Download PDF Preview

Total Page:16

File Type:pdf, Size:1020Kb

Download PDF Preview www.jorgewelsh.com Lisboa London First Published 2018 All rights reserved. No part of this publication may EDITED BY DESIGN Rua da Misericórdia, 43 116 Kensington Church Street © 2018 Jorge Welsh be reprinted or reproduced or utilised in any form Luísa Vinhais www.panorama.pt 1200—270 Lisboa London W8 4BH — Research & Publishing by any electronic, mechanical, or other means, now and Jorge Welsh Portugal United Kingdom 116 Kensington Church St., known or hereafter invented, including photocopying PRINTING T +351 213 953 375 T +44 (0) 20 7229 2140 London W8 4BH, UK and recording, or in any information storage or retrieval PHOTOGRAPHY Norprint.pt system, without prior permission in writing from the Richard Valencia 1st Edition publisher. A catalogue record for this book is available ISBN 978-0-9935068-4-0 from the British Library. Contents AcknOwleDGEMENTS 008 FOrewORD 010 CATALOGue OVERVIew 017 POrtrAIT OVERVIew 021 CATALOGue ENtrIes 026 BibliOGraphY 241 PrinTED SOurces 245 JORGE Welsh WOrks OF ART in MuseuMS anD EXhibiTIOns 246 PublicaTIOns BY JORGE Welsh Research & PublishinG 248 014 CATALOGUE OVERVIEW CATALOGUE OVERVIEW 015 CATALOGUE OVERVIEW 01 02 03 04 05 Painting Figure Plate Two Teabowls Tea Canister P 026 P 028 P 032 P 040 P 042 07 06 08 09 10 Two Teabowls Painting and Saucers Tea Canister Plate Plate P 044 P 048 P 050 P 052 P 054 13 11 12 14 Two Teabowls Plate Teapot Stand and Saucers Saucer P 055 P 056 P 058 P 062 016 PORTRAIT OVERVIEW CATALOGUE OVERVIEW 017 15 17 16 18 32 33 34 35 Two Teabowls Coffee Cup and Saucers Teabowl and Saucer Two Dishes Punchbowl Mug Punchbowl Two Punchbowls P 070 P 073 P 074 P 078 P 139 P 142 P 144 P 148 19 20 21 22 23 36 37 38 39 Plate Coffee Cup Two Saucers Plate Plate Two Punchbowls Punchbowl Punchbowl Punchbowl P 082 P 086 P 092 P 096 P 100 P 154 P 160 P 164 P 168 24 25 26 27 40 41 42 43 Two Plates Two Plates Tureen Reticulated Plate Two Teabowls Saucer Stand Seven Dinner Plates P 108 P 111 P 116 P 119 P 176 P 180 P 187 P 188 28 29 30 31 44 45 46 47 Four Plates Saucer Box Saucer Two Dessert Plates Reticulated Plate Custard Pot Two Sauceboats P 120 P 122 P 126 P 130 P 189 P 190 P 191 P 192 018 CATALOGUE OVERVIEW CATALOGUE OVERVIEW 019 PORTraiT OVERVIEW 48 49 50 51 Punchbowl Spoon Tray Cup and Saucer Two Mugs P 194 P 196 P 198 P 202 52 53 54 55 01 02 03 04—06 Mug Mug Two Cisterns Jug Virgin Mary Infant Jesus St. Simon the Apostle St. Ignatius Loyola P 204 P 206 P 208 P 212 P 026 P 028 P 032 P 038 56 57 58 07—12 13 14 15—16 Two Tea Canisters Two Dishes Two Plates Martin Luther Johannes Koch Willem Deurhoff Petrus Boudaen P 220 P 222 P 223 P 046 P 058 P 062 P 068 59 60 61 62 17 18 19 20 Figure Painting Painting Painting Willem van Haren Jan van Leiden Pieter de Wolff Elizabeth Petrovna of Russia P 224 P 228 P 232 P 236 P 074 P 078 P 082 P 086 020 CATALOGUE OVERVIEW PORTRAIT OVERVIEW 021 21 22 23 23 38 39 39 37 William IV Anne Wilhelmina William V Charles I of England, Charles II of England, George III of Great Britain of Orange-Nassau of Orange-Nassau of Orange-Nassau of Orange-Nassau Fanny Murray Scotland and Ireland Scotland and Ireland and Ireland P 092 P 096 P 100 P 100 P 160 P 164 P 168 P 168 24—25 24 26—28 29 40 41 42—48 48—50 Louise Frederick V Frederick V Joseph I of Denmark-Norway of Denmark-Norway of Denmark-Norway of Portugal European Lady Double Portrait Minerva Apollo P 104 P 104 P 112 P 122 P 176 P 180 P 184 P 194 30 31 32—33 34 51 52 53 54 Charles IV George II of Great Britain of Spain and Ireland Duke of Cumberland Scotsmen Neptune Bacchus Bacchus Toby P 126 P 130 P 136 P 144 P 200 P 200 P 200 P 208 34 35 36 36 55 56—58 56—58 59 Scotsmen Sawney John Wilkes William Murray Toby Philpot European Couple European Couple European Gentleman P 144 P 148 P 154 P 154 P 212 P 216 P 216 P 224 022 PORTRAIT OVERVIEW PORTRAIT OVERVIEW 023 60 61 62 European Gentleman European Lady European Lady P 228 P 232 P 236 024 PORTRAIT OVERVIEW PORTRAIT OVERVIEW 025 ST. SIMON 03 Plate THE APOstle A circular plate decorated at its centre This plate is part of a set depicting eleven Porcelain decorated in in bright polychrome enamels and gilt with of the apostles and St. John the Baptist. It was overglaze polychrome a rectangular panel enclosing the portrait of made in China and possibly for a Flemish client. enamels, grisaille, St. Simon the Apostle. A bust of the saint with The rectangular cartouche at the centre of the and gold a gold halo around his head and holding the plate copies a devotional card (heilige kaartje) China — Qing dynasty, saw with which he was executed is shown within made by the Antwerp engraver Michiel Cabbaey Qianlong period an oval medallion. This scene unfolds above (ca. 1660-1722) (fig. 1). The image was probably (1736-1795), ca. 1760 the inscription ‘S.SVUMON’ and is enclosed modelled after the print made by Schelte Adamsz by acanthus leaves, two birds, and stylised Bolswert and also published in Antwerp by Ø 22.7 cm flowering foliage. The broad rim of this plate is Maarten van den Enden, which was in turn based PROVENANCE painted in grisaille with a du Paquier-style border on an original design by Gerard Seghers (fig. 2). Baronne della Faille issuing peacocks, scale patterns, and Laub- und Cabbaey was renowned for his miniature prints Collection Bandelwerk strapwork. At the bottom of the rim, following designs by great masters, to which he François Hervouët these patterns are interrupted by a polychrome added flowering frames, often painted by hand, Collection oval medallion with a dove surmounted by the onto the printed surface (fig. 3).1 His framing Dr Anton C.R. Dreesmann Collection all-seeing eye of God. Double lines in black devices varied from linear, rectangular panels, enamel and gold surround the entire plate. as seen on the porcelain plates depicting Philip, Matthew, and Jude, to more complex ornaments of entwined acanthus leaves and birds, as on the plates showing Simon, Peter, Andrew, Bartholomew, Thomas, and Mathias. FIG. 1 Holy Card Michiel Cabbaey (ca. 1660-1722) Painted parchment © Museum CAthARIJNecONVENT, FIG. 1 Utrecht / RubeN DE Heer 032 THROUGH DISTANT EYES THROUGH DISTANT EYES 033 FIG. 3 FIG. 4 14 15 16 6 Maior’ (fig. 4), ‘S. Mathevs’, ‘S. Philippvs’, Metropolitan Museum of Art, New York, inv. no. 51.86.17a, b. FIG. 3 7 British Museum, London, inv. no. Franks.759.+. 17 18 19 Holy Card ‘S. Svmon’, ‘S. Andreas’, ‘S. Bartholomeus’, 8 Victoria and Albert Museum, London, inv. no. C.30-1951; Michiel Cabbaey (ca. 1660-1722) ‘S. Petrus’,20 ‘S. Thomas’,21 and ‘S. Mathias’.22 Minneapolis Institute of Art, inv. no. 97.153.80. Painted parchment 9 Leidy and Pinto de Matos, 2016, p. 144. The plate showing the apostle St. Paul was 10 British Museum, London, inv. no. Franks.891.+ © Museum CAthARIJNecONVENT, Utrecht illustrated by J.-P. van Goidsenhoven in 193623 11 Leidy and Pinto de Matos, 2016, p. 144. 12 Leidy and Pinto de Matos, 2016, pp. 142-43, fig. 52. and the twelfth plate from the series, inscribed 13 Hervouët and Bruneau, 1986, p. 269, no. 11.32. 14 Hervouët and Bruneau, 1986, p. 269, no. 11.33; Mézin, 2002, ‘XI S. Ivdae’, was until 1980 in the Garbisch FIG. 4 p. 149, no. 123. Collection, USA.24 15 Hervouët and Bruneau, 1986, p. 269, no. 11.34; Plate Jorge Welsh (ed.), 2003, pp. 80-85, cat. 24. China 16 Qing dynasty, Qianlong period Hervouët and Bruneau, 1986, p. 269, no. 11.35; Jorge Welsh (1736-1795), ca. 1760 PUBLISHED IN (ed.), 2003, pp. 80-85, cat. 24, presently in the Metropolitan Porcelain decorated Museum of Art, New York, inv. no. 2016.73. in overglaze polychrome enamels, grisaille, and gold Hervouët and Bruneau, 1986, p. 270, no. 11.37 17 Hervouët and Bruneau, 1986, p. 270, no. 11.37; Jorge Welsh Ø 22.7 cm Jorge Welsh (ed.), 2003, pp. 80-85, no. 24 • (ed.), 2003, pp. 80-85, cat. 24. 18 Hervouët and Bruneau, 1986, p. 270, no. 11.38; Howard and © Y. BOËlle – MusÉE DE LA Ayers, 1978, vol. I, p. 321, no. 316; Pinto de Matos, 2011, vol. II, COmpAGNIE Des INDes — VIlle DE LORIENT pp. 312-13, no. 369. 1 Heurck, 1930. 19 Hervouët and Bruneau, 1986, p. 270, no. 11.39; Howard and 2 Plates with this pattern are presently in the Museo Nacional Ayers, 1978, vol. I, p. 321, no. 316; Pinto de Matos, 2011, vol. II, de Artes Decorativas, Madrid, the Victoria and Albert Museum, pp. 312-13, no. 369; Leidy and Pinto de Matos, 2016, pp. 140-45, London, and the Museo Historico de Acapulco, illustrated cat. 26. in Gutiérrez Peláez (coord.), 2002, p. 74; other plates are 20 Beurdeley and Raindre, 1986, pp. 208-09, no. 282; Jorge Welsh illustrated by Mudge, 1986, p. 81 and Díaz, 2010, no.
Recommended publications
  • The Textiles of the Han Dynasty & Their Relationship with Society
    The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33
    [Show full text]
  • “Queue”: a Case of Chinese Scalping
    Migration, Masculinity, and Mastering the “Queue”: A Case of Chinese Scalping RACHEL K. BRIGHT Keele University N 1906 a South African newspaper, The Prince, published a picture of Ia Chinese man’s scalp, which it had bought from an ex-prisoner. According to the original newspaper account and the subsequent government investigation, staff and prisoners were scalping Chinese men in the morgue on demand since at least May 1906, and selling them to colonial officials.1 ‘Queues’ were also being taken from living Chinese prisoners.2 The one sold to the newspaper was traced back to the execution of two Chinese prisoners at Pretoria Jail. When exhumed, both had been scalped. Prisoner witnesses attested that the 1 The Prince, 29 September 1906, 1116 had a photograph of the scalp (the front page), and 1118–1119 the story. See also 22 September 1906; 13 October 1906, 1166; Truth (Western Australia [WA]), 27 October 1906, 7; South African National Archives, Transvaal Foreign Labour Department (FLD) 7/147/20/20. Conclusions from Affidavits taken in connection with statements in The Prince regarding removal of a Chinaman’s Scalp; FLD7/ 147/20/20, Frank Oldrich Wheeler’s statement; FLD7/147/20/20, Alfred W. Sanders, District Surgeon, to Deputy Governor of Pretoria Prison, 9 October 1906; FLD7/147/20/20, Secretary, Law Department to Private Secretary, Acting Lieutenant-Governor, 16 November 1906; Warder Kidby’s statement; C. J. Hanrette, Director of Prisons, to Secretary of Law Department, 10 October 1906; FLD7/147/20/20, Secretary, Law Department, to Private Secretary, Acting Lieutenant-Governor, 16 November 1906;C.
    [Show full text]
  • Stave One Marley's Ghost Arley Was Dead, to Begin With. There Is No
    Stave One Marley's Ghost arley was dead, to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it. And Scrooge's name was good upon 'Change for anything he chose to put his hand to. Old Marley was as dead as a door-nail. Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don't know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend, his sole mourner. Scrooge never painted out old Marley's name, however. There it yet stood, years afterwards, above the warehouse door, -- Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley. He answered to both names. It was all the same to him. Oh ! But he was a tight-fisted hand at the grindstone, was Scrooge! a squeezing, wrenching grasping, scraping, clutching, covetous old sinner! External heat and cold had little influence on him. No warmth could warm, no cold could chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn't know where to have him. The heaviest rain and snow and hail and sleet could boast of the advantage over him in only one respect, -- they often "came down" handsomely, and Scrooge never did.
    [Show full text]
  • The Novels Reader
    The Novels Old Western Culture Reader Volume 16 The Novels Old Western Culture Reader Volume 16 Companion to Early Moderns: The Novels, a great books curriculum by Roman Roads Press MOSCOW, IDAHO The Novels: Old Western Culture Reader, Volume 16 Copyright © 2020 Roman Roads Media, LLC Published by Roman Roads Press Moscow, Idaho 83843 romanroadspress.com Series Editor: Daniel Foucachon Cover Design: Valerie Anne Bost, Daniel Foucachon, and Rachel Rosales Cover Image: At Pemberley, by Joey Nance Typesetting: Joey Nance Printed in the United States of America. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopy, recording, or oth- erwise, without prior permission of the publisher, except as provided by the USA copyright law. The Novels: Old Western Culture Reader, Volume 16 Roman Roads Media, LLC ISBN: 978-1-944482-50-3 (paperback) Version1.0.0 August 2020 This is a companion reader for the Old Western Culture curriculum by Roman Roads Press. To find out more about this course, visit www.romanroadspress.com. Old Western Culture Great Books Reader Series THE GREEKS VOLUME 1 The Epics VOLUME 2 Drama & Lyric VOLUME 3 The Histories VOLUME 4 The Philosophers THE ROMANS VOLUME 5 The Aeneid VOLUME 6 The Historians VOLUME 7 Early Christianity VOLUME 8 Nicene Christianity CHRISTENDOM VOLUME 9 Early Medievals VOLUME 10 Defense of the Faith VOLUME 11 The Medieval Mind VOLUME 12 The Reformation EARLY MODERNS VOLUME 13 Rise of England VOLUME 14 Poetry and Politics VOLUME 15 The Enlightenment VOLUME 16 The Novels Contents Jane Austen 1 Pride and Prejudice Book I 105 Pride and Prejudice Book II 189 Pride and Prejudice Book III Charles Dickens A Christmas Carol 303 Stave One 319 Stave Two 334 Stave Three 354 Stave Four 367 Stave Five Fyodor Dostoevsky The Brothers Karamazov Book 5 377 Chapter IV: Rebellion 388 Chapter V: The Grand Inquisitor Anton Checkov 411 The Bet C.S.Lewis 421 De Descriptione Temporum Pride and Prejudice Jane Austen BOOK I CHAPTER I.
    [Show full text]
  • Smgscmnim Har»Ld\.Comptpn' of Suburban.' Rangeg D by Dawson
    -••'• '•" "•• —^r'* **" '''''' '"'''"' ;V|-'' '' ' ' -^ •—^- •'-'.' .'.'—- '• —!""'"'' ,J.-*Lu~.^L i '•' ' 'n •-' •- '"'ri'i'ir" '^M'^- •'""-'•'•'*'• " ' ' ' '••'••' mi i.i'n.. '•rutnlajr ''" ' ;'i'.|i —J-~. ,»'. *>- "' •'•'- • •. • • * •' 0- •• • >v.....•'''•'' THE' CRANFORD Cl'l'lZKN AND CHRONICLE, THURSDAY, APRIL 1, 1954 „_„*•' ' f .-'••/ Army last April and completed") it was announced this Ore ensemble singing two selec- v ' • basic training ot 'Camp*' Breckxn- tions, ~~ Scout Wins Citation Cranford, Garwood T(, £•,•''>.?' ridge, Ky. - ,, •-.,< .^ Prindpalls. i»=the firmvare Anne's Albert and Artn^-Meurer, and pur- y groups will be Joyce Skgggs, . ' ' " | !f • • -. ' |friMt&-iihHeart^^v«^ f' tl e business is the sales WiUiam Canteen Dances Planned Jacobsen. Jean Belden,- Susan Maher, eighth grade Cranfqrd wasUwong j l Tjnioa and service of, domestic water soft- Laird-and Carole Smith. James •student at Sittj Michael's School, re- County communjjte^hich-ibppa 8 For Local Young People ceived a heroism citation recently Lenney of the musk; faculty will their quotas In tfie annual i^, GAR\yoppj— A teen-age can- also play several, accompaniments from Union Council, Boy Scouts of iiineiabfe on the. organ. •; America.- - raising drive of the Union Com,,. * Church Cagers Defeat teen dance will be -''sponsored fTC Proceeds f/om this concert past winter, he res- Heart Association. Untj seventh and eighth grade students Central Railroad cf-New Jerseyj go tow-artf the' Organ Fund;,. cued an eight-year-old boy from Cranford's goal was $2 IM .» has- bten authorized by the Public 8 Fire Department Teams by the Recreation Commission ""btT-j Hammond -organ was purchased the -Rahway River. He is a mem- and $3,418 Wgs raised.
    [Show full text]
  • Christmas-Tide Elizabeth Harrison
    National Louis University Digital Commons@NLU Elizabeth Harrison’s Writings Archives and Special Collections 1902 Christmas-tide Elizabeth Harrison Follow this and additional works at: https://digitalcommons.nl.edu/harrison-writings Part of the Christianity Commons Recommended Citation Harrison, Elizabeth, "Christmas-tide" (1902). Elizabeth Harrison’s Writings. 18. https://digitalcommons.nl.edu/harrison-writings/18 This Book is brought to you for free and open access by the Archives and Special Collections at Digital Commons@NLU. It has been accepted for inclusion in Elizabeth Harrison’s Writings by an authorized administrator of Digital Commons@NLU. For more information, please contact [email protected]. (X-^iA^ e ^>c.-^-^ RAREBK 334 H31Bc Harrison, Elizabeth, 1849- 1927. Christmas-tide FOR BFFFPFNrT 1 RAREBK 394 H31Bc Harrison, Elizabeth, 1B49- 1927. Christmas-tide MmNalional-IxMiis Uniwrsity UNIVERSITY LIBRARY EVANSTON CAMPUS 2840 Sheridan Road Evanston, Illinois 60201 ILDS-NSLS /OiW xt'^i A littk- l>()\ 111 Miss llairiM.ii viiidergarteii lieard the story ot tlie legt-nd ol the C'liriM CIhIJ, lid just prior to liis going to Europe for a three inoiilh- nip uii lis latlier and motlier. While there his mother took him one thiv ith Iter to see a collection of art photographs. He looked at tlie quietly and thoughtfully for a time, and then picking-: uj)u]) a copy of the above picture he said, Mamma, you told me 1 might take a present home to Miss Harrison, and I would like to take her this picture, because it looks just as 1 think the little Christ Child that she read us about must have looked." So beautiful was the thought embodied in the story that it left the same in:pression upon the mind of the child that the great artist Murillo had left upon canvas.
    [Show full text]
  • Barbara Allen. in Scarlet Town, Where I Was Born
    [i o TJ C ID Q0 0 Zz 0 z z- c > > '^Csj-</^?>rb '^^2^'</^^^y^^cA<i<y«o><uj:^<^p>T^<iiVi^^ EEntr^ TUB UNITED STATES SONGSTER. CHOICE SELECTION OP ABOUT ONE HUNDRED AND SEVENTY OF THE MOST POPULAR SONGS: INCLDOING NEARLY ALL THE 60NOS CONTAINED IN THK jLjaii:RiCA.3sr SOI^^GSTEZI. AS SUNG BY MisH (J. Fisher* Mrs. Austin* Mr. Matthews* JVli«p Rock, Miss Peine, Mr. Anderson, Mrs. Kniglit, Airs. Froiich, Mr. Jefferrfon, Miss (jillinghams, Mrs. Wood, Mr. Pliiliips, Miss GV'orge, Mrs. Barnes* Mr. Pearman, MisR Kelly, Mr. VVuod, Mr. Simpson, MISS Prat on. Mr. Co well. Mr. Branum, Miss Free, Master (;oweJ], Mr; Nicholls* Seii'a Garcia, Mr. Sloman, Mr. Eberle, Miss JetVerson, Mr. Keene, Mr. Hyle. Miss Stophens, Mr. Sinclair, Mr. Inclfdon, Mrd. Sloman* Mr. Horn* Mr. A. Drake TO WHICH IS ADDED SET T I N . (VjNT X' J^. A IL; J VM 'B dc? W'JS;, AND A N-JMiJliR OF NKVV AND ORIGINAL SONGS,,' - „ - ^ 'WUll'lEN EXPKESSLY FUR THIS WORK. -'^ ,'., = •^; ^ I. " •'- ' ""^ J » •> PUBLISHED BY U. P. JAM^S, No. 167 WALNUT STREET. J. -^^ *• r •• ^ , \ \ O Entered according to Act ofCoTigress, in the year 18?,6, BY J. A. JAMES & CO. In the Clerk's Office for the District Court of Ohio. * V < • • ^ * > I k • THE UNITED STATES SONGSTER. TIfte Star Spangfled Banner. On ! say, can you see, by the dawn's early light, What so proudly we hail'd at the twilight's last gleaming] Whose broad stripes and bright stars, through the perilou:? fight, O'er the ramparts we watch'd, were so gallantly streaming; A.nd the rocket's red glare, the bombs bursting in air, Gave proof through the night that our flag was still there.
    [Show full text]
  • Fashion,Costume,And Culture
    FCC_TP_V3_930 3/5/04 3:57 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V3_930 3/5/04 3:57 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 3: European Culture from the Renaissance to the Modern3 Era SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos.
    [Show full text]
  • History of Friedrich II of Prussia V 4
    History of Friedrich II of Prussia V 4 Thomas Carlyle Project Gutenberg's Etext History of Friedrich II of Prussia V 4 #10 in our series by Thomas Carlyle V4 of 21 Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. History of Friedrich II of Prussia V 4 by Thomas Carlyle March, 2000 [Etext #2104] Project Gutenberg's Etext History of Friedrich II of Prussia V 4 *******This file should be named 04frd10.txt or 04frd10.zip******* Corrected EDITIONS of our etexts get a new NUMBER, 04frd11.txt VERSIONS based on separate sources get new LETTER, 04frd10a.txt Prepared by D.R. Thompson <[email protected]> Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition. We are now trying to release all our books one month in advance of the official release dates, leaving time for better editing.
    [Show full text]
  • Asian Art Montpelier Street, London I 28 and 29 July 2020
    Asian Art Montpelier Street, London I 28 and 29 July 2020 Asian Art Part I: Tuesday 28 July 2020 at 10am, lots 1 - 287 Part II: Wednesday 29 July 2020 at 10am, lots 300 - 630 Montpelier Street, London BONHAMS ENQUIRIES 拍賣品之狀況 ENQUIRIES Montpelier Street Rosangela Assennato 請注意: 本目錄並無說明任何拍 For general assistance, Knightsbridge +44 (0) 20 7393 3883 賣品之狀況。按照本目錄後部份 please contact our London SW7 1HH [email protected] 所載之「競投人通告第15條」,準 Customer Service team. bonhams.com 買家必須拍賣前親自確定拍賣品 Rachel Hyman 之狀況。 London: +44 207 447 7447 +44 (0) 20 7393 3854 VIEWING 純為方便準買家,本公司如果拍 New York: +1 212 644 9001 [email protected] By Timed Appointment Only 買開始前24小時收到準買家的要 Hong Kong: +852 291 84321 Friday 24 July, 9am to 4.30pm Kelsey Chang 求,本公司可提供書面上的狀況報 Saturday 25 July, 11am to 4pm +44 (0) 20 7393 3943 告。該報告是依據「競投人通告 IMPORTANT INFORMATION Sunday 26 July, 11am to 4pm [email protected] 第1.6條」提供。 The United States Government Monday 27 July, 9am to 4.30pm With special thanks to has banned the import of ivory Karl Bartley, Mel Cinpolat, into the USA. Lots containing PHYSICAL CONDITION OF Please note that under current Will Mees, Joseph Warren and ivory are indicated by the symbol LOTS IN THIS AUCTION conditions, our sale at Knightsbridge Aimee Hollands for photography. Ф printed beside the lot number will be held behind closed doors and PLEASE NOTE THAT THERE in this catalogue. IS NO REFERENCE IN THIS without public attendance. PRESS ENQUIRIES CATALOGUE TO THE PHYSICAL REGISTRATION [email protected] BIDS CONDITION OF ANY LOT. IMPORTANT NOTICE +44 (0) 20 7447 7447 INTENDING BIDDERS MUST Please note that all customers, [email protected] CUSTOMER SERVICES SATISFY THEMSELVES AS TO irrespective of any previous activity To bid via the internet Monday to Friday THE CONDITION OF ANY LOT with Bonhams, are required to please visit www.bonhams.com 8.30am to 6pm AS SPECIFIED IN CLAUSE 15 complete the Bidder Registration +44 (0) 20 7447 7447 OF THE NOTICE TO BIDDERS Form in advance of the sale.
    [Show full text]
  • A Christmas Carol- Patrick Stewart CD Version
    By Charles Dickens As read by Patrick Stewart External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. A Christmas Carol Nobody ever stopped him in the street by Charles Dickens to say, “My dear Scrooge, how are you? When will you come to see me?” No (As performed by Patrick Stewart) beggars implored him to bestow a trifle, no children asked him what it was Stave 1 - Marley’s Ghost o’clock. Even the blind men’s dogs appeared to know him; and when they Marley was dead: to begin with. There saw him coming, would tug their owners is no doubt whatever about that. The into doorways and up courts. register of his burial was signed by the But what did Scrooge care! It was the clerk, the clergyman, the undertaker, the very thing he liked. To edge his way chief mourner. Scrooge signed it. Old along the crowded paths of life, warning Marley was dead as a door-nail. all human sympathy to keep its distance! Scrooge knew he was dead? Of course Once upon a time – and of all the he did. How could it be otherwise? good days in the year, on Christmas Eve Scrooge and he were partners for I don’t - old Scrooge sat busy in his counting- know how many years, though Scrooge house. It was cold, bleak, biting weather: never painted out Old Marley’s name. foggy withal: and he could hear the There it stood, years afterwards, above people in the court outside, go wheezing the ware-house door: Scrooge and up and down, beating their hands upon Marley.
    [Show full text]
  • A Christmas Carol
    A CHRISTMAS CAROL TEACHING RESOURCES DEC 2020 CONTENTS Characters 3 Old Vic Education & Community The Old Vic The Cut Synopsis 4 London SE1 8NB E [email protected] Themes 6 @oldvictheatre Timeline: Dickens, Christmas and the theatre 7 © The Old Vic, 2020 All information is correct at the time of going to print, but may Interview with Matthew Warchus, Director of A Christmas Carol, 9 be subject to change and Artistic Director of The Old Vic Teaching resources Compiled by Euan Borland Directing A Christmas Carol by Jamie Manton, Associate Director 11 & Susie Ferguson of In Camera: A Christmas Carol Education & Community Director Hannah Fosker Quick Questions with Jack Thorne, Playwright of A Christmas Carol 12 Education Manager Euan Borland Costume Design in A Christmas Carol with Set & Costume 13 designer Rob Howell Young Person’s Programme Manager Naomi McKenna Lawson Music and Sound in A Christmas Carol 15 Education & Community Coordinator Kate Lawrence-Lunniss Performing the Carol 16 Community Projects Assistant Tara Geraghty Practical Exercises for the Drama studio and English classroom 19 Education & Community Intern Abena Obeng Bibliography and Further Reading 26 Placement Student Hannah Margerison Further details of this production oldvictheatre.com Teaching Resources: A Christmas Carol 2 CHARACTERS Ebenezer Scrooge A mean-spirited man who now runs Scrooge & Marley alone since the death of his business partner Jacob Marley. Little Fan Ebenezer’s sister who collects him from boarding school and takes him home. Young Ebenezer The younger self of Ebenezer, shown to him by the Ghost of Christmas Past. Bob Cratchit A hard-working but very poor family man, who works for Scrooge.
    [Show full text]