Stave One Marley's Ghost Arley Was Dead, to Begin With. There Is No
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The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
A Christmas Carol Playbill
AW o f AR S D- R W A I THE DICKENS, YOU SAY! N E N Y I Background information on some of the names and words used in A Christmas Carol. N 5 G THE 6 T ★ SCROOGE: The name was derived from a ★ CRATCHIT: From “cratch,” an archaic word H E A D for “creche,” the manger in which the T N word meaning to squeeze or crowd. R66 U E R O infant Jesus was laid. Also suggests the IN - T H E - ★ TIM: Originally called Little Fred, he may scratching of the clerk’s pen on paper. have been inspired by Dickens’ nephew, who suffered from tuberculosis and died ★ BAH, HUMBUG!: Scrooge’s famous young. He is referred to as Tiny Tim only catchphrase was only said twice by him twice in the novella. in the book. ★ PLUM PUDDING: There were no plums in ★ COUNTING HOUSE: A business office for Mrs. Cratchit’s Christmas pudding. It was correspondence and keeping accounts. a traditional English dessert -- a steamed These were poorly heated and dimly lit. pudding filled with nuts, spices, and dried Most firms were small, consisting of only fruit such as raisins, which were then one or two employees. A workday of called plums. 12 to 13 hours, six days a week was not uncommon. ★ FIFTEEN SHILLINGS A WEEK: Bob’s salary equals about $80 a week in today’s ★ BURIED WITH A STAKE OF HOLLY currency, but the cost of living was much THROUGH HIS HEART: It was common cheaper in 1843. A typical salary for a clerk practice at that time to bury a murderer at that time was 25 shillings or more. -
A Christmas Carol- the Plot Stave 1: Marley's Ghost
A Christmas Carol- The Plot Stave 1: Marley's Ghost Here the reader meets Ebenezer Scrooge, a miserable but wealthy old man. Scrooge works in his ……...........................................with his clerk,………………………………………………. Bob writes out records of accounts and Scrooge oversees the business but we don't know (it's not important) what it exactly does. (There may be a clue in the next chapter, where we see Scrooge as an apprentice with ……………………………………………..) It is Christmas…………………….., and Scrooge receives several visitors. One is his nephew……………………………..who invites Scrooge to dine with him for Christmas. Then come two gentlemen who are collecting for ……………………………….. We learn here that Scrooge had a partner……………………………………….., who died on Christmas Eve seven years previously. Scrooge refuses to give the gentlemen anything, saying he helps the poor already through supporting prisons and workhouses. Scrooge allows Bob to have Christmas Day as a holiday, but insists that he……………………………………………………………………………………………………………... (Boxing Day was not usually a holiday in the 19th century, but was the day when tradesmen collected their Christmas "boxes" - gifts from their customers.) When Scrooge returns to his lodging he is visited by the Ghost of Jacob Marley who is weighed down by ………………………………………………………………………………. The ghost says that any spirit which does not mix with other people in life must travel among them after death. Marley tells Scrooge that he, too, wears a chain, larger than Marley's. Marley has often sat by him unseen. Now he tells him that……………………………………………………………………………………………………………. Stave 2: The First of the Three Spirits This is the Ghost of ……………………………………………………………………. - Scrooge's own past. The ghost has a strange changing form and gives out brilliant …………………………………. -
4A. the Characters
A Christmas Carol 4a. T he Characters Read and listen to the descriptions of the characters in the play. Use the information to help you with the exercise on the next page, and then listen to see if your answers are correct. 1. Ebenezer Scrooge is about 60 years old. He works 6. The Ghost of Christmas Present is green and cov- in an office for many hours every day and return home, ered in leaves. He is very jolly and quite large. He has where he lives alone, in the evenings. His business is 2000 brothers and sisters — one for every year. He shows called Scrooge and Marley, but his business partner died Scrooge his present life and people’s opinion of him. seven years before. He is an unkind and ungenerous man. 7. The Ghost of Christmas Future doesn’t speak and He thinks Christmas is a waste of time and money. He has is very scary. It wears a dark cape with a hood, and grey hair, brown eyes and is quite thin. He wears a dark it’s impossible to see its face. It is very tall and thin. suit to work and a dressing gown at night. He doesn’t be- It shows Scrooge what will happen in the future if he lieve in ghosts but is scared when he sees them. doesn’t change his way of life. 2. Bob Cratchit works for Scrooge in his office and is 8. Belle was Scrooge’s girlfriend when he was a young very poor. He is 32 years old and is married with five apprentice. -
Carol 1 Exam Materials
Exam Task 1 Read the following extract from the final chapter of A Christmas Carol and then answer the question that follows. In this extract, Scrooge is a better man. "A merry Christmas, Bob," said Scrooge, with an earnestness that could not be mistaken, as he clapped him on the back. "A merrier Christmas, Bob, my good fellow, than I have given you for many a year. I'll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob. Make up the fires, and buy another coal-scuttle before you dot another i, Bob Cratchit!" Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did not die, he was a second father. He became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset; and knowing that such as these would be blind anyway, he thought it quite as well that they should wrinkle up their eyes in grins, as have the malady in less attractive forms. His own heart laughed: and that was quite enough for him. -
A Christmas Carol
LOUGHEED HOUSE PRESENTS A CHRISTMAS CAROL Written by Charles Dickens Performed by Steven Méthot INTRODUCTION Hello and Happy Holidays! On behalf of the Lougheed House Conservation Society thank you so much for your donation and for showing your support for the work that we do in our community. For many years during the holiday season we have had the pleasure of presenting the gorgeous and heartfelt performances of Steven Méthot, Natalie Manzer, and Karen and Michael Pollock in our Drawing Room. For many, watching this performance has become a treasured annual family tradition and despite our needing to adapt to our current circumstances, we are so thrilled that we are able to share their performance in a new way this holiday season. For years, Steven, Natalie, Karen, and Michael have shared their version of this classic tale in order to help raise funds and awareness for community organizations that they support and believe in. It’s always been very clear to us at Lougheed House that this show and their collective performances were created in the same spirit and with the same values that inspired Charles Dickens to write A Christmas Carol - values of fellowship, community, giving, resilience and the importance of love. We are beyond grateful that they have worked with us again this year, especially while navigating the new risks, challenges and protocols that have all come to all our own doorsteps during 2020. Our wish for you this holiday season is that this radio play allows you to relax, recharge and connect with those closest to you. -
Charles Dickens' a Christmas Carol Celebrates 20 Years
31 W. Patrick Street Frederick, MD 21701 CONTACT: Dan Brick 301.694.4744 PRESS RELEASE (301) 694-4744 ext. 303 marylandensemble.org [email protected] CHARLES DICKENS’ A CHRISTMAS CAROL CELEBRATES 20 YEARS AS A FREDERICK HOLIDAY TRADITION FREDERICK, MD (October 30, 2013) - Charles Dickens’ classic A Christmas Carol is returning to Frederick for the twentieth straight year with Maryland Ensemble Theatre’s production December 20 through 22 at the Weinberg Center for the Arts. The cast of over two dozen actors portraying the ghosts of Christmas Past, Present, Future and Tiny Tim will transport audiences to Victorian England as the penny-pinching Ebenezer Scrooge learns the error of his miserly ways and embraces the true spirit of Christmas. “We really do feel like it’s a holiday gift we can give to our community,” said the show’s director Julie Herber. “The spirit of the show is infectious, the energy we feel greeting the audience after the show is always so cheerful and heartwarming.” A Christmas Carol is a stirring tale that has endured and delighted since being greeted with critical and popular acclaim upon its publication in 1843. Dickens himself was the first to add a performance element to the story personally performing 127 public readings of A Christmas Carol. Since then it has been adapted hundreds of times to nearly every medium possible including the first surviving film version in 1901, Orson Wells on CBS Radio in 1938, both opera and ballet adaptations, a Muppets’ movie and a Broadway musical. Maryland Ensemble Theatre’s version was adapted by Theatricks, a theater company co-founded by MET Associate Artistic Director Julie Herber. -
Jacob Marley Was Dead
Jacob marley was dead Continue I personally love the Book of Christmas Song and I read it every December. It's not a long book, which is probably why it's a favorite classic of an overworked high school student, and this librarian with a read list a mile long. I'm also a big fan of Christmas, and Christmas special, and books about Christmas. I admit that I've never been a big fan of Dickens's more works. In high school we read Great Expectations and I remember very little, except that it was particularly hard to follow, which kind of turned me away from everything he had written for a while. But a few years ago I decided to give a Christmas carol a chance and it became one of my favorite books. The language That Dickens used is unlike anything we use in everyday communication in 2014. Never has Tiny Tim ever lol, and none of the ghosts will ever smh Scrooge and his ignorance. Honestly, I can see how difficult it can be for some to sit down and read page after page of the lengthy descriptions Of the Dickens used-after-all, we want to get to the meat of ghost stories and a grumpy old man learning to appreciate kindness and friendship for money, but when we don't have the time to read what Dickens has written he draws some amazing images in our heads. Take the opening lines: Marley was dead: for starters. As for the first lines in the book to go, that one is damn good. -
Accessible Arts Calendar Summary 2019 Current Venues and Shows
Accessible Arts Calendar Summary 2019 Current Venues and Shows Updated 9-4-19 – The VSA Minnesota Accessible Arts Calendar lists arts events that proactively offer accessibility accommodations such as: ASL (American Sign Language Interpreting), AD (Audio Description), CC (Closed Captioning), OC (Open or Scripted Captioning), DIS (performers with disabilities), or SENS (Sensory-friendly accommodations) which are inclusive for children on the autism spectrum. The main Accessible Arts Calendar listings (emailed monthly through August 2019 and online at http://vsamn.org/community/calendar) offer descriptions of shows, authors, directors, describer & interpreter names, ticket prices, discounts, dates for Pay What You Can (PWYC), and more. This Current Venues and Shows list supplements the Accessible Arts Calendar. On our website as a Resource under Community (http://vsamn.org/community/resources-community/), it summarizes shows at arts venues across Minnesota: plays, concerts, exhibits, films, storytelling, etc. It’s limited to what we learn about and have time to include. The venues are organized alphabetically by Twin Cities venues and then by Greater Minnesota venues. They may offer accessible performances proactively or upon request. Words in GREEN identify some accessibility accommodations. We assume all auditoriums and bathrooms are wheelchair-accessible and theatres with fixed seating have assistive listening devices, unless noted otherwise. Both calendars will be discontinued after September 2019 when VSA Minnesota ceases operation. -
The Man Who Invented Christmas Film Adaptations of Dickens’ a Christmas Carol Dr Christine Corton
10TH DECEMBER 2019 The Man Who Invented Christmas Film Adaptations of Dickens’ A Christmas Carol Dr Christine Corton A Christmas Carol is now over 175 years old. Written in 1843, it is certainly the most televised of Dickens’s works and equals if not beats, its closest rival, Oliver Twist (1837-39) for cinema releases. It’s had a huge influence on the way we understand the Christmas festival. It was written at a time when the festival was being revived after centuries of neglect. And its impact was almost immediate. A Christmas Carol quickly achieved iconic status, far more so than any of Dickens’s other Christmas stories. You have to have been living on some far-off planet not to have heard of the story – the word ‘Scrooge’ has come to represent miserliness and ‘Bah, Humbug’ is a phrase often resorted to when indicating someone is a curmudgeon. Even, Field Marshall Montgomery concluded his Christmas Eve message to the Eighth Army on the battlefield with Tiny Tim’s blessing. In 1836 Dickens described Christmas at Dingley Dell in The Pickwick Papers in which of course one of the most famous of the interpolated tales appears, The Story of the Goblins who Stole a Sexton and for those who know the tale, the miserable and mean Gabriel Grub is not a million miles away from Scrooge. Both Mr Pickwick’s Christmas at Wardle’s (1901) and Gabriel Grub: The Surly Sexton (1904) were used as the basis for silent films at around the same time as the first silent version of the 11 minute long: Scrooge: Or Marley’s Ghost which was released in 1901. -
By Charles Dickens, Adapted by Romulus Linney a Christmas Carol
By Charles Dickens, Adapted by Romulus Linney A Christmas Carol is a novella by Charles Dickens, first published in London in 1843. The novella met with instant success and critical acclaim. A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation into a gentler, kindlier man after visitations by the ghost of his former business partner Jacob Marley and the Ghosts of Christmases Past, Present and Yet to Come. The book was written at a time when the British were examining and exploring Christmas traditions from the past as well as new customs such as Christmas cards and Christmas trees. Carol singing took a new lease on life during this time. Dickens' sources for the tale appear to be many and varied, but are, principally, the humiliating experiences of his childhood, his sympathy for the poor, and various Christmas stories and fairy tales. Dickens' A Christmas Carol was one of the greatest influences in rejuvenating the old Christmas traditions of England, but, while it brings to the reader images of light, joy, warmth and life, it also brings strong and unforgettable images of darkness, despair, coldness, sadness, and death. Scrooge himself is the embodiment of winter, and, just as winter is followed by spring and the renewal of life, so too is Scrooge's cold, pinched heart restored to the innocent goodwill he had known in his childhood and youth. A Christmas Carol remains popular—having never been out of print—and has been adapted many times to film, stage, opera, and other media. -
“Queue”: a Case of Chinese Scalping
Migration, Masculinity, and Mastering the “Queue”: A Case of Chinese Scalping RACHEL K. BRIGHT Keele University N 1906 a South African newspaper, The Prince, published a picture of Ia Chinese man’s scalp, which it had bought from an ex-prisoner. According to the original newspaper account and the subsequent government investigation, staff and prisoners were scalping Chinese men in the morgue on demand since at least May 1906, and selling them to colonial officials.1 ‘Queues’ were also being taken from living Chinese prisoners.2 The one sold to the newspaper was traced back to the execution of two Chinese prisoners at Pretoria Jail. When exhumed, both had been scalped. Prisoner witnesses attested that the 1 The Prince, 29 September 1906, 1116 had a photograph of the scalp (the front page), and 1118–1119 the story. See also 22 September 1906; 13 October 1906, 1166; Truth (Western Australia [WA]), 27 October 1906, 7; South African National Archives, Transvaal Foreign Labour Department (FLD) 7/147/20/20. Conclusions from Affidavits taken in connection with statements in The Prince regarding removal of a Chinaman’s Scalp; FLD7/ 147/20/20, Frank Oldrich Wheeler’s statement; FLD7/147/20/20, Alfred W. Sanders, District Surgeon, to Deputy Governor of Pretoria Prison, 9 October 1906; FLD7/147/20/20, Secretary, Law Department to Private Secretary, Acting Lieutenant-Governor, 16 November 1906; Warder Kidby’s statement; C. J. Hanrette, Director of Prisons, to Secretary of Law Department, 10 October 1906; FLD7/147/20/20, Secretary, Law Department, to Private Secretary, Acting Lieutenant-Governor, 16 November 1906;C.