruition of the Renaissance in Italy, and the mightier fulfilment of a fuller art in later Italy and in Spain. -
The State Hermitage Museum Annual Report 2015
THE STATE HERMITAGE MUSEUM ANNUAL REPORT n 2015 CONTENTS General Editor 4 The Year of Zaha Hadid Mikhail Piotrovsky, General Director of the State Hermitage Museum, 6 State Hermitage Museum. General Information Full Member of the Russian Academy of Sciences, 14 Awards Full Member of the Russian Academy of Arts, Professor of St Petersburg State University, 20 The Composition of the Museum’s Collection Doctor of History 36 Permanent Displays 40 Temporary Exhibitions 80 Restoration and Conservation EDITORIAL BOARD: 96 Publications Mikhail Piotrovsky, 109 Electronic Editions, Video Films and Multimedia Projects General Director of the State Hermitage Museum 111 Conferences Georgy Vilinbakhov, 116 Archaeological Expeditions Deputy Director for Research 133 Major Construction and Restoration of Buildings Svetlana Adaksina, Deputy Director, Chief Curator 142 Structure of Visits to the State Hermitage in 2015 Marina Antipova, 143 Educational Events Deputy Director for Finance and Planning 156 Special Events Alexey Bogdanov, Deputy Director for Maintenance 162 Agreements Signed Mikhail Novikov, 166 International Advisory Board of the State Hermitage Museum Deputy Director for Construction 168 Guests of the Hermitage Mariam Dandamayeva, 174 Hermitage Friends’ Organisations Academic Secretary 188 Hermitage Friends’ Club Elena Zvyagintseva, Head of the Publishing Department 190 Financial Statements of the State Hermitage Museum Larissa Korabelnikova, 192 Principal Patrons and Sponsors of the State Hermitage Museum in 2015 Deputy Head of the History